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خروج第25章

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1 وكلم الرب موسى قائلا.

2 كلم بني اسرائيل ان يأخذوا لي تقدمة. من كل من يحثّه قلبه تأخذون تقدمتي.

3 وهذه هي التقدمة التي تاخذونها منهم. ذهب وفضة ونحاس

4 واسمانجوني وارجوان وقرمز وبوص وشعر معزى

5 وجلود كباش محمّرة وجلود تخس وخشب سنط

6 وزيت للمنارة واطياب لدهن المسحة وللبخور العطر

7 وحجارة جزع وحجارة ترصيع للرداء والصدرة.

8 فيصنعون لي مقدسا لاسكن في وسطهم.

9 بحسب جميع ما انا أريك من مثال المسكن ومثال جميع آنيته هكذا تصنعون

10 فيصنعون تابوتا من خشب السنط طوله ذراعان ونصف وعرضه ذراع ونصف وارتفاعه ذراع ونصف.

11 وتغشّيه بذهب نقي. من داخل ومن خارج تغشّيه. وتصنع عليه اكليلا من ذهب حواليه.

12 وتسبك له اربع حلقات من ذهب وتجعلها على قوائمه الاربع. على جانبه الواحد حلقتان وعلى جانبه الثاني حلقتان.

13 وتصنع عصوين من خشب السنط وتغشّيهما بذهب.

14 وتدخل العصوين في الحلقات على جانبي التابوت ليحمل التابوت بهما.

15 تبقى العصوان في حلقات التابوت. لا تنزعان منها.

16 وتضع في التابوت الشهادة التي اعطيك.

17 وتصنع غطاء من ذهب نقي طوله ذراعان ونصف وعرضه ذراع ونصف.

18 وتصنع كروبين من ذهب. صنعة خراطة تصنعهما على طرفي الغطاء.

19 فاصنع كروبا واحدا على الطرف من هنا. وكروبا آخر على الطرف من هناك. من الغطاء تصنعون الكروبين على طرفيه.

20 ويكون الكروبان باسطين اجنحتهما الى فوق مظلّلين باجنحتهما على الغطاء ووجههما كل واحد الى الآخر. نحو الغطاء يكون وجها الكروبين.

21 وتجعل الغطاء على التابوت من فوق. وفي التابوت تضع الشهادة التي اعطيك.

22 وانا اجتمع بك هناك واتكلم معك من على الغطاء من بين الكروبين اللذين على تابوت الشهادة بكل ما اوصيك به الى بني اسرائيل

23 وتصنع مائدة من خشب السنط طولها ذراعان وعرضها ذراع وارتفاعها ذراع ونصف.

24 وتغشّيها بذهب نقي. وتصنع لها اكليلا من ذهب حواليها.

25 وتصنع لها حاجبا على شبر حواليها. وتصنع لحاجبها اكليلا من ذهب حواليها.

26 وتصنع لها اربع حلقات من ذهب وتجعل الحلقات على الزوايا الاربع التي لقوائهما الاربع.

27 عند الحاجب تكون الحلقات بيوتا لعصوين لحمل المائدة.

28 وتصنع العصوين من خشب السنط وتغشّيهما بذهب. فتحمل بهما المائدة.

29 وتصنع صحافها وصحونها وكاساتها وجاماتها التي يسكب بها. من ذهب نقي تصنعها.

30 وتجعل على المائدة خبز الوجوه امامي دائما

31 وتصنع منارة من ذهب نقي. عمل الخراطة تصنع المنارة قاعدتها وساقها. تكون كاساتها وعجرها وازهارها منها.

32 وست شعب خارجة من جانبيها. من جانبها الواحد ثلاث شعب منارة. ومن جانبها الثاني ثلاث شعب منارة.

33 في الشعبة الواحدة ثلاث كاسات لوزية بعجرة وزهر. وفي الشعبة الثانية ثلاث كاسات لوزية بعجرة وزهر. وهكذا الى الست الشعب الخارجة من المنارة.

34 وفي المنارة اربع كاسات لوزية بعجرها وازهارها.

35 وتحت الشعبتين منها عجرة وتحت الشعبتين منها عجرة وتحت الشعبتين منها عجرة الى الست الشعب الخارجة من المنارة.

36 تكون عجرها وشعبها منها. جميعها خراطة واحدة من ذهب نقي.

37 وتصنع سرجها سبعة. فتصعد سرجها لتضيء الى مقابلها.

38 وملاقطها ومنافضها من ذهب نقي.

39 من وزنة ذهب نقي تصنع مع جميع هذه الاواني.

40 وانظر فاصنعها على مثالها الذي أظهر لك في الجبل

   

来自斯威登堡的著作

 

Arcana Coelestia#9466

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9466. 'And violet' means the celestial love of truth. This is clear from the meaning of 'violet' as the celestial love of truth, the reason why 'violet' has this meaning being that it is a celestial colour, and by this colour truth from a celestial origin is meant, that is, truth springing from the good of love to the Lord. This good predominates in the inmost heaven, revealing itself in the middle or second heaven as the colours purple and violet. The actual good reveals itself as purple, and the truth springing from it as violet. For when colours appear in the next life, and in heaven itself, they are most beautiful ones; and they all have their origin in goodness and truth. For the sphere of affections for goodness and truth is revealed to the eyes of angels and of spirits also by means of colours, specific things being revealed by means of objects variously coloured, and also to their nostrils by means of odours. For every celestial reality belonging to good or spiritual reality belonging to truth is represented in the lower heavens by means of the kinds of things that appear in the natural order, and by this means is revealed to the actual external senses of spirits and angels in those heavens. The reason why the spheres of affection for goodness and truth are revealed visually by means of colours is that colours are modifications of heavenly light, and so of intelligence and wisdom, see 4530, 4677, 4742, 4922.

[2] This now explains why the materials that were to be gathered together for the tabernacle and Aaron's garments included violet, purple, twice-dyed scarlet, and skins of red rams; for the tabernacle represented the Lord's heaven, the materials which were used to construct and cover it represented the celestial and spiritual realities that belong to goodness and truth, and Aaron's garments had a like representation, 9457. It explains why the veil within which the ark of the Testimony was placed was woven from violet, purple, twice-dyed scarlet, and fine linen thread, Exodus 26:31, as likewise was the covering for the door of the tent, Exodus 26:36, and the covering for the gate of the court as well, Exodus 27:16, and why the loops on the edge of the curtain were made of violet, Exodus 26:4. It also explains why the ephod was made of gold, violet, purple, twice-dyed scarlet, and linen thread woven together, as was the breastplate of judgement, Exodus 28:6, 15.

[3] 'Violet' means the celestial love of truth, and 'garments made of violet' cognitions or knowledge of truth present as a result of that love, in Ezekiel,

Fine linen with embroidered work from Egypt was your sail, that it might be to you an ensign; violet and purple from the islands of Elishah was your covering. They were your traders with choice wares, 1 with balls of violet, and embroidery, and with chests of precious garments. Ezekiel 27:7, 24.

This refers to Tyre, by which cognitions of truth and good are meant, 1201. Knowledge and understanding acquired from these is described by 'embroidered work from Egypt', and by 'violet and purple from the islands of Elishah'. 'Embroidered work from Egypt' is factual knowledge of truth, and 'violet and purple from the islands of Elishah' is an understanding of truth and good.

[4] In the same prophet,

Two women, the daughters of one mother, in their youth committed whoredom in Egypt - Oholah and Oholibah. Oholah committed whoredom under Me and doted on the Assyrians her neighbours - clothed in violet, governors and leaders, horsemen riding on horses. Ezekiel 23:2-6.

'Oholah' stands for Samaria, and 'Oholibah' for Jerusalem, Samaria in this instance being the corrupted spiritual Church. 'Committing whoredom in Egypt' means falsifying truths by means of factual knowledge, 'doting on the Assyrians her neighbours' stands for having a love of reasonings based on those falsifications, and 'clothed in violet' stands for ideas which look like truth springing from good because they are derived from the literal sense of the Word interpreted wrongly.

[5] Something similar occurs in Jeremiah,

Beaten silver is brought from Tarshish, and gold from Uphaz, the work of the smith and of the hands of the molder. Their clothing is violet and purple. These are all the work of the wise. Jeremiah 10:9.

This refers to the idols of the house of Israel, by which false teachings, supported by distortions of the outward sense of the Word, are meant, 9424. 'The work of the smith and of the hands of the molder', and also 'these are all the work of the wise', stand for the fact that they are the product of self-intelligence. 'Silver from Tarshish, and gold from Uphaz' stands for their seeming to outward appearance to be true and good because they are taken from the Word; and much the same is meant by 'violet and purple' of which their clothing consisted.

[6] In John,

I saw horses in the vision, and those seated on them had breastplates of fire and violet and brimstone, by whom a third part of mankind was killed. Revelation 9:17-18.

'Horses' and 'those seated on them' stand for a topsy-turvy and corrupted understanding of truth. 'Breastplates of fire, violet, and brimstone' stands for defence of falsities that arise from the evils of devilish kinds of love. In this instance therefore 'fire' stands for the hellish love of evil, and 'violet' for the hellish love of falsity. They are accordingly used in the contrary sense; for the majority of things in the Word also have a contrary meaning.

脚注:

1. literally, with perfections

  
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Thanks to the Swedenborg Society for the permission to use this translation.