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出埃及記 30

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1 你要用皂莢做一座燒香的

2 這壇要四方的,長一肘,寬一肘,二肘;壇的四角要與壇接連一塊。

3 要用精把壇的上面與壇的四圍,並壇的四角,包裹;又要在壇的四圍鑲上牙邊。

4 要做兩個安在牙子邊以,在壇的兩旁,兩根橫撐上,作為穿杠的用處,以便抬壇。

5 要用皂莢做杠,用包裹。

6 要把壇放在法櫃前的幔子外,對著法櫃上的施恩座,就是我要與你相會的地方。

7 亞倫在壇上要燒馨料做的;每早晨他收拾的時候,要燒這

8 黃昏的時候,他要在耶和華面前燒這香,作為世世代常燒的香。

9 在這壇上不可奉上異樣的香,不可獻燔祭、素祭,也不可澆上奠祭。

10 亞倫一年一次要在壇的角上行贖罪之禮。他一年一次要用贖罪祭牲的血在壇上行贖罪之禮,作為世世代的定例。這壇在耶和華面前為至

11 耶和華曉諭摩西

12 你要按以色列人被數的,計算總數,你數的時候,他們各要為自己的生命把贖價奉耶和華,免得數的時候在他們中間有災殃。

13 凡過去歸那些被數之人的,每人要按所的平,拿銀子半舍客勒;這半舍客勒是奉耶和華的禮物(一舍客勒二十季拉)。

14 凡過去歸那些被數的人,從二十歲以外的,要將這禮物奉耶和華

15 他們為贖生命將禮物奉耶和華,富足的不可多出,貧窮的也不可少出,各人要出半舍客勒

16 你要從以色列人收這贖罪,作為會幕的使用,可以在耶和華面前為以色列人紀念,贖生命。

17 耶和華曉諭摩西

18 你要用銅做濯盆和盆座,以便濯。要將盆放在會幕的中間,在盆裡盛

19 亞倫和他的兒子要在這盆裡

20 他們進會幕,或是就前供職給耶和華獻火祭的時候,必用濯,免得亡。

21 他們就免得亡。這要作亞倫和他後裔世世代永遠的定例。

22 耶和華曉諭摩西

23 你要取上品的香料,就是流質的沒藥五舍客勒,肉桂一半,就是二五十舍客勒,菖蒲二五十舍客勒,

24 桂皮五舍客勒,都按著所的平,又取橄欖

25 按做香之法調和做成

26 要用這油抹會幕和法櫃,

27 桌子桌子的一切器具,臺和臺的器具,並香

28 祭壇,和的一切器具,洗濯盆和盆座。

29 要使這些物成為,好成為至;凡挨著的都成為

30 亞倫和他的兒子,使他們成為,可以給我供祭司的職分。

31 你要對以色列人:這,我要世世代以為

32 不可倒在別人的身上,也不可按這調和之法做與此相似的。這膏油是的,你們也要以為

33 凡調和與此相似的,或將這膏膏在別身上的,這要從民中剪除。

34 耶和華吩咐摩西:你要取馨香料,就是拿他弗、施喜列、喜利比拿;這馨香料和淨乳各樣要一般大的分量。

35 你要用這些加上鹽,按做香之法做成清淨聖潔的香。

36 這香要取點搗得極細,放在會幕內、法櫃前,我要在那裡與你相會。你們要以這香為至

37 你們不可按這調和之法為自己做香;要以這香為,歸耶和華

38 凡做和這一樣,為要香味的,這要從民中剪除。

   

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Apocalypse Explained # 567

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567. And I heard a voice from the four horns of the golden altar which is before God, signifies revelation from the Lord out of the spiritual heaven. This is evident from the signification of "to hear a voice," as being revelation, because what was revealed by this voice follows; also from the signification of "the golden altar which is before God," as being the Divine spiritual (of which presently); also from the signification of "its four horns," as being the Divine spiritual in its ultimates; for the horns were in the ultimates of both altars, both the altar of burnt-offering and the altar of incense which is the golden altar; and as the horns were the ultimates of these altars they signified the Divine in respect to power, for all power is in ultimates; from this it is that "the horns of the altars" signified the Divine in relation to omnipotence (respecting which signification see above, n. 316. That "the altar of burnt-offering" signifies the Divine celestial, which is Divine good, may be seen above (n. 391, 496); while the "altar of incense" (or the golden altar) represented and thence signified the Divine spiritual, which is Divine truth proceeding from the Lord, as is evident from its description, which will be found below.

[2] It shall first be told here why the voice was heard "from the four horns of the altar." The "horns" that projected and stood out at the ultimate parts of the above-named altars signified all things belonging to them in respect to power, as can be seen from what has been shown above (n. 346, 417), and also from what has been said and shown respecting ultimates in the Arcana Coelestia, as that interiors flow in successively into externals, even into things extreme or ultimate, and that there they exist and subsist (n. 634, 6239, 6465, 9215, 9216); that they not only flow in successively, but also form in the ultimate what is simultaneous, in what order (n. 5897, 6451, 8603, 10099); that thus strength and power are in ultimates (n. 9836); and that thence responses and revelations were given in ultimates (n. 9905, 10548). Since responses and revelations were made from ultimates, it is evident why "the voice was heard from the four horns of the golden altar," namely, because the "golden altar" signifies the Divine spiritual, which is Divine truth which reveals, and because the "horns" signify its ultimates, through which revelation is made. The "golden altar" upon which incense was offered signifies the Divine spiritual, which is Divine truth proceeding from the Lord, because the "incense" that was offered upon the altar signified worship from spiritual good, and the hearing and acceptance of it by the Lord (See above, n. 324, 491, 492, 494).

[3] That "the altar of incense" signified the Divine spiritual, and that "offering incense" upon it signified worship from spiritual good, and the grateful hearing and acceptance of such worship by the Lord, is evident from the construction of that altar, every particular in which represented and signified these things. Its construction is thus described in Moses:

Thou shalt make an altar to burn incense upon; of shittim wood shalt thou make it. A cubit shall be the length thereof, and a cubit the breadth thereof; foursquare shall it be; and two cubits shall be the height of it; its horns shall be from it. And thou shalt overlay it with pure gold, its roof, and its walls round about, and its horns; and thou shall make for it a rim of gold round about. And two rings shalt thou make for it from under its rim, upon the two ribs thereof, upon the two sides of it shalt thou make them; and they shall be for places for the staves with which to bear it. And thou shalt make the staves of shittim wood, and overlay them with gold. And thou shalt put it before the veil that is over the ark of the Testimony, before the mercy-seat that is over the Testimony, where I will meet with thee. And Aaron shall burn thereon incense of spices in the morning; in the morning, when dressing the lamps he shall burn it; and when Aaron maketh the lamps to ascend between the evenings he shall burn it, a perpetual incense before Jehovah in your generations. Ye shall make no strange incense to ascend upon it, nor burnt-sacrifice, nor meal-offering; nor shall ye pour drink-offering upon it. And Aaron shall make expiation upon the horns of it once in the year of the blood of the expiations of sin; once in the year shall he make expiation upon it in your generations: this is the holy of holies unto Jehovah (Exodus 30:1-10).

That these particulars respecting that altar signify in the internal sense worship from spiritual good, which is the good of charity towards the neighbor, as also the grateful hearing and acceptance by the Lord, may be seen in the Arcana Coelestia (n. Arcana Coelestia 10176), where they are explained in series.

  
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Thanks to the Swedenborg Foundation for their permission to use this translation.