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Psalms 23 : The 23rd Psalm

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1 The LORD is my shepherd; I shall not want.

2 He maketh me to lie down in green pastures: he leadeth me beside the still waters.

3 He restoreth my soul: he leadeth me in the paths of righteousness for his name's sake.

4 Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thou art with me; thy rod and thy staff they comfort me.

5 Thou preparest a table before me in the presence of mine enemies: thou anointest my head with oil; my cup runneth over.

6 Surely goodness and mercy shall follow me all the days of my life: and I will dwell in the house of the LORD for ever.

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The 23rd Psalm

Написано Brian David

The Lord as Shepherd, by Nana Schnarr

The 23rd Psalm is one of the best-known and most-loved literary works in the world, and it may well be the best poem ever written. It is also a fine example of the power of figurative language: We read deep things into the vision of ourselves as sheep, led to green pastures and good water by a kind shepherd. It’s empowering to feel the confidence to go fearlessly into the valley of the shadow of death, and to feel the love and caring of a table prepared by the Lord and a cup so full it overflows.

What people don’t know, however, is that this language actually has precise internal meanings, and that when we see them there is an even deeper beauty in the poem. That’s because what it actually describes is the path to heaven, and the fierce desire the Lord has to lead us there.

The first step is to let the Lord be our shepherd – to accept His teaching and His leadership. The green pastures and the still waters represent the things He will teach us for the journey. Then He begins working inside is, setting our spiritual lives in order, so that we desire to do what’s good and to love one another. That’s represented by restoring our souls and leading us in the paths of righteousness.

But we will still face challenges. We still live external lives, out in the world, and we are subject to desires that arise in those externals, in our bodily lives. That’s the valley of the shadow of death. But the rod and staff represent truth from the Lord on both external and internal levels, ideas that can defend us against those desires.

And if we keep following, the Lord will prepare a table for us – a place inside us that he can fill with love (the anointing oil) and wisdom (the overflowing cup). Thus transformed, we can enter heaven, with love for others (“goodness”) and love from the Lord (“mercy”) and can love and be loved to eternity.

One of many beautiful things about this is the fact that it is the Lord who really does all the work. In the whole text, the only action taken by the sheep is walking through the valley of the shadow of death. Other than that, they follow the Lord, trust the Lord, accept the blessings of the Lord. And that is really true! In external states (in the valley) we might seem to be doing the work ourselves, but internally, spiritually, we simply need to give ourselves to the Lord and let Him bless us.

The underlying idea here is that the Lord created us so that He could love us, in loving us wants us to be happy, knows that our greatest happiness will come from being conjoined to Him in heaven, and Himself wants nothing more than to be conjoined to us. So everything He does, in every moment of every day for every person on the face of the planet, is centered on the goal of getting that person to heaven. He wants each and every one of us in heaven more than we are capable of imagining. We just need to cooperate.

(Ссылки: Apocalypse Explained 375 [34], 727 [2]; The Inner Meaning of the Prophets and Psalms 273)

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Arcana Coelestia # 4742

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4742. 'The tunic of various colours that was on him' means the nature of the appearances which is determined by that of the truths derived from good. This is clear from the meaning of 'the tunic of various colours' as appearances of truth by which the spiritual of the natural is recognized and distinguished, dealt with in 4677, here therefore the nature of those appearances; and for this reason the word 'tunic' is used twice - 'they stripped Joseph of his tunic, the tunic of various colours'. The fact that the nature of these appearances is determined by that of the truths derived from good may be known from appearances of truth when these are manifested visually in the light of heaven, that is, in the next life. There no other light exists than that which comes from the Lord by way of heaven and which emanates from His Divine Truth; for this appears before the eyes of the angels as light, 2776, 3190, 3195, 3222, 3339, 3340, 3636, 3643, 3993, 4302, 4413, 4415. This light varies with each angel, depending on his reception of it. Angels' entire thought is formed by the variegation of that light, as also is man's thought, though he is not conscious of this because in man's case that light falls onto material images or ideas present in his natural or external man which are formed from the light of the world.

Consequently in his case the light of heaven is dimmed to such an extent that he scarcely knows that the light and sight in his understanding are a product of the light of heaven. But in the next life when the sight of the eye is no longer reliant on the light of the world but on that of heaven it is then obvious that his thought is formed from the latter.

[2] When this light passes from heaven into the world of spirits it manifests itself there in the form of various colours, the beauty, variation, and loveliness of these colours being immensely superior to the colours produced by the light of the world; see what has already been presented from experience regarding colours, in 1053, 1624, 3993, 4530, 4677. Because colours in the next life are formed from the light of heaven they are in origin nothing else than appearances of truth derived from good. The source from which truth shines is not truth itself because by itself alone it does not possess any flame; rather, good is the source of it since this is like the flame from which light shines. The nature of good therefore determines the nature of the truth that appears from it, and the nature of the truth is the same as that of the good from which it shines. From this one may see what is meant in the internal sense by 'the tunic of various colours' - that the nature of the appearances is determined by that of the truths derived from good; for as shown already, 'Joseph', to whom the tunic belonged, represents Divine Truth.

  
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Thanks to the Swedenborg Society for the permission to use this translation.