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Exodus 28

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1 καὶ σὺ προσαγάγου πρὸς σεαυτὸν τόν τε ααρων τὸν ἀδελφόν σου καὶ τοὺς υἱοὺς αὐτοῦ ἐκ τῶν υἱῶν ισραηλ ἱερατεύειν μοι ααρων καὶ ναδαβ καὶ αβιουδ καὶ ελεαζαρ καὶ ιθαμαρ υἱοὺς ααρων

2 καὶ ποιήσεις στολὴν ἁγίαν ααρων τῷ ἀδελφῷ σου εἰς τιμὴν καὶ δόξαν

3 καὶ σὺ λάλησον πᾶσι τοῖς σοφοῖς τῇ διανοίᾳ οὓς ἐνέπλησα πνεύματος αἰσθήσεως καὶ ποιήσουσιν τὴν στολὴν τὴν ἁγίαν ααρων εἰς τὸ ἅγιον ἐν ᾗ ἱερατεύσει μοι

4 καὶ αὗται αἱ στολαί ἃς ποιήσουσιν τὸ περιστήθιον καὶ τὴν ἐπωμίδα καὶ τὸν ποδήρη καὶ χιτῶνα κοσυμβωτὸν καὶ κίδαριν καὶ ζώνην καὶ ποιήσουσιν στολὰς ἁγίας ααρων καὶ τοῖς υἱοῖς αὐτοῦ εἰς τὸ ἱερατεύειν μοι

5 καὶ αὐτοὶ λήμψονται τὸ χρυσίον καὶ τὴν ὑάκινθον καὶ τὴν πορφύραν καὶ τὸ κόκκινον καὶ τὴν βύσσον

6 καὶ ποιήσουσιν τὴν ἐπωμίδα ἐκ βύσσου κεκλωσμένης ἔργον ὑφαντὸν ποικιλτοῦ

7 δύο ἐπωμίδες συνέχουσαι ἔσονται αὐτῷ ἑτέρα τὴν ἑτέραν ἐπὶ τοῖς δυσὶ μέρεσιν ἐξηρτημέναι

8 καὶ τὸ ὕφασμα τῶν ἐπωμίδων ὅ ἐστιν ἐπ' αὐτῷ κατὰ τὴν ποίησιν ἐξ αὐτοῦ ἔσται ἐκ χρυσίου καὶ ὑακίνθου καὶ πορφύρας καὶ κοκκίνου διανενησμένου καὶ βύσσου κεκλωσμένης

9 καὶ λήμψῃ τοὺς δύο λίθους λίθους σμαράγδου καὶ γλύψεις ἐν αὐτοῖς τὰ ὀνόματα τῶν υἱῶν ισραηλ

10 ἓξ ὀνόματα ἐπὶ τὸν λίθον τὸν ἕνα καὶ τὰ ἓξ ὀνόματα τὰ λοιπὰ ἐπὶ τὸν λίθον τὸν δεύτερον κατὰ τὰς γενέσεις αὐτῶν

11 ἔργον λιθουργικῆς τέχνης γλύμμα σφραγῖδος διαγλύψεις τοὺς δύο λίθους ἐπὶ τοῖς ὀνόμασιν τῶν υἱῶν ισραηλ

12 καὶ θήσεις τοὺς δύο λίθους ἐπὶ τῶν ὤμων τῆς ἐπωμίδος λίθοι μνημοσύνου εἰσὶν τοῖς υἱοῖς ισραηλ καὶ ἀναλήμψεται ααρων τὰ ὀνόματα τῶν υἱῶν ισραηλ ἔναντι κυρίου ἐπὶ τῶν δύο ὤμων αὐτοῦ μνημόσυνον περὶ αὐτῶν

13 καὶ ποιήσεις ἀσπιδίσκας ἐκ χρυσίου καθαροῦ

14 καὶ ποιήσεις δύο κροσσωτὰ ἐκ χρυσίου καθαροῦ καταμεμιγμένα ἐν ἄνθεσιν ἔργον πλοκῆς καὶ ἐπιθήσεις τὰ κροσσωτὰ τὰ πεπλεγμένα ἐπὶ τὰς ἀσπιδίσκας κατὰ τὰς παρωμίδας αὐτῶν ἐκ τῶν ἐμπροσθίων

15 καὶ ποιήσεις λογεῖον τῶν κρίσεων ἔργον ποικιλτοῦ κατὰ τὸν ῥυθμὸν τῆς ἐπωμίδος ποιήσεις αὐτό ἐκ χρυσίου καὶ ὑακίνθου καὶ πορφύρας καὶ κοκκίνου κεκλωσμένου καὶ βύσσου κεκλωσμένης ποιήσεις αὐτό

16 τετράγωνον ἔσται διπλοῦν σπιθαμῆς τὸ μῆκος καὶ σπιθαμῆς τὸ εὖρος

17 καὶ καθυφανεῖς ἐν αὐτῷ ὕφασμα κατάλιθον τετράστιχον στίχος λίθων ἔσται σάρδιον τοπάζιον καὶ σμάραγδος ὁ στίχος ὁ εἷς

18 καὶ ὁ στίχος ὁ δεύτερος ἄνθραξ καὶ σάπφειρος καὶ ἴασπις

19 καὶ ὁ στίχος ὁ τρίτος λιγύριον ἀχάτης καὶ ἀμέθυστος

20 καὶ ὁ στίχος ὁ τέταρτος χρυσόλιθος καὶ βηρύλλιον καὶ ὀνύχιον περικεκαλυμμένα χρυσίῳ συνδεδεμένα ἐν χρυσίῳ ἔστωσαν κατὰ στίχον αὐτῶν

21 καὶ οἱ λίθοι ἔστωσαν ἐκ τῶν ὀνομάτων τῶν υἱῶν ισραηλ δέκα δύο κατὰ τὰ ὀνόματα αὐτῶν γλυφαὶ σφραγίδων ἕκαστος κατὰ τὸ ὄνομα ἔστωσαν εἰς δέκα δύο φυλάς

22 καὶ ποιήσεις ἐπὶ τὸ λογεῖον κροσσοὺς συμπεπλεγμένους ἔργον ἁλυσιδωτὸν ἐκ χρυσίου καθαροῦ

29 καὶ λήμψεται ααρων τὰ ὀνόματα τῶν υἱῶν ισραηλ ἐπὶ τοῦ λογείου τῆς κρίσεως ἐπὶ τοῦ στήθους εἰσιόντι εἰς τὸ ἅγιον μνημόσυνον ἔναντι τοῦ θεοῦ

29a καὶ θήσεις ἐπὶ τὸ λογεῖον τῆς κρίσεως τοὺς κροσσούς τὰ ἁλυσιδωτὰ ἐπ' ἀμφοτέρων τῶν κλιτῶν τοῦ λογείου ἐπιθήσεις καὶ τὰς δύο ἀσπιδίσκας ἐπιθήσεις ἐπ' ἀμφοτέρους τοὺς ὤμους τῆς ἐπωμίδος κατὰ πρόσωπον

30 καὶ ἐπιθήσεις ἐπὶ τὸ λογεῖον τῆς κρίσεως τὴν δήλωσιν καὶ τὴν ἀλήθειαν καὶ ἔσται ἐπὶ τοῦ στήθους ααρων ὅταν εἰσπορεύηται εἰς τὸ ἅγιον ἐναντίον κυρίου καὶ οἴσει ααρων τὰς κρίσεις τῶν υἱῶν ισραηλ ἐπὶ τοῦ στήθους ἐναντίον κυρίου διὰ παντός

31 καὶ ποιήσεις ὑποδύτην ποδήρη ὅλον ὑακίνθινον

32 καὶ ἔσται τὸ περιστόμιον ἐξ αὐτοῦ μέσον ὤ|αν ἔχον κύκλῳ τοῦ περιστομίου ἔργον ὑφάντου τὴν συμβολὴν συνυφασμένην ἐξ αὐτοῦ ἵνα μὴ ῥαγῇ

33 καὶ ποιήσεις ἐπὶ τὸ λῶμα τοῦ ὑποδύτου κάτωθεν ὡσεὶ ἐξανθούσης ῥόας ῥοίσκους ἐξ ὑακίνθου καὶ πορφύρας καὶ κοκκίνου διανενησμένου καὶ βύσσου κεκλωσμένης ἐπὶ τοῦ λώματος τοῦ ὑποδύτου κύκλῳ τὸ αὐτὸ δὲ εἶδος ῥοίσκους χρυσοῦς καὶ κώδωνας ἀνὰ μέσον τούτων περικύκλῳ

34 παρὰ ῥοίσκον χρυσοῦν κώδωνα καὶ ἄνθινον ἐπὶ τοῦ λώματος τοῦ ὑποδύτου κύκλῳ

35 καὶ ἔσται ααρων ἐν τῷ λειτουργεῖν ἀκουστὴ ἡ φωνὴ αὐτοῦ εἰσιόντι εἰς τὸ ἅγιον ἐναντίον κυρίου καὶ ἐξιόντι ἵνα μὴ ἀποθάνῃ

36 καὶ ποιήσεις πέταλον χρυσοῦν καθαρὸν καὶ ἐκτυπώσεις ἐν αὐτῷ ἐκτύπωμα σφραγῖδος ἁγίασμα κυρίου

37 καὶ ἐπιθήσεις αὐτὸ ἐπὶ ὑακίνθου κεκλωσμένης καὶ ἔσται ἐπὶ τῆς μίτρας κατὰ πρόσωπον τῆς μίτρας ἔσται

38 καὶ ἔσται ἐπὶ τοῦ μετώπου ααρων καὶ ἐξαρεῖ ααρων τὰ ἁμαρτήματα τῶν ἁγίων ὅσα ἂν ἁγιάσωσιν οἱ υἱοὶ ισραηλ παντὸς δόματος τῶν ἁγίων αὐτῶν καὶ ἔσται ἐπὶ τοῦ μετώπου ααρων διὰ παντός δεκτὸν αὐτοῖς ἔναντι κυρίου

39 καὶ οἱ κόσυμβοι τῶν χιτώνων ἐκ βύσσου καὶ ποιήσεις κίδαριν βυσσίνην καὶ ζώνην ποιήσεις ἔργον ποικιλτοῦ

40 καὶ τοῖς υἱοῖς ααρων ποιήσεις χιτῶνας καὶ ζώνας καὶ κιδάρεις ποιήσεις αὐτοῖς εἰς τιμὴν καὶ δόξαν

41 καὶ ἐνδύσεις αὐτὰ ααρων τὸν ἀδελφόν σου καὶ τοὺς υἱοὺς αὐτοῦ μετ' αὐτοῦ καὶ χρίσεις αὐτοὺς καὶ ἐμπλήσεις αὐτῶν τὰς χεῖρας καὶ ἁγιάσεις αὐτούς ἵνα ἱερατεύωσίν μοι

42 καὶ ποιήσεις αὐτοῖς περισκελῆ λινᾶ καλύψαι ἀσχημοσύνην χρωτὸς αὐτῶν ἀπὸ ὀσφύος ἕως μηρῶν ἔσται

43 καὶ ἕξει ααρων αὐτὰ καὶ οἱ υἱοὶ αὐτοῦ ὡς ἂν εἰσπορεύωνται εἰς τὴν σκηνὴν τοῦ μαρτυρίου ἢ ὅταν προσπορεύωνται λειτουργεῖν πρὸς τὸ θυσιαστήριον τοῦ ἁγίου καὶ οὐκ ἐπάξονται πρὸς ἑαυτοὺς ἁμαρτίαν ἵνα μὴ ἀποθάνωσιν νόμιμον αἰώνιον αὐτῷ καὶ τῷ σπέρματι αὐτοῦ μετ' αὐτόν

   

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Arcana Coelestia # 9466

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9466. 'And violet' means the celestial love of truth. This is clear from the meaning of 'violet' as the celestial love of truth, the reason why 'violet' has this meaning being that it is a celestial colour, and by this colour truth from a celestial origin is meant, that is, truth springing from the good of love to the Lord. This good predominates in the inmost heaven, revealing itself in the middle or second heaven as the colours purple and violet. The actual good reveals itself as purple, and the truth springing from it as violet. For when colours appear in the next life, and in heaven itself, they are most beautiful ones; and they all have their origin in goodness and truth. For the sphere of affections for goodness and truth is revealed to the eyes of angels and of spirits also by means of colours, specific things being revealed by means of objects variously coloured, and also to their nostrils by means of odours. For every celestial reality belonging to good or spiritual reality belonging to truth is represented in the lower heavens by means of the kinds of things that appear in the natural order, and by this means is revealed to the actual external senses of spirits and angels in those heavens. The reason why the spheres of affection for goodness and truth are revealed visually by means of colours is that colours are modifications of heavenly light, and so of intelligence and wisdom, see 4530, 4677, 4742, 4922.

[2] This now explains why the materials that were to be gathered together for the tabernacle and Aaron's garments included violet, purple, twice-dyed scarlet, and skins of red rams; for the tabernacle represented the Lord's heaven, the materials which were used to construct and cover it represented the celestial and spiritual realities that belong to goodness and truth, and Aaron's garments had a like representation, 9457. It explains why the veil within which the ark of the Testimony was placed was woven from violet, purple, twice-dyed scarlet, and fine linen thread, Exodus 26:31, as likewise was the covering for the door of the tent, Exodus 26:36, and the covering for the gate of the court as well, Exodus 27:16, and why the loops on the edge of the curtain were made of violet, Exodus 26:4. It also explains why the ephod was made of gold, violet, purple, twice-dyed scarlet, and linen thread woven together, as was the breastplate of judgement, Exodus 28:6, 15.

[3] 'Violet' means the celestial love of truth, and 'garments made of violet' cognitions or knowledge of truth present as a result of that love, in Ezekiel,

Fine linen with embroidered work from Egypt was your sail, that it might be to you an ensign; violet and purple from the islands of Elishah was your covering. They were your traders with choice wares, 1 with balls of violet, and embroidery, and with chests of precious garments. Ezekiel 27:7, 24.

This refers to Tyre, by which cognitions of truth and good are meant, 1201. Knowledge and understanding acquired from these is described by 'embroidered work from Egypt', and by 'violet and purple from the islands of Elishah'. 'Embroidered work from Egypt' is factual knowledge of truth, and 'violet and purple from the islands of Elishah' is an understanding of truth and good.

[4] In the same prophet,

Two women, the daughters of one mother, in their youth committed whoredom in Egypt - Oholah and Oholibah. Oholah committed whoredom under Me and doted on the Assyrians her neighbours - clothed in violet, governors and leaders, horsemen riding on horses. Ezekiel 23:2-6.

'Oholah' stands for Samaria, and 'Oholibah' for Jerusalem, Samaria in this instance being the corrupted spiritual Church. 'Committing whoredom in Egypt' means falsifying truths by means of factual knowledge, 'doting on the Assyrians her neighbours' stands for having a love of reasonings based on those falsifications, and 'clothed in violet' stands for ideas which look like truth springing from good because they are derived from the literal sense of the Word interpreted wrongly.

[5] Something similar occurs in Jeremiah,

Beaten silver is brought from Tarshish, and gold from Uphaz, the work of the smith and of the hands of the molder. Their clothing is violet and purple. These are all the work of the wise. Jeremiah 10:9.

This refers to the idols of the house of Israel, by which false teachings, supported by distortions of the outward sense of the Word, are meant, 9424. 'The work of the smith and of the hands of the molder', and also 'these are all the work of the wise', stand for the fact that they are the product of self-intelligence. 'Silver from Tarshish, and gold from Uphaz' stands for their seeming to outward appearance to be true and good because they are taken from the Word; and much the same is meant by 'violet and purple' of which their clothing consisted.

[6] In John,

I saw horses in the vision, and those seated on them had breastplates of fire and violet and brimstone, by whom a third part of mankind was killed. Revelation 9:17-18.

'Horses' and 'those seated on them' stand for a topsy-turvy and corrupted understanding of truth. 'Breastplates of fire, violet, and brimstone' stands for defence of falsities that arise from the evils of devilish kinds of love. In this instance therefore 'fire' stands for the hellish love of evil, and 'violet' for the hellish love of falsity. They are accordingly used in the contrary sense; for the majority of things in the Word also have a contrary meaning.

Poznámky pod čarou:

1. literally, with perfections

  
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Thanks to the Swedenborg Society for the permission to use this translation.