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Εξοδος πλήθους 26

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1 Και θελεις καμει την σκηνην, δεκα παραπετασματα εκ βυσσου κεκλωσμενης και κυανου και πορφυρου και κοκκινου· με χερουβειμ εντεχνως ενειργασμενα θελεις καμει αυτα.

2 Το μηκος του ενος παραπετασματος εικοσιοκτω πηχων, και το πλατος του ενος παραπετασματος τεσσαρων πηχων· παντα τα παραπετασματα του αυτου μετρου.

3 Τα πεντε παραπετασματα θελουσι συναπτεσθαι το εν μετα του αλλου· και τα αλλα πεντε παραπετασματα θελουσι συναπτεσθαι το εν μετα του αλλου.

4 Και θελεις καμει θηλυκωτηρια κυανα επι της ακρας του πρωτου παραπετασματος, κατα το πλαγιον οπου γινεται η ενωσις· ομοιως θελεις καμει και επι της τελευταιας ακρας του δευτερου παραπετασματος, οπου γινεται η ενωσις του δευτερου·

5 πεντηκοντα θηλυκωτηρια θελεις καμει εις το εν παραπετασμα, και πεντηκοντα θηλυκωτηρια θελεις καμει εις την ακραν του παραπετασματος την κατα την ενωσιν του δευτερου, δια να αντικρυζωσι τα θηλυκωτηρια προς αλληλα.

6 Και θελεις καμει πεντηκοντα περονας χρυσας, και με τας περονας θελεις συναψει τα παραπετασματα προς αλληλα· ουτως η σκηνη θελει εισθαι μια.

7 Και θελεις καμει παραπετασματα εκ τριχων αιγων, δια να ηναι καλυμμα επι της σκηνης· ενδεκα θελεις καμει τα παραπετασματα ταυτα·

8 το μηκος του ενος παραπετασματος τριακοντα πηχων, και το πλατος του ενος παραπετασματος τεσσαρων πηχων· του αυτου μετρου θελουσιν εισθαι τα ενδεκα παραπετασματα.

9 Και θελεις συναψει τα πεντε παραπετασματα χωριστα, και τα εξ παραπετασματα χωριστα· το εκτον ομως παραπετασμα θελεις επιδιπλωσει κατα το προσωπον της σκηνης.

10 Και θελεις καμει πεντηκοντα θηλυκωτηρια επι της ακρας του ενος παραπετασματος του τελευταιου κατα την ενωσιν, και πεντηκοντα θηλυκωτηρια επι της ακρας του παραπετασματος, το οποιον ενονεται με το δευτερον.

11 Θελεις καμει και πεντηκοντα περονας χαλκινας, και θελεις εμβαλει τας περονας εις τα θηλυκωτηρια, και θελεις συναψει την σκηνην, ωστε να ηναι μια.

12 Το δε υπολοιπον, το περισσευον εκ των παραπετασματων της σκηνης, το ημισυ του παραπετασματος του εναπολειπομενου, θελει κρεμασθαι επι τα οπισθεν της σκηνης.

13 Και μια πηχη εκ του ενος πλαγιου και μια πηχη εκ του αλλου πλαγιου εκ του εναπολειπομενου εις το μηκος των παραπετασματων της σκηνης θελει κρεμασθαι επανωθεν επι τα πλαγια της σκηνης εντευθεν και εντευθεν, δια να καλυπτη αυτην.

14 Και θελεις καμει κατακαλυμμα δια την σκηνην εκ δερματων κριων κοκκινοβαφων και επικαλυμμα υπερανωθεν εκ δερματων θωων.

15 Και θελεις καμει δια την σκηνην σανιδας εκ ξυλου σιττιμ ορθιας·

16 δεκα πηχων το μηκος της μιας σανιδος, και μιας πηχης και ημισειας το πλατος της μιας σανιδος.

17 Δυο αγκωνισκοι θελουσιν εισθαι εις την μιαν σανιδα αντικρυζοντες προς αλληλους· ουτω θελεις καμει εις πασας τας σανιδας της σκηνης.

18 Και θελεις καμει τας σανιδας δια την σκηνην, εικοσι σανιδας απο το νοτιον μερος προς μεσημβριαν.

19 και υποκατω των εικοσι σανιδων θελεις καμει τεσσαρακοντα υποβασια αργυρα· δυο υποβασια υποκατω της μιας σανιδος δια τους δυο αγκωνισκους αυτης, και δυο υποβασια υποκατω της αλλης σανιδος δια τους δυο αγκωνισκους αυτης.

20 Και δια το δευτερον μερος της σκηνης το προς βορραν, θελεις καμει εικοσι σανιδας.

21 και τα τεσσαρακοντα αυτων υποβασια αργυρα, δυο υποβασια υποκατω της μιας σανιδος, και δυο υποβασια υποκατω της αλλης σανιδος.

22 Και δια τα οπισθεν μερη της σκηνης τα προς δυσμας θελεις καμει εξ σανιδας.

23 Θελεις καμει και δυο σανιδας δια τας γωνιας της σκηνης εις τα οπισθεν μερη·

24 και θελουσιν ενωθη κατωθεν και θελουσιν ενωθη ομου ανωθεν δι' ενος κρικου· ουτω θελει εισθαι δι' αυτας αμφοτερας· δια τας δυο γωνιας θελουσιν εισθαι.

25 και θελουσιν εισθαι οκτω σανιδες και τα αργυρα υποβασια αυτων, δεκαεξ υποβασια· δυο υποβασια υποκατω της μιας σανιδος και δυο υποβασια υποκατω της αλλης σανιδος.

26 Και θελεις καμει μοχλους εκ ξυλου σιττιμ· πεντε δια τας σανιδας του ενος μερους της σκηνης,

27 και πεντε μοχλους δια τας σανιδας του αλλου μερους της σκηνης, και πεντε μοχλους δια τας σανιδας του μερους της σκηνης δια το πλαγιον το προς δυσμας.

28 και ο μεσος μοχλος, ο εν τω μεσω των σανιδων, θελει διαπερα απ' ακρου εως ακρου.

29 Και τας σανιδας θελεις περικαλυψει με χρυσιον και τους κρικους αυτων θελεις καμει χρυσους, δια να ηναι θηκαι των μοχλων. και θελεις περικαλυψει τους μοχλους με χρυσιον.

30 Και θελεις ανεγειρει την σκηνην κατα το σχεδιον αυτης το δειχθεν εις σε επι του ορους.

31 Και θελεις καμει καταπετασμα εκ κυανου και πορφυρου και κοκκινου και βυσσου κεκλωσμενης, εντεχνου εργασιας· με χερουβειμ θελει εισθαι κατεσκευασμενον.

32 Και θελεις κρεμασει αυτο επι τεσσαρων στυλων εκ σιττιμ περικεκαλυμμενων με χρυσιον· τα αγκιστρα αυτων θελουσιν εισθαι χρυσα, επι των τεσσαρων αργυρων υποβασιων.

33 Και θελεις κρεμασει το καταπετασμα υπο τας περονας, δια να φερης εκει, εσωθεν του καταπετασματος, την κιβωτον του μαρτυριου· και το καταπετασμα θελει καμνει εις εσας χωρισμα μεταξυ του αγιου και του αγιου των αγιων.

34 Και θελεις επιθεσει το ιλαστηριον επι της κιβωτου του μαρτυριου εν τω αγιω των αγιων.

35 Και θελεις θεσει την τραπεζαν εξωθεν του καταπετασματος και την λυχνιαν αντικρυ της τραπεζης προς το νοτιον μερος της σκηνης· την δε τραπεζαν θελεις θεσει προς το βορειον μερος.

36 Και θελεις καμει δια την θυραν της σκηνης ταπητα εκ κυανου και πορφυρου και κοκκινου και βυσσου κεκλωσμενης, κατεσκευασμενον με εργασιαν κεντητου.

37 Και θελεις καμει δια τον ταπητα πεντε στυλους εκ σιττιμ, και θελεις περικαλυψει αυτους με χρυσιον· τα αγκιστρα αυτων θελουσιν εισθαι χρυσα· και θελεις χυσει δι' αυτους πεντε υποβασια χαλκινα.

   

От "Съчиненията на Сведенборг

 

Arcana Coelestia #9671

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9671. 'From violet and purple and twice-dyed scarlet and fine twined linen' means the forms of the good of love and faith that are joined together there. This is clear from the meaning of 'violet' as the celestial love of truth, dealt with in 9466; from the meaning of 'purple' as the celestial love of good, dealt with in 9467; from the meaning of 'twice-dyed scarlet' as spiritual good, dealt with in 4922, 9468; and from the meaning of 'fine twined linen' as truth from a celestial origin, dealt with in 9469. From all this it is evident that those four mean forms of the good of love and faith that are joined together within the uniting intermediary. The implications of this are that those in heaven who belong to the uniting intermediary represented by the veil have forms of the good of love and forms of the good of faith joined together within themselves. Through the forms of the good of love they are joined to celestial angels who are in the inmost heaven, and through the forms of the good of faith to the spiritual ones who are in the middle heaven. For the good of love to the Lord is called celestial good, and the good of faith in Him is called spiritual good.

[2] Those in heaven who belong to the uniting intermediary are called celestial-spiritual and spiritual-celestial, the former being represented in the Word by Joseph, the latter by Benjamin. For the meaning of Joseph in the representative sense as the celestial-spiritual, see 4286, 4592, 4963, 5249, 5307, 5331, 5332, 5417, 5869, 5877, 6224, 6526, and Benjamin as the spiritual-celestial, 3969, 4592. Joseph is accordingly the internal uniting intermediary and Benjamin the external uniting intermediary, 4585, 4592, 4594, 5411, 5413, 5443, 5639, 5686, 5688, 5689, 5822. What the celestial-spiritual and the spiritual-celestial are, see 1577, 1824, 2184, 4585, 4592, 4594.

[3] The difference between those in the heavens who are celestial and those who are spiritual may also be recognized from their opposites in the hells. Those in the hells who are the opposites of celestial angels are called genii, while those in them who are the contraries of spiritual angels are called spirits. The genii, the opposites of celestial angels, are at the back, whereas the spirits, the opposites of spiritual ones, are at the front; and those between genii and spirits are at the sides. Being the opposites of celestial angels the genii are steeped in evil more internal than that present with spirits. Regarding spirits and genii, see what has been said about them from experience in 5977, 8593, 8622, 8625. The hell of genii has been set completely apart from the hell of spirits, so completely that those in one cannot pass over into the other. For there are intermediate spirits there who link the two together; and these spirits are the opposites of the intermediate angels in the heavens.

  
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Thanks to the Swedenborg Society for the permission to use this translation.

От "Съчиненията на Сведенборг

 

Arcana Coelestia #2714

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2714. That 'Paran' means enlightenment coming from the Lord's Divine Human is clear from the meaning of 'Paran' as the Lord's Divine Human, as is evident from those places in the Word where this name is used, as in the prophet Habakkuk,

O Jehovah, I have heard Your fame; I was afraid. O Jehovah, revive Your work in the midst of the years, in the midst of the years make it known. In zeal You will remember mercy. God will come out of Teman, and the Holy One from Mount Paran. Selah. His fame has covered the heavens, and the earth has been filled with His praise. And His brightness will be as the light; He has horns going out of His hand, and there the hiding-place of His strength will be. Habakkuk 3:2-4.

This plainly refers to the Lord's Coming, which is meant by 'reviving in the midst of the years' and 'making known in the midst of the years'. His Divine Human is described by the words 'God will come out of Teman, and the Holy One from Mount Paran'. He is said to come 'out of Teman' in regard to celestial love, and 'from Mount Paran' in regard to spiritual love; and the springing of these from enlightenment and power is meant by the words 'His brightness will be as the light; He has horns going out of His hand'. 'Brightness' and 'light' mean enlightenment, 'horns' power.

[2] In Moses,

Jehovah came from Sinai, and dawned from Seir upon them; He shone from Mount Paran, and came from myriads of holiness From His right hand came a fiery law for them. He indeed loves the peoples. All His holy ones are in your hand and have been joined together at your feet; and He will receive of your words. Deuteronomy 33:2-3.

This also refers to the Lord, whose Divine Human is described by the words 'He dawned from Seir' and 'He shone from Mount Paran' - 'from Seir' being used in regard to celestial love, 'from Mount Paran' to spiritual love. Those who are spiritual are meant by 'the peoples whom He loves' and by 'those joined together at your feet', 'the foot' meaning that which is lower, and so more obscure, in the Lord's kingdom.

[3] In the same author,

Chedorlaomer and the kings with him smote the Horites in their Mount Seir as far as El-paran, which is over into the wilderness. Genesis 14:5-6.

As regards the Lord's Divine Human being meant there by 'Mount Seir' and by 'El-paran', see 1675, 1676. In the same author,

So it was, in the second year, in the second month, on the twentieth day in the month, that the cloud lifted from over the tabernacle of the testimony. And the children of Israel travelled according to their travels from the wilderness of Sinai, and the cloud settled in the wilderness of Paran. Numbers 10:11-12.

[4] The truth that all the travels of the people in the wilderness mean the state of the Church militant, and its temptations, in which a person goes under but the Lord conquers on his behalf, and the truth that consequently they mean the Lord's own actual temptations and victories, will in the Lord's Divine mercy be shown elsewhere. And because the Lord underwent temptations by reason of His Divine Human, the Lord's Divine Human is in a similar way meant here by 'the wilderness of Paran'. The same is also meant by the following in the same author,

After that the people travelled from Hazeroth, and camped in the wilderness of Paran. And Jehovah spoke to Moses and said, Send men and let them explore the land of Canaan which I am giving to the children of Israel. And Moses sent them from the wilderness of Paran as spoken by the mouth of Jehovah. And they returned to Moses and to Aaron and to all the congregation of the children of Israel, to the wilderness of Paran in Kadesh; and they brought back word to them, and showed them the fruit of the land. Numbers 12:16; 13:1-3, 26.

Their travelling from the wilderness of Paran to explore the land of Canaan means that by means of the Lord's Divine Human these people - the children of Israel, by whom were meant those who are spiritual - have access to the heavenly kingdom, meant by the land of Canaan. But their faltering also at that time means their weakness, on account of which the Lord fulfilled everything in the Law, underwent temptations and was victorious, so that those with whom faith grounded in charity resides, also those who undergo temptations in which the Lord is victorious, have salvation from His Divine Human. This also explains why, when the Lord was tempted, He was in the wilderness, Matthew 4:1; Mark 1:12-13; Luke 4:1; see above in 2708.

  
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Thanks to the Swedenborg Society for the permission to use this translation.