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出埃及记 26

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1 你要用幅幔子做帐幕。这些幔子要用捻的细麻和蓝色紫色、朱红色线制造,并用巧匠的手工绣上基路伯

2 每幅幔子要长二十肘,宽肘,幔子都要样的尺寸。

3 这五幅幔子要幅幅相连;那五幅幔子也要幅幅相连。

4 在这相连的幔子末幅边上要做蓝色的钮扣;在那相连的幔子末幅边上也要照样做。

5 要在这相连的幔子上做五十个钮扣;在那相连的幔子上也做五十个钮扣,都要两两相对。

6 又要做五十钩,用钩使幔子相连,这才成了个帐幕。

7 你要用山羊毛织十一幅幔子,作为帐幕以上的罩棚。

8 每幅幔子要长三十肘,宽肘;十幅幔子都要样的尺寸。

9 要把五幅幔子连成一幅,又把幅幔子连成一幅,这第六幅幔子要在罩棚的前面摺上去。

10 在这相连的幔子末幅边上要做五十个钮扣;在那相连的幔子末幅边上也做五十个钮扣。

11 又要做五十个铜钩,钩在钮扣中,使罩棚连成个。

12 罩棚的幔子所馀那垂下来的半幅幔子,要垂在帐幕的後头。

13 罩棚的幔子所馀长的,这边一肘,那边一肘,要垂在帐幕的两旁,遮盖帐幕。

14 又要用染红的公羊皮做罩棚的盖;再用海狗做一层罩棚上的顶盖。

15 你要用皂荚做帐幕的竖板。

16 每块要长肘,宽肘半;

17 每块必有两榫相对。帐幕切的板要这样做。

18 帐幕的面要做板二十块。

19 在这二十块板底要做四十个带卯的座,两卯接这块板上的两榫,两卯接那块板上的两榫。

20 帐幕第二面,就是面,也要做板二十

21 和带卯的四十个;这板底有两卯,那板底也有两卯。

22 帐幕的後面,就是西面,要做板块。

23 帐幕後面的拐角要做板两块。

24 板的半截要双的,上半截要整的,直顶到第子;两块要这样做两个拐角。

25 必有块板和十六个带卯的座;这板底有两卯,那板底也有两卯。

26 你要用皂荚做闩:为帐幕这面的板做五闩,

27 为帐幕那面的板做五闩,又为帐幕後面的板做五闩。

28 板腰间的中闩要从这一头通到那一头。

29 板要用子包裹,又要做板上的套闩;闩也要用子包裹。

30 要照着在上指示你的样式立起帐幕。

31 你要用蓝色紫色、朱红色线,和捻的细麻织幔子,以巧匠的手工绣上基路伯

32 要把幔子挂在根包的皂荚木子上,子上当有钩,子安在个带卯的座上。

33 要使幔子垂在钩子,把法柜抬进幔子内;这幔子要将所和至所隔开。

34 又要把施恩座安在至所内的法柜上,

35 桌子安在幔子外帐幕的面;把台安在帐幕的南面,彼此相对。

36 你要拿蓝色紫色、朱红色线,和捻的细麻,用绣花的手工织帐幕的帘。

37 要用皂荚木做五根子,用子包裹。子上当有钩;又要为子用铜铸造五个带卯的座。

   

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Arcana Coelestia # 5319

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5319. And clothed him in garments of fine linen. That this signifies an external significative of the celestial of the spiritual, and that “garments of fine linen” denote truths from the Divine, is manifest from the signification of “garments” as being truths (see n. 1073, 2576, 4545, 4763, 5248). That “garments of fine linen” are truths from the Divine, is because a garment made of fine linen was of purest white and lustrous; and truth from the Divine is represented by garments of such whiteness and luster. The reason is, that the shining whiteness and luster of heaven is from the light that is from the Lord, and this light is the Divine truth itself (n. 1053, 1521-1533, 1619-1632, 2776, 3195, 3222, 3339, 3485, 3636, 3643, 3862, 4415, 4419, 4526, 5219); and therefore when the Lord was transfigured before Peter, James, and John, His garments appeared “as the light” (Matthew 17:2); “shining, exceeding white as snow, so as no fuller on earth can whiten them” (Mark 9:3); and “glistening” (Luke 9:29). It was the Divine truth itself that is from the Lord’s Divine Human that was thus represented. Yet it is exterior truths that are represented by the white radiance of garments in the heavens, and interior truths by the brightness and resplendence of the face. Hence it is that to be “clothed in garments of fine linen” is here an external significative of the truth proceeding from the celestial of the spiritual; for it was in this that the Divine of the Lord then was.

[2] By “fine linen” and “garments of fine linen” in other parts of the Word also is signified truth from the Divine, as in Ezekiel:

I clothed thee with broidered work, and shod thee with badger, and I girded thee with fine linen, and covered thee with silk; thus wast thou decked with gold and silver, and thy garments were of fine linen and silk and broidered work (Ezekiel 16:10, 13);

speaking of Jerusalem, by which in these verses is meant the Ancient Church. The truths of that church are described by “garments of broidered work, fine linen, and silk,” and by being “decked with gold and silver.” By “broidered work” are signified truths that are a matter of memory-knowledge; by “fine linen,” natural truths; and by “silk,” spiritual truths.

[3] Again:

Of fine linen in broidered work from Egypt was thy sail, that it might be to thee for an ensign; blue and crimson from the Isles of Elishah was thy covering (Ezekiel 27:7);

speaking of Tyre, by which also is meant the Ancient Church, but as to knowledges of good and truth; and by “fine linen in broidered work from Egypt of which was her sail,” is signified truth from memory-knowledges, as a sign or external significative of that church.

[4] In Revelation:

The merchants of the earth shall weep and mourn over Babylon, for no man buyeth their merchandise any more; merchandise of gold, and silver, and precious stone, and pearl, and fine linen, and crimson, and silk, and every vessel of ivory, and every vessel of most precious wood, and of brass, and iron, and marble (Revelation 18:11-12);

in this passage all and each of the expressions signify such things as are of the church, thus such as are of truth and good; but here in the opposite sense, because spoken of Babylon. Everyone can see that such things would never have been enumerated in the Word which came down from heaven, unless there was something heavenly in each one; for why should mention be made of worldly wares in treating of Babylon, by which is signified the profane church?

[5] Again in the same:

Woe, woe, the great city, she that was clothed in fine linen, and crimson, and scarlet, and gilded with gold, and precious stone, and pearls (Revelation 18:16).

That every detail here signifies some heavenly Divine thing is obvious in the same book, where it is said of fine linen that it is the “righteousness of the saints”:

The time of the wedding of the Lamb is come, and His wife hath made herself ready. Then to her was granted that she should be clothed in fine linen, clean and bright; for the fine linen is the righteousness of the saints (Revelation 19:7-8

that “fine linen is the righteousness of the saints” is because all who are in truth from the Divine put on the Lord’s righteousness; for their garments are white and shining from the light that is from the Lord, and therefore truth itself is represented in heaven by what is shining white (n. 3301, 3993, 4007). It is for this reason also that they who are taken up into heaven out of a state of vastation appear clad in shining white, because they then put off that which is of their own righteousness, and put on that which is of the Lord’s righteousness.

[6] In order that truth from the Divine might be represented in the Jewish Church, it was commanded that there should be fine linen in the garments of Aaron, and also in the curtains about the ark, as we read in Moses:

For Aaron thou shalt weave the tunic in checker work of fine linen, and thou shalt make a miter of fine linen (Exodus 28:39).

They made the tunics of fine linen the work of the weaver for Aaron, and for his sons (Exodus 39:27).

Thou shalt make the habitation with ten curtains; of fine twined linen, and blue, and crimson, and scarlet double-dyed (Exodus 26:1; 36:8).

Thou shalt make the court of the habitation, there shall be hangings for the court of fine twined linen (Exodus 27:9, 18; 38:9).

The veil for the gate of the court was the work of the embroiderer, of blue, and crimson, and scarlet double-dyed, and fine twined linen (Exodus 37:18).

Fine linen was to be used because all things in the ark and about it, and also all things upon Aaron’s garments, were representative of spiritual and celestial things. This shows how little the Word is understood when it is not known what things like these represent, and that it is scarcely understood at all when it is believed that there is no other holiness in the Word than that which appears in the letter.

[7] That angels who are in truth from the Divine appear clothed as in fine linen, that is, in what is white and shining, appears from Revelation in connection with the “white horse”:

He that sat upon the white horse was clothed in a vesture dipped in blood; and His name is called the Word. His armies in heaven followed Him upon white horses, clothed in fine linen, white and clean (Revelation 19:13-14).

From all this it is very evident that fine linen is an outward thing significative of truth from the Divine; for He that sat upon the white horse is the Lord as to the Word, as is there openly said, and the “Word” is truth itself from the Divine. That the “white horse” is the internal sense of the Word may be seen above (n. 2760-2762); hence “white horses” are truths from the Divine, for all things of the internal sense of the Word are truths from the Divine, and therefore His armies were seen upon white horses, and were clothed in fine linen white and clean.

  
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Thanks to the Swedenborg Foundation for the permission to use this translation.