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The Big Ideas

Da New Christian Bible Study Staff

A girl gazes into a lighted globe, showing the solar system.

Here we are in the 21st century. We know that the universe is an enormous place. We're just bursting with scientific knowledge. But how are we doing with the even-bigger ideas? Our human societies seem to be erasing them, or ignoring them - maybe we think we're too busy for them.

Here on the New Christian Bible Study site, we'll buck the trend. We want to explore the big ideas that give us a framework for living better lives. Here's a start on a list of big ideas from a New Christian perspective. For each idea, there is a footnote that lists some references in Swedenborg's theological works:

1. God exists. Just one God, who created and sustains the entire universe in all its dimensions, spiritual and physical. 1

2. God's essence is love itself. It's the force that drives everything. 2

3. God's essence comes into being, that is, it exists, in and through creation. 3

4. There are levels, or degrees, of creation - ranging from spiritual ones that we can't detect with our physical senses or sensors, to the level of the physical universe where most of our awareness is when we're alive here. 4

5. The created universe emanates from God, and it's sustained by God, but in an important way it is separate from God. He wants it to be separate, so that freedom can exist. 5

6. God operates from love through wisdom - willing good things, and understanding how to bring them about. 6

7. The physical level of creation exists to provide human beings with an opportunity to choose in freedom, with rationality, whether or not to acknowledge and cooperate with God. 7

8. God provides all people everywhere, regardless of their religion, the freedom to choose to live a life of love to God and to the neighbor. 8

9. God loves everyone. He knows that true happiness only comes when we're unselfish; when we're truly motivated by a love of the Lord which is grounded out in a love of the neighbor. He seeks to lead everyone, but will not force us to follow against our will. 9

10. God doesn't judge us. He tells us what's good, and what's evil, and flows into our minds to lead us towards good. However, we're free to reject his leading, and instead opt to love ourselves most. Day by day, we create habits of generosity or of selfishness, and live out a life in accordance with those habits. Those habits become the real "us", our ruling love. 10

11. Our physical bodies die eventually, but the spiritual part of our minds keeps going. It's been operating on a spiritual plane already, but our awareness shifts - so that we become fully aware of spiritual reality. 11

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Dalle opere di Swedenborg

 

Divine Love and Wisdom #59

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59. We can conclude from this that Divinity is present in absolutely everything in the created universe and that the created universe is therefore the work of Jehovah's hands, as it says in the Word. That is, it is a work of divine love and wisdom, for this is what is meant by "Jehovah's hands." Further, even though Divinity is present in all things great and small in the created universe, there is no trace of intrinsic divinity in their own being. While the created universe is not God, it is from God; and since it is from God, his image is in it like the image of a person in a mirror. We do indeed see a person there, but there is still nothing of the person in the mirror.

  
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Thanks to the Swedenborg Foundation for the permission to use this translation.

Dalle opere di Swedenborg

 

Arcana Coelestia #6978

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6978. 'And it will become blood on the dry land' means the falsifying of all truth and the consequent deprivation of it in the natural. This is clear from the meaning of 'blood' as holy truth coming forth from the Lord, and in the contrary sense as truth falsified and rendered profane, dealt with in 4735 (the implications of this have been stated in what comes immediately before this); and from the meaning of 'the dry land' as the natural, dealt with just above in 6976. The meaning of 'blood' as the falsification of truth and the profanation of it is clear in particular in Nahum,

Woe to the city of blood, 1 all full of lies [and] plunder! Prey will not depart! The noise of a whip and the noise of the rumbling wheel, 2 and the neighing horse and the clattering 3 chariot! The mounting horseman, 4 and the glitter of the sword, and the lightning-flash of the spear, and the multitude of slain, and the heap of corpses, and no end of bodies - they trip over their bodies - all because of the multitude of whoredoms of a harlot with goodly grace, the mistress of sorceries, the seller of nations through her acts of whoredom, and of families through her sorceries. Nahum 3:1-4.

'The city of blood' means teachings that uphold falsity, so that 'blood' means truth that has been falsified and rendered profane. This is evident from the internal sense of every word of the description of the city, not only in the verses that have been quoted but also in those that follow them, since the whole chapter continues with a description of it; for' the city' means doctrinal teachings. 'All full of lies and plunder' means full of falsity and of evil resulting from falsity. 'The noise of the whip and the noise of the rumbling wheel' means the defence of falsity by the use of fallacious ideas. 'The neighing horse and the clattering chariot' means by the use of a perverted power of understanding and of teachings similarly perverted. 'The mounting horseman, the glitter of the sword, the lightning-flash of the spear' means a battle against truth. 'The multitude of slain' means that countless falsities and people under the influence of them result from it. 'The heap of corpses, and no end of bodies' means that countless evils and people governed by them result from it. 'The whoredoms of a harlot' means falsifications themselves which take place; and 'sorceries' has a similar meaning.

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1. literally, bloods

2. literally, The voice of the whip and the voice of the sound of the wheel

3. literally, leaping

4. literally, The horseman causing to go up

  
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Thanks to the Swedenborg Society for the permission to use this translation.