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出埃及記第31章

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1 耶和華曉諭摩西

2 哪,猶大支派中,戶珥的孫子、烏利的兒子比撒列,我已經題他的名召他。

3 我也以我的靈充滿了他,使他有智慧,有聰明,有知識,能做各樣的工,

4 能想出巧工,用、銅製造各物,

5 又能刻寶,可以鑲嵌,能雕刻頭,能做各樣的工。

6 我分派但支派中、亞希撒抹的兒子亞何利亞伯與他同工。凡裡有智慧的,我更使他們有智慧,能做我一切所吩咐的,

7 就是會幕和法櫃,並其上的施恩座,與會幕中一切的器具,

8 桌子桌子的器具,精金的臺和臺的一切器具並香

9 祭壇的一切器具,並洗濯盆與盆座,

10 精工做的禮服,和祭司亞倫並他兒子用以供祭司職分的衣,

11 和為所用馨料。他們都要照我一切所吩咐的去做。

12 耶和華曉諭摩西

13 你要吩咐以色列人:你們務要守我的安息日;因為這是你我之間世世代的證據,使你們知道我─耶和華是叫你們成為的。

14 所以你們要守安息日,以為日。凡干犯這日的,必要把他治;凡在這日做工的,必從民中剪除。

15 日要做工,但第七日是安息日,是向耶和華守為的。凡在安息日做工的,必要把他治

16 故此,以色列人要世世代守安息日為永遠的約。

17 這是我和以色列人永遠的證據;因為日之內耶和華,第七日便安息舒暢。

18 耶和華在西乃摩西說完了話,就把兩塊法版交他,是用指頭版。

   

来自斯威登堡的著作

 

Apocalypse Explained#1186

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1186. "And no craftsman of whatsoever craft shall be found in thee any more."- That this signifies no longer any wisdom, intelligence, and knowledge (scientia), is evident from the signification of craftsman of whatsoever craft, as denoting all that pertains to the understanding, consequently wisdom, intelligence, and knowledge (scientia); for these belong to the understanding, wisdom being the inmost, intelligence the middle, and knowledge (scientia) the ultimate thereof. The reason why these things are signified by the craftsmen of whatsoever craft is, that they are endowments of the understanding, and such endowments are signified by crafts. Since these are signified by crafts, therefore in those parts of the Word where the construction of the tabernacle is described and also the garments of Aaron which were of gold, purple, crimson (purpura), scarlet double-dyed, and fine twined linen, it is said that they were to be the work of the craftsman, and elsewhere the work of the designer (Exodus 26:1, 31; 28:6; 39:8; and other passages). By those things, now mentioned, of which they are made, are signified such things as pertain to wisdom, intelligence, and knowledge (scientia); it is therefore said of Bezeleel and Oholiab, the craftsmen who made them, that "they were filled with wisdom, intelligence, and knowledge (scientia)" (Exodus 31:3, and following verses; 36:1, 2, and following verses).

[2] That a craftsman signifies intelligence from man's proprium is plain in Hosea:

"They make to themselves a molten image of their silver, and idols in their intelligence, all of it the work of the craftsmen" (13:2).

A molten image and an idol signify worship according to doctrine which is from [man's] own intelligence; silver signifies falsity from which such doctrine is formed, it is therefore said, that in their intelligence they make themselves an idol, all of it the work of the craftsmen.

Similarly in Isaiah:

"The workman casteth a graven image, and the goldsmith spreadeth it over with gold, and forgeth silver chains, he seeketh a wise craftsman" (40:19, 20);

and in Jeremiah:

"Silver spread into plates is brought from Tarshish, and gold from Uphaz, the work of the craftsman, and of the hands of the founder, purple (hyacinthinum) and clothing, all the whole work of wise men" (10:3, 9).

Here and in several other passages the nature of man's own intelligence is described by idols, sculptured things and molten images, as may be seen above (n. 587, 827).

[3] Continuation.- The end, middle causes, and effects are called also the principal end, the intermediate ends, and the ultimate end. These latter are called ends, because the principal end, which is everything in them - both their esse and soul - produces them. The principal end is the love of man's will, the intermediate ends are subordinate loves, and the ultimate end is the love of the will, existing, as it were, in its effigy. Since the principal end is the love of the will, it follows that the intermediate ends, because they are subordinate loves, are foreseen, provided, and produced through the understanding, and that the ultimate end is the use foreseen, provided, and produced by the love of the will through the understanding, for everything that love produces is use. It is necessary for this to be stated in order that the assertion just made may be understood, namely, that eminence and opulence may be blessings, and also that they may also be curses.

  
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Translation by Isaiah Tansley. Many thanks to the Swedenborg Society for the permission to use this translation.