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Exodus 25

Студија

   

1 καί-C λαλέω-VAI-AAI3S κύριος-N2--NSM πρός-P *μωυσῆς-N1M-ASM λέγω-V1--PAPNSM

2 εἶπον-VB--AAD2S ὁ- A--DPM υἱός-N2--DPM *ἰσραήλ-N---GSM καί-C λαμβάνω-VB--AAD2P ἐγώ- P--DS ἀπαρχή-N1--APF παρά-P πᾶς-A3--GPM ὅς- --DPM ἄν-X δοκέω-VA--AAS3S ὁ- A--DSF καρδία-N1A-DSF καί-C λαμβάνω-VF--FMI2P ὁ- A--APF ἀπαρχή-N1--APF ἐγώ- P--GS

3 καί-C οὗτος- D--NSF εἰμί-V9--PAI3S ὁ- A--NSF ἀπαρχή-N1--NSF ὅς- --ASF λαμβάνω-VF--FMI2P παρά-P αὐτός- D--GPM χρυσίον-N2N-ASN καί-C ἀργύριον-N2N-ASN καί-C χαλκός-N2--ASM

4 καί-C ὑάκινθος-N2--ASF καί-C πορφύρα-N1A-ASF καί-C κόκκινος-A1--ASM διπλοῦς-A1C-ASM καί-C βύσσος-N2--ASF κλώθω-VT--XPPASF καί-C θρίξ-N3--APF αἴγειος-A1A-APF

5 καί-C δέρμα-N3M-APN κριός-N2--GPM ἐρυθροδανόω-VM--XPPAPN καί-C δέρμα-N3M-APN ὑακίνθινος-A1--APN καί-C ξύλον-N2N-APN ἄσηπτος-A1B-APN

7 καί-C λίθος-N2--APM σάρδιον-N2N-GSN καί-C λίθος-N2--APM εἰς-P ὁ- A--ASF γλυφή-N1--ASF εἰς-P ὁ- A--ASF ἐπωμίς-N3D-ASF καί-C ὁ- A--ASM ποδήρης-A3--ASM

8 καί-C ποιέω-VF--FAI2S ἐγώ- P--DS ἁγίασμα-N3M-ASN καί-C ὁράω-VV--FPI1S ἐν-P σύ- P--DP

9 καί-C ποιέω-VF--FAI2S ἐγώ- P--DS κατά-P πᾶς-A3--APN ὅσος-A1--APN ἐγώ- P--NS σύ- P--DS δεικνύω-V5--PAS1S ἐν-P ὁ- A--DSN ὄρος-N3E-DSN ὁ- A--ASN παράδειγμα-N3M-ASN ὁ- A--GSF σκηνή-N1--GSF καί-C ὁ- A--ASN παράδειγμα-N3M-ASN πᾶς-A3--GPM ὁ- A--GPF σκεῦος-N3E-GPN αὐτός- D--GSF οὕτως-D ποιέω-VF--FAI2S

10 καί-C ποιέω-VF--FAI2S κιβωτός-N2--ASF μαρτύριον-N2N-GSN ἐκ-P ξύλον-N2N-GPN ἄσηπτος-A1B-GPN δύο-M πῆχυς-N3E-GPM καί-C ἥμισυς-A3U-GSN ὁ- A--ASN μῆκος-N3E-ASN καί-C πῆχυς-N3E-GSM καί-C ἥμισυς-A3U-GSN ὁ- A--ASN πλάτος-N3E-ASN καί-C πῆχυς-N3E-GSM καί-C ἥμισυς-A3U-GSN ὁ- A--ASN ὕψος-N3E-ASN

11 καί-C καταχρυσόω-VF--FAI2S αὐτός- D--ASF χρυσίον-N2N-DSN καθαρός-A1A-DSN ἔξωθεν-D καί-C ἔσωθεν-D χρυσόω-VF--FAI2S αὐτός- D--ASF καί-C ποιέω-VF--FAI2S αὐτός- D--DSF κυμάτιον-N2N-APN στρεπτός-A1--APN χρυσοῦς-A1C-APN κύκλος-N2--DSM

12 καί-C ἐλαύνω-VF--FAI2S αὐτός- D--DSF τέσσαρες-A3--APM δακτύλιος-N2--APM χρυσοῦς-A1C-APM καί-C ἐπιτίθημι-VF--FAI2S ἐπί-P ὁ- A--APN τέσσαρες-A3--APN κλίτος-N3E-APN δύο-M δακτύλιος-N2--APM ἐπί-P ὁ- A--ASN κλίτος-N3E-ASN ὁ- A--ASN εἷς-A3--ASN καί-C δύο-M δακτύλιος-N2--APM ἐπί-P ὁ- A--ASN κλίτος-N3E-ASN ὁ- A--ASN δεύτερος-A1A-ASN

13 ποιέω-VF--FAI2S δέ-X ἀναφορεύς-N3V-APM ξύλον-N2N-APN ἄσηπτος-A1B-APN καί-C καταχρυσόω-VF--FAI2S αὐτός- D--APN χρυσίον-N2N-DSN

14 καί-C εἰςἄγω-VF--FAI2S ὁ- A--APM ἀναφορεύς-N3V-APM εἰς-P ὁ- A--APM δακτύλιος-N2--APM ὁ- A--APM ἐν-P ὁ- A--DPN κλίτος-N3E-DPN ὁ- A--GSF κιβωτός-N2--GSF αἴρω-V1--PAN ὁ- A--ASF κιβωτός-N2--ASF ἐν-P αὐτός- D--DPM

15 ἐν-P ὁ- A--DPM δακτύλιος-N2--DPM ὁ- A--GSF κιβωτός-N2--GSF εἰμί-VF--FMI3P ὁ- A--NPM ἀναφορεύς-N3V-NPM ἀκίνητος-A1B-NPM

16 καί-C ἐνβάλλω-VF2-FAI2S εἰς-P ὁ- A--ASF κιβωτός-N2--ASF ὁ- A--APN μαρτύριον-N2N-APN ὅς- --APN ἄν-X δίδωμι-VO--AAS1S σύ- P--DS

17 καί-C ποιέω-VF--FAI2S ἱλαστήριον-N2--ASN ἐπίθεμα-N3M-ASN χρυσίον-N2N-GSN καθαρός-A1A-GSN δύο-M πῆχυς-N3E-GPM καί-C ἥμισυς-A3U-GSN ὁ- A--ASN μῆκος-N3E-ASN καί-C πῆχυς-N3E-GSM καί-C ἥμισυς-A3U-GSN ὁ- A--ASN πλάτος-N3E-ASN

18 καί-C ποιέω-VF--FAI2S δύο-M χερουβιμ-N---APN χρυσοῦς-A1C-APN τορευτός-A1--APN καί-C ἐπιτίθημι-VF--FAI2S αὐτός- D--APN ἐκ-P ἀμφότεροι-A1A-GPN ὁ- A--GPN κλίτος-N3E-GPN ὁ- A--GSN ἱλαστήριον-N2--GSN

19 ποιέω-VC--FPI3P χερουβ-N---NSM εἷς-A3--NSM ἐκ-P ὁ- A--GSN κλίτος-N3E-GSN οὗτος- D--GSN καί-C χερουβ-N---ASM εἷς-A3--NSM ἐκ-P ὁ- A--GSN κλίτος-N3E-GSN ὁ- A--GSN δεύτερος-A1A-GSN ὁ- A--GSN ἱλαστήριον-N2--GSN καί-C ποιέω-VF--FAI2S ὁ- A--APM δύο-M χερουβιμ-N---APM ἐπί-P ὁ- A--APN δύο-M κλίτος-N3E-APN

20 εἰμί-VF--FMI3P ὁ- A--NPM χερουβιμ-N---NPM ἐκτείνω-V1--PAPNPM ὁ- A--APF πτέρυξ-N3G-APF ἐπάνωθεν-D συνσκιάζω-V1--PAPNPM ὁ- A--DPF πτέρυξ-N3G-DPF αὐτός- D--GPM ἐπί-P ὁ- A--GSN ἱλαστήριον-N2--GSN καί-C ὁ- A--NPN πρόσωπον-N2N-NPN αὐτός- D--GPM εἰς-P ἀλλήλω- D--APN εἰς-P ὁ- A--ASN ἱλαστήριον-N2--ASN εἰμί-VF--FMI3P ὁ- A--APN πρόσωπον-N2N-APN ὁ- A--GPM χερουβιμ-N---GPM

21 καί-C ἐπιτίθημι-VF--FAI2S ὁ- A--ASN ἱλαστήριον-N2--ASN ἐπί-P ὁ- A--ASF κιβωτός-N2--ASF ἄνωθεν-D καί-C εἰς-P ὁ- A--ASF κιβωτός-N2--ASF ἐνβάλλω-VF2-FAI2S ὁ- A--APN μαρτύριον-N2N-APN ὅς- --APN ἄν-X δίδωμι-VO--AAS1S σύ- P--DS

22 καί-C γιγνώσκω-VS--FPI1S σύ- P--DS ἐκεῖθεν-D καί-C λαλέω-VA--AAS1S σύ- P--DS ἄνωθεν-D ὁ- A--GSN ἱλαστήριον-N2--GSN ἀνά-P μέσος-A1--ASN ὁ- A--GPM δύο-M χερουβιμ-N---GPM ὁ- A--GPM εἰμί-V9--PAPGPM ἐπί-P ὁ- A--GSF κιβωτός-N2--GSF ὁ- A--GSN μαρτύριον-N2N-GSN καί-C κατά-P πᾶς-A3--APN ὅσος-A1--APN ἄν-X ἐντέλλομαι-VA--AMS1S σύ- P--DS πρός-P ὁ- A--APM υἱός-N2--APM *ἰσραήλ-N---GSM

23 καί-C ποιέω-VF--FAI2S τράπεζα-N1S-ASF χρυσίον-N2N-GSN καθαρός-A1A-GSN δύο-M πῆχυς-N3E-GPM ὁ- A--ASN μῆκος-N3E-ASN καί-C πῆχυς-N3E-GSM ὁ- A--ASN εὖρος-N2--ASN καί-C πῆχυς-N3E-GSM καί-C ἥμισυς-A3U-GSN ὁ- A--ASN ὕψος-N3E-ASN

24 καί-C ποιέω-VF--FAI2S αὐτός- D--DSF στρεπτός-A1--APN κυμάτιον-N2N-APN χρυσοῦς-A1C-APN κύκλος-N2--DSM

25 καί-C ποιέω-VF--FAI2S αὐτός- D--DSF στεφάνη-N1--ASF παλαιστή-N1--GSF κύκλος-N2--DSM καί-C ποιέω-VF--FAI2S στρεπτός-A1--ASN κυμάτιον-N2N-ASN ὁ- A--DSF στεφάνη-N1--DSF κύκλος-N2--DSM

26 καί-C ποιέω-VF--FAI2S τέσσαρες-A3--APM δακτύλιος-N2--APM χρυσοῦς-A1C-APM καί-C ἐπιτίθημι-VF--FAI2S ὁ- A--APM δακτύλιος-N2--APM ἐπί-P ὁ- A--APN τέσσαρες-A3--APN μέρος-N3E-APN ὁ- A--GPM πούς-N3D-GPM αὐτός- D--GSF

27 ὑπό-P ὁ- A--ASF στεφάνη-N1--ASF καί-C εἰμί-VF--FMI3P ὁ- A--NPM δακτύλιος-N2--NPM εἰς-P θήκη-N1--APF ὁ- A--DPM ἀναφορεύς-N3V-DPM ὥστε-C αἴρω-V1--PAN ἐν-P αὐτός- D--DPM ὁ- A--ASF τράπεζα-N1S-ASF

28 καί-C ποιέω-VF--FAI2S ὁ- A--APM ἀναφορεύς-N3V-APM ἐκ-P ξύλον-N2N-GPN ἄσηπτος-A1B-GPN καί-C καταχρυσόω-VF--FAI2S αὐτός- D--APM χρυσίον-N2N-DSN καθαρός-A1A-DSN καί-C αἴρω-VC--FPI3S ἐν-P αὐτός- D--DPM ὁ- A--NSF τράπεζα-N1S-NSF

29 καί-C ποιέω-VF--FAI2S ὁ- A--APN τρυβλίον-N2N-APN αὐτός- D--GSF καί-C ὁ- A--APF θυΐσκη-N1--APF καί-C ὁ- A--APN σπονδεῖον-N2N-APN καί-C ὁ- A--APM κύαθος-N2--APM ἐν-P ὅς- --DPM σπένδω-VF--FAI2S ἐν-P αὐτός- D--DPM χρυσίον-N2N-GSN καθαρός-A1A-GSN ποιέω-VF--FAI2S αὐτός- D--APN

30 καί-C ἐπιτίθημι-VF--FAI2S ἐπί-P ὁ- A--ASF τράπεζα-N1S-ASF ἄρτος-N2--APM ἐνώπιος-A1B-APM ἐναντίον-P ἐγώ- P--GS διά-P πᾶς-A3--GSM

31 καί-C ποιέω-VF--FAI2S λυχνία-N1A-ASF ἐκ-P χρυσίον-N2N-GSN καθαρός-A1A-GSN τορευτός-A1--ASF ποιέω-VF--FAI2S ὁ- A--ASF λυχνία-N1A-ASF ὁ- A--NSM καυλός-N2--NSM αὐτός- D--GSF καί-C ὁ- A--NPM καλαμίσκος-N2--NPM καί-C ὁ- A--NPM κρατήρ-N3H-NPM καί-C ὁ- A--NPM σφαιρωτήρ-N3--NPM καί-C ὁ- A--NPN κρίνον-N2N-NPN ἐκ-P αὐτός- D--GSF εἰμί-VF--FMI3S

32 ἕξ-M δέ-X καλαμίσκος-N2--NPM ἐκπορεύομαι-V1--PMPNPM ἐκ-P πλάγιος-A1A-GPN τρεῖς-A3--NPM καλαμίσκος-N2--NPM ὁ- A--GSF λυχνία-N1A-GSF ἐκ-P ὁ- A--GSN κλίτος-N3E-GSN αὐτός- D--GSF ὁ- A--GSN εἷς-A3--GSN καί-C τρεῖς-A3--NPM καλαμίσκος-N2--NPM ὁ- A--GSF λυχνία-N1A-GSF ἐκ-P ὁ- A--GSN κλίτος-N3E-GSN ὁ- A--GSN δεύτερος-A1A-GSN

33 καί-C τρεῖς-A3--NPM κρατήρ-N3H-NPM ἐκτυπόω-VM--XMPNPM καρυίσκος-N2--APM ἐν-P ὁ- A--DSM εἷς-A3--DSM καλαμίσκος-N2--DSM σφαιρωτήρ-N3--NSM καί-C κρίνον-N2N-NSN οὕτως-D ὁ- A--DPM ἕξ-M καλαμίσκος-N2--DPM ὁ- A--DPM ἐκπορεύομαι-V1--PMPDPM ἐκ-P ὁ- A--GSF λυχνία-N1A-GSF

34 καί-C ἐν-P ὁ- A--DSF λυχνία-N1A-DSF τέσσαρες-A3--NPM κρατήρ-N3H-NPM ἐκτυπόω-VM--XMPNPM καρυίσκος-N2--APM ἐν-P ὁ- A--DSM εἷς-A3--DSM καλαμίσκος-N2--DSM ὁ- A--NPM σφαιρωτήρ-N3--NPM καί-C ὁ- A--NPN κρίνον-N2N-NPN αὐτός- D--GSF

35 ὁ- A--NSM σφαιρωτήρ-N3--NSM ὑπό-P ὁ- A--APM δύο-M καλαμίσκος-N2--APM ἐκ-P αὐτός- D--GSF καί-C σφαιρωτήρ-N3--NSM ὑπό-P ὁ- A--APM τέσσαρες-A3--APM καλαμίσκος-N2--APM ἐκ-P αὐτός- D--GSF οὕτως-D ὁ- A--DPM ἕξ-M καλαμίσκος-N2--DPM ὁ- A--DPM ἐκπορεύομαι-V1--PMPDPM ἐκ-P ὁ- A--GSF λυχνία-N1A-GSF

36 ὁ- A--NPM σφαιρωτήρ-N3--NPM καί-C ὁ- A--NPM καλαμίσκος-N2--NPM ἐκ-P αὐτός- D--GSF εἰμί-V9--PAD3P ὅλος-A1--NSF τορευτός-A1--NSF ἐκ-P εἷς-A3--GSN χρυσίον-N2N-GSN καθαρός-A1A-GSN

37 καί-C ποιέω-VF--FAI2S ὁ- A--APM λύχνος-N2--APM αὐτός- D--GSF ἑπτά-M καί-C ἐπιτίθημι-VF--FAI2S ὁ- A--APM λύχνος-N2--APM καί-C φαίνω-VF2-FAI3P ἐκ-P ὁ- A--GSN εἷς-A3--GSN πρόσωπον-N2N-GSN

38 καί-C ὁ- A--ASM ἐπαρυστήρ-N3--ASM αὐτός- D--GSF καί-C ὁ- A--APN ὑπόθεμα-N3M-APN αὐτός- D--GSF ἐκ-P χρυσίον-N2N-GSN καθαρός-A1A-GSN ποιέω-VF--FAI2S

39 πᾶς-A3--NPN ὁ- A--NPN σκεῦος-N3E-NPN οὗτος- D--NPN τάλαντον-N2--NSN χρυσίον-N2N-GSN καθαρός-A1A-GSN

40 ὁράω-V3--PAD2S ποιέω-VF--FAI2S κατά-P ὁ- A--ASM τύπος-N2--ASM ὁ- A--ASM δεικνύω-VK--XMPASM σύ- P--DS ἐν-P ὁ- A--DSN ὄρος-N3E-DSN

   

Из Сведенборгових дела

 

Arcana Coelestia # 9490

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9490. 'And you shall overlay it with pure gold' means that all those aspects must be founded on good. This is clear from the meaning of 'overlaying' - when the subject is heaven, meant by 'the ark' - as founding on, dealt with below; and from the meaning of 'gold' as good, dealt with in 113, 1551, 1552, 5658, 6914, 6917. The reason why 'overlaying' means founding on is that good emanating from the Lord as the Sun (for the heat from that Sun is the good of love) surrounds heaven not merely as a general whole but also every heavenly community within heaven specifically, and each angel individually too, and thereby protects them from the intrusion of evil from hell. That which surrounds in heaven serves to stabilize it; for heaven rests against it like a house on its foundation and like the surfaces of the body against the lower and upper layers of air bearing down around them. For that which surrounds also bounds, confines, and contains, and in so doing supports and sustains. From all this it is evident that 'overlaying' means founding on, and 'overlaying with gold' founding on good.

  
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Thanks to the Swedenborg Society for the permission to use this translation.

Из Сведенборгових дела

 

Arcana Coelestia # 5658

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5658. 'Our silver in its full weight' means truths commensurate with each one's state. This is clear from the meaning of 'silver' as truth, dealt with in 1551, 2954; and from the meaning of 'weight' as the state of something as regards good, dealt with in 3104, so that truths commensurate with each one's state means commensurate with the good they are able to receive. Many places in the Word make reference to weights or to measures, but no weight nor any measure is meant in the internal sense. Rather states so far as the good involved in some reality is concerned are meant by 'weights', while states so far as the truth involved in it is concerned are meant by 'measures'. The same applies to the properties of gravity and spatial magnitude; gravity in the natural world corresponds to good in the spiritual world, and spatial magnitude to truth. The reason for this is that in heaven, where correspondences originate, neither the property of gravity nor that of spatial magnitude exists because space has no existence there. Objects possessing these properties do, it is true, seem to exist among spirits, but those objects are appearances that have their origins in the states of goodness and truth in the heaven above those spirits.

[2] It was very well known in ancient times that 'silver' meant truth; therefore the ancients divided up periods of time ranging from the earliest to the latest world epochs into the golden ages, the silver ones, the copper ones, and the iron ones, to which they also added the clay ones. They applied the expression 'golden ages' to those periods when innocence and perfection existed, when everyone was moved by good to do what was good and by righteousness to do what was right. They used 'silver ages' however to describe those times when innocence did not exist any longer, though there was still some sort of perfection, which did not consist in being moved by good to do what was good but in being moved by truth to do what was true. 'Copper ages' and 'iron ages' were the names they gave to the times that were even more inferior than the silver ones.

[3] What led those people to give periods of time these names was not comparison but correspondence. For the ancients knew that 'silver' corresponded to truth and 'gold' to good; they knew this from being in communication with spirits and angels. For when a discussion takes place in a higher heaven about what is good, this reveals itself among those underneath them in the first or lowest heaven as what is golden; and when a discussion takes place about what is true this reveals itself there as what is silvery. Sometimes not only the walls of the rooms where they live are gleaming with gold and silver but also the very air within them. Also, in the homes of those angels belonging to the first or lowest heaven who are moved by good to live among what is good, tables made of gold, lampstands made of gold, and many other objects are seen; but in the homes of those who are moved by truth to live among what is true, similar objects made of silver are seen. But who at the present day knows that correspondence was what led the ancients to call ages golden ones and silver ones? Indeed who at the present day knows anything at all about correspondence? Anyone who does not know this about the ancients, and more so anyone who thinks pleasure and wisdom lie in contesting whether such an idea is true or untrue, cannot begin to know the countless facets there are to correspondence.

  
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Thanks to the Swedenborg Society for the permission to use this translation.

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