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Εξοδος πλήθους第27章

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1 Και θελεις καμει θυσιαστηριον εκ ξυλου σιττιμ, πεντε πηχων το μηκος και πεντε πηχων το πλατος· τετραγωνον θελει εισθαι το θυσιαστηριον· και το υψος αυτου τριων πηχων·

2 και θελεις καμει τα κερατα αυτου επι των τεσσαρων γωνιων αυτου· τα κερατα αυτου θελουσιν εισθαι εκ του αυτου και θελεις περικαλυψει αυτο με χαλκον.

3 Και θελεις καμει τους στακτοδοχους λεβητας αυτου και τα πτυαρια αυτου και τας λεκανας αυτου και τας κρεαγρας αυτου και τα πυροδοχα αυτου· χαλκινα θελεις καμει παντα τα σκευη αυτου.

4 Και θελεις καμει δι' αυτο χαλκινην εσχαραν δικτυωτης εργασιας· και επι του δικτυου θελεις καμει τεσσαρας κρικους χαλκινους επι των τεσσαρων γωνιων αυτου.

5 Και θελεις θεσει αυτην υπο την περιοχην του θυσιαστηριου κατωθεν, ωστε το δικτυον να ηναι μεχρι του μεσου του θυσιαστηριου.

6 Και θελεις καμει μοχλους δια το θυσιαστηριον, μοχλους εκ ξυλου σιττιμ, και θελεις περικαλυψει αυτους με χαλκον·

7 και οι μοχλοι θελουσι τεθη εντος των κρικων και θελουσιν εισθαι οι μοχλοι επι των δυο πλευρων του θυσιαστηριου, δια να βασταζωσιν αυτο.

8 Κοιλον σανιδωτον θελεις καμει αυτο, καθως εδειχθη εις σε επι του ορους· ουτω θελουσι καμει.

9 Και θελεις καμει την αυλην της σκηνης· απο το νοτιον μερος προς μεσημβριαν θελουσιν εισθαι παραπετασματα δια την αυλην εκ βυσσου κεκλωσμενης, το μηκος εκατον πηχων δια το εν πλευρον.

10 Και οι εικοσι στυλοι αυτης και τα εικοσι υποβασια τουτων θελουσιν εισθαι χαλκινα· τα αγκιστρα των στυλων και αι ζωναι αυτων αργυρα.

11 Και ομοιως κατα το βορειον πλευρον κατα μηκος θελουσιν εισθαι παραπετασματα, μηκος εκατον πηχων, και οι εικοσι στυλοι αυτων και τα εικοσι αυτων χαλκινα υποβασια· τα δε αγκιστρα των στυλων και αι ζωναι αυτων αργυρα.

12 Και δια το πλατος της αυλης κατα το δυτικον πλευρον θελουσιν εισθαι παραπετασματα πεντηκοντα πηχων· στυλοι αυτων δεκα και υποβασια αυτων δεκα.

13 Και το πλατος της αυλης κατα το ανατολικον πλευρον το προς ανατολας θελει εισθαι πεντηκοντα πηχων.

14 Και τα παραπετασματα του ενος μερους της πυλης θελουσιν εισθαι δεκαπεντε πηχων· στυλοι αυτων τρεις και υποβασια αυτων τρια.

15 Και εις το αλλο μερος θελουσιν εισθαι παραπετασματα δεκαπεντε πηχων· στυλοι αυτων τρεις και υποβασια αυτων τρια.

16 Δια δε την πυλην της αυλης θελει εισθαι καταπετασμα εικοσι πηχων, εκ κυανου και πορφυρου και κοκκινου και βυσσου κεκλωσμενης, κατεσκευασμενον με εργασιαν κεντητου· στυλοι αυτων τεσσαρες και υποβασια τουτων τεσσαρα.

17 Παντες οι στυλοι κυκλω της αυλης θελουσιν εισθαι εζωσμενοι με αργυρον, τα αγκιστρα αυτων αργυρα και τα υποβασια αυτων χαλκινα.

18 Το μηκος της αυλης θελει εισθαι εκατον πηχων και το πλατος εκατερωθεν πεντηκοντα και το υψος πεντε πηχων, εκ βυσσου κεκλωσμενης, και τα υποβασια αυτων χαλκινα.

19 Παντα τα σκευη της σκηνης δια πασαν την υπηρεσιαν αυτης και παντες οι πασσαλοι αυτης και παντες οι πασσαλοι της αυλης θελουσιν εισθαι χαλκινοι.

20 Και συ προσταξον τους υιους Ισραηλ να φερωσι προς σε καθαρον ελαιον απο ελαιας κοπανισμενας δια το φως, δια να καιη παντοτε ο λυχνος.

21 Εν τη σκηνη του μαρτυριου εξωθεν του καταπετασματος, το οποιον ειναι εμπροσθεν του μαρτυριου, ο Ααρων και οι υιοι αυτου θελουσι διαθεσει αυτον αφ' εσπερας εως πρωι εμπροσθεν του Κυριου· τουτο θελει εισθαι νομος παντοτεινος εις τους υιους Ισραηλ κατα τας γενεας αυτων.

   

来自斯威登堡的著作

 

Apocalypse Revealed#725

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725. 17:4 The woman was arrayed in purple and scarlet. This symbolizes the celestial Divine good and truth contained in the Word among Roman Catholics.

Purple symbolizes celestial Divine good, and scarlet symbolizes celestial Divine truth, as will be seen presently. To be arrayed in them means, symbolically, to have these about them, thus among them. They have these among them from the Word, because the scarlet beast on which the woman was sitting symbolizes the Word (no. 723).

People know that Roman Catholics have the Divine good and truth in the Word about them, thus among them, as a kind of garment, for they venerate the Word outwardly and not inwardly. They acknowledge it, because it tells about the Lord and about His authority over heaven and the church, which they have transferred to themselves. It also tells about the keys given to Peter, whose successors they say they are. So, because they found their majesty, grandeur and power on these two points, of necessity they acknowledge the holiness of the Word. But still the Word is for them only a kind of garment of purple and scarlet, and of gold, precious stones and pearls, upon a harlot holding a golden cup in her hand, full of abominations and the filthiness of her licentiousness.

[2] Since the verse mentions purple and scarlet, and then gold, precious stones and pearls, and since purple and scarlet symbolize celestial Divine good and truth, while gold and precious stones symbolize spiritual Divine good and truth, both emanating from the Word, therefore we must say something about celestial Divinity and spiritual Divinity:

The Lord's whole heaven has been divided into two kingdoms - the celestial kingdom and the spiritual kingdom. The celestial kingdom consists of angels who are impelled by love from the Lord, and the spiritual kingdom of angels who are impelled by wisdom from the Lord. Each kingdom has in it goodness and truth. The goodness and truth among angels in the celestial kingdom are symbolized by purple and scarlet, while the goodness and truth among angels in the spiritual kingdom are symbolized by gold and precious stones. Angels have both the one and the other goodness and truth from the Lord by means of the Word. Consequently the Word has in it two interior levels of meaning, one celestial and the other spiritual.

This now is the reason that the woman sitting on the scarlet beast appeared arrayed in purple and scarlet and adorned with gold, precious stones and pearls.

[3] Like the symbolism of the woman here is the symbolism of the "rich man who was clothed in purple and fine linen and fared sumptuously every day," at whose gate Lazarus lay prostrate, "desiring to be fed with the crumbs which fell from the rich man's table" (Luke 16:19-21). The rich man clothed in purple and fine linen refers to the Jews, who had the Word, and Lazarus refers to the gentiles who did not have it.

Similar symbolic meanings are found in the following places:

Those who ate delicacies are devastated in the streets; those who were brought up on scarlet embrace dunghills. (Lamentations 4:5)

When you are plundered, what will you do? Though you clothe yourself with scarlet, though you adorn yourself with ornaments of gold..., in vain you will make yourself fair. (Jeremiah 4:30)

O daughters of Israel, weep over Saul, who clothed you in scarlet, with luxury, (and) who put ornaments of gold on your apparel. (2 Samuel 1:24)

Fine embroidered linen... was what you spread...; blue and purple... was your covering. (Ezekiel 27:7)

The last is said of Tyre, which symbolizes concepts of truth and goodness from the Word.

[4] Since purple and scarlet symbolize celestial goodness and truth, therefore Aaron's vestments and the veil and curtains of the Tabernacle were woven of blue, purple, scarlet and fine linen (Exodus 25:4; 26:31, 36; 27:16; 28:6, 15). Regarding the curtains (Exodus 26:1). The veil before the Ark (Exodus 26:31). The hem of the robe of the ephod (Exodus 28:33). The scarlet cloth over the showbread (Numbers 4:8).

It is apparent from this what is symbolized by the purple and scarlet with which the woman sitting on the scarlet beast appeared arrayed.

So likewise in the following passage, where we read:

Alas..., the great city that was clothed in fine linen, purple, and scarlet..., adorned with gold and precious stones and pearls! For in one hour such great riches were laid waste. (Revelation 18:16-17)

Moreover, purple and scarlet, gold, precious stones and pearls were among the merchandise of Babylon (Revelation 18:12).

  
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Many thanks to the General Church of the New Jerusalem, and to Rev. N.B. Rogers, translator, for the permission to use this translation.