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Exodus第15章

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1 Then Moses and the children of Israel made this song to the Lord, and said, I will make a song to the Lord, for he is lifted up in glory: the horse and the horseman he has sent down into the sea.

2 The Lord is my strength and my strong helper, he has become my salvation: he is my God and I will give him praise; my father's God and I will give him glory.

3 The Lord is a man of war: The Lord is his name.

4 Pharaoh's war-carriages and his army he has sent down into the sea: the best of his captains have gone down into the Red Sea.

5 They were covered by the deep waters: like a stone they went down under the waves.

6 Full of glory, O Lord, is the power of your right hand; by your right hand those who came against you are broken.

7 When you are lifted up in power, all those who come against you are crushed: when you send out your wrath, they are burned up like dry grass.

8 By your breath the waves were massed together, the flowing waters were lifted up like a pillar; the deep waters became solid in the heart of the sea.

9 Egypt said, I will go after them, I will overtake, I will make division of their goods: my desire will have its way with them; my sword will be uncovered, my hand will send destruction on them.

10 You sent your wind and the sea came over them: they went down like lead into the great waters.

11 Who is like you, O Lord, among the gods? who is like you, in holy glory, to be praised with fear, doing wonders?

12 When your right hand was stretched out, the mouth of the earth was open for them.

13 In your mercy you went before the people whom you have made yours; guiding them in your strength to your holy place.

14 Hearing of you the peoples were shaking in fear: the people of Philistia were gripped with pain.

15 The chiefs of Edom were troubled in heart; the strong men of Moab were in the grip of fear: all the people of Canaan became like water.

16 Fear and grief came on them; by the strength of your arm they were turned to stone; till your people went over, O Lord, till the people went over whom you have made yours.

17 You will take them in, planting them in the mountain of your heritage, the place, O Lord, where you have made your house, the holy place, O Lord, the building of your hands.

18 The Lord is King for ever and ever.

19 For the horses of Pharaoh, with his war-carriages and his horsemen, went into the sea, and the Lord sent the waters of the sea back over them; but the children of Israel went through the sea on dry land.

20 And Miriam, the woman prophet, the sister of Aaron, took an instrument of music in her hand; and all the women went after her with music and dances.

21 And Miriam, answering, said, Make a song to the Lord, for he is lifted up in glory; the horse and the horseman he has sent into the sea.

22 Then Moses took Israel forward from the Red Sea, and they went out into the waste land of Shur; and for three days they were in the waste land where there was no water.

23 And when they came to Marah, the water was no good for drinking, for the waters of Marah were bitter, which is why it was named Marah.

24 And the people, crying out against Moses, said, What are we to have for drink?

25 And in answer to his prayer, the Lord made him see a tree, and when he put it into the water, the water was made sweet. There he gave them a law and an order, testing them;

26 And he said, If with all your heart you will give attention to the voice of the Lord your God, and do what is right in his eyes, giving ear to his orders and keeping his laws, I will not put on you any of the diseases which I put on the Egyptians: for I am the Lord your life-giver.

27 And they came to Elim where there were twelve water-springs and seventy palm-trees: and they put up their tents there by the waters.

   

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Arcana Coelestia#8337

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8337. 'And Miriam the prophetess, Aaron's sister, took a timbrel in her hand' means ascribing glory to the Lord from the good of faith. This is clear from the representation of 'Miriam' as the good of faith, for 'Moses' represents the truth of faith that goes forth directly from the Lord, thus inward truth, whereas 'Aaron' represents the truth of faith that goes forth from the Lord in an indirect way, thus outward truth, 7009, 7089, 7382, so that 'Miriam' is the good of faith which goes forth in an indirect way from the Lord, for when 'men' represent truth, 'their womenfolk' represent good, 6014 (since Miriam along with the women represents external good she is in addition referred to as 'Aaron's sister', though she is not called Moses' sister, the relation between good and truth being like that of sister and brother, 3160. But it should be remembered that 'women' represent good and 'men' truth when the spiritual Church is the subject, whereas 'women' represent truth and 'men' good when the celestial Church is the subject, 4823); from the meaning of 'the prophetess' as one who teaches, dealt with in 2534, 7269, at this point one who joins in praising the Lord, or what amounts to the same thing, one who ascribes glory to Him from the good of faith, since she sang to Jehovah, as Moses and the men of Israel had done (for the meaning of 'singing' as ascribing glory, see 8261, 8263, 8267); and from the meaning of 'taking a timbrel in one's hand' as ascribing glory from the good of faith, since 'a timbrel' has reference to spiritual good, or what amounts to the same thing, to the good of faith, 4138.

[2] In former times many types of musical instruments were used when God was worshipped, but with much discrimination. In general wind instruments were used to express affections for good, and stringed instruments affections for truth; and the origin of this was the correspondence of every sound to the affections. It is well known that some types of musical instruments are used to express one kind of natural affections and other types to express another kind, and that when a fitting melody is played they in actual fact stir the affections. Skilled musicians know all about this and also make proper use of it. The reason for it lies in the very nature of sound, and its accord with the affections. Mankind at first learned about it not from science and art but through the ear and its keen sense of hearing. From this it is plain that the ability does not have its origin in the natural world but in the spiritual world; it, springs from the correspondence of things in the natural world - which flow into it in accordance with true order - with realities in the spiritual world. Harmonious sound and various forms it takes correspond to states of joy and gladness in the spiritual world, and states of joy and gladness there spring from affections, which in that world are affections for what is good and true. From this one may now recognize that musical instruments correspond to delights and pleasures belonging to spiritual and celestial affections, and that some instruments correspond to celestial affections, others to spiritual ones; see what has been stated and shown about them previously in 418-420, 4138.

[3] As regards 'a timbrel' in particular, this corresponds to spiritual good, that is, to the good of truth. This is because a timbrel is neither a stringed nor a wind instrument but, being made of skin, is an instrument of one continuous string so to speak; and it is also because it has a heavier and deeper sound than that made by stringed instruments. This may also be recognized from the Word, in places in which 'a timbrel' is mentioned, as in Isaiah,

The joy of timbrels will cease, the noise of merry ones will cease, the joy of the harp will cease. Isaiah 24:8.

'The joy of timbrels' stands for delights that belong to affections for the good of faith; 'the joy of the harp' stands for delight that belongs to an affection for the truth of faith.

In Jeremiah,

Again I will build you, that you may be built, O virgin of Israel! Again you will adorn your timbrels, 1 and will go forth in the dance of the merrymakers. Jeremiah 31:4.

'Adorning timbrels' stands for ascribing glory to God from spiritual good, for it refers to the spiritual Church, meant by 'the virgin of Israel'.

[4] Similarly in Ezekiel,

You were in Eden, the garden of God. The workmanship of your timbrels and your pipes was within you; on the day you were created they were prepared. Ezekiel 28:13.

This refers to Tyre, by which cognitions or knowledge of good and of truth are meant, 'timbrels' meaning affections for the former and 'pipes' feelings of joy in the latter.

In David,

They have seen Your goings, O God, the goings of my God, my King, in the sanctuary. The singers went before, players [of stringed instruments] after, in the midst of the virgins playing timbrels. Psalms 68:24-25.

In the same author,

Shout to the God of Jacob; raise a song, and sound the timbrel, the delightful harp with the lyre. Psalms 81:1-2.

In the same author,

Sing to Jehovah a new song; let them praise His name in dancing, with timbrel and harp let them make melody to Him. Psalms 149:1, 3.

Here 'praising with timbrel' stands for ascribing glory from the feeling of delight that belongs to an affection for the good of faith, and 'praising with harp' for the pleasant feeling that belongs to an affection for the truth of faith.

[5] In the same author,

Praise God with timbrel and dance; praise Him with stringed instruments and organ praise Him with sounding cymbals 2 ; praise Him with clanging cymbals. 3 Psalms 150:3-5

'Praising with timbrel and dance' stands for doing so from the good and truth of faith; 'on stringed instruments and organ' stands for doing so from truths and consequently from good. Since all instruments corresponded to and were signs of the delights and pleasant feelings that belong to spiritual and celestial affections a large number of the Psalms of David have titles indicating how they were to be accompanied, such as On Neginoth, On the Nehiloth, On the Octave, 4 Shiggaion, the Gittith Muthlabben, the Sheminith, Shoshannim, or Mahalath.

脚注:

1. The Latin here and in 153, 1069:2, 3081:4 means literally will adorn your timbrels, but the Hebrew is generally taken to mean adorn yourself with timbrels.

2. lit. cymbals of sound

3. lit. cymbals of clangour

4. The Hebrew means On the Sheminith.

  
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Thanks to the Swedenborg Society for the permission to use this translation.