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出埃及記第26章

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1 你要用幅幔子做帳幕。這些幔子要用撚的細麻和藍色紫色、朱紅色線製造,並用巧匠的手工繡上基路伯

2 每幅幔子要長二十肘,寬肘,幔子都要樣的尺寸。

3 這五幅幔子要幅幅相連;那五幅幔子也要幅幅相連。

4 在這相連的幔子末幅邊上要做藍色的鈕扣;在那相連的幔子末幅邊上也要照樣做。

5 要在這相連的幔子上做五十個鈕扣;在那相連的幔子上也做五十個鈕扣,都要兩兩相對。

6 又要做五十鉤,用鉤使幔子相連,這才成了個帳幕。

7 你要用山羊毛織十一幅幔子,作為帳幕以上的罩棚。

8 每幅幔子要長三十肘,寬肘;十幅幔子都要樣的尺寸。

9 要把五幅幔子連成一幅,又把幅幔子連成一幅,這第六幅幔子要在罩棚的前面摺上去。

10 在這相連的幔子末幅邊上要做五十個鈕扣;在那相連的幔子末幅邊上也做五十個鈕扣。

11 又要做五十個銅鉤,鉤在鈕扣中,使罩棚連成個。

12 罩棚的幔子所餘那垂下來的半幅幔子,要垂在帳幕的後頭。

13 罩棚的幔子所餘長的,這邊一肘,那邊一肘,要垂在帳幕的兩旁,遮蓋帳幕。

14 又要用染紅的公羊皮做罩棚的蓋;再用海狗做一層罩棚上的頂蓋。

15 你要用皂莢做帳幕的豎板。

16 每塊要長肘,寬肘半;

17 每塊必有兩榫相對。帳幕切的板要這樣做。

18 帳幕的面要做板二十塊。

19 在這二十塊板底要做四十個帶卯的座,兩卯接這塊板上的兩榫,兩卯接那塊板上的兩榫。

20 帳幕第二面,就是面,也要做板二十

21 和帶卯的四十個;這板底有兩卯,那板底也有兩卯。

22 帳幕的後面,就是西面,要做板塊。

23 帳幕後面的拐角要做板兩塊。

24 板的半截要雙的,上半截要整的,直頂到第子;兩塊要這樣做兩個拐角。

25 必有塊板和十六個帶卯的座;這板底有兩卯,那板底也有兩卯。

26 你要用皂莢做閂:為帳幕這面的板做五閂,

27 為帳幕那面的板做五閂,又為帳幕後面的板做五閂。

28 板腰間的中閂要從這一頭通到那一頭。

29 板要用子包裹,又要做板上的套閂;閂也要用子包裹。

30 要照著在上指示你的樣式立起帳幕。

31 你要用藍色紫色、朱紅色線,和撚的細麻織幔子,以巧匠的手工繡上基路伯

32 要把幔子掛在根包的皂莢木子上,子上當有鉤,子安在個帶卯的座上。

33 要使幔子垂在鉤子,把法櫃抬進幔子內;這幔子要將所和至所隔開。

34 又要把施恩座安在至所內的法櫃上,

35 桌子安在幔子外帳幕的面;把臺安在帳幕的南面,彼此相對。

36 你要拿藍色紫色、朱紅色線,和撚的細麻,用繡花的手工織帳幕的簾。

37 要用皂莢木為簾子做五根子,用子包裹。子上當有鉤;又要為子用銅鑄造五個帶卯的座。

   

来自斯威登堡的著作

 

Arcana Coelestia#5319

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5319. 'And clothed him in robes of fine linen' means an outward sign denoting the celestial of the spiritual, 'robes of fine linen' being truths going forth from the Divine. This is clear from the meaning of 'robes' as truths, dealt with in 1073, 2576, 4545, 4763, 5248. The reason 'robes of fine linen' means truths going forth from the Divine is that a robe made of fine linen was absolutely white and at the same time shining, and truth going forth from the Divine is represented by robes which have that kind of brightness and splendour. And the reason for this is that heaven derives its brightness and splendour from the light that flows from the Lord; and the light that flows from the Lord is Divine Truth itself, 1053, 1521-1533, 1619-1632, 1776, 3195, 3222, 3339, 3485, 3636, 3643, 3862, 4415, 4419, 4526, 5219. This explains why, when the Lord was transfigured before Peter, James, and John, His clothing appeared as the light, Matthew 17:2; glistening, intensely white like snow, as no fuller on earth could bleach them, Mark 9:3; and dazzling, Luke 9:29. It was Divine Truth itself going forth from the Lord's Divine Human that was represented in this manner. But they are exterior truths that are represented in heaven by the brightness of robes, whereas interior truths are represented by the brightness and splendour of the face. This is why 'being clothed in robes of fine linen' at this point means an outward sign denoting truth going forth from the celestial of the spiritual, for this was what the Lord's Divine consisted in at this time.

[2] There are other places too in the Word where truth going forth from the Divine is meant by 'fine linen' and 'robes of fine linen', as in Ezekiel,

I clothed you with embroidered cloth, and shed you with badger, and swathed you in fine linen, and covered you in silk. Thus were you adorned with gold and silver, and your robes were fine linen, and silk, and embroidered cloth. Ezekiel 16:10, 13.

This refers to Jerusalem, which is used in these verses to mean the Ancient Church. The truths of this Church are described by robes made of embroidered cloth, fine linen, and silk, and by being adorned with gold and silver. 'Embroidered cloth' means truths existing as facts, 'fine linen' natural truths, and 'silk' spiritual truths.

[3] In the same prophet,

Fine linen with embroidered work from Egypt was your sail, that it might be to you an ensign; violet and purple from the islands of Elishah was your covering. Ezekiel 27:7.

This refers to Tyre, which too is used to mean the Ancient Church, but so far as cognitions of good and truth are concerned. 'Fine linen with embroidered work from Egypt, which was its sail' means truth obtained from factual knowledge, which was the outward sign of that Church.

[4] In John,

The merchants of the earth will weep and mourn over Babylon, since no one buys their wares any more, wares of gold, and silver, and precious stones, and pearls, and fine linen, and purple, and silk, and scarlet, and all thyine wood, and every vessel of ivory, and every vessel made of most precious wood, and bronze, and iron, and marble. Revelation 18:11-12.

All the specific commodities mentioned here mean the kinds of things that have to do with the Church and so truth and goodness. Here however they are used in the contrary sense because they are spoken of in reference to Babylon. Anyone may see that such commodities would never have been listed in the Word which has come down from heaven unless each one held something heavenly within it. What other reason can there be for a list of worldly wares when Babylon, meaning an unholy Church, is the subject? Similarly in the same book,

Woe, woe, the great city, you that were clothed in fine linen, and purple, and scarlet, covered 1 with gold, and precious stones, and pearls. Revelation 18:16.

[5] The fact that each commodity means something Divine and heavenly is quite evident in the same book where it states what fine linen is, namely the righteous acts of the saints,

The time of the marriage of the Lamb has come, and His wife has made herself ready. At that time she was given fine linen, clean and shining, to wear; for the fine linen is the righteous acts of the saints. Revelation 19:7-8.

'Fine linen' is 'the righteous acts of the saints' for the reason that all those with whom truth received from the Divine exists are clothed with the Lord's righteousness. For their robes which are bright and shining are products of the light which flows from the Lord. Therefore in heaven truth itself is represented by 'brightness', 3301, 3997, 4007; and people who are being raised to heaven from a state of vastation are seen to be clothed with brightness because they are at this point casting off the robe of their own righteousness and putting on that of the Lord's righteousness.

[6] So that truth from the Divine might be represented in the Jewish Church, they were commanded to use cotton or fine linen in Aaron's vestments, and also in the curtains around the Ark, referred to in Moses as follows,

You shall make in chequered pattern for Aaron a tunic of cotton, and you shall make a turban of cotton. Exodus 28:39.

They made tunics of cotton, the work of a weaver, for Aaron and his sons. Exodus 39:27.

You shall make the Dwelling-place, ten curtains - fine-twined cotton, violet and purple and twice-dyed scarlet. Exodus 26:1; 36:8.

You shall make the court of the Dwelling-place. The hangings for the court shall be of fine-twined cotton. Exodus 27:9, 18; 38:9.

The screen for the gate of the court, the work of an embroiderer, violet and purple, and twice-dyed scarlet, and fine-twined cotton. Exodus 38:18.

Cotton is fine linen, which they were commanded to use because each object in the Ark and around the Ark, also every detail of Aaron's vestments, were representative of spiritual and celestial realities. From this one may see that a person has only a meagre understanding of the Word if he does not know what such things represent, and scarcely any understanding at all if he thinks that the Word possesses no holiness other than that which presents itself in the letter.

[7] When angels with whom truth from the Divine is present are seen by anyone they are clothed so to speak in fine linen, that is, in shining brightness, as is evident in John where 'a white horse' is referred to,

The One seated on a white horse was clothed in a garment dyed with blood, and His name is called the Word. His armies in heaven were following Him on white horses; they were clothed in fine linen, white and clean. Revelation 19:11, 13-14.

These words show quite plainly that 'fine linen' is an outward sign denoting truth from the Divine, for 'the One seated on a white horse' is the Lord as to the Word; indeed those words state quite explicitly that He is the Word. The Word is truth itself received from the Divine, and 'a white horse' is the internal sense of the Word, see 2760-2762. Consequently truths received from the Divine are meant by 'white horses', for such truths constitute the whole of the internal sense of the Word. This was why His armies were seen 'on white horses' and why 'they were clothed in fine linen, white and clean'.

脚注:

1. literally, gilded

  
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Thanks to the Swedenborg Society for the permission to use this translation.