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Exodus第26章

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1 και-C ο- A--ASF σκηνη-N1--ASF ποιεω-VF--FAI2S δεκα-M αυλαια-N1A-APF εκ-P βυσσος-N2--GSF κλωθω-VT--XMPGSF και-C υακινθος-N2--GSF και-C πορφυρα-N1A-GSF και-C κοκκινος-A1--GSN κλωθω-VT--XMPGSN χερουβιμ-N---APM εργασια-N1A-DSF υφαντης-N1M-GSM ποιεω-VF--FAI2S αυτος- D--APF

2 μηκος-N3E-NSN ο- A--GSF αυλαια-N1A-GSF ο- A--GSF εις-A1A-GSF οκτω-M και-C εικοσι-M πηχυς-N3E-GPM και-C ευρος-N2--NSN τεσσαρες-A3--GPM πηχυς-N3E-GPM ο- A--NSF αυλαια-N1A-NSF ο- A--NSF εις-A1A-NSF ειμι-VF--FMI3S μετρον-N2N-NSN ο- A--NSN αυτος- D--NSN ειμι-VF--FMI3S πας-A1S-DPF ο- A--DPF αυλαια-N1A-DPF

3 πεντε-M δε-X αυλαια-N1A-NPF ειμι-VF--FMI3P εκ-P αλληλω- D--GPM εχω-V1--PMPNPF ο- A--NSF ετερος-A1A-NSF εκ-P ο- A--GSF ετερος-A1A-GSF και-C πεντε-M αυλαια-N1A-NPF ειμι-VF--FMI3P συνεχω-V1--PMPNPF ετερος-A1A-NSF ο- A--DSF ετερος-A1A-DSF

4 και-C ποιεω-VF--FAI2S αυτος- D--DPF αγκυλη-N1--APF υακινθινος-A1--APF επι-P ο- A--GSN χειλος-N3E-GSN ο- A--GSF αυλαια-N1A-GSF ο- A--GSF εις-A1A-GSF εκ-P ο- A--GSN εις-A3--GSN μερος-N3E-GSN εις-P ο- A--ASF συμβολη-N1--ASF και-C ουτως-D ποιεω-VF--FAI2S επι-P ο- A--GSN χειλος-N3E-GSN ο- A--GSF αυλαια-N1A-GSF ο- A--GSF εξωτερος-A1A-GSF προς-P ο- A--DSF συμβολη-N1--DSF ο- A--DSF δευτερος-A1A-DSF

5 πεντηκοντα-M αγκυλη-N1--APF ποιεω-VF--FAI2S ο- A--DSF αυλαια-N1A-DSF ο- A--DSF εις-A1A-DSF και-C πεντηκοντα-M αγκυλη-N1--APF ποιεω-VF--FAI2S εκ-P ο- A--GSN μερος-N3E-GSN ο- A--GSF αυλαια-N1A-GSF κατα-P ο- A--ASF συμβολη-N1--ASF ο- A--GSF δευτερος-A1A-GSF αντιπροσωπος-A1B-NPF αντιπιπτω-V1--PAPNPF αλληλω- D--DPF εις-P εκαστος-A1--ASF

6 και-C ποιεω-VF--FAI2S κρικος-N2--APM πεντηκοντα-M χρυσους-A1C-APM και-C συναπτω-VF--FAI2S ο- A--APF αυλαια-N1A-APF ετερος-A1A-ASF ο- A--DSF ετερος-A1A-DSF ο- A--DPM κρικος-N2--DPM και-C ειμι-VF--FMI3S ο- A--NSF σκηνη-N1--NSF εις-A1A-NSF

7 και-C ποιεω-VF--FAI2S δερρις-N3I-APF τριχινας-A1--APF σκεπη-N1--ASF επι-P ο- A--GSF σκηνη-N1--GSF ενδεκα-M δερρις-N3I-APF ποιεω-VF--FAI2S αυτος- D--APF

8 ο- A--NSN μηκος-N3E-NSN ο- A--GSF δερρις-N3I-GSF ο- A--GSF εις-A1A-GSF ειμι-VF--FMI3S τριακοντα-M πηχυς-N3E-GPM και-C τεσσαρες-A3--GPM πηχυς-N3E-GPM ο- A--NSN ευρος-N2--NSN ο- A--GSF δερρις-N3I-GSF ο- A--GSF εις-A1A-GSF μετρον-N2N-NSN ο- A--NSN αυτος- D--NSN ειμι-VF--FMI3S ο- A--DPF ενδεκα-M δερρις-N3I-DPF

9 και-C συναπτω-VF--FAI2S ο- A--APF πεντε-M δερρις-N3I-APF επι-P ο- A--ASN αυτος- D--ASN και-C ο- A--APF εξ-M δερρις-N3I-APF επι-P ο- A--ASN αυτος- D--ASN και-C επιδιπλοω-VF--FAI2S ο- A--ASF δερρις-N3I-ASF ο- A--ASF εκτος-A1--ASF κατα-P προσωπον-N2N-ASN ο- A--GSF σκηνη-N1--GSF

10 και-C ποιεω-VF--FAI2S αγκυλη-N1--APF πεντηκοντα-M επι-P ο- A--GSN χειλος-N3E-GSN ο- A--GSF δερρις-N3I-GSF ο- A--GSF εις-A1A-GSF ο- A--GSF ανα-P μεσος-A1--ASN κατα-P συμβολη-N1--ASF και-C πεντηκοντα-M αγκυλη-N1--APF ποιεω-VF--FAI2S επι-P ο- A--GSN χειλος-N3E-GSN ο- A--GSF δερρις-N3I-GSF ο- A--GSF συναπτω-V1--PAPGSF ο- A--GSF δευτερος-A1A-GSF

11 και-C ποιεω-VF--FAI2S κρικος-N2--APM χαλκους-A1C-APM πεντηκοντα-M και-C συναπτω-VF--FAI2S ο- A--APM κρικος-N2--APM εκ-P ο- A--GPF αγκυλη-N1--GPF και-C συναπτω-VF--FAI2S ο- A--APF δερρις-N3I-APF και-C ειμι-VF--FMI3S εις-A3--NSN

12 και-C υποτιθημι-VF--FAI2S ο- A--ASN πλεοναζω-V1--PAPASN εν-P ο- A--DPF δερρις-N3I-DPF ο- A--GSF σκηνη-N1--GSF ο- A--ASN ημισυς-A3U-ASN ο- A--GSF δερρις-N3I-GSF ο- A--ASN υπολειπω-VP--XMPASN υποκαλυπτω-VF--FAI2S ο- A--ASN πλεοναζω-V1--PAPASN ο- A--GPF δερρις-N3I-GPF ο- A--GSF σκηνη-N1--GSF υποκαλυπτω-VF--FAI2S οπισω-P ο- A--GSF σκηνη-N1--GSF

13 πηχυς-N3E-ASM εκ-P ουτος- D--GSN και-C πηχυς-N3E-ASM εκ-P ουτος- D--GSN εκ-P ο- A--GSN υπερεχω-V1--PAPGSN ο- A--GPF δερρις-N3I-GPF εκ-P ο- A--GSN μηκος-N3E-GSN ο- A--GPF δερρις-N3I-GPF ο- A--GSF σκηνη-N1--GSF ειμι-VF--FMI3S συνκαλυπτω-V1--PAPNSN επι-P ο- A--APN πλαγιος-A1A-APN ο- A--GSF σκηνη-N1--GSF ενθεν-D και-C ενθεν-D ινα-C καλυπτω-V1--PAS3S

14 και-C ποιεω-VF--FAI2S κατακαλυμμα-N3M-ASN ο- A--DSF σκηνη-N1--DSF δερμα-N3M-APN κριος-N2--GPM ερυθροδανοω-VM--XPPAPN και-C επικαλυμμα-N3M-APN δερμα-N3M-APN υακινθινος-A1--APN επανωθεν-D

15 και-C ποιεω-VF--FAI2S στυλος-N2--APM ο- A--DSF σκηνη-N1--DSF εκ-P ξυλον-N2N-GPN ασηπτος-A1B-GPN

16 δεκα-M πηχυς-N3E-GPM ποιεω-VF--FAI2S ο- A--ASM στυλος-N2--ASM ο- A--ASM εις-A3--ASM και-C πηχυς-N3E-GSM εις-A3--GSM και-C ημισυς-A3U-GSM ο- A--ASN πλατος-N3E-ASN ο- A--GSM στυλος-N2--GSM ο- A--GSM εις-A3--GSM

17 δυο-M αγκωνισκος-N2--APM ο- A--DSM στυλος-N2--DSM ο- A--DSM εις-A3--DSM αντιπιπτω-V1--PAPAPM ετερος-A1A-ASM ο- A--DSM ετερος-A1A-DSM ουτως-D ποιεω-VF--FAI2S πας-A3--DPM ο- A--DPM στυλος-N2--DPM ο- A--GSF σκηνη-N1--GSF

18 και-C ποιεω-VF--FAI2S στυλος-N2--APM ο- A--DSF σκηνη-N1--DSF εικοσι-M στυλος-N2--APM εκ-P ο- A--GSN κλιτος-N3E-GSN ο- A--GSN προς-P βορεας-N1T-ASM

19 και-C τεσσαρακοντα-M βασις-N3I-APF αργυρους-A1C-APF ποιεω-VF--FAI2S ο- A--DPM εικοσι-M στυλος-N2--DPM δυο-M βασις-N3I-NPF ο- A--DSM στυλος-N2--DSM ο- A--DSM εις-A3--DSM εις-P αμφοτεροι-A1A-APN ο- A--APN μερος-N3E-APN αυτος- D--GSM και-C δυο-M βασις-N3I-NPF ο- A--DSM στυλος-N2--DSM ο- A--DSM εις-A3--DSM εις-P αμφοτεροι-A1A-APN ο- A--APN μερος-N3E-APN αυτος- D--GSM

20 και-C ο- A--ASN κλιτος-N3E-ASN ο- A--ASN δευτερος-A1A-ASN ο- A--ASN προς-P νοτος-N2--ASM εικοσι-M στυλος-N2--APM

21 και-C τεσσαρακοντα-M βασις-N3I-APF αυτος- D--GPM αργυρους-A1C-APF δυο-M βασις-N3I-APF ο- A--DSM στυλος-N2--DSM ο- A--DSM εις-A3--DSM εις-P αμφοτεροι-A1A-APN ο- A--APN μερος-N3E-APN αυτος- D--GSM και-C δυο-M βασις-N3I-APF ο- A--DSM στυλος-N2--DSM ο- A--DSM εις-A3--DSM εις-P αμφοτεροι-A1A-APN ο- A--APN μερος-N3E-APN αυτος- D--GSM

22 και-C εκ-P ο- A--GPM οπισω-P ο- A--GSF σκηνη-N1--GSF κατα-P ο- A--ASN μερος-N3E-ASN ο- A--ASN προς-P θαλασσα-N1S-ASF ποιεω-VF--FAI2S εξ-M στυλος-N2--APM

23 και-C δυο-M στυλος-N2--APM ποιεω-VF--FAI2S επι-P ο- A--GPF γωνια-N1A-GPF ο- A--GSF σκηνη-N1--GSF εκ-P ο- A--GPN οπισθιος-A1A-GPN

24 και-C ειμι-VF--FMI3S εκ-P ισος-A1--GSN κατωθεν-D κατα-P ο- A--ASN αυτος- D--ASN ειμι-VF--FMI3P ισος-A1--NPM εκ-P ο- A--GPF κεφαλις-N3D-GPF εις-P συμβλησις-N3--ASF εις-A1A-ASF ουτως-D ποιεω-VF--FAI2S αμφοτεροι-A1A-DPF ο- A--DPF δυο-M---DPF γωνια-N1A-DPF ειμι-V9--PAD3P

25 και-C ειμι-VF--FMI3P οκτω-M στυλος-N2--NPM και-C ο- A--NPF βασις-N3I-NPF αυτος- D--GPM αργυρους-A1C-NPF δεκα-M εξ-M δυο-M βασις-N3I-NPF ο- A--DSM στυλος-N2--DSM ο- A--DSM εις-A3--DSM εις-P αμφοτεροι-A1A-APN ο- A--APN μερος-N3E-APN αυτος- D--GSM και-C δυο-M βασις-N3I-NPF ο- A--DSM στυλος-N2--DSM ο- A--DSM εις-A3--DSM

26 και-C ποιεω-VF--FAI2S μοχλος-N2--APM εκ-P ξυλον-N2N-GPN ασηπτος-A1B-GPN πεντε-M ο- A--DSM εις-A3--DSM στυλος-N2--DSM εκ-P ο- A--GSN εις-A3--GSN μερος-N3E-GSN ο- A--GSF σκηνη-N1--GSF

27 και-C πεντε-M μοχλος-N2--APM ο- A--DSM στυλος-N2--DSM ο- A--DSN κλιτος-N3E-DSN ο- A--GSF σκηνη-N1--GSF ο- A--DSN δευτερος-A1A-DSN και-C πεντε-M μοχλος-N2--APM ο- A--DSM στυλος-N2--DSM ο- A--DSM οπισθιος-A1A-DSM ο- A--DSN κλιτος-N3E-DSN ο- A--GSF σκηνη-N1--GSF ο- A--DSN προς-P θαλασσα-N1S-ASF

28 και-C ο- A--NSM μοχλος-N2--NSM ο- A--NSM μεσος-A1--NSM ανα-P μεσος-A1--ASN ο- A--GPM στυλος-N2--GPM διαικνεομαι-V2--PMD3S απο-P ο- A--GSN εις-A3--GSN κλιτος-N3E-GSN εις-P ο- A--ASN ετερος-A1A-ASN κλιτος-N3E-ASN

29 και-C ο- A--APM στυλος-N2--APM καταχρυσοω-VF--FAI2S χρυσιον-N2N-DSN και-C ο- A--APM δακτυλιος-N2--APM ποιεω-VF--FAI2S χρυσους-A1C-APM εις-P ος- --APM ειςαγω-VF--FAI2S ο- A--APM μοχλος-N2--APM και-C καταχρυσοω-VF--FAI2S ο- A--APM μοχλος-N2--APM χρυσιον-N2N-DSN

30 και-C αναιστημι-VF--FAI2S ο- A--ASF σκηνη-N1--ASF κατα-P ο- A--ASN ειδος-N3E-ASN ο- A--ASN δεικνυω-VK--XMPASN συ- P--DS εν-P ο- A--DSN ορος-N3E-DSN

31 και-C ποιεω-VF--FAI2S καταπετασμα-N3M-ASN εκ-P υακινθος-N2--GSF και-C πορφυρα-N1A-GSF και-C κοκκινος-A1--GSN κλωθω-VT--XMPGSN και-C βυσσος-N2--GSF νηθω-VT--XMPGSF εργον-N2N-ASN υφαντος-A1--ASN ποιεω-VF--FAI2S αυτος- D--ASN χερουβιμ-N---APM

32 και-C επιτιθημι-VF--FAI2S αυτος- D--ASN επι-P τεσσαρες-A3--GPM στυλος-N2--GPM ασηπτος-A1B-GPM χρυσοω-VM--XPPGPM χρυσιον-N2N-DSN και-C ο- A--NPF κεφαλις-N3D-NPF αυτος- D--GPM χρυσους-A1C-NPF και-C ο- A--NPF βασις-N3I-NPF αυτος- D--GPM τεσσαρες-A3--NPF αργυρους-A1C-NPF

33 και-C τιθημι-VF--FAI2S ο- A--ASN καταπετασμα-N3M-ASN επι-P ο- A--APM στυλος-N2--APM και-C ειςφερω-VF--FAI2S εκει-D εσωτερον-P ο- A--GSN καταπετασμα-N3M-GSN ο- A--ASF κιβωτος-N2--ASF ο- A--GSN μαρτυριον-N2N-GSN και-C διαοριζω-VF2-FAI3S ο- A--ASN καταπετασμα-N3M-ASN συ- P--DP ανα-P μεσος-A1--ASN ο- A--GSM αγιος-A1A-GSM και-C ανα-P μεσος-A1--ASN ο- A--GSM αγιος-A1A-GSM ο- A--GPM αγιος-A1A-GPM

34 και-C κατακαλυπτω-VF--FAI2S ο- A--DSN καταπετασμα-N3M-DSN ο- A--ASF κιβωτος-N2--ASF ο- A--GSN μαρτυριον-N2N-GSN εν-P ο- A--DSM αγιος-A1A-DSM ο- A--GPM αγιος-A1A-GPM

35 και-C τιθημι-VF--FAI2S ο- A--ASF τραπεζα-N1S-ASF εξωθεν-D ο- A--GSN καταπετασμα-N3M-GSN και-C ο- A--ASF λυχνια-N1A-ASF απεναντι-P ο- A--GSF τραπεζα-N1S-GSF επι-P μερος-N3E-GSN ο- A--GSF σκηνη-N1--GSF ο- A--ASN προς-P νοτος-N2--ASM και-C ο- A--ASF τραπεζα-N1S-ASF τιθημι-VF--FAI2S επι-P μερος-N3E-GSN ο- A--GSF σκηνη-N1--GSF ο- A--ASN προς-P βορεας-N1T-ASM

36 και-C ποιεω-VF--FAI2S επισπαστρον-N2N-ASN εκ-P υακινθος-N2--GSF και-C πορφυρα-N1A-GSF και-C κοκκινος-A1--GSN κλωθω-VT--XMPGSN και-C βυσσος-N2--GSF κλωθω-VT--XMPGSF εργον-N2N-ASN ποικιλτης-N1M-GSM

37 και-C ποιεω-VF--FAI2S ο- A--DSN καταπετασμα-N3M-DSN πεντε-M στυλος-N2--APM και-C χρυσοω-VF--FAI2S αυτος- D--APM χρυσιον-N2N-DSN και-C ο- A--NPF κεφαλις-N3D-NPF αυτος- D--GPM χρυσους-A1C-NPF και-C χωνευω-VF--FAI2S αυτος- D--DPM πεντε-M βασις-N3I-APF χαλκους-A1C-APF

   

来自斯威登堡的著作

 

Arcana Coelestia#9466

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9466. 'And violet' means the celestial love of truth. This is clear from the meaning of 'violet' as the celestial love of truth, the reason why 'violet' has this meaning being that it is a celestial colour, and by this colour truth from a celestial origin is meant, that is, truth springing from the good of love to the Lord. This good predominates in the inmost heaven, revealing itself in the middle or second heaven as the colours purple and violet. The actual good reveals itself as purple, and the truth springing from it as violet. For when colours appear in the next life, and in heaven itself, they are most beautiful ones; and they all have their origin in goodness and truth. For the sphere of affections for goodness and truth is revealed to the eyes of angels and of spirits also by means of colours, specific things being revealed by means of objects variously coloured, and also to their nostrils by means of odours. For every celestial reality belonging to good or spiritual reality belonging to truth is represented in the lower heavens by means of the kinds of things that appear in the natural order, and by this means is revealed to the actual external senses of spirits and angels in those heavens. The reason why the spheres of affection for goodness and truth are revealed visually by means of colours is that colours are modifications of heavenly light, and so of intelligence and wisdom, see 4530, 4677, 4742, 4922.

[2] This now explains why the materials that were to be gathered together for the tabernacle and Aaron's garments included violet, purple, twice-dyed scarlet, and skins of red rams; for the tabernacle represented the Lord's heaven, the materials which were used to construct and cover it represented the celestial and spiritual realities that belong to goodness and truth, and Aaron's garments had a like representation, 9457. It explains why the veil within which the ark of the Testimony was placed was woven from violet, purple, twice-dyed scarlet, and fine linen thread, Exodus 26:31, as likewise was the covering for the door of the tent, Exodus 26:36, and the covering for the gate of the court as well, Exodus 27:16, and why the loops on the edge of the curtain were made of violet, Exodus 26:4. It also explains why the ephod was made of gold, violet, purple, twice-dyed scarlet, and linen thread woven together, as was the breastplate of judgement, Exodus 28:6, 15.

[3] 'Violet' means the celestial love of truth, and 'garments made of violet' cognitions or knowledge of truth present as a result of that love, in Ezekiel,

Fine linen with embroidered work from Egypt was your sail, that it might be to you an ensign; violet and purple from the islands of Elishah was your covering. They were your traders with choice wares, 1 with balls of violet, and embroidery, and with chests of precious garments. Ezekiel 27:7, 24.

This refers to Tyre, by which cognitions of truth and good are meant, 1201. Knowledge and understanding acquired from these is described by 'embroidered work from Egypt', and by 'violet and purple from the islands of Elishah'. 'Embroidered work from Egypt' is factual knowledge of truth, and 'violet and purple from the islands of Elishah' is an understanding of truth and good.

[4] In the same prophet,

Two women, the daughters of one mother, in their youth committed whoredom in Egypt - Oholah and Oholibah. Oholah committed whoredom under Me and doted on the Assyrians her neighbours - clothed in violet, governors and leaders, horsemen riding on horses. Ezekiel 23:2-6.

'Oholah' stands for Samaria, and 'Oholibah' for Jerusalem, Samaria in this instance being the corrupted spiritual Church. 'Committing whoredom in Egypt' means falsifying truths by means of factual knowledge, 'doting on the Assyrians her neighbours' stands for having a love of reasonings based on those falsifications, and 'clothed in violet' stands for ideas which look like truth springing from good because they are derived from the literal sense of the Word interpreted wrongly.

[5] Something similar occurs in Jeremiah,

Beaten silver is brought from Tarshish, and gold from Uphaz, the work of the smith and of the hands of the molder. Their clothing is violet and purple. These are all the work of the wise. Jeremiah 10:9.

This refers to the idols of the house of Israel, by which false teachings, supported by distortions of the outward sense of the Word, are meant, 9424. 'The work of the smith and of the hands of the molder', and also 'these are all the work of the wise', stand for the fact that they are the product of self-intelligence. 'Silver from Tarshish, and gold from Uphaz' stands for their seeming to outward appearance to be true and good because they are taken from the Word; and much the same is meant by 'violet and purple' of which their clothing consisted.

[6] In John,

I saw horses in the vision, and those seated on them had breastplates of fire and violet and brimstone, by whom a third part of mankind was killed. Revelation 9:17-18.

'Horses' and 'those seated on them' stand for a topsy-turvy and corrupted understanding of truth. 'Breastplates of fire, violet, and brimstone' stands for defence of falsities that arise from the evils of devilish kinds of love. In this instance therefore 'fire' stands for the hellish love of evil, and 'violet' for the hellish love of falsity. They are accordingly used in the contrary sense; for the majority of things in the Word also have a contrary meaning.

脚注:

1. literally, with perfections

  
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Thanks to the Swedenborg Society for the permission to use this translation.

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