La Bibbia

 

Micah 2

Studio

   

1 γιγνομαι-VBI-AMI3P λογιζομαι-V1--PMPNPM κοπος-N2--APM και-C εργαζομαι-V1--PMPNPM κακος-A1--APN εν-P ο- A--DPF κοιτη-N1--DPF αυτος- D--GPM και-C αμα-D ο- A--DSF ημερα-N1A-DSF συντελεω-V2I-IAI3P αυτος- D--APN διοτι-C ου-D αιρω-VAI-AAI3P προς-P ο- A--ASM θεος-N2--ASM ο- A--APF χειρ-N3--APF αυτος- D--GPM

2 και-C επιθυμοω-V4I-IAI3P αγρος-N2--APM και-C διααρπαζω-V1I-IAI3P ορφανος-A1--APM και-C οικος-N2--APM καταδυναστευω-V1I-IAI3P και-C διααρπαζω-V1I-IAI3P ανηρ-N3--ASM και-C ο- A--ASM οικος-N2--ASM αυτος- D--GSM ανηρ-N3--ASM και-C ο- A--ASF κληρονομια-N1A-ASF αυτος- D--GSM

3 δια-P ουτος- D--ASN οδε- D--APN λεγω-V1--PAI3S κυριος-N2--NSM ιδου-I εγω- P--NS λογιζομαι-V1--PMI1S επι-P ο- A--ASF φυλη-N1--ASF ουτος- D--ASF κακος-A1--APN εκ-P ος- --GPM ου-D μη-D αιρω-VA--AAS2P ο- A--APM τραχηλος-N2--APM συ- P--GP και-C ου-D μη-D πορευομαι-VC--APS2P ορθος-A1--NPM εξαιφνης-D οτι-C καιρος-N2--NSM πονηρος-A1A-NSM ειμι-V9--PAI3S

4 εν-P ο- A--DSF ημερα-N1A-DSF εκεινος- D--DSF λαμβανω-VV--FPI3S επι-P συ- P--AP παραβολη-N1--NSF και-C θρηνεω-VC--FPI3S θρηνος-N2--NSM εν-P μελος-N3E-DSN λεγω-V1--PAPNSM ταλαιπωρια-N1A-DSF ταλαιπωρεω-VAI-AAI1P μερις-N3D-NSF λαος-N2--GSM εγω- P--GS καταμετρεω-VCI-API3S εν-P σχοινιον-N2N-DSN και-C ου-D ειμι-V9--IAI3S ο- A--NSM κωλυω-VF--FAPNSM αυτος- D--ASM ο- A--GSN αποστρεφω-VA--AAN ο- A--NPM αγρος-N2--NPM εγω- P--GP διαμεριζω-VSI-API3P

5 δια-P ουτος- D--ASN ου-D ειμι-V9--FMI3S συ- P--DS βαλλω-V1--PAPNSM σχοινιον-N2N-ASN εν-P κληρος-N2--DSM εν-P εκκλησια-N1A-DSF κυριος-N2--GSM

6 μη-D κλαιω-V1--PAD2P δακρυ-N3--DPN μηδε-C δακρυω-V1--PAD3P επι-P ουτος- D--DPM ου-D γαρ-X αποωθεω-VF--FMI3S ονειδος-N3E-NPN

7 ο- A--NSM λεγω-V1--PAPNSM οικος-N2--NSM *ιακωβ-N---GSM παραοργιζω-VAI-AAI3S πνευμα-N3M-NSN κυριος-N2--GSM ει-C ουτος- D--NPN ο- A--NPN επιτηδευμα-N3M-NPN αυτος- D--GSM ειμι-V9--PAI3S ου-D ο- A--NPM λογος-N2--NPM αυτος- D--GSM ειμι-V9--PAI3P καλος-A1--NPM μετα-P αυτος- D--GSM και-C ορθος-A1--NPM πορευομαι-VM--XMI3P

8 και-C εμπροσθεν-D ο- A--NSM λαος-N2--NSM εγω- P--GS εις-P εχθρα-N1A-ASF αντιιστημι-VHI-AAI3S κατεναντι-D ο- A--GSF ειρηνη-N1--GSF αυτος- D--GSM ο- A--ASF δορα-N1A-ASF αυτος- D--GSM εκδερω-VAI-AAI3P ο- A--GSN αποαιρεω-VB--AMN ελπις-N3D-ASF συντριμμος-N2--ASM πολεμος-N2--GSM

9 δια-P ουτος- D--ASN ηγεομαι-V2--PMPNPM λαος-N2--GSM εγω- P--GS αποριπτω-VV--FPI3P εκ-P ο- A--GPF οικια-N1A-GPF τρυφη-N1--GSF αυτος- D--GPM δια-P ο- A--APN πονηρος-A1A-APN επιτηδευμα-N3M-APN αυτος- D--GPM εκωθεω-VS--API3P εγγιζω-VA--AAD2P ορος-N3E-DPN αιωνιος-A1B-DPN

10 αναιστημι-VH--AAD2S και-C πορευομαι-V1--PMD2S οτι-C ου-D ειμι-V9--PAI3S συ- P--DS ουτος- D--NSF ο- A--NSF αναπαυσις-N3I-NSF ενεκεν-P ακαθαρσια-N1A-GSF διαφθειρω-VDI-API2P φθορα-N1A-DSF

11 καταδιωκω-VQI-API2P ουδεις-A3--GSM διωκω-V1--PAPGSM πνευμα-N3M-ASN ιστημι-VAI-AAI3S ψευδος-N3E-ASN σταλαζω-VAI-AAI3S συ- P--DS εις-P οινος-N2--ASM και-C μεθυσμα-N3M-ASN και-C ειμι-V9--FMI3S εκ-P ο- A--GSF σταγων-N3N-GSF ο- A--GSM λαος-N2--GSM ουτος- D--GSM

12 συναγω-V1--PMPNSM συναγω-VQ--FPI3S *ιακωβ-N---NSM συν-P πας-A3--DPM εκδεχομαι-V1--PMPNSM εκδεχομαι-VF--FMI1S ο- A--APM καταλοιπος-A1B-APM ο- A--GSM *ισραηλ-N---GSM επι-P ο- A--ASN αυτος- D--ASN τιθημι-VF--FMI1S ο- A--ASF αποστροφη-N1--ASF αυτος- D--GPM ως-C προβατον-N2N-APN εν-P θλιψις-N3I-DSF ως-C ποιμνιον-N2N-ASN εν-P μεσος-A1--DSN κοιτη-N1--GSF αυτος- D--GPM εκαλλομαι-VF2-FMI3P εκ-P ανθρωπος-N2--GPM

13 δια-P ο- A--GSF διακοπη-N1--GSF προ-P προσωπον-N2N-GSN αυτος- D--GPM διακοπτω-VAI-AAI3P και-C διαερχομαι-VBI-AAI3P πυλη-N1--ASF και-C εκερχομαι-VBI-AAI3P δια-P αυτος- D--GSF και-C εκερχομαι-VBI-AAI3S ο- A--NSM βασιλευς-N3V-NSM αυτος- D--GPM προ-P προσωπον-N2N-GSN αυτος- D--GPM ο- A--NSM δε-X κυριος-N2--NSM ηγεομαι-VF--FMI3S αυτος- D--GPM

   

Dalle opere di Swedenborg

 

Apocalypse Revealed #434

Studia questo passo

  
/ 962  
  

434. They had hair like women's hair. (9:8) This symbolically means that they seemed to themselves to have an affection for truth.

In the Word a man symbolizes an understanding of truth, and a woman an affection for truth, because a man is by birth a form of the intellect, and a woman a form of affection, as we say in Angelic Wisdom Regarding Marriage. 1 Hair in the Word symbolizes the lowest level of a person's life, which is the sensual level, as said in no. 424. It is on this level that it seems to these people that they have an affection for truth, when in fact they have an affection for falsity, since they believe it to be true.

That a woman symbolizes an affection for truth can be seen from many passages in the Word. So it is that the church is called a wife, woman, daughter, and virgin. The church, moreover, is a church by virtue of its love or affection for truth, for this is what gives rise to an understanding of truth.

[2] The church is called a woman in the following places:

...there were two women, the daughters of one mother, (who) committed harlotry in Egypt..., Oholah (being) Samaria, and Oholibah (being) Jerusalem. (Ezekiel 23:2-4)

...Jehovah has called you like a woman forsaken and afflicted in spirit, and a youthful woman... (Isaiah 54:6-7)

...Jehovah has created a new thing in the earth - a woman shall encompass a man. (Jeremiah 31:21-22)

The woman clothed with the sun, whom the dragon pursued (Revelation 12), symbolizes the New Church, which is the New Jerusalem.

Women symbolize affections for truth, by virtue of which the church is a church, in many other places, as in the following:

The women of My people you cast out from its delightful house. (Micah 2:9)

(The families of the houses shall mourn by themselves,) and... women by themselves... (Zechariah 12:11-13)

Rise up, you women at ease, hear... my speech. (Isaiah 32:9)

Why do you do... evil..., to cut off from you man and woman...? (Jeremiah 44:7)

...I will scatter man and woman... (Jeremiah 51:22)

A man and woman, here and elsewhere, mean, symbolically in the spiritual sense, an understanding of truth and an affection for truth.

Note a piè di pagina:

1. A reference to a work by that title never published by the writer. Extant in manuscript are a brief outline, a relatively short preliminary draft, and two indices for a longer draft on the subject of marriage that has not been found. The content of the existing material makes clear that these manuscripts, including the missing longer draft, were written in preparation for Delights of Wisdom Relating to Married Love (or Conjugial Love), Followed By Pleasures of Insanity Relating to Licentious Love, which the writer published in 1768, two years after publishing the present work on the Apocalypse.

  
/ 962  
  

Many thanks to the General Church of the New Jerusalem, and to Rev. N.B. Rogers, translator, for the permission to use this translation.

Dalle opere di Swedenborg

 

Arcana Coelestia #5658

Studia questo passo

  
/ 10837  
  

5658. 'Our silver in its full weight' means truths commensurate with each one's state. This is clear from the meaning of 'silver' as truth, dealt with in 1551, 2954; and from the meaning of 'weight' as the state of something as regards good, dealt with in 3104, so that truths commensurate with each one's state means commensurate with the good they are able to receive. Many places in the Word make reference to weights or to measures, but no weight nor any measure is meant in the internal sense. Rather states so far as the good involved in some reality is concerned are meant by 'weights', while states so far as the truth involved in it is concerned are meant by 'measures'. The same applies to the properties of gravity and spatial magnitude; gravity in the natural world corresponds to good in the spiritual world, and spatial magnitude to truth. The reason for this is that in heaven, where correspondences originate, neither the property of gravity nor that of spatial magnitude exists because space has no existence there. Objects possessing these properties do, it is true, seem to exist among spirits, but those objects are appearances that have their origins in the states of goodness and truth in the heaven above those spirits.

[2] It was very well known in ancient times that 'silver' meant truth; therefore the ancients divided up periods of time ranging from the earliest to the latest world epochs into the golden ages, the silver ones, the copper ones, and the iron ones, to which they also added the clay ones. They applied the expression 'golden ages' to those periods when innocence and perfection existed, when everyone was moved by good to do what was good and by righteousness to do what was right. They used 'silver ages' however to describe those times when innocence did not exist any longer, though there was still some sort of perfection, which did not consist in being moved by good to do what was good but in being moved by truth to do what was true. 'Copper ages' and 'iron ages' were the names they gave to the times that were even more inferior than the silver ones.

[3] What led those people to give periods of time these names was not comparison but correspondence. For the ancients knew that 'silver' corresponded to truth and 'gold' to good; they knew this from being in communication with spirits and angels. For when a discussion takes place in a higher heaven about what is good, this reveals itself among those underneath them in the first or lowest heaven as what is golden; and when a discussion takes place about what is true this reveals itself there as what is silvery. Sometimes not only the walls of the rooms where they live are gleaming with gold and silver but also the very air within them. Also, in the homes of those angels belonging to the first or lowest heaven who are moved by good to live among what is good, tables made of gold, lampstands made of gold, and many other objects are seen; but in the homes of those who are moved by truth to live among what is true, similar objects made of silver are seen. But who at the present day knows that correspondence was what led the ancients to call ages golden ones and silver ones? Indeed who at the present day knows anything at all about correspondence? Anyone who does not know this about the ancients, and more so anyone who thinks pleasure and wisdom lie in contesting whether such an idea is true or untrue, cannot begin to know the countless facets there are to correspondence.

  
/ 10837  
  

Thanks to the Swedenborg Society for the permission to use this translation.