9863. 'And you shall adorn it with settings of stones' means the actual truths in their proper order, all springing from the one same good. This is clear from the meaning of the breastplate, to which 'it' refers here, as Divine Truth shining forth from the Lord's Divine Good, dealt with in 9823; from the meaning of 'settings of stones' as truths in their proper order. For the breastplate was adorned with stones in accord with the names of the sons of Israel, and in a general sense truths on the lowest level of order are meant by 'stones', 114, 643, 1298, 3720, 6426, 8609, and truths shining forth from good by 'precious stones' such as those in the breastplate, 9476. The expression 'springing from the one same good' is used because there is just one good that all the truths spring from. This good is the good of love within the Lord, thus is the Lord Himself, and is consequently the good of love from the Lord, which is the good of love to the Lord. For the good which flows in from the Lord and resides with man, spirit, or angel, has all the appearance of being theirs; and so it is that love to the Lord is love received from the Lord. This good is the one and only good from which all the truths spring, and from which the order among them begins; for the truths are outward forms of the good.

[2] The fact that the precious stones in the breastplate meant Divine Truths springing from Divine Good is clear from places in the Word where precious stones are mentioned, such as in John's Revelation,

The foundations of the wall of the city, the new Jerusalem, were adorned with every kind of precious stone. The first foundation was jasper, the second sapphire, the third chalcedony, the fourth emerald, the fifth sardonyx, the sixth sardius, the seventh chrysolite, the eighth beryl, the ninth topaz, the tenth chrysoprase, the eleventh jacinth, the twelfth amethyst. Revelation 21:19-20.

These precious stones mean the Church's truths, which are God's truths. This is clear from the meaning of 'the city, the new Jerusalem', 'the wall of it', and 'the foundations of the wall'. 'The new Jerusalem' means a new Church which will take the place of the one that is ours at the present day; for the Book of Revelation deals with the state of the Church that exists now, through to its end, and then with a new Church, which is the holy Jerusalem coming down out of heaven. 'The wall of it' means the truths of faith that serve to defend it, and 'the foundations' truths that spring from good. Those actual truths in their proper order are specified by the precious stones mentioned by name there. Anyone may see that no Jerusalem is going to come down out of heaven or that anything else mentioned there is literally going to take place, but that this description in every detail means such things as have to do with the Church. The fact that the truths of faith are meant by the foundations of its wall is clear from the consideration that they are the things which guard the Church from every attack, as walls do a city.

'Jerusalem' is the Church, see 2117, 9166.

'Walls' are the truths of faith guarding the Church, 6419.

'Foundations' are truths springing from good, 9643.

[3] In Ezekiel,

Son of man, take up a lamentation over the king of Tyre, and say to him, Thus said the Lord Jehovih, Full of wisdom, and perfect in beauty, you were in Eden, the garden of God. Every precious stone was your covering - ruby, topaz, and diamond; tarshish, shoham, and jasper; sapphire, chrysoprase, and carbuncle - and gold. You were on the mountain of the holiness of God, you walked in the midst of stones of fire. Ezekiel 28:12-14.

Here also precious stones mean truths springing from good. For 'Tyre' in the representative internal sense is one who has intelligence and wisdom arising from cognitions or knowledge of goodness and truth, 1201. This is why its king is said to be 'full of wisdom, and perfect in beauty'. 'Wisdom' has regard to good, and 'beauty' to truth; for all wisdom in heaven is derived from good, and all beauty there is derived from truths springing from good. 'The garden of Eden' means intelligence composed of good, 100, 'garden' meaning real intelligence, 100, 108, 2702. From this it is evident that the stones there mentioned by name mean truths springing from good.

[4] But precisely which truths springing from good are meant by each of the stones in the breastplate will be clear from what is to follow. The fact that they mean all truths and forms of good in their entirety is clear from the following considerations: They were twelve and had the names of the sons of Israel or the tribes inscribed on them, the forms of good and the truths of heaven and the Church in their entirety being meant by the twelve tribes, 3858, 3926, 3939, 4060, 6335, 6337, 6397; they therefore meant heaven and all the communities there, 7836, 7891, 7996, 7997; the meaning of them varied, depending on the order in which they are mentioned in the Word, 3862, 3926, 3939, 4303, 6337, 6640; and 'twelve' means all, 3272, 3858, 7973.

9865. 'A ruby, a topaz, a carbuncle' means the celestial love of good. This is clear from the meaning of these stones as the good of celestial love, celestial love being love to the Lord, received from the Lord. Those stones mean that love on account of their red and flaming colour; for 'red' means love, 3300, and so does 'flaming', 3222, 6832, 7620-7622, 9570. But here celestial love is meant because those stones are in the first row; and those in the first row correspond to the realities that exist in the inmost heaven, where celestial love, which is love to the Lord, reigns. Since the twelve stones in the breastplate represented all the truths that spring from good they also represented the whole of heaven; for heaven is heaven by virtue of the Divine Truth emanating from the Lord's Divine Good, the angels there who constitute heaven being recipients of that Truth. So it is that the three stones which are in the first row represent the inmost heaven, consequently the love that reigns there, which is called the celestial love of good and celestial love of truth. The stones in the first row represent the celestial love of good, those in the second row the celestial love of truth. These stones represent that love, as has been stated, on account of their colour; for what precious stones represent is determined by their colours.

[2] In heaven colours of indescribable beauty appear; for they are modifications of heavenly light, and heavenly light is Divine Truth emanating from the Lord. From this it is evident that colours present themselves there in accord with variations of goodness and truth; thus they are modifications of the light emanating from the Lord, through the angels. The light emanating from the Lord appears in the inmost heaven as a flame; therefore the colours resulting from it are red and flashing. But the same light appears in the middle heaven as a brilliantly white light; therefore the colours resulting from it are brilliant, and to the extent that they have good within them they are gleaming. This explains why there are two basic colours to which all others are related, namely the colour red and the colour white; and the colour red is representative of good, while the colour white is representative of truth, see 9467.

[3] From all this it is now clear why it was that stones of so many colours were set in rows in the breastplate, namely in order that they might represent all the forms of good and the truths that exist in heaven in their proper order, and consequently represent the whole of heaven. The reason why the stones in the first row - a ruby, a topaz, and a carbuncle - represented the celestial love of good is that they are different hues of red. Furthermore the noun used in the original language for 'a ruby', the first in the row, is derived from a word that means 'redness'; and that for 'a carbuncle', the third in the row, is derived from a word meaning 'flashing', as if from fire. But as for the derivation of 'a topaz', the middle one in the row, this is unknown, though it very probably comes from something describing a red and flaming colour. This may be why in Job something similar is said of a topaz as is said of gold,

With wisdom the topaz of Ethiopia will not compete, it cannot be valued in pure gold. Job 28:19.

'Gold' too means the good of love, 113, 1551, 1552, 5658, 6914, 6917, 8932, 9490, 9510.