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Exodus 27

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1 καί-C ποιέω-VF--FAI2S θυσιαστήριον-N2N-ASN ἐκ-P ξύλον-N2N-GPN ἄσηπτος-A1B-GPN πέντε-M πῆχυς-N3E-GPM ὁ- A--ASN μῆκος-N3E-ASN καί-C πέντε-M πῆχυς-N3E-GPM ὁ- A--ASN εὖρος-N2--ASN τετράγωνος-A1B-NSN εἰμί-VF--FMI3S ὁ- A--ASN θυσιαστήριον-N2N-ASN καί-C τρεῖς-A3--GPM πῆχυς-N3E-GPM ὁ- A--ASN ὕψος-N3E-ASN αὐτός- D--GSM

2 καί-C ποιέω-VF--FAI2S ὁ- A--APN κέρας-N3T-APN ἐπί-P ὁ- A--GPF τέσσαρες-A3--GPF γωνία-N1A-GPF ἐκ-P αὐτός- D--GSM εἰμί-VF--FMI3S ὁ- A--APN κέρας-N3T-APN καί-C καλύπτω-VF--FAI2S αὐτός- D--APN χαλκοῦς-A1C-DSM

3 καί-C ποιέω-VF--FAI2S στεφάνη-N1--ASF ὁ- A--DSN θυσιαστήριον-N2N-DSN καί-C ὁ- A--ASM καλυπτήρ-N3H-ASM αὐτός- D--GSM καί-C ὁ- A--APF φιάλη-N1--APF αὐτός- D--GSM καί-C ὁ- A--APF κρεάγρα-N1A-APF αὐτός- D--GSM καί-C ὁ- A--ASN πυρεῖον-N2N-ASN αὐτός- D--GSM καί-C πᾶς-A3--APN ὁ- A--APN σκεῦος-N3E-APN αὐτός- D--GSM ποιέω-VF--FAI2S χαλκοῦς-A1C-APN

4 καί-C ποιέω-VF--FAI2S αὐτός- D--DSM ἐσχάρα-N1A-ASF ἔργον-N2N-DSN δικτυωτός-A1--DSN χαλκοῦς-A1C-ASF καί-C ποιέω-VF--FAI2S ὁ- A--DSF ἐσχάρα-N1A-DSF τέσσαρες-A3--APM δακτύλιος-N2--APM χαλκοῦς-A1C-APM ἐπί-P ὁ- A--APN τέσσαρες-A3--APN κλίτος-N3E-APN

5 καί-C ὑποτίθημι-VF--FAI2S αὐτός- D--APM ὑπό-P ὁ- A--ASF ἐσχάρα-N1A-ASF ὁ- A--GSN θυσιαστήριον-N2N-GSN κάτωθεν-D εἰμί-VF--FMI3S δέ-X ὁ- A--NSF ἐσχάρα-N1A-NSF ἕως-P ὁ- A--GSN ἥμισυς-A3U-GSN ὁ- A--GSN θυσιαστήριον-N2N-GSN

6 καί-C ποιέω-VF--FAI2S ὁ- A--DSN θυσιαστήριον-N2N-DSN φορέω-V2--PAI2S ἐκ-P ξύλον-N2N-GPN ἄσηπτος-A1B-GPN καί-C περιχαλκόω-VF--FAI2S αὐτός- D--APM χαλκοῦς-A1C-DSM

7 καί-C εἰςἄγω-VF--FAI2S ὁ- A--APM φορέω-V2--PAI2S εἰς-P ὁ- A--APM δακτύλιος-N2--APM καί-C εἰμί-V9--PAD3P ὁ- A--NPM φορέω-V2--PAI2S κατά-P ὁ- A--APN πλευρά-N1A-APN ὁ- A--GSN θυσιαστήριον-N2N-GSN ἐν-P ὁ- A--DSN αἴρω-V1--PAN αὐτός- D--ASN

8 κοῖλος-A1--ASN σανιδωτός-A1--ASN ποιέω-VF--FAI2S αὐτός- D--ASN κατά-P ὁ- A--ASN παραδεικνύω-VC--APPASN σύ- P--DS ἐν-P ὁ- A--DSN ὄρος-N3E-DSN οὕτως-D ποιέω-VF--FAI2S αὐτός- D--ASN

9 καί-C ποιέω-VF--FAI2S αὐλή-N1--ASF ὁ- A--DSF σκηνή-N1--DSF εἰς-P ὁ- A--ASN κλίτος-N3E-ASN ὁ- A--ASN πρός-P λίψ-N3--ASM ἱστίον-N2N-APN ὁ- A--GSF αὐλή-N1--GSF ἐκ-P βύσσος-N2--GSF κλώθω-VT--XMPGSF μῆκος-N3E-ASN ἑκατόν-M πῆχυς-N3E-GPM ὁ- A--DSN εἷς-A3--DSN κλίτος-N3E-DSN

10 καί-C ὁ- A--NPM στῦλος-N2--NPM αὐτός- D--GPM εἴκοσι-M καί-C ὁ- A--NPF βάσις-N3I-NPF αὐτός- D--GPM εἴκοσι-M χαλκοῦς-A1C-NPF καί-C ὁ- A--NPM κρίκος-N2--NPM αὐτός- D--GPM καί-C ὁ- A--NPF ψαλίς-N3D-NPF αὐτός- D--GPM ἀργυροῦς-A1C-NPF

11 οὕτως-D ὁ- A--DSN κλίτος-N3E-DSN ὁ- A--DSN πρός-P ἀπηλιώτης-N1M-ASM ἱστίον-N2N-APN ἑκατόν-M πῆχυς-N3E-GPM μῆκος-N3E-ASN καί-C ὁ- A--NPM στῦλος-N2--NPM αὐτός- D--GPM εἴκοσι-M καί-C ὁ- A--NPF βάσις-N3I-NPF αὐτός- D--GPM εἴκοσι-M χαλκοῦς-A1C-NPF καί-C ὁ- A--NPM κρίκος-N2--NPM καί-C ὁ- A--NPF ψαλίς-N3D-NPF ὁ- A--GPM στῦλος-N2--GPM καί-C ὁ- A--NPF βάσις-N3I-NPF αὐτός- D--GPM περιἀργυρόω-VM--XMPNPF ἄργυρος-N2--DSM

12 ὁ- A--ASN δέ-X εὖρος-N2--ASN ὁ- A--GSF αὐλή-N1--GSF ὁ- A--ASN κατά-P θάλασσα-N1S-ASF ἱστίον-N2N-NPN πεντήκοντα-M πῆχυς-N3E-GPM στῦλος-N2--NPM αὐτός- D--GPM δέκα-M καί-C ὁ- A--NPF βάσις-N3I-NPF αὐτός- D--GPM δέκα-M

13 καί-C εὖρος-N2--NSN ὁ- A--GSF αὐλή-N1--GSF ὁ- A--ASN πρός-P νότος-N2--ASM ἱστίον-N2N-NPN πεντήκοντα-M πῆχυς-N3E-GPM στῦλος-N2--NPM αὐτός- D--GPM δέκα-M καί-C ὁ- A--NPF βάσις-N3I-NPF αὐτός- D--GPM δέκα-M

14 καί-C πεντεκαίδεκα-M πῆχυς-N3E-GPM ὁ- A--ASN ὕψος-N3E-ASN ὁ- A--GPN ἱστίον-N2N-GPN ὁ- A--DSN κλίτος-N3E-DSN ὁ- A--DSN εἷς-A3--DSN στῦλος-N2--NPM αὐτός- D--GPN τρεῖς-A3--NPM καί-C ὁ- A--NPF βάσις-N3I-NPF αὐτός- D--GPM τρεῖς-A3--NPF

15 καί-C ὁ- A--ASN κλίτος-N3E-ASN ὁ- A--ASN δεύτερος-A1A-ASN δέκα-M πέντε-M πῆχυς-N3E-GPM ὁ- A--GPN ἱστίον-N2N-GPN ὁ- A--ASN ὕψος-N3E-ASN στῦλος-N2--NPM αὐτός- D--GPM τρεῖς-A3--NPM καί-C ὁ- A--NPF βάσις-N3I-NPF αὐτός- D--GPM τρεῖς-A3--NPF

16 καί-C ὁ- A--DSF πύλη-N1--DSF ὁ- A--GSF αὐλή-N1--GSF κάλυμμα-N3M-NSN εἴκοσι-M πῆχυς-N3E-GPM ὁ- A--ASN ὕψος-N3E-ASN ἐκ-P ὑάκινθος-N2--GSF καί-C πορφύρα-N1A-GSF καί-C κόκκινος-A1--GSN κλώθω-VT--XMPGSN καί-C βύσσος-N2--GSF κλώθω-VT--XMPGSF ὁ- A--DSF ποικιλία-N1A-DSF ὁ- A--GSN ῥαφιδευτός-A1--GSN στῦλος-N2--NPM αὐτός- D--GPN τέσσαρες-A3--NPM καί-C ὁ- A--NPF βάσις-N3I-NPF αὐτός- D--GPM τέσσαρες-A3--NPF

17 πᾶς-A3--NPM ὁ- A--NPM στῦλος-N2--NPM ὁ- A--GSF αὐλή-N1--GSF κύκλος-N2--DSM καταἀργυρόω-VM--XMPNPM ἀργύριον-N2N-DSN καί-C ὁ- A--NPF κεφαλίς-N3D-NPF αὐτός- D--GPM ἀργυροῦς-A1C-NPF καί-C ὁ- A--NPF βάσις-N3I-NPF αὐτός- D--GPM χαλκοῦς-A1C-NPF

18 ὁ- A--ASN δέ-X μῆκος-N3E-ASN ὁ- A--GSF αὐλή-N1--GSF ἑκατόν-M ἐπί-P ἑκατόν-M καί-C εὖρος-N2--NSN πεντήκοντα-M ἐπί-P πεντήκοντα-M καί-C ὕψος-N3E-NSN πέντε-M πῆχυς-N3E-GPM ἐκ-P βύσσος-N2--GSF κλώθω-VT--XMPGSF καί-C ὁ- A--NPF βάσις-N3I-NPF αὐτός- D--GPM χαλκοῦς-A1C-NPF

19 καί-C πᾶς-A1S-NSF ὁ- A--NSF κατασκευή-N1--NSF καί-C πᾶς-A3--APN ὁ- A--NPN ἐργαλεῖον-N2N-NPN καί-C ὁ- A--NPM πάσσαλος-N2--NPM ὁ- A--GSF αὐλή-N1--GSF χαλκοῦς-A1C-NPM

20 καί-C σύ- P--NS συντάσσω-VA--AAD2S ὁ- A--DPM υἱός-N2--DPM *ἰσραήλ-N---GSM καί-C λαμβάνω-VB--AAD3P σύ- P--DS ἔλαιον-N2N-ASN ἐκ-P ἔλαιον-N2N-GPN ἄτρυγος-A1B-ASN καθαρός-A1A-ASN κόπτω-VP--XMPASN εἰς-P φῶς-N3T-ASN καίω-VA--AAN ἵνα-C καίω-V1--PMS3S λύχνος-N2--NSM διά-P πᾶς-A3--GSM

21 ἐν-P ὁ- A--DSF σκηνή-N1--DSF ὁ- A--GSN μαρτύριον-N2N-GSN ἔξωθεν-D ὁ- A--GSN καταπέτασμα-N3M-GSN ὁ- A--GSN ἐπί-P ὁ- A--GSF διαθήκη-N1--GSF καίω-VF--FAI3S αὐτός- D--ASN *ααρων-N---NSM καί-C ὁ- A--NPM υἱός-N2--NPM αὐτός- D--GSM ἀπό-P ἑσπέρα-N1A-GSF ἕως-P πρωΐ-D ἐναντίον-P κύριος-N2--GSM νόμιμος-A1--NSN αἰώνιος-A1B-NSN εἰς-P ὁ- A--APF γενεά-N1A-APF σύ- P--GP παρά-P ὁ- A--GPM υἱός-N2--GPM *ἰσραήλ-N---GSM

   

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Arcana Coelestia # 9466

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9466. 'And violet' means the celestial love of truth. This is clear from the meaning of 'violet' as the celestial love of truth, the reason why 'violet' has this meaning being that it is a celestial colour, and by this colour truth from a celestial origin is meant, that is, truth springing from the good of love to the Lord. This good predominates in the inmost heaven, revealing itself in the middle or second heaven as the colours purple and violet. The actual good reveals itself as purple, and the truth springing from it as violet. For when colours appear in the next life, and in heaven itself, they are most beautiful ones; and they all have their origin in goodness and truth. For the sphere of affections for goodness and truth is revealed to the eyes of angels and of spirits also by means of colours, specific things being revealed by means of objects variously coloured, and also to their nostrils by means of odours. For every celestial reality belonging to good or spiritual reality belonging to truth is represented in the lower heavens by means of the kinds of things that appear in the natural order, and by this means is revealed to the actual external senses of spirits and angels in those heavens. The reason why the spheres of affection for goodness and truth are revealed visually by means of colours is that colours are modifications of heavenly light, and so of intelligence and wisdom, see 4530, 4677, 4742, 4922.

[2] This now explains why the materials that were to be gathered together for the tabernacle and Aaron's garments included violet, purple, twice-dyed scarlet, and skins of red rams; for the tabernacle represented the Lord's heaven, the materials which were used to construct and cover it represented the celestial and spiritual realities that belong to goodness and truth, and Aaron's garments had a like representation, 9457. It explains why the veil within which the ark of the Testimony was placed was woven from violet, purple, twice-dyed scarlet, and fine linen thread, Exodus 26:31, as likewise was the covering for the door of the tent, Exodus 26:36, and the covering for the gate of the court as well, Exodus 27:16, and why the loops on the edge of the curtain were made of violet, Exodus 26:4. It also explains why the ephod was made of gold, violet, purple, twice-dyed scarlet, and linen thread woven together, as was the breastplate of judgement, Exodus 28:6, 15.

[3] 'Violet' means the celestial love of truth, and 'garments made of violet' cognitions or knowledge of truth present as a result of that love, in Ezekiel,

Fine linen with embroidered work from Egypt was your sail, that it might be to you an ensign; violet and purple from the islands of Elishah was your covering. They were your traders with choice wares, 1 with balls of violet, and embroidery, and with chests of precious garments. Ezekiel 27:7, 24.

This refers to Tyre, by which cognitions of truth and good are meant, 1201. Knowledge and understanding acquired from these is described by 'embroidered work from Egypt', and by 'violet and purple from the islands of Elishah'. 'Embroidered work from Egypt' is factual knowledge of truth, and 'violet and purple from the islands of Elishah' is an understanding of truth and good.

[4] In the same prophet,

Two women, the daughters of one mother, in their youth committed whoredom in Egypt - Oholah and Oholibah. Oholah committed whoredom under Me and doted on the Assyrians her neighbours - clothed in violet, governors and leaders, horsemen riding on horses. Ezekiel 23:2-6.

'Oholah' stands for Samaria, and 'Oholibah' for Jerusalem, Samaria in this instance being the corrupted spiritual Church. 'Committing whoredom in Egypt' means falsifying truths by means of factual knowledge, 'doting on the Assyrians her neighbours' stands for having a love of reasonings based on those falsifications, and 'clothed in violet' stands for ideas which look like truth springing from good because they are derived from the literal sense of the Word interpreted wrongly.

[5] Something similar occurs in Jeremiah,

Beaten silver is brought from Tarshish, and gold from Uphaz, the work of the smith and of the hands of the molder. Their clothing is violet and purple. These are all the work of the wise. Jeremiah 10:9.

This refers to the idols of the house of Israel, by which false teachings, supported by distortions of the outward sense of the Word, are meant, 9424. 'The work of the smith and of the hands of the molder', and also 'these are all the work of the wise', stand for the fact that they are the product of self-intelligence. 'Silver from Tarshish, and gold from Uphaz' stands for their seeming to outward appearance to be true and good because they are taken from the Word; and much the same is meant by 'violet and purple' of which their clothing consisted.

[6] In John,

I saw horses in the vision, and those seated on them had breastplates of fire and violet and brimstone, by whom a third part of mankind was killed. Revelation 9:17-18.

'Horses' and 'those seated on them' stand for a topsy-turvy and corrupted understanding of truth. 'Breastplates of fire, violet, and brimstone' stands for defence of falsities that arise from the evils of devilish kinds of love. In this instance therefore 'fire' stands for the hellish love of evil, and 'violet' for the hellish love of falsity. They are accordingly used in the contrary sense; for the majority of things in the Word also have a contrary meaning.

Poznámky pod čarou:

1. literally, with perfections

  
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Thanks to the Swedenborg Society for the permission to use this translation.