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Esodo 25

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1 L’Eterno parlò a Mosè dicendo: "Di’ ai figliuoli d’Israele che mi facciano un’offerta;

2 accetterete l’offerta da ogni uomo che sarà disposto a farmela di cuore.

3 E questa è l’offerta che accetterete da loro: oro, argento e rame;

4 stoffe di color violaceo, porporino, scarlatto;

5 lino fino e pel di capra; pelli di montone tinte in rosso, pelli di delfino e legno d’acacia;

6 olio per il candelabro, aromi per l’olio della unzione e per il profumo odoroso;

7 pietre di onice e pietre da incastonare per l’efod e il pettorale.

8 E mi facciano un santuario perch’io abiti in mezzo a loro.

9 Me lo farete in tutto e per tutto secondo il modello del tabernacolo e secondo il modello di tutti i suoi arredi, che io sto per mostrarti.

10 Faranno dunque un’arca di legno d’acacia; la sua lunghezza sarà di due cubiti e mezzo, la sua larghezza di un cubito e mezzo, e la sua altezza di un cubito e mezzo.

11 La rivestirai d’oro puro; la rivestirai così di dentro e di fuori; e le farai al di sopra una ghirlanda d’oro, che giri intorno.

12 Fonderai per essa quattro anelli d’oro, che metterai ai suoi quattro piedi: due anelli da un lato e due anelli dall’altro lato,

13 Farai anche delle stanghe di legno d’acacia, e le rivestirai d’oro.

14 E farai passare le stanghe per gli anelli ai lati dell’arca, perché servano a portarla.

15 Le stanghe rimarranno negli anelli dell’arca; non ne saranno tratte fuori.

16 E metterai nell’arca la testimonianza che ti darò.

17 Farai anche un propiziatorio d’oro puro; la sua lunghezza sarà di due cubiti e mezzo, e la sua larghezza di un cubito e mezzo.

18 E farai due cherubini d’oro; li farai lavorati al martello, alle due estremità del propiziatorio;

19 fa’ un cherubino a una delle estremità, e un cherubino all’altra; farete che questi cherubini escano dal propiziatorio alle due estremità.

20 E i cherubini avranno le ali spiegate in alto, in modo da coprire il propiziatorio con le loro ali; avranno la faccia vòlta l’uno verso l’altro; le facce dei cherubini saranno volte verso il propiziatorio.

21 E metterai il propiziatorio in alto, sopra l’arca; e nell’arca metterai la testimonianza che ti darò.

22 Quivi io m’incontrerò teco; e di sul propiziatorio, di fra i due cherubini che sono sull’arca della testimonianza, ti comunicherò tutti gli ordini che avrò da darti per i figliuoli d’Israele.

23 Farai anche una tavola di legno d’acacia; la sua lunghezza sarà di due cubiti; la sua larghezza di un cubito, e la sua altezza di un cubito e mezzo.

24 La rivestirai d’oro puro, e le farai una ghirlanda d’oro che le giri attorno.

25 Le farai all’intorno una cornice alta quattro dita; e a questa cornice farai tutt’intorno una ghirlanda d’oro.

26 Le farai pure quattro anelli d’oro, e metterai gli anelli ai quattro canti, ai quattro piedi della tavola.

27 Gli anelli saranno vicinissimi alla cornice per farvi passare le stanghe destinate a portar la tavola.

28 E le stanghe le farai di legno d’acacia, le rivestirai d’oro, e serviranno a portare la tavola.

29 Farai pure i suoi piatti, le sue coppe, i suoi calici e le sue tazze da servire per le libazioni; li farai d’oro puro.

30 E metterai sulla tavola il pane della presentazione, che starà del continuo nel mio cospetto.

31 Farai anche un candelabro d’oro puro; il candelabro, il suo piede e il suo tronco saranno lavorati al martello; i suoi calici, i suoi pomi e i suoi fiori saranno tutti d’un pezzo col candelabro.

32 Gli usciranno sei bracci dai lati: tre bracci del candelabro da un lato e tre bracci del candelabro dall’altro;

33 su l’uno de’ bracci saranno tre calici in forma di mandorla, con un pomo e un fiore; e sull’altro braccio, tre calici in forma di mandorla, con un pomo e un fiore. Lo stesso per i sei bracci uscenti dal candelabro.

34 Nel tronco del candelabro ci saranno poi quattro calici in forma di mandorla, coi loro pomi e i loro fiori.

35 Ci sarà un pomo sotto i due primi bracci che partono dal candelabro; un pomo sotto i due seguenti bracci, e un pomo sotto i due ultimi bracci che partono dal candelabro: così per i sei bracci uscenti dal candelabro.

36 Questi pomi e questi bracci saranno tutti d’un pezzo col candelabro; il tutto sarà d’oro fino lavorato al martello.

37 Farai pure le sue lampade, in numero di sette; e le sue lampade si accenderanno in modo che la luce rischiari il davanti del candelabro.

38 E i suoi smoccolatoi e i suoi porta smoccolature saranno d’oro puro.

39 Per fare il candelabro con tutti questi suoi utensili s’impiegherà un talento d’oro puro.

40 E vedi di fare ogni cosa secondo il modello che t’è stato mostrato sul monte.

   

Из Сведенборгових дела

 

Arcana Coelestia # 9467

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9467. And crimson. That this signifies the celestial love of good, is evident from the signification of “crimson,” as being the celestial love of good. The reason why this is signified by “crimson,” is that by a red color is signified the good of celestial love. For there are two fundamental colors from which come the rest: the color red, and the color white. The color “red” signifies the good which is of love; and the color “white” signifies the truth which is of faith. That the color “red” signifies the good which is of love, is because it comes from fire, and “fire” denotes the good of love; and the color “white” signifies the truth which is of faith, because it comes from light, and “light” denotes the truth of faith. (That “fire” denotes the good of love, see n. 5215, 6314, 6832, 6834, 6849, 7324, 9434; and that “light” denotes the truth of faith, n. 2776, 3195, 3636, 3643, 3993, 4302, 4413, 4415, 5400, 8644, 8707, 8861, 9399, 9407; that “red” denotes the good of love, n. 3300; and “white,” the truth of faith, n. 3993, 4007, 5319)

[2] From this it is evident what the remaining colors signify; for insofar as they partake of red they signify the good of love; and insofar as they partake of white they signify the truth of faith; for all the colors that appear in heaven are modifications of heavenly light and flame upon these two planes. For heavenly light is real light, and in itself is the Divine truth that proceeds from the Divine good of the Lord; wherefore the modifications of this light and flame are variegations of truth and good, thus of intelligence and wisdom.

[3] This shows why the veils and curtains of the tent, and also the garments of Aaron, were to be woven of blue, crimson, scarlet double-dyed, and fine linen (Exodus 26:1 (Exodus 26:1), 31, 36; 27:16; 28:6, 15); namely, that by these things might be represented the celestial things that belong to good, and the spiritual things that belong to truth (of which in what follows).

[4] Good from a celestial origin is signified by “crimson” also in Ezekiel:

Fine linen with broidered work from Egypt was thy spread, blue and crimson from the Isles of Elishah were thy covering (Ezekiel 27:7);

speaking of Tyre, by which are signified the knowledges of truth and good; “blue and crimson for a covering” denote the knowledges of truth and good from a celestial origin.

[5] Like things are signified by “crimson and fine linen” in Luke:

There was a certain rich man, who was clothed in crimson and fine linen, and fared splendidly every day (Luke 16:19);

by the “rich man” was meant in the internal sense the Jewish nation and the church among them, which was called “rich” from the knowledges of good and truth from the Word there existing; “garments of crimson and fine linen” denote these knowledges; “garments of crimson,” the knowledges of good; and “garments of fine linen,” the knowledges of truth; both from a celestial origin, because from the Divine. The like is also signified by “crimson” in the Revelation:

A woman sitting upon a scarlet beast, arrayed in crimson and scarlet (Revelation 17:3-4);

treating of Babylon, by which is signified the church wherein the holy things of the Word are applied to profane uses, that is, to such as aim at dominions in heaven and on earth; thus from the infernal love of self and of the world.

  
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Thanks to the Swedenborg Foundation for the permission to use this translation.

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Arcana Coelestia # 5319

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5319. And clothed him in garments of fine linen. That this signifies an external significative of the celestial of the spiritual, and that “garments of fine linen” denote truths from the Divine, is manifest from the signification of “garments” as being truths (see n. 1073, 2576, 4545, 4763, 5248). That “garments of fine linen” are truths from the Divine, is because a garment made of fine linen was of purest white and lustrous; and truth from the Divine is represented by garments of such whiteness and luster. The reason is, that the shining whiteness and luster of heaven is from the light that is from the Lord, and this light is the Divine truth itself (n. 1053, 1521-1533, 1619-1632, 2776, 3195, 3222, 3339, 3485, 3636, 3643, 3862, 4415, 4419, 4526, 5219); and therefore when the Lord was transfigured before Peter, James, and John, His garments appeared “as the light” (Matthew 17:2); “shining, exceeding white as snow, so as no fuller on earth can whiten them” (Mark 9:3); and “glistening” (Luke 9:29). It was the Divine truth itself that is from the Lord’s Divine Human that was thus represented. Yet it is exterior truths that are represented by the white radiance of garments in the heavens, and interior truths by the brightness and resplendence of the face. Hence it is that to be “clothed in garments of fine linen” is here an external significative of the truth proceeding from the celestial of the spiritual; for it was in this that the Divine of the Lord then was.

[2] By “fine linen” and “garments of fine linen” in other parts of the Word also is signified truth from the Divine, as in Ezekiel:

I clothed thee with broidered work, and shod thee with badger, and I girded thee with fine linen, and covered thee with silk; thus wast thou decked with gold and silver, and thy garments were of fine linen and silk and broidered work (Ezekiel 16:10, 13);

speaking of Jerusalem, by which in these verses is meant the Ancient Church. The truths of that church are described by “garments of broidered work, fine linen, and silk,” and by being “decked with gold and silver.” By “broidered work” are signified truths that are a matter of memory-knowledge; by “fine linen,” natural truths; and by “silk,” spiritual truths.

[3] Again:

Of fine linen in broidered work from Egypt was thy sail, that it might be to thee for an ensign; blue and crimson from the Isles of Elishah was thy covering (Ezekiel 27:7);

speaking of Tyre, by which also is meant the Ancient Church, but as to knowledges of good and truth; and by “fine linen in broidered work from Egypt of which was her sail,” is signified truth from memory-knowledges, as a sign or external significative of that church.

[4] In Revelation:

The merchants of the earth shall weep and mourn over Babylon, for no man buyeth their merchandise any more; merchandise of gold, and silver, and precious stone, and pearl, and fine linen, and crimson, and silk, and every vessel of ivory, and every vessel of most precious wood, and of brass, and iron, and marble (Revelation 18:11-12);

in this passage all and each of the expressions signify such things as are of the church, thus such as are of truth and good; but here in the opposite sense, because spoken of Babylon. Everyone can see that such things would never have been enumerated in the Word which came down from heaven, unless there was something heavenly in each one; for why should mention be made of worldly wares in treating of Babylon, by which is signified the profane church?

[5] Again in the same:

Woe, woe, the great city, she that was clothed in fine linen, and crimson, and scarlet, and gilded with gold, and precious stone, and pearls (Revelation 18:16).

That every detail here signifies some heavenly Divine thing is obvious in the same book, where it is said of fine linen that it is the “righteousness of the saints”:

The time of the wedding of the Lamb is come, and His wife hath made herself ready. Then to her was granted that she should be clothed in fine linen, clean and bright; for the fine linen is the righteousness of the saints (Revelation 19:7-8)

that “fine linen is the righteousness of the saints” is because all who are in truth from the Divine put on the Lord’s righteousness; for their garments are white and shining from the light that is from the Lord, and therefore truth itself is represented in heaven by what is shining white (n. 3301, 3993, 4007). It is for this reason also that they who are taken up into heaven out of a state of vastation appear clad in shining white, because they then put off that which is of their own righteousness, and put on that which is of the Lord’s righteousness.

[6] In order that truth from the Divine might be represented in the Jewish Church, it was commanded that there should be fine linen in the garments of Aaron, and also in the curtains about the ark, as we read in Moses:

For Aaron thou shalt weave the tunic in checker work of fine linen, and thou shalt make a miter of fine linen (Exodus 28:39).

They made the tunics of fine linen the work of the weaver for Aaron, and for his sons (Exodus 39:27).

Thou shalt make the habitation with ten curtains; of fine twined linen, and blue, and crimson, and scarlet double-dyed (Exodus 26:1; 36:8).

Thou shalt make the court of the habitation, there shall be hangings for the court of fine twined linen (Exodus 27:9, 18; 38:9).

The veil for the gate of the court was the work of the embroiderer, of blue, and crimson, and scarlet double-dyed, and fine twined linen (Exodus 37:18).

Fine linen was to be used because all things in the ark and about it, and also all things upon Aaron’s garments, were representative of spiritual and celestial things. This shows how little the Word is understood when it is not known what things like these represent, and that it is scarcely understood at all when it is believed that there is no other holiness in the Word than that which appears in the letter.

[7] That angels who are in truth from the Divine appear clothed as in fine linen, that is, in what is white and shining, appears from Revelation in connection with the “white horse”:

He that sat upon the white horse was clothed in a vesture dipped in blood; and His name is called the Word. His armies in heaven followed Him upon white horses, clothed in fine linen, white and clean (Revelation 19:13-14).

From all this it is very evident that fine linen is an outward thing significative of truth from the Divine; for He that sat upon the white horse is the Lord as to the Word, as is there openly said, and the “Word” is truth itself from the Divine. That the “white horse” is the internal sense of the Word may be seen above (n. 2760-2762); hence “white horses” are truths from the Divine, for all things of the internal sense of the Word are truths from the Divine, and therefore His armies were seen upon white horses, and were clothed in fine linen white and clean.

  
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Thanks to the Swedenborg Foundation for the permission to use this translation.