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利未記 20

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1 耶和華摩西

2 你還要曉諭以色列人:凡以色列人,或是在以色列中寄居的外,把自己的兒女獻摩洛的,總要治他;本要用石頭把他打

3 我也要向那變臉,把他從民中剪除;因為他把兒女獻摩洛,玷污我的所,褻瀆我的名。

4 把兒女獻摩洛,本若佯為不見,不把他治死,

5 我就要向這和他的家變臉,把他和一切隨他與摩洛行邪淫的都從民中剪除。

6 人偏向交鬼的和行巫術的,隨他們行邪淫,我要向那人變臉,把他從民中剪除。

7 所以你們要自潔成聖,因為我是耶和華─你們的

8 你們要謹守遵行我的律例;我是叫你們成聖耶和華

9 凡咒罵父母的,總要治他;他咒罵了父母,他的罪要歸到他身上。(罪原文作血;本章同)

10 與鄰舍之妻行淫的,姦夫淫婦都必治死。

11 與繼母行淫的,就是羞辱了他父親,總要把他們治死,罪要歸到他們身上。

12 與兒婦同房的,總要把他們;他們行了逆倫的事,罪要歸到他們身上。

13 若與男人苟合,像與女人一樣,他們行了可憎的事,總要把他們治死,罪要歸到他們身上。

14 若娶妻,並娶其母,便是大惡,要把這三焚燒,使你們中間免去大惡。

15 若與淫合,總要治他,也要殺那

16 女人若與親近,與他淫合,你要殺那女人和那,總要把他們治死,罪要歸到他們身上。

17 若娶他的姊妹,無論是異母同父的,是異父同母的,彼此見了下體,這是可恥的事;他們必在本民的眼前被剪除。他露了姊妹的下體,必擔當自己的罪孽。

18 有月經,若與他同房,露了他的下體,就是露了婦的血源,婦也露了自己的血源,必從民中剪除。

19 不可露姨母或是姑母的下體,這是露了骨肉之親的下體;二人必擔當自己的罪孽。

20 若與伯叔之妻同房,就羞辱了他的伯叔;二要擔當自己的罪,必無子女而

21 若娶弟兄之妻,這本是污穢的事,羞辱了他的弟兄;二必無子女。

22 所以,你們要謹守遵行我一切的律例典章,免得我領你們去的那把你們吐出。

23 我在你們面前所逐出的國民,你們不可隨從他們的風俗;因為他們行了這一切的事,所以我厭惡他們。

24 但我對你們說過,你們要承受他們的,就是我要賜你們為業、流奶與蜜之。我是耶和華─你們的,使你們與萬民有分別的。

25 所以,你們要把潔淨和不潔淨的禽分別出來;不可因我給你們分為不潔淨的禽,或是滋生在地上的活物,使自己成為可憎惡的。

26 你們要歸我為聖,因為我─耶和華是聖的,並叫你們與萬民有分別,使你們作我的民。

27 無論女,是交鬼的或行巫術的,總要治他們。必用石頭把他們打,罪要歸到他們身上。

   

Komentář

 

Woman

  
woman looking to sky
woman looking to sky

The word "woman" is used a number of different ways in the Bible – as a simple description, as someone connected to a man ("his woman"), as a temptation to the men of Israel (women of other nations) and even as a term of address (Jesus addresses Mary as "woman" twice). There are also various spiritual meanings, and context is important. In most cases, a "woman" in the Bible represents a church, either a true one following the Lord or a false one out to deceive. This follows from the idea that the true character of an organization – or of an individual person – is determined by its goals, its mission, what it cares about most. This is well represented by women, because women are, at their inmost levels, forms of affection and love. Men, by contrast, are forms of thought and intellect, which appear prominent but actually play the secondary role of describing and supporting the defining loves and affections. The most central of a woman's loves and affections is the love of truth. On an individual scale this is central to the union between a wife and a husband: She loves his intellect and ideas, and blends them with her own to produce acts of love and kindness; meanwhile her love inspires him to seek more true ideas and greater wisdom so those acts of love and kindness can be ever better. The relationship between the church and the Lord is different, obviously, because the Lord is perfect love and perfect wisdom in balance, and is ultimately both masculine and feminine. The church is also not specifically feminine, being made up of men and women working in harmony. Even so, the defining aspect of a church is its love for truth, and how it receives ideas from the Lord. So while "woman" sometimes represents a church in general, it can also represents the love of truth that exists in that church, or the love of truth itself. Not all churches are true, of course. The reason the people of Israel were so strongly forbidden to intermarry with the people that surrounded them was that the foreign women represented false churches and false beliefs. And for an Israeli woman to take a foreign husband represented introducing falsity into the Israeli church. Two other uses of "woman" are more limited, primarily to the Book of Genesis. One of them is Eve, the first woman, formed from the rib of Adam. In that story Adam represents the Most Ancient Church, and the woman represents what the Writings call the "proprium," a sense of self, of identity, of control that the Lord gave to people of the church at that time. In a way this fits with the more general representation, because the love of truth is an important way we can feel a sense of power in our own spiritual growth, but the representation of Eve is relatively unique. Much of the rest of Genesis is dealing rather directly with the Lord's own development during his childhood on earth. Since the Lord thought and felt more deeply than we can possibly imagine, the women in this stories – Sarah, Rebecca, Leah, Rachel and others – represent true ideas themselves, rather than affections for truth.