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出埃及记 26

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1 你要用幅幔子做帐幕。这些幔子要用捻的细麻和蓝色紫色、朱红色线制造,并用巧匠的手工绣上基路伯

2 每幅幔子要长二十肘,宽肘,幔子都要样的尺寸。

3 这五幅幔子要幅幅相连;那五幅幔子也要幅幅相连。

4 在这相连的幔子末幅边上要做蓝色的钮扣;在那相连的幔子末幅边上也要照样做。

5 要在这相连的幔子上做五十个钮扣;在那相连的幔子上也做五十个钮扣,都要两两相对。

6 又要做五十钩,用钩使幔子相连,这才成了个帐幕。

7 你要用山羊毛织十一幅幔子,作为帐幕以上的罩棚。

8 每幅幔子要长三十肘,宽肘;十幅幔子都要样的尺寸。

9 要把五幅幔子连成一幅,又把幅幔子连成一幅,这第六幅幔子要在罩棚的前面摺上去。

10 在这相连的幔子末幅边上要做五十个钮扣;在那相连的幔子末幅边上也做五十个钮扣。

11 又要做五十个铜钩,钩在钮扣中,使罩棚连成个。

12 罩棚的幔子所馀那垂下来的半幅幔子,要垂在帐幕的後头。

13 罩棚的幔子所馀长的,这边一肘,那边一肘,要垂在帐幕的两旁,遮盖帐幕。

14 又要用染红的公羊皮做罩棚的盖;再用海狗做一层罩棚上的顶盖。

15 你要用皂荚做帐幕的竖板。

16 每块要长肘,宽肘半;

17 每块必有两榫相对。帐幕切的板要这样做。

18 帐幕的面要做板二十块。

19 在这二十块板底要做四十个带卯的座,两卯接这块板上的两榫,两卯接那块板上的两榫。

20 帐幕第二面,就是面,也要做板二十

21 和带卯的四十个;这板底有两卯,那板底也有两卯。

22 帐幕的後面,就是西面,要做板块。

23 帐幕後面的拐角要做板两块。

24 板的半截要双的,上半截要整的,直顶到第子;两块要这样做两个拐角。

25 必有块板和十六个带卯的座;这板底有两卯,那板底也有两卯。

26 你要用皂荚做闩:为帐幕这面的板做五闩,

27 为帐幕那面的板做五闩,又为帐幕後面的板做五闩。

28 板腰间的中闩要从这一头通到那一头。

29 板要用子包裹,又要做板上的套闩;闩也要用子包裹。

30 要照着在上指示你的样式立起帐幕。

31 你要用蓝色紫色、朱红色线,和捻的细麻织幔子,以巧匠的手工绣上基路伯

32 要把幔子挂在根包的皂荚木子上,子上当有钩,子安在个带卯的座上。

33 要使幔子垂在钩子,把法柜抬进幔子内;这幔子要将所和至所隔开。

34 又要把施恩座安在至所内的法柜上,

35 桌子安在幔子外帐幕的面;把台安在帐幕的南面,彼此相对。

36 你要拿蓝色紫色、朱红色线,和捻的细麻,用绣花的手工织帐幕的帘。

37 要用皂荚木做五根子,用子包裹。子上当有钩;又要为子用铜铸造五个带卯的座。

   

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Arcana Coelestia # 3300

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3300. And the first came forth red all over like a hairy garment [tunica]. That this signifies the natural good of the life of truth, is evident from the signification of “coming forth,” as being to be born; from the signification of “red,” as being the good of life, as will be shown presently; and from the signification of a “hairy garment,” as being the truth of the natural, which also will be shown presently. This being the “first” signifies that as to essence good is prior, as before said (n. 3299); and it is said “like a hairy garment” in order to signify that good is clothed with truth, as with a tender vessel or body, as also before said (n. 3299). In the internal sense of the Word a “garment” [tunica] signifies merely that which invests something else, wherefore also truths are compared to garments (n. 1073, 2576).

[2] That “red,” or “ruddy,” signifies the good of life, is because all good is of love, and love itself is celestial and spiritual fire, and is also compared to fire and likewise is called “fire” (n. 933-936). So also is love compared to blood, and is called “blood” (n. 1001); and because they are both red, the good which is of love is signified by “red” or “ruddy,” as may also be seen from the following passages in the Word. In the prophecy of Jacob, then Israel:

He shall wash his raiment in wine, and his vesture in the blood of grapes; his eyes are redder than wine, and his teeth are whiter than milk (Genesis 49:11-12); where Judah is treated of, by whom is there signified the Lord, as must be evident to everyone. “Raiment” and “vesture” in this passage signify the Lord’s Divine natural; “wine” and “the blood of grapes” signify the Divine good and Divine truth of the natural. Of the former it is said that “his eyes are redder than wine;” of the latter that “his teeth are whiter than milk;” it is the conjunction of good and truth in the natural which is thus described.

[3] In Isaiah:

Who is this that cometh from Edom? Wherefore art Thou red in Thine apparel? and Thy garments like him that treadeth in the wine-vat? (Isaiah 63:1-2);

here “Edom” denotes the Divine good of the Lord’s Divine natural, as will appear from what follows; “red in Thine apparel” denotes the good of truth; “garments like him that treadeth in the wine-vat,” the truth of good.

In Jeremiah:

Her Nazirites were purer than snow, they were whiter than milk; they were more ruddy in bone than rubies, their polishing was of sapphire (Lam. 4:7).

By the “Nazirites” was represented the Lord as to the Divine Human, especially as to the Divine natural; thus the good therein by their being “more ruddy in bone than rubies.”

[4] As “red” signified good, especially the good of the natural, therefore in the Jewish Church, in which each and all things were representative of the Lord, and thence of His kingdom (consequently of good and truth, because the Lord’s kingdom is from these), it was commanded that the covering of the tent should be of the skins of red rams (Exodus 25:5; 26:14; 35:7, 23; 36:19); and also that the water of expiation should be made of the ashes of a red heifer burned (Numbers 19:2, 9). Unless the color red had signified something celestial in the Lord’s kingdom, it would never have been commanded that the rams should be red, and the heifer red. That holy things were thereby represented, everyone acknowledges who holds the Word to be holy. Inasmuch as the color red had such a signification, the coverings of the tent were interwoven and coupled together with threads of scarlet, crimson, and blue (Exodus 35:6).

[5] As almost all things have also an opposite sense, as has before been frequently stated, “red” in like manner then signifies the evil which is of the love of self; and this because the cupidities of the love of self are compared to fire and are called “fire” (n. 934, 1297, 1527, 1528, 1861, 2446); and in like manner they are compared to blood and are called “blood” (n. 374, 954, 1005). Hence in the opposite sense “red” has this signification; as in Isaiah:

Jehovah said, Though your sins be as scarlet, they shall be as white as snow; though they be red like crimson, they shall be as wool (Isaiah 1:18).

In Nahum:

The shield of the mighty men (of Belial) is made red, the valiant men are made crimson, in the fire of torches are the chariots in the day (Nahum 2:3).

In John:

And there was seen another sign in heaven; and behold a great red dragon, having seven heads and ten horns, and upon his heads seven diadems (Revelation 12:3).

Again:

And I saw and behold a white horse, and he that sat thereon had a bow; and there was given unto him a crown; and he went forth conquering and to conquer. And another horse came forth that was red; and to him that sat thereon it was given to take peace from the earth, and that they should kill one another; and there was given unto him a great sword. Afterwards there came forth a black horse; and at last a pale horse, whose name was death (Revelation 6:2, 4-5, 8).

  
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Thanks to the Swedenborg Foundation for the permission to use this translation.