5340. 'And he gathered all the food of the seven years' means the preservation of truth linked to good, multiplied in the initial phases. This is clear from the meaning of 'gathering' here as preserving (for it says that he gathered it and laid it up in the cities, in the midst of them, which means that he stored it in the interior parts and thereby preserved it; for it was put to use in the years of famine); from the meaning of 'the food' as everything by which the internal man is nourished, namely good and truth, as may be recognized from the correspondence of earthly food which nourishes the external man with spiritual food which nourishes the internal man. Here therefore truth linked to good is meant, because this is what is preserved and stored away in a person's interior parts. 'Seven years' means the initial phases, when truths become multiplied, 5339. From all this it is evident that 'he gathered all the food of the seven years' means the preservation of truth linked to good, multiplied in the initial phases.

[2] The expression 'the preservation of truth linked to good' is used, but because few are aware of what truth linked to good is, let alone of how and when truth becomes linked to good, let something therefore be said about this. Truth comes to be joined to good when a person finds joy in doing good to his neighbour for truth and goodness' own sake, and not for any selfish or worldly reason. When that affection moves a person the truths he hears or reads or thinks about become joined to good; and this can usually be seen in an affection for truth which has that end in view.

9865. 'A ruby, a topaz, a carbuncle' means the celestial love of good. This is clear from the meaning of these stones as the good of celestial love, celestial love being love to the Lord, received from the Lord. Those stones mean that love on account of their red and flaming colour; for 'red' means love, 3300, and so does 'flaming', 3222, 6832, 7620-7622, 9570. But here celestial love is meant because those stones are in the first row; and those in the first row correspond to the realities that exist in the inmost heaven, where celestial love, which is love to the Lord, reigns. Since the twelve stones in the breastplate represented all the truths that spring from good they also represented the whole of heaven; for heaven is heaven by virtue of the Divine Truth emanating from the Lord's Divine Good, the angels there who constitute heaven being recipients of that Truth. So it is that the three stones which are in the first row represent the inmost heaven, consequently the love that reigns there, which is called the celestial love of good and celestial love of truth. The stones in the first row represent the celestial love of good, those in the second row the celestial love of truth. These stones represent that love, as has been stated, on account of their colour; for what precious stones represent is determined by their colours.

[2] In heaven colours of indescribable beauty appear; for they are modifications of heavenly light, and heavenly light is Divine Truth emanating from the Lord. From this it is evident that colours present themselves there in accord with variations of goodness and truth; thus they are modifications of the light emanating from the Lord, through the angels. The light emanating from the Lord appears in the inmost heaven as a flame; therefore the colours resulting from it are red and flashing. But the same light appears in the middle heaven as a brilliantly white light; therefore the colours resulting from it are brilliant, and to the extent that they have good within them they are gleaming. This explains why there are two basic colours to which all others are related, namely the colour red and the colour white; and the colour red is representative of good, while the colour white is representative of truth, see 9467.

[3] From all this it is now clear why it was that stones of so many colours were set in rows in the breastplate, namely in order that they might represent all the forms of good and the truths that exist in heaven in their proper order, and consequently represent the whole of heaven. The reason why the stones in the first row - a ruby, a topaz, and a carbuncle - represented the celestial love of good is that they are different hues of red. Furthermore the noun used in the original language for 'a ruby', the first in the row, is derived from a word that means 'redness'; and that for 'a carbuncle', the third in the row, is derived from a word meaning 'flashing', as if from fire. But as for the derivation of 'a topaz', the middle one in the row, this is unknown, though it very probably comes from something describing a red and flaming colour. This may be why in Job something similar is said of a topaz as is said of gold,

With wisdom the topaz of Ethiopia will not compete, it cannot be valued in pure gold. Job 28:19.

'Gold' too means the good of love, 113, 1551, 1552, 5658, 6914, 6917, 8932, 9490, 9510.