Van Swedenborgs Werken

 

Hemel en Hel #16

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16. Ik heb een paar keer met engelen over deze zaak gesproken, die hun verwondering erover uitspraken dat de mensen van de kerk niet wisten dat de Heer en de naaste liefhebben eruit bestaat het goede en het ware lief te hebben en dit te willen doen. Terwijl zij toch kunnen weten dat iemand zijn liefde betuigt door de dingen te willen en te doen die de ander wil; op deze manier wordt hij op zijn beurt liefgehad en verenigd met diegene die hij liefheeft, niet door hem lief te hebben zonder te doen wat hij wil, wat op zich niet liefhebben is. Ze zeiden ook dat men zou moeten weten dat het goede dat uit de Heer voortgaat een gelijkenis van Hem is, aangezien Hijzelf daarin aanwezig is, en dat diegenen die door middel van voornemen en doen het goede en het ware tot hoofdbestanddelen maken van hun leven, gelijkenissen van Hem worden en met Hem worden verenigd. ten slotte is willen, ergens van houden om te doen. Bovendien leert de Heer in het Woord dat dit zo is, door te zeggen: Wie mijn geboden heeft en ze bewaart, die is het, die Mij liefheeft... en Ik zal hem liefhebben... en bij hem wonen Johannes 14:21, 23). En elders: Indien gij mijn geboden bewaart, zult gij in mijn liefde blijven (Johannes 15:10, 12).

  
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Thanks to the Swedenborg Boekhuis NL and Guus Janssens for their permission to use this translation.

Van Swedenborgs Werken

 

Apocalypse Revealed #276

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276. Each having a lyre. This symbolizes a confession of the Lord's Divine humanity springing from spiritual truths.

We know that in the Temple in Jerusalem, confessions of Jehovah were made with songs and musical instruments, and these had a correspondence. The instruments were principally horns and timbrels, harps and lyres. Horns and timbrels corresponded to celestial goods and truths, while harps and lyres corresponded to spiritual goods and truths. The correpondences were with their sounds.

The difference between celestial good and truth and spiritual good and truth may be seen in the book Heaven and Hell, 13-19nos. and .

That lyres symbolize confessions of the Lord springing from spiritual truths can be seen from the following passages:

Confess Jehovah with the lyre; make music to Him with a harp of ten strings. (Psalms 33:2)

...on the lyre I will confess You, O God, my God. (Psalms 43:4)

...I will confess you with the instrument of a harp... I will sing to You with the lyre, O Holy One of Israel. (Psalms 71:22)

Awake (me), harp and lyre... I will confess You among the nations, O Lord. (Psalms 57:8-9; 108:2, 3)

Answer Jehovah by confession, make music to our God with the lyre. (Psalms 147:7)

It is good to confess to Jehovah... on the harp, and on the melodious sound of the lyre. (Psalms 92:1-3)

Make a noise to Jehovah, all the earth... Sing to Jehovah with the lyre, with the lyre and the sound of singing. (Psalms 98:4, 5)

And so on in many other places, as in Psalms 49:3-4; 137:1-2, Revelation 14:2; 18:22.

Since lyres corresponded to a confession of the Lord, and evil spirits cannot endure it, therefore David used a lyre to drive away the evil spirit from Saul (1 Samuel 16:14-16, 23).

To learn that it was not lyres that John heard, but confessions of the Lord that sounded like lyres, see no. 661 below.

  
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Many thanks to the General Church of the New Jerusalem, and to Rev. N.B. Rogers, translator, for the permission to use this translation.

Van Swedenborgs Werken

 

Apocalypse Revealed #661

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661. Standing beside the sea of glass, having harps of God. This symbolizes the Christian heaven at the boundaries [of the spiritual world], and the faith accompanying charity in the people there.

Since the sea of glass symbolizes a gathering of people who have religion and worship indeed, but lack any goodness of life (no. 659), therefore those whom John saw standing beside that sea symbolize the Christian heaven at its boundaries, consisting of people who have religion and worship and possess goodness of life, because they had the victory over the beast and over its image.

A higher Christian heaven was the subject of the preceding chapter. Those of whom that heaven was formed are meant by the one hundred and forty-four thousand whom John saw standing with the Lamb on Mount Zion, as explained in nos. 612-625. Their harps symbolize a confession of the Lord in consequence of spiritual truths (nos. 276, 616). Spiritual truths are those of a faith springing from charity.

[2] John's seeing the people with harps and hearing them sing a song, as we are told next, was a representational depiction of a confession stemming from a faith accompanying charity. The affections in the thoughts of angels in heaven and the consequent intonations in their speech are heard in various ways in the spiritual world below, either as the sound of water, or as the sound of thunder, as in chapter 14:2 above. Or it may be heard as the sound of trumpets, as in chapter 4:1 above. Or, as in the present case, as the sound of harps, as also in chapter 5:8; 14:2. But still, it is not the sound of water, nor the rumbling of thunder, nor the sounding of a trumpet or harp; indeed, it is not the sound of singing. Rather it is the speech of angels and their confessions in accordance with their affections and consequent thoughts that are thus heard below, from which one may perceive the character of their love and wisdom.

The ways angels' speech is heard is due to the correspondence of affection with sound and of thought with speech.

  
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Many thanks to the General Church of the New Jerusalem, and to Rev. N.B. Rogers, translator, for the permission to use this translation.