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Esodo第26章

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1 FA’ ancora il Padiglione, di dieci teli di fin lino ritorto, di violato, di porpora, e di scarlatto; e fa’ que’ teli lavorati a cherubini di lavoro di disegno.

2 Sia la lunghezza d’un telo di ventotto cubiti, e la larghezza di quattro cubiti; sieno tutti que’ teli di una stessa misura.

3 Sieno cinque teli accoppiati l’uno con l’altro, e cinque altri teli parimente accoppiati l’uno con l’altro.

4 E fa’ de’ lacciuoli di violato all’orlo dell’uno de’ teli, che sarà all’estremità dell’uno degli accoppiamenti; fa’ il simigliante ancora nell’orlo del telo estremo nel secondo accoppiamento.

5 Fa’ cinquanta lacciuoli nell’uno di que’ teli, e parimente cinquanta lacciuoli all’estremità del telo che sarà al secondo accoppiamento; sieno i lacciuoli dirincontro l’uno all’altro.

6 Fa’ ancora cinquanta graffi d’oro, e accoppia que’ teli, l’uno con l’altro con que’ graffi; e così sia il Padiglione giunto in uno.

7 Fa’, oltre a ciò, sopra il Padiglione una Tenda a teli di pel di capra; fai undici di que’ teli.

8 Sia la lunghezza di un telo di trenta cubiti, e la larghezza di quattro cubiti; sieno gli undici teli di una stessa misura.

9 E accoppia cinque di que’ teli da parte, e sei da parte; e raddoppia il sesto telo in su la parte anteriore del Tabernacolo.

10 E fa’ cinquanta lacciuoli all’orlo dell’un de’ teli, che sarà l’estremo del primo accoppiamento; e parimente cinquanta lacciuoli all’orlo del telo estremo del secondo accoppiamento.

11 Fa’ ancora cinquanta graffi di rame, e metti i graffi dentro i lacciuoli; e assembra insieme la Tenda, acciocchè sia giunta in uno.

12 E quel soverchio che avanzerà ne’ teli della Tenda, cioè: quel mezzo telo che sarà di soverchio, soprabbondi nella parte di dietro del Tabernacolo.

13 E il cubito di qua, e il cubito di là, che sarà di soverchio nella lunghezza de’ teli della Tenda, soprabbondi ne’ lati del Tabernacolo, di qua e di là, per coprirlo.

14 Fa’ ancora alla Tenda una coverta di pelli di montone, tinte in rosso; e un’altra coverta di pelli di tasso, disopra.

15 Fa’, oltre a ciò, delle assi per lo Tabernacolo; falle di legno di Sittim, per metterle ritte.

16 Sia la lunghezza di ciascuna asse di dieci cubiti, e la larghezza di un cubito e mezzo.

17 Abbia ciascuna asse due cardini da incastrare un pezzo nell’altro; fa’ così a tutte le assi del Tabernacolo.

18 Fa’ adunque le assi per lo Tabernacolo; venti assi dal lato Australe, verso il Mezzodì.

19 E fa’ quaranta piedistalli di argento per metter sotto quelle venti assi; due piedistalli sotto ciascuna asse, per li suoi due cardini.

20 E venti assi per l’altro lato del Tabernacolo, verso Aquilone;

21 co’ lor quaranta piedistalli di argento, due piedistalli sotto ciascuna asse.

22 E per lo fondo del Tabernacolo, verso Occidente, fa’ sei assi.

23 Fa’ ancora due assi per li cantoni del Tabernacolo, nel fondo.

24 E sieno quelle a due facce fin da basso; e tutte sieno ben commesse insieme al capo di queste assi con un anello; sieno quelle due assi, che saranno per li due cantoni, fatte di una medesima maniera.

25 Sienvi adunque otto assi, co’ lor piedistalli di argento, in numero di sedici piedistalli; due piedistalli sotto ciascuna asse.

26 Fai ancora cinque sbarre di legno di Sittim, per le assi dell’uno de’ lati del Tabernacolo.

27 Parimente cinque sbarre per le assi dell’altro lato del Tabernacolo; e cinque sbarre per le assi del lato del fondo del Tabernacolo, verso Occidente.

28 E la sbarra di mezzo sia nel mezzo delle assi, e traversi da un capo all’altro.

29 E copri d’oro le assi, e fa’ d’oro i loro anelli, da mettervi dentro le sbarre; copri ancora d’oro le sbarre.

30 Poi rizza il Tabernacolo secondo il modello di esso, che ti è stato mostrato nel monte.

31 Fa’ ancora una Cortina di violato, e di porpora, e di scarlatto, e di fin lino ritorto; facciasi di lavoro di disegno a Cherubini.

32 E appendila a quattro colonne di legno di Sittim, coperte d’oro, co’ lor capitelli d’oro; e quelle sieno poste sopra quattro piedistalli di argento.

33 E metti la Cortina sotto i graffi; e porta là, dentro della Cortina, l’Arca della Testimonianza; e facciavi quella Cortina separazione fra il luogo Santo e il Santissimo.

34 E metti il Coperchio sopra l’Arca della Testimonianza, nel luogo Santissimo.

35 E metti la Tavola di fuori della Cortina, dal lato Settentrionale; e il Candelliere, dirimpetto alla Tavola, dal lato Australe del Tabernacolo.

36 Fa’ eziandio, per l’entrata del Tabernacolo, un tappeto di violato, e di porpora, e di scarlatto, e di fin lino ritorto, di lavoro di ricamatore.

37 E fai cinque colonne di legno di Sittim, per appendervi quel tappeto, e copri le colonne d’oro, e sieno i lor capitelli d’oro; e fondi loro cinque piedistalli di rame.

   


To many Protestant and Evangelical Italians, the Bibles translated by Giovanni Diodati are an important part of their history. Diodati’s first Italian Bible edition was printed in 1607, and his second in 1641. He died in 1649. Throughout the 1800s two editions of Diodati’s text were printed by the British Foreign Bible Society. This is the more recent 1894 edition, translated by Claudiana.

来自斯威登堡的著作

 

Arcana Coelestia#9473

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9473. 'Oil for the light' means internal good present within mutual love and charity. This is clear from the meaning of 'oil' as the good of love, dealt with in 886, 4582, 4638; and from the meaning of 'the light' as mutual love and charity. 'The light' is mutual love by virtue of the flame by which that love is meant, and it is charity by virtue of the heat and light from the flame. For spiritual heat is the good of charity, and spiritual light is the truth of faith.

[2] A brief statement must be made here about what internal good present within mutual love and within charity is. Nothing comes into being by itself, only from what is prior to itself, as is indeed so with truth and good. Anything from which something else comes into being is the internal; and the something else brought into being is the external of this internal. The situation with all things that come into being is without exception like that of cause and effect, in that no effect can be brought into being without an efficient cause; for the efficient cause is the internal of the effect, while the effect is the external of that cause. The situation with them is also like that of endeavour and motion, in that no motion can be brought into being without the endeavour; the motion depends so much on the endeavour that the instant the endeavour ceases to exist the motion ceases to exist. Consequently the internal of the motion is the endeavour or moving force. The situation is very similar to that of endeavour in the mind, which is the will, and motion in the body, which is action, in that no action can come into being without the will; the action depends so much on the will that the instant the will ceases to function the action ceases. Consequently the internal of the action is the will. From all this it is evident that in all things without exception there must be an internal if they are to come into being and then remain in being, and that without the internal they are not anything.

[3] The situation is the same as this with the good of love; unless it has internal good within it, it is not good. The internal good within the good of faith is the good of charity, which is spiritual good, whereas the internal good within the good of charity is the good of mutual love, which is external celestial good. But the internal good within the good of mutual love is the good of love to the Lord, which is also the good of innocence. This good is internal celestial good. The internal good however within the good of love to the Lord, that is, within the good of innocence, is the actual good that is Divine, emanating from the Lord's Divine Human, and so is the Lord Himself. This good must be present within all other good if it is to be good; therefore no kind of good can exist unless its internal springs from the good that is Divine. Unless its internal springs from this it is not good but evil; for then it originates in the person himself, and that which emanates from the person is evil. This is so because in all the good he does the person has himself and also the world in view, and so not the Lord, nor heaven. If the Lord and heaven do enter into his thinking, they are for him only means that serve him in the attainment of personal position and gain. Those good deeds of his therefore are like white-washed sepulchres, which outwardly appear beautiful but inwardly are full of dead people's bones and of all uncleanness, Matthew 23:27, 29.

  
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Thanks to the Swedenborg Society for the permission to use this translation.

来自斯威登堡的著作

 

Arcana Coelestia#8740

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8740. To become warm the same people seem to themselves to be cutting pieces of wood. While they are cutting there appears underneath the wood something that looks like a human being, whom they try to strike at the same time. This happens because they claim merit for themselves; and since they also impute righteousness to themselves they claim holiness. Those who do this in the world seem to themselves in the next life to be cutting pieces of wood, as also do some from our planet, whom I have spoken about from experience before. To shed light on the subject let that experience recorded in 4943 be repeated here:

On the lower earth beneath the soles of the feet there are also those who have regarded good deeds and works to be meritorious. Many of these appear to themselves to be cutting pieces of wood. The place where they are is quite a cold one, but they seem to themselves to find warmth in the work they do. I talked to these people too and was allowed to ask them whether they wished to leave that place. Their replies were that they had not done enough meritorious work. But once this stage is completed they are released from there. These people likewise are natural, for the desire to earn salvation through merit is not a spiritual desire, since it begins in self, not in the Lord. What is more, they regard themselves to be those who are superior to others, and some of them are also contemptuous of others. If in the next life they do not receive greater joy than all others, they are angry with the Lord, which explains why [sometimes] when they are cutting pieces of wood, it appears as though something of the Lord is underneath their pile of wood - their anger being that which produces this appearance. But because they have led a devout life and have acted in the ways they did out of ignorance that had some degree of innocence within it, angels are therefore sent to them periodically to console them. Sometimes, in addition, something that looks like a sheep appears from above on the left, and from this too they receive consolation when they see it.

See also 1110.

  
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Thanks to the Swedenborg Society for the permission to use this translation.