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Jezekilj 28

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1 Opet mi dođe reč Gospodnja govoreći:

2 Sine čovečji, reci knezu tirskom: Ovako veli Gospod Gospod: Što se ponese srce tvoje, te veliš: Ja sam Bog, sedim na prestolu Božjem usred mora; a čovek si a ne Bog, i izjednačuješ srce svoje sa srcem Božjim;

3 Eto mudriji si od Danila, nikakva tajna nije sakrivena od tebe;

4 Stekao si blago mudrošću svojom i razumom svojim, i nasuo si zlata i srebra u riznice svoje;

5 Veličinom mudrosti svoje u trgovini svojoj umnožio si blago svoje, te se ponese srce tvoje blagom tvojim;

6 Zato ovako veli Gospod Gospod: Što izjednačuješ srce svoje sa srcem Božjim,

7 Zato, evo, ja ću dovesti na tebe inostrance najljuće između naroda, i oni će istrgnuti mačeve svoje na lepotu mudrosti tvoje, i ubiće svetlost tvoju.

8 Svaliće te u jamu i umrećeš usred mora smrću pobijenih.

9 Hoćeš li pred krvnikom svojim kazati: Ja sam Bog, kad si čovek, a ne Bog u ruci onog koji će te ubiti?

10 Umrećeš smrću neobrezanih od ruke tuđinske; jer ja rekoh, govori Gospod Gospod.

11 Opet mi dođe reč Gospodnja govoreći:

12 Sine čovečji, nariči za carem tirskim, i reci mu: Ovako veli Gospod Gospod: Ti si pečat savršenstva, pun si mudrosti, i sasvim si lep.

13 Bio si u Edemu, vrtu Božjem; pokrivalo te je svako drago kamenje: sarad, topaz, dijamant, hrisolit, onih, jaspis, safir, karbunkul, smaragd i zlato; onaj dan kad si se rodio načinjeni ti biše bubnji tvoji i svirale.

14 Ti si bio heruvim, pomazan da zaklanjaš; i ja te postavih; ti beše na svetoj gori Božijoj, hođaše posred kamenja ognjenog.

15 Savršen beše na putevima svojim od dana kad se rodi dokle se ne nađe bezakonje na tebi.

16 Od mnoštva trgovine svoje napunio si se iznutra nasilja, i grešio si; zato ću te baciti kao nečistotu s gore Božje, i zatrću te između kamenja ognjenog, heruvime zaklanjaču!

17 Srce se tvoje ponese lepotom tvojom, ti pokvari mudrost svoju svetlošću svojom; baciću te na zemlju, pred careve ću te položiti da te gledaju.

18 Od mnoštva bezakonja svog, od nepravde u trgovini svojoj oskvrnio si svetinju svoju; zato ću izvesti oganj ispred tebe, koji će te proždreti, i obratiću te u pepeo na zemlji pred svima koji te gledaju.

19 Svi koji te poznaju među narodima prepašće se od tebe; bićeš strahota, i neće te biti do veka.

20 Opet mi dođe reč Gospodnja govoreći:

21 Sine čovečji, okreni lice svoje prema Sidonu, i prorokuj protiv njega,

22 I reci: Ovako veli Gospod Gospod: Evo me na tebe, Sidone, i proslaviću se usred tebe, i poznaće se da sam ja Gospod kad izvršim sudove na njemu i posvetim se u njemu.

23 I poslaću pomor u nj, i krv na ulice njegove, i pobijeni će padati usred njega od mača, koji će navaliti na njih sa svih strana, i poznaće da sam ja Gospod.

24 I neće više biti domu Izrailjevom trn koji bode ni žalac koji zadaje bol više od svih suseda njihovih, koji ih plene; i poznaće da sam ja Gospod Gospod.

25 Ovako veli Gospod Gospod: Kad skupim dom Izrailjev iz naroda među koje su rasejani, i posvetim se u njima pred narodima i nasele se u svojoj zemlji koju dadoh sluzi svom Jakovu,

26 Tada će živeti u njoj bez straha, i gradiće kuće, i sadiće vinograde, i živeće bez straha kad izvršim sudove na svima koji ih pleniše sa svih strana, i poznaće da sam ja Gospod Bog njihov.

   

Commento

 

Ashes

  

In Genesis 18:27, this signifies the humility of the Lord's human as to its quality. (Arcana Coelestia 2265)

In Exodus 9:8, this signifies lustful falsities excited by the presence of infesting spirits. (Arcana Coelestia 7519, Apocalypse Explained 962[8])

In Ezekiel 27:30, this signifies something condemned, because the fire from which they come signifies infernal love. (Apocalypse Explained 441)

In Jeremiah 6:26, this signifies mourning because of the destruction of good and truth in the church. (Arcana Coelestia 637[9])

(Riferimenti: Apocalypse Explained 1175)


Dalle opere di Swedenborg

 

Arcana Coelestia #9865

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9865. 'A ruby, a topaz, a carbuncle' means the celestial love of good. This is clear from the meaning of these stones as the good of celestial love, celestial love being love to the Lord, received from the Lord. Those stones mean that love on account of their red and flaming colour; for 'red' means love, 3300, and so does 'flaming', 3222, 6832, 7620-7622, 9570. But here celestial love is meant because those stones are in the first row; and those in the first row correspond to the realities that exist in the inmost heaven, where celestial love, which is love to the Lord, reigns. Since the twelve stones in the breastplate represented all the truths that spring from good they also represented the whole of heaven; for heaven is heaven by virtue of the Divine Truth emanating from the Lord's Divine Good, the angels there who constitute heaven being recipients of that Truth. So it is that the three stones which are in the first row represent the inmost heaven, consequently the love that reigns there, which is called the celestial love of good and celestial love of truth. The stones in the first row represent the celestial love of good, those in the second row the celestial love of truth. These stones represent that love, as has been stated, on account of their colour; for what precious stones represent is determined by their colours.

[2] In heaven colours of indescribable beauty appear; for they are modifications of heavenly light, and heavenly light is Divine Truth emanating from the Lord. From this it is evident that colours present themselves there in accord with variations of goodness and truth; thus they are modifications of the light emanating from the Lord, through the angels. The light emanating from the Lord appears in the inmost heaven as a flame; therefore the colours resulting from it are red and flashing. But the same light appears in the middle heaven as a brilliantly white light; therefore the colours resulting from it are brilliant, and to the extent that they have good within them they are gleaming. This explains why there are two basic colours to which all others are related, namely the colour red and the colour white; and the colour red is representative of good, while the colour white is representative of truth, see 9467.

[3] From all this it is now clear why it was that stones of so many colours were set in rows in the breastplate, namely in order that they might represent all the forms of good and the truths that exist in heaven in their proper order, and consequently represent the whole of heaven. The reason why the stones in the first row - a ruby, a topaz, and a carbuncle - represented the celestial love of good is that they are different hues of red. Furthermore the noun used in the original language for 'a ruby', the first in the row, is derived from a word that means 'redness'; and that for 'a carbuncle', the third in the row, is derived from a word meaning 'flashing', as if from fire. But as for the derivation of 'a topaz', the middle one in the row, this is unknown, though it very probably comes from something describing a red and flaming colour. This may be why in Job something similar is said of a topaz as is said of gold,

With wisdom the topaz of Ethiopia will not compete, it cannot be valued in pure gold. Job 28:19.

'Gold' too means the good of love, 113, 1551, 1552, 5658, 6914, 6917, 8932, 9490, 9510.

  
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Thanks to the Swedenborg Society for the permission to use this translation.