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出埃及记 26

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1 你要用幅幔子做帐幕。这些幔子要用捻的细麻和蓝色紫色、朱红色线制造,并用巧匠的手工绣上基路伯

2 每幅幔子要长二十肘,宽肘,幔子都要样的尺寸。

3 这五幅幔子要幅幅相连;那五幅幔子也要幅幅相连。

4 在这相连的幔子末幅边上要做蓝色的钮扣;在那相连的幔子末幅边上也要照样做。

5 要在这相连的幔子上做五十个钮扣;在那相连的幔子上也做五十个钮扣,都要两两相对。

6 又要做五十钩,用钩使幔子相连,这才成了个帐幕。

7 你要用山羊毛织十一幅幔子,作为帐幕以上的罩棚。

8 每幅幔子要长三十肘,宽肘;十幅幔子都要样的尺寸。

9 要把五幅幔子连成一幅,又把幅幔子连成一幅,这第六幅幔子要在罩棚的前面摺上去。

10 在这相连的幔子末幅边上要做五十个钮扣;在那相连的幔子末幅边上也做五十个钮扣。

11 又要做五十个铜钩,钩在钮扣中,使罩棚连成个。

12 罩棚的幔子所馀那垂下来的半幅幔子,要垂在帐幕的後头。

13 罩棚的幔子所馀长的,这边一肘,那边一肘,要垂在帐幕的两旁,遮盖帐幕。

14 又要用染红的公羊皮做罩棚的盖;再用海狗做一层罩棚上的顶盖。

15 你要用皂荚做帐幕的竖板。

16 每块要长肘,宽肘半;

17 每块必有两榫相对。帐幕切的板要这样做。

18 帐幕的面要做板二十块。

19 在这二十块板底要做四十个带卯的座,两卯接这块板上的两榫,两卯接那块板上的两榫。

20 帐幕第二面,就是面,也要做板二十

21 和带卯的四十个;这板底有两卯,那板底也有两卯。

22 帐幕的後面,就是西面,要做板块。

23 帐幕後面的拐角要做板两块。

24 板的半截要双的,上半截要整的,直顶到第子;两块要这样做两个拐角。

25 必有块板和十六个带卯的座;这板底有两卯,那板底也有两卯。

26 你要用皂荚做闩:为帐幕这面的板做五闩,

27 为帐幕那面的板做五闩,又为帐幕後面的板做五闩。

28 板腰间的中闩要从这一头通到那一头。

29 板要用子包裹,又要做板上的套闩;闩也要用子包裹。

30 要照着在上指示你的样式立起帐幕。

31 你要用蓝色紫色、朱红色线,和捻的细麻织幔子,以巧匠的手工绣上基路伯

32 要把幔子挂在根包的皂荚木子上,子上当有钩,子安在个带卯的座上。

33 要使幔子垂在钩子,把法柜抬进幔子内;这幔子要将所和至所隔开。

34 又要把施恩座安在至所内的法柜上,

35 桌子安在幔子外帐幕的面;把台安在帐幕的南面,彼此相对。

36 你要拿蓝色紫色、朱红色线,和捻的细麻,用绣花的手工织帐幕的帘。

37 要用皂荚木做五根子,用子包裹。子上当有钩;又要为子用铜铸造五个带卯的座。

   

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Apocalypse Explained # 576

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576. Having breast-plates fiery, and purple (hyacinthinos) and sulphurous.- That this signifies reasonings combating from the disorderly desires of the love of self and of the love of the world, and from the falsities therefrom, is evident from the signification of breast-plates, as denoting armour for war, and specifically defences in combats, which are treated of above (n. 557); and from the signification of fire or fiery, as denoting the disorderly desire of the love of self, and thence of all evil (see above, n. 504); and from the signification of purple or purplish (hyacinthinum), as denoting the disorderly desire of the love of the world and thence of every falsity, of which in what follows; and from the signification of sulphur or sulphurous, as denoting the lust (concupiscentia) of destroying the goods and truths of the church by the falsities of evil (see below, n. 578), in this case falsity burning from those two loves. From these considerations it is evident, that breast-plates fiery, purple, and sulphurous, signify reasonings combating from the disorderly desires of the love of self and of the love of the world, and from the falsities thence.

[2] It must be observed in regard to purple (hyacinthinum) that, in the spiritual sense, it signifies the celestial love of truth, but in the opposite sense, the diabolical love of falsity, and also the love of the world. This is evident from the fact that it is of a celestial colour (coloris coelestis) and this colour signifies truth from a heavenly origin, and therefore, in the opposite sense, falsity from a diabolical origin. In the spiritual world there are seen the choicest colours, which derive their origin from good and truth; for colours there are modifications of heavenly light, thus of the intelligence and wisdom of the angels in heaven. For this reason, purple (hyacinthinum), crimson (purpura), and scarlet (coccineus) double dyed, were woven into the curtains of the tabernacle and the garments of Aaron. For the tabernacle represented the heaven of the Lord, the garments of Aaron, the Divine Truth of heaven and the church, while those things of which the tabernacle was constructed, and which formed the texture of the garments of Aaron, represented celestial and spiritual things, which are of the Divine Good and of the Divine Truth.

[3] That the veil before the ark was woven of purple, crimson, scarlet double dyed, and fine linen, may be seen in Exodus (26:31); and similarly the hanging for the door of the tent (verse 36); and also the hanging for the gate of the court (Exodus 27:16). The loops also on the edge of the curtain of the tent were made of purple (Exodus 26:4); the ephod was made of gold, purple, crimson, scarlet double dyed interwoven (Exodus 28:6); and also the breast-plate of judgment (verse 15); and when they went forward in the wilderness, Aaron and his sons spread a covering of purple upon the ark, upon the table of faces, upon the lampstand and its lamps, upon the golden altar, and upon all the vessels of ministry (Num. 4:6, 7, 8, 9, 11, 12). The reason of these things was, that the Divine Truth proceeding from the Divine Love, and which was signified by the cloth of purple, embraces and defends all the holy things of heaven and the church, which are represented by these things.

[4] Since purple signified the celestial love of truth, therefore it was commanded that the sons of Israel should make a

"fringe upon the borders of their garments, and put upon the fringe a thread of purple (hyacinthinum), that they might look upon it, and remember all the commandments of Jehovah, and do them" (Num. 15:38, 39).

The thread of purple was clearly a means of calling to remembrance the commandments of Jehovah. The commandments of Jehovah are the essential truths of heaven and the church, and those who are in the celestial love of truth alone call them to remembrance.

[5] That purple signifies the love of truth, is plain also from the following passages in Ezekiel:

"Fine linen with broidered work from Egypt was thy spreading forth to be thy sign; purple (hyacinthinum) and crimson (purpura) from the isles of Elisha was thy covering; thy merchants with perfect things, with wrappings of purple, and broidered work and with treasures of rich apparel" (27:7, 24).

These things are said of Tyrus, which signifies the church as to the cognitions of truth thus also the cognitions of truth pertaining to the church, while the merchandize and tradings mentioned in that chapter describe the procuring of intelligence by means of those cognitions. Broidered work from Egypt signifies the knowledge (scientia) of such things as pertain to the church, and this being in a lower place, and thus round about or without, it is called spreading forth, and said to be for a sign. Purple and crimson from the isles of Elisha, signify the spiritual affection of truth and good; they are therefore said to be for a covering, a covering denoting truth. By wrappings of purple and broidered work, are signified all truths spiritual and natural, and these, together with cognitions from the Word, are meant by treasures of rich apparel.

[6] Since purple (hyacinthinum) signifies the celestial love of truth, therefore also, in the opposite sense, it signifies the diabolical love of falsity; in which sense also purple (hyacinthinum) is used in the Word. Thus in Ezekiel it is said:

"Two women, the daughters of one mother; In Egypt they committed whoredoms in their youth. Samaria is Oholah, and Jerusalem Oholibah. And Oholah played the harlot while subject to me; and she doted on her lovers, on the Assyrians her neighbours, which were clothed with purple (hyacinthinum), governors and leaders, all of them desirable young men, horsemen riding upon horses" (23:2-6).

Here Samaria and Jerusalem signify the church, Samaria, the spiritual church, and Jerusalem, the celestial church, which are called Oholah and Oholibah, because those names signify a tent, and a tent signifies the church as to worship. A woman also, in the Word, signifies the church. By their committing whoredoms in Egypt, is signified that they falsified the truths of the church by the scientifics of the natural man. By doting on the Assyrians, is signified that they falsified by reasonings from those scientifics, Ashur and Assyria denoting reasonings. They are said to be clothed in purple, by reason of fallacies and falsities, which in the external form appear like truths, because drawn from the sense of the letter of the Word perversely applied. And from the same appearance they are also called governors and rulers, desirable young men, riding upon horses. For those who reason from their own intelligence appear to themselves, and to others who are in a similar state, to be intelligent and wise, and the things which they speak, to be truths of intelligence and goods of wisdom, when nevertheless they are falsities, and these they love because they are from the proprium. Governors and leaders signify chief truths, and riding upon horses, the intelligent.

[7] So in Jeremiah:

"Silver spread into plates is brought from Tarshish and gold from Uphaz, the work of the workman, and of the hands of the goldsmith; purple (hyacinthinum) and crimson (purpura) is their clothing; they are all the work of wise men" (10:9).

The subject here treated of is the idols of the house of Israel, which signify false doctrinals because they are from [man's] own intelligence, therefore they are called the work of the workman, and of the hands of the goldsmith, and all the work of wise men, and this for the reason that they appear to them as truths and goods. Silver from Tarshish, and gold from Uphaz, signifies what appears in external form as truth and good, because from the sense of the letter of the Word. From these considerations it is evident that, purple (hyacinthinum) signifies the love of falsity, because from the proprium, or [man's] own intelligence. Purple also signifies the love of the world, because the love of the world corresponds to the love of falsity, as the love of self, signified by fire, corresponds to the love of evil. For all evil is from the love of self, and all falsity from the love of the world originating in the love of self, for spiritual evil, which is signified by the love of the world, is, in its essence, falsity, just as spiritual good is, in its essence, truth, as may be seen in Heaven and Hell 15).

  
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Translation by Isaiah Tansley. Many thanks to the Swedenborg Society for the permission to use this translation.