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출애굽기 26

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1 너는 성막을 만들되 앙장 열 폭을 가늘게 꼰 베실과, 청색, 자색, 홍색실로 그룹을 공교히 수 놓아 만들지니

2 매 폭의 장은 이십 팔 규빗,광은 사 규빗으로 각 폭의 장단을 같게 하고

3 그 앙장 다섯 폭을 서로 연하며, 다른 다섯 폭도 서로 연하고

4 그 앙장의 연락할 말폭 가에 청색 고를 만들며, 다른 연락할 말폭가에도 그와 같이 하고

5 앙장 말폭 가에 고 오십을 달며, 다른 앙장 말폭 가에도 고 오십을 달고 그 고들을 서로 대하게 하고

6 금 갈고리 오십을 만들고, 그 갈고리로 앙장을 연합하여 한 성막을 이룰지며

7 그 성막을 덮는 막 곧 앙장을 염소털로 만들되 열 한폭을 만들지며

8 각 폭의 장은 삼십 규빗,광은 사 규빗으로 열 한폭의 장단을 같게 하고

9 그 앙장 다섯 폭을 서로 연하며, 또 여섯 폭을 서로 연하고, 그 여섯째 폭 절반은 성막 전면에 접어 드리우고

10 앙장을 연락할 말폭 가에 고 오십을 달며, 다른 연락할 말폭 가에도 고 오십을 달고

11 놋 갈고리 오십을 만들고, 그 갈고리로 그 고를 꿰어 연합하여 한 막이 되게 하고

12 그 막 곧 앙장의 나머지 그 반폭은 성막 뒤에 드리우고

13 막 곧 앙장의 길이의 남은 것은 이편에 한 규빗,저편에 한 규빗씩 성막 좌우 양편에 덮어 드리우고

14 붉은 물 들인 수양의 가죽으로 막의 덮개를 만들고, 해달의 가죽으로 그 웃덮개를 만들지니라 !

15 너는 조각목으로 성막을 위하여 널판을 만들어 세우되

16 각 판의 장은 십 규빗,광은 일 규빗 반으로 하고

17 각 판에 두 촉씩 내어 서로 연하게 하되 너는 성막 널판을 다 그와 같이 하라

18 너는 성막을 위하여 널판을 만들되, 남편을 위하여 널판 스물을 만들고

19 스무 널판 아래 은받침 마흔을 만들지니 이 널판 아래에도 그 두촉을 위하여 두 받침을 만들고 저 널판 아래에도 그 두 촉을 위하여 두 받침을 만들지라

20 성막 다른 편 곧 그 북편을 위하여도 널판 스물로 하고

21 은받침 마흔을 이 널판 아래에도 두 받침,저 널판 아래에도 두 받침으로 하며

22 성막 뒤 곧 그 서편을 위하여는 널판 여섯을 만들고

23 성막 뒤 두 모퉁이 편을 위하여는 널판 둘을 만들되

24 아래에서부터 위까지 각기 두겹 두께로 하여 윗고리에 이르게 하고 두 모퉁이 편을 다 그리하며

25 그 여덟 널판에는 은받침이 열 여섯이니 이 판 아래에도 두 받침이요, 저 판 아래에도 두 받침이니라

26 너는 조각목으로 띠를 만들지니 성막 이편 널판을 위하여 다섯이요

27 성막 저편 널판을 위하여 다섯이요, 성막 뒤 곧 서편 널판을 위하여 다섯이요,

28 널판 가운데 있는 중간 띠는 이 끝에서 저 끝에 미치게 하고

29 그 널판들을 금으로 싸고 그 널판들의 띠를 꿸 금고리를 만들고 그 띠를 금으로 싸라

30 너는 산에서 보인 식양대로 성막을 세울지니라 !

31 너는 청색 자색 홍색실과 가늘게 꼰 베실로 짜서 장을 만들고 그 위에 그룹들을 공교히 수 놓아서

32 금 갈고리로 네 기둥 위에 드리우되 그 네 기둥을 조각목으로 만들고 금으로 싸서 네 은받침 위에 둘지며

33 그 장을 갈고리 아래 드리운 후에 증거궤를 그 장안에 들여 놓으라 그 장이 너희를 위하여 성소와 지성소를 구별하리라

34 너는 지성소에 있는 증거궤 위에 속죄소를 두고

35 그 장 바깥 북편에 상을 놓고 남편에 등대를 놓아 상과 대하게 할지며

36 청색, 자색, 홍색실과, 가늘게 꼰 베실로 수 놓아 짜서 성막 문을 위하여 장을 만들고

37 그 문장을 위하여 기둥 다섯을 조각목으로 만들어 금으로 싸고 그 갈고리도 금으로 만들찌며 또 그 기둥을 위하여 받침 다섯을 놋으로 부어 만들지니라 !

   

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Arcana Coelestia # 9873

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9873. All this now makes clear what the twelve precious stones in the breastplate of judgement served to mean, namely all the kinds of good and truth of heaven in their proper order. Heaven is divided into two kingdoms, the celestial and the spiritual. The good of the celestial kingdom was represented by the first two rows, which were on the right side of the breastplate, and the good of the spiritual kingdom by the next two rows, which were on the left side. The internal good of the celestial kingdom is the good of love to the Lord; this is the good that is meant by the celestial love of good. The external good of the celestial kingdom however is the good of mutual love; this is the good that is meant by the celestial love of truth. But the internal good of the spiritual kingdom is the good of charity towards the neighbour; this is the good that is meant by the spiritual love of good. And the external good of the spiritual kingdom is the good of faith; this is the good that is meant by the spiritual love of truth. These kinds of good and truth in this order constitute the heavens, see 9468, 9473, 9680, 9683, 9780.

[2] From this it is now evident what the twelve stones, which were called the Urim and Thummim, represented. But in what way the Divine Truths which were answers were made known by means of them will be stated below in 9905. The fact that the good of love occupied the first place there and the truth of faith the last is clear from the first stone's being a ruby and the last's being a jasper, thus from the first stone's being red in colour, and the last's being white, both of them translucent. For the meaning of 'red' as the good of love, see 3300, 9467; and for that of 'white' as the truth of faith, 3301, 3993, 4007, 5319.

[3] Much the same as is meant by the stones in the breastplate was also meant by the materials used in weaving the ephod. The ephod was woven from violet, purple, twice-dyed scarlet, and fine linen, as is evident from verse 6 of the present chapter, and 'violet' meant the truth of celestial love, 'purple' the good of celestial love, 'twice-dyed scarlet' the good of spiritual love, and 'fine linen' the truth of spiritual love, 9833. The reason why much the same was meant is that 'the ephod' meant heaven on last and outermost levels, in the same way as 'the breastplate' does, 9824. But the kinds of good and truth are listed in a different order there, because 'the ephod' meant the spiritual heaven, whereas 'the breastplate' means all heaven from first to last. And since the dwelling-place along with the tent also represented heaven, 9457, 9481, 9485, 9615, the material from which its curtains and veils were woven were likewise violet, purple, double-dyed scarlet, and fine twined linen, see the previous Chapters, 26:1, 31, 36; 27:16, and 9466-9469.

[4] In addition it should be recognized that in the general sense SAPPHIRE means the external part of the celestial kingdom and SHOHAM the external part of the spiritual kingdom. And because these two stones had this meaning they were the middle stones belonging to the secondary rows, that is to say, the sapphire was the middle stone in the second row, and the shoham the middle stone in the fourth row. The stones belonging to the second row meant the external good of the celestial kingdom, which has been called the celestial love of truth, and the stones belonging to the fourth row meant the external good of the spiritual kingdom, which has been called the spiritual love of truth, see what has been stated about them above in this paragraph 9873.

[5] The fact that 'sapphire' means the external part of the celestial kingdom is evident from places in the Word where it is mentioned, such as in the Book of Exodus,

Seventy of the elders saw the God of Israel, and under His feet there was so to speak a work of sapphire, and it was like the substance of the sky for clearness. Exodus 24:10.

The external part of the celestial kingdom is so described, because the words 'under His feet', meaning what is external, are used, and where 'the God of Israel', who is the Lord, is, there heaven is. In Isaiah,

O afflicted one and storm-tossed, and receiving no comfort! Behold, I am arranging your stones with antimony, and will lay your foundations in sapphires. Isaiah 54:11.

The subject in this chapter is the celestial kingdom. The foundations which will be laid in sapphires, are the external things there; for foundations lie underneath.

[6] In Jeremiah,

Her Nazirites were brighter than snow, they were whiter than milk. Their bones 1 were ruddier than pearls, 2 polished like sapphires. 3 Lamentations 4:7.

Nazirites represented the celestial man, which is why it says 'polished like sapphires', 'polished' referring to what is external. In Ezekiel,

Above the expanse that was above the heads of the cherubs, in appearance like a sapphire stone, there was the likeness of a throne, and above the likeness of a throne there was the appearance of a man (homo) sitting upon it. Ezekiel 1:26; 10:1.

Here also 'sapphire' is used to describe the external part of the celestial kingdom; for what is above the expanse or round about is outside, that which is inmost being the one 'sitting upon a throne'.

[7] Just as sapphire stone means the external part of the celestial kingdom, so shoham stone means the external part of the spiritual kingdom. Therefore also this was the stone which was placed on the two shoulder-pieces of the ephod with the names of the sons of Israel inscribed on them, which are dealt with in verses 9-14 of the present chapter; for the ephod represented the external part of the spiritual kingdom, 9824. Since shoham and sapphire in the general sense meant the external parts of two heavens, they were placed in the middle of the sets of three stones forming the second and fourth rows, as stated above. For the middle includes the whole, as is also true of the robe, which in the general sense has represented the spiritual kingdom, because it comes in the middle, as shown above in 9825. Because those two stones include everything meant by all the other stones in those rows, it says in Job,

Wisdom cannot be compared with the gold of Ophir, with the precious shoham and the sapphire. Job 28:16.

Poznámky pod čarou:

1. i.e. bodies

2. In other places Swedenborg has rubies or gem stones.

3. literally, sapphires their polishing

  
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Thanks to the Swedenborg Society for the permission to use this translation.