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Revelation 6:17

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17 For the great day of his wrath is come; and who shall be able to stand?

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The Meaning of the Book of Revelation: the Four Horsemen

Por Jonathan S. Rose, Curtis Childs

Transparency is needed to sort things out. Before big change happens, God first reveals what’s really going on.

In the Book of Revelation - the last book of the Word - the apostle John describes a series of apocalyptic visions that he experienced during his exile on the Isle of Patmos, in the Aegean Sea.

In one of these visions, he saw four horsemen, the first riding a white horse, the second a red horse, the third a black, and the fourth - named Death - riding a pale horse. These "Four Horsemen of the Apocalypse" - oft-pictured - are described in Revelation 6:1-8.

What do these horses, and their riders, represent? What do they have to do with us, today? Watch as Curtis Childs and Jonathan Rose explore the hidden Bible meaning of the Four Horsemen in the Book of Revelation, in this video from the Swedenborg and Life Series, from the Swedenborg Foundation.

Plus, to go straight to the source, follow the links below to the places in "Apocalypse Revealed" where Swedenborg explained the inner meaning of this famous Bible story. A good place to start would be Apocalypse Revealed 298.

(Referências: Apocalypse Explained 315; Apocalypse Revealed 262-263, 301, 306, 314, 316, 320, 322-323)

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This video is a product of the Swedenborg Foundation. Follow these links for further information and other videos: www.youtube.com/user/offTheLeftEye and www.swedenborg.com

Das Obras de Swedenborg

 

Arcana Coelestia # 5530

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5530. 'That behold, each man's bundle of silver' means truths in ordered groups freely given. This is clear from the meaning of 'bundle' as an ordered group, dealt with below; and from the meaning of 'silver' as truth, dealt with in 1551, 2954 - 'each man's in his sack' meaning that the ordered groups were freely given. The reason why 'bundle' means an ordered group is that the truths present with a person are arranged and ordered into sequences. The truths most in harmony with his loves lie in the middle; ones less in harmony with his loves lie immediately around those in the middle, while truths that are not at all in harmony with his loves lie pushed back to the peripheries. And lying outside that whole sequence are those which are contrary to his loves. The truths in the middle are therefore called kindred ones since love is the creator of kinship; those that are more remote are called associated ones, extending to and ending with associates that are on the fringes. All the truths present with a person are arranged into sequences like this and are meant by 'bundles'.

[2] From this one may see quite clearly what the situation is with those governed by self-love and love of the world and what it is with those governed by love to God and towards their neighbour. With people governed by self-love and love of the world the kinds of truths that lend support to these loves are in the middle, while those giving them little support are on the peripheries, and those contrary to them, such as truths to do with loving God and loving their neighbour, are cast to the outside. Such is the state of those in hell. This also explains why sometimes a band of light is seen around them; but inside this band where they themselves are, there exists a dark, gruesome, and horrible centre. With angels however there is a radiance at the centre, fuelled by the good of celestial and spiritual love, with a band of light or shining whiteness clothing it round about. Those who appear like this are likenesses of the Lord, for when He Himself revealed His Divinity to Peter, James, and John, He shone with His face like the sun, and His garments became like the light, Matthew 17:2. The fact that angels, who are likenesses of Him, are seen in a radiance with a surrounding whiteness is evident from the angel who came down from heaven and rolled the stone away from the door of the tomb,

His appearance was like lightning, and his clothing white as snow. Matthew 28:3.

  
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Thanks to the Swedenborg Society for the permission to use this translation.