Bible

 

Esodo 26

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1 FA’ ancora il Padiglione, di dieci teli di fin lino ritorto, di violato, di porpora, e di scarlatto; e fa’ que’ teli lavorati a cherubini di lavoro di disegno.

2 Sia la lunghezza d’un telo di ventotto cubiti, e la larghezza di quattro cubiti; sieno tutti que’ teli di una stessa misura.

3 Sieno cinque teli accoppiati l’uno con l’altro, e cinque altri teli parimente accoppiati l’uno con l’altro.

4 E fa’ de’ lacciuoli di violato all’orlo dell’uno de’ teli, che sarà all’estremità dell’uno degli accoppiamenti; fa’ il simigliante ancora nell’orlo del telo estremo nel secondo accoppiamento.

5 Fa’ cinquanta lacciuoli nell’uno di que’ teli, e parimente cinquanta lacciuoli all’estremità del telo che sarà al secondo accoppiamento; sieno i lacciuoli dirincontro l’uno all’altro.

6 Fa’ ancora cinquanta graffi d’oro, e accoppia que’ teli, l’uno con l’altro con que’ graffi; e così sia il Padiglione giunto in uno.

7 Fa’, oltre a ciò, sopra il Padiglione una Tenda a teli di pel di capra; fai undici di que’ teli.

8 Sia la lunghezza di un telo di trenta cubiti, e la larghezza di quattro cubiti; sieno gli undici teli di una stessa misura.

9 E accoppia cinque di que’ teli da parte, e sei da parte; e raddoppia il sesto telo in su la parte anteriore del Tabernacolo.

10 E fa’ cinquanta lacciuoli all’orlo dell’un de’ teli, che sarà l’estremo del primo accoppiamento; e parimente cinquanta lacciuoli all’orlo del telo estremo del secondo accoppiamento.

11 Fa’ ancora cinquanta graffi di rame, e metti i graffi dentro i lacciuoli; e assembra insieme la Tenda, acciocchè sia giunta in uno.

12 E quel soverchio che avanzerà ne’ teli della Tenda, cioè: quel mezzo telo che sarà di soverchio, soprabbondi nella parte di dietro del Tabernacolo.

13 E il cubito di qua, e il cubito di là, che sarà di soverchio nella lunghezza de’ teli della Tenda, soprabbondi ne’ lati del Tabernacolo, di qua e di là, per coprirlo.

14 Fa’ ancora alla Tenda una coverta di pelli di montone, tinte in rosso; e un’altra coverta di pelli di tasso, disopra.

15 Fa’, oltre a ciò, delle assi per lo Tabernacolo; falle di legno di Sittim, per metterle ritte.

16 Sia la lunghezza di ciascuna asse di dieci cubiti, e la larghezza di un cubito e mezzo.

17 Abbia ciascuna asse due cardini da incastrare un pezzo nell’altro; fa’ così a tutte le assi del Tabernacolo.

18 Fa’ adunque le assi per lo Tabernacolo; venti assi dal lato Australe, verso il Mezzodì.

19 E fa’ quaranta piedistalli di argento per metter sotto quelle venti assi; due piedistalli sotto ciascuna asse, per li suoi due cardini.

20 E venti assi per l’altro lato del Tabernacolo, verso Aquilone;

21 co’ lor quaranta piedistalli di argento, due piedistalli sotto ciascuna asse.

22 E per lo fondo del Tabernacolo, verso Occidente, fa’ sei assi.

23 Fa’ ancora due assi per li cantoni del Tabernacolo, nel fondo.

24 E sieno quelle a due facce fin da basso; e tutte sieno ben commesse insieme al capo di queste assi con un anello; sieno quelle due assi, che saranno per li due cantoni, fatte di una medesima maniera.

25 Sienvi adunque otto assi, co’ lor piedistalli di argento, in numero di sedici piedistalli; due piedistalli sotto ciascuna asse.

26 Fai ancora cinque sbarre di legno di Sittim, per le assi dell’uno de’ lati del Tabernacolo.

27 Parimente cinque sbarre per le assi dell’altro lato del Tabernacolo; e cinque sbarre per le assi del lato del fondo del Tabernacolo, verso Occidente.

28 E la sbarra di mezzo sia nel mezzo delle assi, e traversi da un capo all’altro.

29 E copri d’oro le assi, e fa’ d’oro i loro anelli, da mettervi dentro le sbarre; copri ancora d’oro le sbarre.

30 Poi rizza il Tabernacolo secondo il modello di esso, che ti è stato mostrato nel monte.

31 Fa’ ancora una Cortina di violato, e di porpora, e di scarlatto, e di fin lino ritorto; facciasi di lavoro di disegno a Cherubini.

32 E appendila a quattro colonne di legno di Sittim, coperte d’oro, co’ lor capitelli d’oro; e quelle sieno poste sopra quattro piedistalli di argento.

33 E metti la Cortina sotto i graffi; e porta là, dentro della Cortina, l’Arca della Testimonianza; e facciavi quella Cortina separazione fra il luogo Santo e il Santissimo.

34 E metti il Coperchio sopra l’Arca della Testimonianza, nel luogo Santissimo.

35 E metti la Tavola di fuori della Cortina, dal lato Settentrionale; e il Candelliere, dirimpetto alla Tavola, dal lato Australe del Tabernacolo.

36 Fa’ eziandio, per l’entrata del Tabernacolo, un tappeto di violato, e di porpora, e di scarlatto, e di fin lino ritorto, di lavoro di ricamatore.

37 E fai cinque colonne di legno di Sittim, per appendervi quel tappeto, e copri le colonne d’oro, e sieno i lor capitelli d’oro; e fondi loro cinque piedistalli di rame.

   


To many Protestant and Evangelical Italians, the Bibles translated by Giovanni Diodati are an important part of their history. Diodati’s first Italian Bible edition was printed in 1607, and his second in 1641. He died in 1649. Throughout the 1800s two editions of Diodati’s text were printed by the British Foreign Bible Society. This is the more recent 1894 edition, translated by Claudiana.

Ze Swedenborgových děl

 

Apocalypse Explained # 576

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576. Having breastplates fiery, hyacinthine, and brimstone-like, signifies reasonings combating from the cupidities of the love of self and of the world, and from the falsities therefrom. This is evident from the signification of breastplates, as being armor for war, and in particular, defenses in combats (of which above, n. 557; also from the signification of "fire or fiery," as being the cupidity of the love of self, and thence of all evil (See above, n. 504; also from the signification of "hyacinth or hyacinthine," as being the cupidity of the love of the world and thus of all falsity (of which presently); and from the signification of "brimstone or brimstone-like," as being the lust of destroying the goods and truths of the church by falsities of evil see below, n. 578, here meaning falsity burning from these two loves. From this it can be seen that "breastplates fiery, hyacinthine, and brimstone-like," signify reasonings combating from the cupidities of the loves of self and of the world, and from the falsities from those loves.

[2] In regard to "hyacinthine," it signifies in the spiritual sense the heavenly love of truth, but in the contrary sense the diabolical love of falsity, and also love of the world; as can be seen from its being of the color of heaven, and that color signifies truth from a heavenly origin, so in the contrary sense, falsity from a diabolical origin. In the spiritual world the choicest colors appear; and these have their origin in good and truth; for colors there are modifications of heavenly light, thus of the intelligence and wisdom, that are with the angels in heaven. This is why hyacinthine, purple, and scarlet double-dyed were interwoven in the curtains of the tabernacle and in the garments of Aaron; for the tabernacle represented the heaven of the Lord, and the garments of Aaron the Divine truth of heaven and the church, and those things of which the tabernacle was constructed, and of which the garments of Aaron were woven, represented celestial and spiritual things, which are of Divine good and Divine truth.

[3] Thus:

The veil before the ark was of hyacinthine, purple, and scarlet double-dyed, and fine twined linen (See Exodus 26:31).

Likewise the screen for the door of the tent (verse 36).

And the screen for the entrance of the court (Exodus 27:16).

The loops on the edge of the curtain of the tent were hyacinthine (Exodus 26:4);

The ephod was of gold, hyacinthine, purple, and scarlet double-dyed interwoven (Exodus 28:6);

And also the breastplate of judgment (verse 15);

When the camp set forward in the wilderness, Aaron and his sons spread a cloth of hyacinthine over the ark, over the table of faces, over the lampstand and the lamps, over the golden altar, and over all the vessels of ministry (Numbers 4:6, 7, 9, 11, 12).

This is because Divine truth proceeding from Divine love, which is signified by "the cloth of hyacinthine," embraces and protects all the holy things of heaven and the church, which the things covered represent.

[4] Because "hyacinthine" signified the celestial love of truth, it was commanded:

That the sons of Israel should make for themselves a fringe in the borders of their garments, and should put on it a cord of hyacinthine, that in looking upon it they might remember all the commandments of Jehovah and do them (Numbers 15:38, 39).

Here "the cord of hyacinthine" stands evidently for the remembrance of the commandments of Jehovah; the commandments of Jehovah are the essential truths of heaven and the church, and these are remembered only by such as are in a celestial love of truth.

[5] That "hyacinthine" signifies the love of truth can be seen from the following in Ezekiel:

Fine linen in broidered work from Egypt was thy spreading forth, to be for thy ensign; hyacinthine and purple from the isles of Elishah was thy covering. These were thy traffickers with choice wares, with bales of hyacinthine and broidered work, and with treasures of precious garments (Ezekiel 27:7, 24).

This is said of Tyre, which signifies the church in respect to the knowledges of truth; so, too, it signifies the knowledges of truth belonging to the church, and her "merchandise and tradings" mentioned in this chapter describe the acquisition of intelligence by means of such knowledges; "broidered work from Egypt" signifies the knowledge [scientia] of such things as are of the church; and because this has a lower place, and is thus round about or without, it is called "a spreading forth," and is said to be "for an ensign." "Hyacinthine and purple from the isles of Elishah" signify the spiritual affection of truth and good; therefore these are said to be "for a covering," a "covering" signifying truth. "Bales of hyacinthine and broidered work" signify all truths, spiritual and natural, and these together with the knowledges from the Word are meant by "the treasures of precious garments."

[6] As "hyacinthine" signifies the heavenly love of truth, so in the contrary sense it signifies the diabolical love of falsity; and in that sense also "hyacinthine" is mentioned in the Word. Thus in Ezekiel:

Two women, the daughters of one mother, committed whoredom in Egypt in their youth. Oholah which is Samaria, and Oholibah which is Jerusalem. And Oholah committed whoredom while under me, and she doted on her lovers, the Assyrians her neighbors, which were clothed in hyacinthine, governors and rulers, all of them young men of desire, horsemen riding upon horses (Ezekiel 23:2-6).

Here "Samaria" and "Jerusalem" signify the church, "Samaria" the spiritual church, and "Jerusalem" the celestial church, which are called "Oholah" and "Oholibah" because these names mean a "tent," and a "tent" signifies the church in respect to worship; "woman" also in the Word signifies the church; "they committed whoredom in Egypt" signifies the falsification of the truths of the church by the knowledges [scientifica] of the natural man; "she doted on the Assyrians" signifies the falsification by reasonings from those knowledges [scientifica]; "Asshur and Assyria" signify reasonings; they are said to be "clothed in hyacinthine" by reason of fallacies and falsities, which in external form appear to be truths because they are from the sense of the letter of the Word wrongly applied. And because of this same appearance they are also called "governors and rulers, young men of desire, riding upon horses," for those who reason from self-intelligence appear to themselves and to others of like character to be intelligent and wise, and the things they speak to be truths of intelligence and goods of wisdom, when yet they are falsities which they love because they are from what is their own [proprium]; "governors and rulers" signify principal truths, and "those riding upon horses" signify the intelligent.

[7] In Jeremiah:

Silver spread into plates is brought from Tarshish, and gold from Uphaz, the work of the workman and of the hands of the refiner; their garments 1 are hyacinthine and purple; all are the work of the wise (Jeremiah 10:9).

This treats of the idols of the house of Israel, which signify doctrinals that are false, because they are from self-intelligence; therefore they are called "the work of the workman and of the hands of the refiner, and all the work of the wise," and this because these doctrinals appear to them to be truths and goods; "silver from Tarshish and gold from Uphaz," signifies what appears in external form to be truth and good, because from the sense of the letter of the Word. From this it can be seen that "hyacinthine" signifies the love of what is false because it is from self [proprium] or from self-intelligence. "Hyacinthine" also signifies the love of the world, because the love of the world corresponds to the love of falsity, as the love of self, which is signified by "fire," corresponds to the love of evil; for all evil is from the love of self, and all falsity is from the love of the world which has its origin in the love of self; for spiritual evil, which is meant by the love of the world, is in its essence falsity, as spiritual good is in its essence truth (See in the work on Heaven and Hell 15).

Poznámky pod čarou:

1. Latin has "raiments," the Hebrew "raiment," as found in AE 585, 587, 1186.

  
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Thanks to the Swedenborg Foundation for their permission to use this translation.