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Cuộc di cư 28:32

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32 giữa áo có một lỗ tròng đầu vào; viền chung quanh, dệt như lỗ áo giáp mặt lưới, để cho khỏi tét.

De obras de Swedenborg

 

Arcana Coelestia #9868

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9868. 'A chrysoprase, a sapphire, and a diamond' means the celestial love of truth, from which the things that follow spring. This is clear from the meaning of these stones as the celestial love of truth, dealt with below. The reason for saying 'from which the things that follow spring' is that all the forms of good and truths that follow emanate in order from those that go before; for the existence of anything unconnected with others prior to itself is not possible. First in order is the celestial love of good; second is the celestial love of truth; third is the spiritual love of good; and fourth is the spiritual love of truth. This order is what was represented in the rows of stones in the breastplate of judgement, and it is the actual order of the forms of good and the truths in the heavens. In the inmost heaven there is the celestial love of good and the celestial love of truth, the celestial love of good constituting the internal part of that heaven, and the celestial love of truth the external part of it. But in the second heaven there is the spiritual love of good, which constitutes the internal part of it, and the spiritual love of truth, which constitutes the external part of it. Each love furthermore flows into the next in the same order, and they constitute a unified whole so to speak. From this it is evident what should be understood by 'from which the things that follow spring'.

[2] As regards the stones belonging to this row, they derive their meaning, as the previous ones and also all the others do, from their colours. For the meaning of precious stones is determined by their colours, see above in 9865; colours in heaven are modifications of the light and shade there, and so are diverse forms of intelligence and wisdom among angels, 3993, 4530, 4677, 4742, 4922, 9466, the light in heaven being Divine Truth emanating from the Lord, the source of all intelligence and wisdom. Being of different shades of red the stones belonging to the first row mean the celestial love of good; but the stones belonging to the present row are of different shades of blue that is the product of red. For there is blue which is the product of red and blue which is the product of white. Blue which is the product of red shines inwardly from a source that is flaming; this is the kind of blue by which the celestial love of truth is meant. But blue which is the product of white, such as is present in the stones belonging to the next row, which means the spiritual love of good, does not shine inwardly from a source that is flaming but from one that is clear and bright.

[3] Whether chrysoprase, the first stone belonging to this row, was of a blue colour cannot be proved from the derivation of that word in the original language. But the fact that it means the celestial love of truth is evident in Ezekiel,

Syria was your merchant because of the multitude of your handiworks; [they exchanged for your wares] chrysoprase, purple, and embroidered work. Ezekiel 27:16.

This refers to Tyre, by which wisdom and intelligence arising from cognitions or knowledge of goodness and truth are meant, 1201. Chrysoprase is linked here with purple, and since 'purple' means the celestial love of good, 9467, it follows that 'chrysoprase' means the celestial love of truth; for wherever good is spoken of in the prophetical part of the Word, truth belonging to the same class is also spoken of, on account of the heavenly marriage in every detail there, 9263, 9314. 'Syria' too, which was 'the merchant', means cognitions of good, 1232, 1234, 3249, 4112, the cognitions of good being the truths of celestial love.

[4] A sapphire, the second stone belonging to this row, is - as is well known - of a blue colour, like that of the sky; therefore it says in the Book of Exodus,

Seventy of the elders saw the God of Israel, and under His feet there was so to speak a work of sapphire, and it was like the substance of the sky for clearness. Exodus 24:10.

This stone means what is translucent with inner truths, which are the truths of celestial love, see 9407.

[5] But a diamond, the third stone belonging to this row, means the truth of celestial love, on account of its translucence that tends to have a blueness in it. Thus it is through this stone, being the last, that the colours of the stones belonging to this row and also the previous one shine, and are then brought in contact with those in the next row. The situation is similar with the goodness and truths in the inmost heaven and the goodness and truths in the heavens that come after it. The latter goodness and truths derive their life of charity and faith from the former by transmission, as if by a shining through.

  
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Thanks to the Swedenborg Society for the permission to use this translation.

De obras de Swedenborg

 

Arcana Coelestia #9865

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9865. 'A ruby, a topaz, a carbuncle' means the celestial love of good. This is clear from the meaning of these stones as the good of celestial love, celestial love being love to the Lord, received from the Lord. Those stones mean that love on account of their red and flaming colour; for 'red' means love, 3300, and so does 'flaming', 3222, 6832, 7620-7622, 9570. But here celestial love is meant because those stones are in the first row; and those in the first row correspond to the realities that exist in the inmost heaven, where celestial love, which is love to the Lord, reigns. Since the twelve stones in the breastplate represented all the truths that spring from good they also represented the whole of heaven; for heaven is heaven by virtue of the Divine Truth emanating from the Lord's Divine Good, the angels there who constitute heaven being recipients of that Truth. So it is that the three stones which are in the first row represent the inmost heaven, consequently the love that reigns there, which is called the celestial love of good and celestial love of truth. The stones in the first row represent the celestial love of good, those in the second row the celestial love of truth. These stones represent that love, as has been stated, on account of their colour; for what precious stones represent is determined by their colours.

[2] In heaven colours of indescribable beauty appear; for they are modifications of heavenly light, and heavenly light is Divine Truth emanating from the Lord. From this it is evident that colours present themselves there in accord with variations of goodness and truth; thus they are modifications of the light emanating from the Lord, through the angels. The light emanating from the Lord appears in the inmost heaven as a flame; therefore the colours resulting from it are red and flashing. But the same light appears in the middle heaven as a brilliantly white light; therefore the colours resulting from it are brilliant, and to the extent that they have good within them they are gleaming. This explains why there are two basic colours to which all others are related, namely the colour red and the colour white; and the colour red is representative of good, while the colour white is representative of truth, see 9467.

[3] From all this it is now clear why it was that stones of so many colours were set in rows in the breastplate, namely in order that they might represent all the forms of good and the truths that exist in heaven in their proper order, and consequently represent the whole of heaven. The reason why the stones in the first row - a ruby, a topaz, and a carbuncle - represented the celestial love of good is that they are different hues of red. Furthermore the noun used in the original language for 'a ruby', the first in the row, is derived from a word that means 'redness'; and that for 'a carbuncle', the third in the row, is derived from a word meaning 'flashing', as if from fire. But as for the derivation of 'a topaz', the middle one in the row, this is unknown, though it very probably comes from something describing a red and flaming colour. This may be why in Job something similar is said of a topaz as is said of gold,

With wisdom the topaz of Ethiopia will not compete, it cannot be valued in pure gold. Job 28:19.

'Gold' too means the good of love, 113, 1551, 1552, 5658, 6914, 6917, 8932, 9490, 9510.

  
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Thanks to the Swedenborg Society for the permission to use this translation.