La Biblia

 

Exodus 26

Estudio

   

1 και-C ο- A--ASF σκηνη-N1--ASF ποιεω-VF--FAI2S δεκα-M αυλαια-N1A-APF εκ-P βυσσος-N2--GSF κλωθω-VT--XMPGSF και-C υακινθος-N2--GSF και-C πορφυρα-N1A-GSF και-C κοκκινος-A1--GSN κλωθω-VT--XMPGSN χερουβιμ-N---APM εργασια-N1A-DSF υφαντης-N1M-GSM ποιεω-VF--FAI2S αυτος- D--APF

2 μηκος-N3E-NSN ο- A--GSF αυλαια-N1A-GSF ο- A--GSF εις-A1A-GSF οκτω-M και-C εικοσι-M πηχυς-N3E-GPM και-C ευρος-N2--NSN τεσσαρες-A3--GPM πηχυς-N3E-GPM ο- A--NSF αυλαια-N1A-NSF ο- A--NSF εις-A1A-NSF ειμι-VF--FMI3S μετρον-N2N-NSN ο- A--NSN αυτος- D--NSN ειμι-VF--FMI3S πας-A1S-DPF ο- A--DPF αυλαια-N1A-DPF

3 πεντε-M δε-X αυλαια-N1A-NPF ειμι-VF--FMI3P εκ-P αλληλω- D--GPM εχω-V1--PMPNPF ο- A--NSF ετερος-A1A-NSF εκ-P ο- A--GSF ετερος-A1A-GSF και-C πεντε-M αυλαια-N1A-NPF ειμι-VF--FMI3P συνεχω-V1--PMPNPF ετερος-A1A-NSF ο- A--DSF ετερος-A1A-DSF

4 και-C ποιεω-VF--FAI2S αυτος- D--DPF αγκυλη-N1--APF υακινθινος-A1--APF επι-P ο- A--GSN χειλος-N3E-GSN ο- A--GSF αυλαια-N1A-GSF ο- A--GSF εις-A1A-GSF εκ-P ο- A--GSN εις-A3--GSN μερος-N3E-GSN εις-P ο- A--ASF συμβολη-N1--ASF και-C ουτως-D ποιεω-VF--FAI2S επι-P ο- A--GSN χειλος-N3E-GSN ο- A--GSF αυλαια-N1A-GSF ο- A--GSF εξωτερος-A1A-GSF προς-P ο- A--DSF συμβολη-N1--DSF ο- A--DSF δευτερος-A1A-DSF

5 πεντηκοντα-M αγκυλη-N1--APF ποιεω-VF--FAI2S ο- A--DSF αυλαια-N1A-DSF ο- A--DSF εις-A1A-DSF και-C πεντηκοντα-M αγκυλη-N1--APF ποιεω-VF--FAI2S εκ-P ο- A--GSN μερος-N3E-GSN ο- A--GSF αυλαια-N1A-GSF κατα-P ο- A--ASF συμβολη-N1--ASF ο- A--GSF δευτερος-A1A-GSF αντιπροσωπος-A1B-NPF αντιπιπτω-V1--PAPNPF αλληλω- D--DPF εις-P εκαστος-A1--ASF

6 και-C ποιεω-VF--FAI2S κρικος-N2--APM πεντηκοντα-M χρυσους-A1C-APM και-C συναπτω-VF--FAI2S ο- A--APF αυλαια-N1A-APF ετερος-A1A-ASF ο- A--DSF ετερος-A1A-DSF ο- A--DPM κρικος-N2--DPM και-C ειμι-VF--FMI3S ο- A--NSF σκηνη-N1--NSF εις-A1A-NSF

7 και-C ποιεω-VF--FAI2S δερρις-N3I-APF τριχινας-A1--APF σκεπη-N1--ASF επι-P ο- A--GSF σκηνη-N1--GSF ενδεκα-M δερρις-N3I-APF ποιεω-VF--FAI2S αυτος- D--APF

8 ο- A--NSN μηκος-N3E-NSN ο- A--GSF δερρις-N3I-GSF ο- A--GSF εις-A1A-GSF ειμι-VF--FMI3S τριακοντα-M πηχυς-N3E-GPM και-C τεσσαρες-A3--GPM πηχυς-N3E-GPM ο- A--NSN ευρος-N2--NSN ο- A--GSF δερρις-N3I-GSF ο- A--GSF εις-A1A-GSF μετρον-N2N-NSN ο- A--NSN αυτος- D--NSN ειμι-VF--FMI3S ο- A--DPF ενδεκα-M δερρις-N3I-DPF

9 και-C συναπτω-VF--FAI2S ο- A--APF πεντε-M δερρις-N3I-APF επι-P ο- A--ASN αυτος- D--ASN και-C ο- A--APF εξ-M δερρις-N3I-APF επι-P ο- A--ASN αυτος- D--ASN και-C επιδιπλοω-VF--FAI2S ο- A--ASF δερρις-N3I-ASF ο- A--ASF εκτος-A1--ASF κατα-P προσωπον-N2N-ASN ο- A--GSF σκηνη-N1--GSF

10 και-C ποιεω-VF--FAI2S αγκυλη-N1--APF πεντηκοντα-M επι-P ο- A--GSN χειλος-N3E-GSN ο- A--GSF δερρις-N3I-GSF ο- A--GSF εις-A1A-GSF ο- A--GSF ανα-P μεσος-A1--ASN κατα-P συμβολη-N1--ASF και-C πεντηκοντα-M αγκυλη-N1--APF ποιεω-VF--FAI2S επι-P ο- A--GSN χειλος-N3E-GSN ο- A--GSF δερρις-N3I-GSF ο- A--GSF συναπτω-V1--PAPGSF ο- A--GSF δευτερος-A1A-GSF

11 και-C ποιεω-VF--FAI2S κρικος-N2--APM χαλκους-A1C-APM πεντηκοντα-M και-C συναπτω-VF--FAI2S ο- A--APM κρικος-N2--APM εκ-P ο- A--GPF αγκυλη-N1--GPF και-C συναπτω-VF--FAI2S ο- A--APF δερρις-N3I-APF και-C ειμι-VF--FMI3S εις-A3--NSN

12 και-C υποτιθημι-VF--FAI2S ο- A--ASN πλεοναζω-V1--PAPASN εν-P ο- A--DPF δερρις-N3I-DPF ο- A--GSF σκηνη-N1--GSF ο- A--ASN ημισυς-A3U-ASN ο- A--GSF δερρις-N3I-GSF ο- A--ASN υπολειπω-VP--XMPASN υποκαλυπτω-VF--FAI2S ο- A--ASN πλεοναζω-V1--PAPASN ο- A--GPF δερρις-N3I-GPF ο- A--GSF σκηνη-N1--GSF υποκαλυπτω-VF--FAI2S οπισω-P ο- A--GSF σκηνη-N1--GSF

13 πηχυς-N3E-ASM εκ-P ουτος- D--GSN και-C πηχυς-N3E-ASM εκ-P ουτος- D--GSN εκ-P ο- A--GSN υπερεχω-V1--PAPGSN ο- A--GPF δερρις-N3I-GPF εκ-P ο- A--GSN μηκος-N3E-GSN ο- A--GPF δερρις-N3I-GPF ο- A--GSF σκηνη-N1--GSF ειμι-VF--FMI3S συνκαλυπτω-V1--PAPNSN επι-P ο- A--APN πλαγιος-A1A-APN ο- A--GSF σκηνη-N1--GSF ενθεν-D και-C ενθεν-D ινα-C καλυπτω-V1--PAS3S

14 και-C ποιεω-VF--FAI2S κατακαλυμμα-N3M-ASN ο- A--DSF σκηνη-N1--DSF δερμα-N3M-APN κριος-N2--GPM ερυθροδανοω-VM--XPPAPN και-C επικαλυμμα-N3M-APN δερμα-N3M-APN υακινθινος-A1--APN επανωθεν-D

15 και-C ποιεω-VF--FAI2S στυλος-N2--APM ο- A--DSF σκηνη-N1--DSF εκ-P ξυλον-N2N-GPN ασηπτος-A1B-GPN

16 δεκα-M πηχυς-N3E-GPM ποιεω-VF--FAI2S ο- A--ASM στυλος-N2--ASM ο- A--ASM εις-A3--ASM και-C πηχυς-N3E-GSM εις-A3--GSM και-C ημισυς-A3U-GSM ο- A--ASN πλατος-N3E-ASN ο- A--GSM στυλος-N2--GSM ο- A--GSM εις-A3--GSM

17 δυο-M αγκωνισκος-N2--APM ο- A--DSM στυλος-N2--DSM ο- A--DSM εις-A3--DSM αντιπιπτω-V1--PAPAPM ετερος-A1A-ASM ο- A--DSM ετερος-A1A-DSM ουτως-D ποιεω-VF--FAI2S πας-A3--DPM ο- A--DPM στυλος-N2--DPM ο- A--GSF σκηνη-N1--GSF

18 και-C ποιεω-VF--FAI2S στυλος-N2--APM ο- A--DSF σκηνη-N1--DSF εικοσι-M στυλος-N2--APM εκ-P ο- A--GSN κλιτος-N3E-GSN ο- A--GSN προς-P βορεας-N1T-ASM

19 και-C τεσσαρακοντα-M βασις-N3I-APF αργυρους-A1C-APF ποιεω-VF--FAI2S ο- A--DPM εικοσι-M στυλος-N2--DPM δυο-M βασις-N3I-NPF ο- A--DSM στυλος-N2--DSM ο- A--DSM εις-A3--DSM εις-P αμφοτεροι-A1A-APN ο- A--APN μερος-N3E-APN αυτος- D--GSM και-C δυο-M βασις-N3I-NPF ο- A--DSM στυλος-N2--DSM ο- A--DSM εις-A3--DSM εις-P αμφοτεροι-A1A-APN ο- A--APN μερος-N3E-APN αυτος- D--GSM

20 και-C ο- A--ASN κλιτος-N3E-ASN ο- A--ASN δευτερος-A1A-ASN ο- A--ASN προς-P νοτος-N2--ASM εικοσι-M στυλος-N2--APM

21 και-C τεσσαρακοντα-M βασις-N3I-APF αυτος- D--GPM αργυρους-A1C-APF δυο-M βασις-N3I-APF ο- A--DSM στυλος-N2--DSM ο- A--DSM εις-A3--DSM εις-P αμφοτεροι-A1A-APN ο- A--APN μερος-N3E-APN αυτος- D--GSM και-C δυο-M βασις-N3I-APF ο- A--DSM στυλος-N2--DSM ο- A--DSM εις-A3--DSM εις-P αμφοτεροι-A1A-APN ο- A--APN μερος-N3E-APN αυτος- D--GSM

22 και-C εκ-P ο- A--GPM οπισω-P ο- A--GSF σκηνη-N1--GSF κατα-P ο- A--ASN μερος-N3E-ASN ο- A--ASN προς-P θαλασσα-N1S-ASF ποιεω-VF--FAI2S εξ-M στυλος-N2--APM

23 και-C δυο-M στυλος-N2--APM ποιεω-VF--FAI2S επι-P ο- A--GPF γωνια-N1A-GPF ο- A--GSF σκηνη-N1--GSF εκ-P ο- A--GPN οπισθιος-A1A-GPN

24 και-C ειμι-VF--FMI3S εκ-P ισος-A1--GSN κατωθεν-D κατα-P ο- A--ASN αυτος- D--ASN ειμι-VF--FMI3P ισος-A1--NPM εκ-P ο- A--GPF κεφαλις-N3D-GPF εις-P συμβλησις-N3--ASF εις-A1A-ASF ουτως-D ποιεω-VF--FAI2S αμφοτεροι-A1A-DPF ο- A--DPF δυο-M---DPF γωνια-N1A-DPF ειμι-V9--PAD3P

25 και-C ειμι-VF--FMI3P οκτω-M στυλος-N2--NPM και-C ο- A--NPF βασις-N3I-NPF αυτος- D--GPM αργυρους-A1C-NPF δεκα-M εξ-M δυο-M βασις-N3I-NPF ο- A--DSM στυλος-N2--DSM ο- A--DSM εις-A3--DSM εις-P αμφοτεροι-A1A-APN ο- A--APN μερος-N3E-APN αυτος- D--GSM και-C δυο-M βασις-N3I-NPF ο- A--DSM στυλος-N2--DSM ο- A--DSM εις-A3--DSM

26 και-C ποιεω-VF--FAI2S μοχλος-N2--APM εκ-P ξυλον-N2N-GPN ασηπτος-A1B-GPN πεντε-M ο- A--DSM εις-A3--DSM στυλος-N2--DSM εκ-P ο- A--GSN εις-A3--GSN μερος-N3E-GSN ο- A--GSF σκηνη-N1--GSF

27 και-C πεντε-M μοχλος-N2--APM ο- A--DSM στυλος-N2--DSM ο- A--DSN κλιτος-N3E-DSN ο- A--GSF σκηνη-N1--GSF ο- A--DSN δευτερος-A1A-DSN και-C πεντε-M μοχλος-N2--APM ο- A--DSM στυλος-N2--DSM ο- A--DSM οπισθιος-A1A-DSM ο- A--DSN κλιτος-N3E-DSN ο- A--GSF σκηνη-N1--GSF ο- A--DSN προς-P θαλασσα-N1S-ASF

28 και-C ο- A--NSM μοχλος-N2--NSM ο- A--NSM μεσος-A1--NSM ανα-P μεσος-A1--ASN ο- A--GPM στυλος-N2--GPM διαικνεομαι-V2--PMD3S απο-P ο- A--GSN εις-A3--GSN κλιτος-N3E-GSN εις-P ο- A--ASN ετερος-A1A-ASN κλιτος-N3E-ASN

29 και-C ο- A--APM στυλος-N2--APM καταχρυσοω-VF--FAI2S χρυσιον-N2N-DSN και-C ο- A--APM δακτυλιος-N2--APM ποιεω-VF--FAI2S χρυσους-A1C-APM εις-P ος- --APM ειςαγω-VF--FAI2S ο- A--APM μοχλος-N2--APM και-C καταχρυσοω-VF--FAI2S ο- A--APM μοχλος-N2--APM χρυσιον-N2N-DSN

30 και-C αναιστημι-VF--FAI2S ο- A--ASF σκηνη-N1--ASF κατα-P ο- A--ASN ειδος-N3E-ASN ο- A--ASN δεικνυω-VK--XMPASN συ- P--DS εν-P ο- A--DSN ορος-N3E-DSN

31 και-C ποιεω-VF--FAI2S καταπετασμα-N3M-ASN εκ-P υακινθος-N2--GSF και-C πορφυρα-N1A-GSF και-C κοκκινος-A1--GSN κλωθω-VT--XMPGSN και-C βυσσος-N2--GSF νηθω-VT--XMPGSF εργον-N2N-ASN υφαντος-A1--ASN ποιεω-VF--FAI2S αυτος- D--ASN χερουβιμ-N---APM

32 και-C επιτιθημι-VF--FAI2S αυτος- D--ASN επι-P τεσσαρες-A3--GPM στυλος-N2--GPM ασηπτος-A1B-GPM χρυσοω-VM--XPPGPM χρυσιον-N2N-DSN και-C ο- A--NPF κεφαλις-N3D-NPF αυτος- D--GPM χρυσους-A1C-NPF και-C ο- A--NPF βασις-N3I-NPF αυτος- D--GPM τεσσαρες-A3--NPF αργυρους-A1C-NPF

33 και-C τιθημι-VF--FAI2S ο- A--ASN καταπετασμα-N3M-ASN επι-P ο- A--APM στυλος-N2--APM και-C ειςφερω-VF--FAI2S εκει-D εσωτερον-P ο- A--GSN καταπετασμα-N3M-GSN ο- A--ASF κιβωτος-N2--ASF ο- A--GSN μαρτυριον-N2N-GSN και-C διαοριζω-VF2-FAI3S ο- A--ASN καταπετασμα-N3M-ASN συ- P--DP ανα-P μεσος-A1--ASN ο- A--GSM αγιος-A1A-GSM και-C ανα-P μεσος-A1--ASN ο- A--GSM αγιος-A1A-GSM ο- A--GPM αγιος-A1A-GPM

34 και-C κατακαλυπτω-VF--FAI2S ο- A--DSN καταπετασμα-N3M-DSN ο- A--ASF κιβωτος-N2--ASF ο- A--GSN μαρτυριον-N2N-GSN εν-P ο- A--DSM αγιος-A1A-DSM ο- A--GPM αγιος-A1A-GPM

35 και-C τιθημι-VF--FAI2S ο- A--ASF τραπεζα-N1S-ASF εξωθεν-D ο- A--GSN καταπετασμα-N3M-GSN και-C ο- A--ASF λυχνια-N1A-ASF απεναντι-P ο- A--GSF τραπεζα-N1S-GSF επι-P μερος-N3E-GSN ο- A--GSF σκηνη-N1--GSF ο- A--ASN προς-P νοτος-N2--ASM και-C ο- A--ASF τραπεζα-N1S-ASF τιθημι-VF--FAI2S επι-P μερος-N3E-GSN ο- A--GSF σκηνη-N1--GSF ο- A--ASN προς-P βορεας-N1T-ASM

36 και-C ποιεω-VF--FAI2S επισπαστρον-N2N-ASN εκ-P υακινθος-N2--GSF και-C πορφυρα-N1A-GSF και-C κοκκινος-A1--GSN κλωθω-VT--XMPGSN και-C βυσσος-N2--GSF κλωθω-VT--XMPGSF εργον-N2N-ASN ποικιλτης-N1M-GSM

37 και-C ποιεω-VF--FAI2S ο- A--DSN καταπετασμα-N3M-DSN πεντε-M στυλος-N2--APM και-C χρυσοω-VF--FAI2S αυτος- D--APM χρυσιον-N2N-DSN και-C ο- A--NPF κεφαλις-N3D-NPF αυτος- D--GPM χρυσους-A1C-NPF και-C χωνευω-VF--FAI2S αυτος- D--DPM πεντε-M βασις-N3I-APF χαλκους-A1C-APF

   

De obras de Swedenborg

 

Apocalypse Explained #277

Estudiar este pasaje

  
/ 1232  
  

277. (Verse 6) And in the midst of the throne, and roundabout the throne, were four animals full of eyes before and behind. That this signifies the guardianship and providence of the Lord to prevent the interior heavens being approached except by the good of love and of charity, that lower things thence depending may be in order, is evident from the signification of in the midst of the throne, as denoting from the Lord; for He who sat upon the throne was the Lord, as may be seen above (n. 268); and from the signification of roundabout the throne as denoting the interior or higher heavens, these being most nearly roundabout the Lord; and from the signification of four animals, which were cherubim, as denoting the Divine guardianship and providence to prevent the interior or higher heavens from being approached except by the good of love and of charity, which will be explained in what follows; and from the signification of eyes, of which they were full, before and behind, as denoting the Divine providence of the Lord; for eyes when said of man signify the understanding, which is his internal sight; but when eyes are said of God, they signify the Divine providence, as may be seen above (n.68, 152). And because eyes there signify the Divine providence of the Lord to prevent the higher heavens from being approached except by the good of love and of charity, therefore those cherubim were seen full of eyes, before and behind. The reason why lower things, which are the lower heavens, and also the church on earth, depend on that providence of the Lord, that they may be in order, is that the influx of the Lord is immediate from Himself, and also mediate through the higher into the lower heavens, and into the church; therefore unless the higher heavens are in order the lower cannot be in order (concerning which influx see The Doctrine of the New Jerusalem 277, 278).

[2] That cherubim are here meant by the four animals is evident in Ezekiel, by whom similar things were seen at the river Chebar, which are described by him in chapters 1 and 10, and in the latter are called cherubim (Ezekiel 10:1, 2, 4-9, 14, 16, 18, 19). Concerning them it is said,

"The cherubim lifted themselves up; these animals which I saw by the river Chebar. These animals that I saw under the God of Israel by the river of Chebar; I understood that they were the cherubim" (10:15, 20).

These four animals which were the cherubim, are thus described by the same prophet:

Near the river of Chebar "appeared the likeness of four animals of which this was the aspect: They had the likeness of a man, and they had each four faces, and they had each of them four wings: This was the likeness of their faces: the four had the face of a man and the face of a lion on the right side, and the four had the face of an ox on the left side, the four also had the face of an eagle. The appearance of them was as burning coals of fire, like the appearance of lamps; it went up and down among the animals, so that the fire was bright, and out of the fire went forth lightning. Over the heads of the animals was an expanse according to the form of a wonderful crystal: over the expanse which was over their head, was the likeness of a throne, as the appearance of a sapphire stone; and upon the likeness of the throne was a likeness as the appearance of a man above upon it; from the appearance of his loins and downwards I saw as it were the appearance of a fire, and it had brightness round about, as the aspect of a rainbow that is in the cloud; this was the appearance of the likeness of the glory of Jehovah" (1:1, 5, 6, 10, 13, 22, 26-28).

By these representatives is described the Divine of the Lord in the higher heavens, and His providence to prevent them from being approached except by the good of love and of charity; and in that description are contained all the things mentioned in this chapter of the Apocalypse concerning the arrangement of the heavens, and they are signified by the throne upon which sat one in appearance like a jasper stone and a sardine; also by the rainbow about the throne, by the lamps of fire burning before the throne, and other things, which it would therefore be needless to explain, particularly in this place.

[3] It shall now only be shown that by cherubim in the Word are signified the guardianship and providence of the Lord, to prevent the higher heavens from being approached except by the good of love and of charity, that lower things may be in order. This is clearly manifest from the account of the cherubim placed before the garden of Eden, when man was driven out; concerning which it is thus written in Moses:

"When" Jehovah God "had driven out the man, he made cherubim to dwell on the east of Eden, and a flame of a sword turning itself every way, to keep the way of the tree of life" (Genesis 3:24).

What is meant by the man and his wife in these chapters may be seen explained in Arcana Coelestia, namely, that by the man is there meant the Most Ancient Church, which was a celestial church; and a celestial is distinguished from a spiritual church in this, that the former is in the good of love to the Lord, but the latter is in the good of charity towards the neighbour, as may be seen in the work, Heaven and Hell 20-28).

From the men who constitute those two churches on earth the two higher heavens are formed; when, therefore, the celestial church, which was the most ancient and primary church on this earth, declined and began to recede from the good of love, then it is said that cherubim were made to dwell on the east of the garden of Eden, and a flame of a sword which turned itself every way, to guard the way of the tree of life. By the east of Eden is signified where the good of celestial love enters; and by the flame of a sword which turned itself every way is signified truth from that good defending; and by the tree of life is signified the Divine which is from the Lord in the higher heavens, which is the good of love and charity, and heavenly joy therefrom. Hence it is evident that by cherubim are signified guards to prevent those heavens being approached except by the good of love and of charity; and on this account it is also said, "to guard the way of the tree of life." (That the east signifies the good of love, may be seen in Arcana Coelestia 1250, 3708; that Eden signifies wisdom therefrom, n. 99, 100; that sword signifies truth fighting against falsity and dispersing it, thus truth defending [see above], n. 73, 131; that flame signifies truth from celestial good, n. 3222, 6832, 9570; that the tree of life signifies the good of love from the Lord and heavenly joy therefrom, may be seen above, n. 109, 110).

[4] On account of this signification of cherubim there were two made of solid gold placed upon the propitiatory upon the ark, concerning which it is thus written in Moses:

"Thou shalt make cherubim, of solid gold shalt thou make them, from the two extremities of the propitiatory; from the propitiatory thou shalt make the cherubs, and let the cherubim be expanding their wings upward, covering with their wings the propitiatory; towards the propitiatory shall be the faces of the cherubim, and thou shalt put the propitiatory upon the ark. I will meet thee there, and I will speak with thee between the two cherubim" (Exodus 25:18-22; 37:7-9).

By the ark and the tabernacle were represented the higher heavens; by the ark, in which was the testimony, or the law, was represented the inmost or third heaven; by the habitation which was without the veil, the middle or second heaven; by the propitiatory, hearing and reception of all things of worship which are from the good of love and of charity; by the cherubim were signified guards, and by the gold of which they were made, the good of love. It is therefore also evident that the two cherubim represented guards to prevent the higher heavens from being approached, except by the good of love and of charity. (That by the tabernacle in general was represented heaven, where the Lord is, may be seen in Arcana Coelestia 9457, 9481, 10545; by the ark, the inmost or third heaven, n. 3478, 9485; by the testimony or the law in the ark, the Lord as to the Word, n. 3382, 6752, 7463; by the habitation which was without the veil, the middle or second heaven, n. 3478, 9457, 9481, 9485, 9594, 9596, 9632; by the propitiatory, the hearing and reception of all things of worship which are from the good of love and of charity from the , n. 9506, and by gold, the good of love, n. 113, 1551, 1552, 5658, 6914, 6917, 9510, 9874, 9881).

[5] And because by the cherubim were signified guards, therefore also, there were cherubim upon the curtains of the habitation, and upon the veil (Exodus 26:1, 31).

And it was for the same reason that Solomon made, in the oracle of the temple, cherubim of olive wood, and set them in the midst of the inner house, and overlaid them with gold, and engraved all the walls of the house round about with figures of cherubim, and palm trees, and open flowers, and that he ornamented the two doors in the same manner (1 Kings 6:23-29, 32-35).

By the temple also was signified heaven and the church, and by its oracle, the inmost of heaven and of the church; by the olive wood of which the cherubim were made was signified the good of love, and similarly by the gold with which they were overlaid. By the walls upon which the cherubim were engraved were signified the ultimates of heaven and of the church, and the cherubim there signified guards. By the doors, upon which also were cherubim, was signified entrance into heaven and the church. It is therefore evident that these cherubim signified guards to prevent heaven from being approached except by the good of love and of charity; and because of this signification of cherubim, they also signify the Divine providence of the Lord, for those guards are from the Lord and are His Divine providence. (That the temple and house of God signify heaven and the church may be seen above, n. 220; hence the oracle signifies their inmost. That olive wood signifies the good of love, may be seen in Arcana Coelestia 886, 3728, 4582, 9780, 9954, 10261, and likewise the gold, see above, n. 242. That doors signify approach and admission may be seen also above, n. 248).

[6] Similarly, the new temple is described as ornamented with cherubim; concerning which it is thus written in Ezekiel:

"Cherubim and palm trees were made, so that a palm tree was between a cherub and a cherub; thus was it done to all the house round about; from the ground unto above the door were cherubim and palm trees made, and the wall of the temple" (41:18-20).

The palm signifies spiritual good, which is the good of charity (as may be seen, Arcana Coelestia. n. 8369).

[7] Because the Divine truth from the Divine good is that which protects, therefore the king of Tyre is called a cherub; for by king is signified Divine truth, and by Tyre are meant knowledges (cognitiones); and hence by the king of Tyre is signified intelligence, concerning which it is thus written in Ezekiel:

King of Tyre, "thou hast been in Eden the garden of God; every precious stone was thy covering. Thou cherub, the spreading out of one that protects; I have placed thee in the mount of holiness of God; thou hast walked in the midst of the stones of fire. Thou wast perfect in thy ways in the day that thou wast created" (Ezekiel 28:13-15).

(That by a king is signified Divine truth, may be seen above, n. 31, and by Tyre knowledges, in Arcana Coelestia 1201. That by precious stones are signified the truths and goods of heaven and of the church, see n. 9863, 9865, 9868, 9873, 9905, which are called stones of fire, because fire signifies the good of love, as may be seen, n. 934, 4906, 5215, 6314, 6832). Because the king of Tyre signifies intelligence from Divine truth, and this guards or protects, therefore the king of Tyre is called the cherub, the spreading out of one that protects.

[8] Because the higher heavens cannot be approached except by means of the good of love and of charity, that is, cannot be approached by worship and by prayers unless they proceed from that good, therefore the Lord communed with Moses and Aaron, when they entered the habitation, between the two cherubim that were upon the ark (Exodus 25:22); as also is evident in Moses:

"When Moses entered into the tent of assembly he heard a voice speaking unto him from over the propitiatory that was upon the ark of the testimony, from between the two cherubim " (Num. 7:89).

Because it is the Divine proceeding from the Lord which provides and guards, therefore it is said of the Lord,

That He sitteth upon the cherubim, as in Isaiah 37:16; Psa. 18:10; 80:1; 99:1; 1 Sam. 4:4; 2 Sam. 6:2.

[9] Because the subject treated of in this chapter is the arrangement of all things for judgment therefore also the cherubim are here treated of, that the guardianship and providence of the Lord that the higher heavens may not be approached except by means of the good of love and of charity; for unless this had been done before the Judgment, the very heavens themselves, in which were the true angels, would have been endangered, because those heavens which were about to perish (concerning which see Apoc. 21:1) were not in the good of love and charity, but only in some truths. For there were there those from the Christian world who were in the doctrine of faith alone, which some had confirmed from a few passages of the Word, and by that means had obtained some kind of conjunction with the ultimate heaven; but this conjunction was broken when that heaven, which is called the former heaven, had passed away. It was then ordained by the Lord, that hereafter no one should be conjoined with the heavens unless he be in the good of love to the Lord and in charity towards the neighbour; this is what is specifically meant by the things that now follow in this chapter. Whoever, therefore, believes that the heavens can hereafter be approached by the worship and by the prayers of those who are in faith alone and not also in the good of charity, is much deceived. The worship of these is no longer received, nor are their prayers heard, but the love of their life alone is regarded. Wherefore if the love of self and of the world reign, in whatever external worship they may have been, they are conjoined to the hells, and are also borne thither after death, and not in the first place to some heaven that is about to perish, as was previously the case.

  
/ 1232  
  

Translation by Isaiah Tansley. Many thanks to the Swedenborg Society for the permission to use this translation.

De obras de Swedenborg

 

Arcana Coelestia #9942

Estudiar este pasaje

  
/ 10837  
  

9942. 'And you shall weave the tunic in checker work of fine linen' means the inmost things of the spiritual kingdom, emanating from the truths of celestial love. This is clear from the meaning of Aaron's garments in general as the spiritual kingdom lying adjacent to the celestial kingdom, dealt with in 9814, and since the tunic was the inmost of those garments the inmost things of that kingdom are meant by it (for the meaning of 'Aaron's tunic' as Divine Truth in the spiritual kingdom, emanating directly from the Divine Celestial, see 9826); and from the meaning of 'fine linen' as truth from a celestial origin, dealt with in 9469. In the words stating that the tunic should be woven in checker work something produced by a weaver should be understood by 'checker work'; and by 'the work of a weaver' is meant that which is from the celestial, 9915. The same word is used in the original language to express the idea of producing checker work as is used to mean weaving.

[2] The fact that this tunic was woven, or was made from the work of a weaver, is clear from the following words in the Book of Exodus,

They made the tunics of fine linen, the work of a weaver, for Aaron and his sons. Exodus 39:27.

The reason why the tunic consisted of checker work or was woven from fine linen was in order that it might represent that which emanates directly from the celestial; in comparison it resembles a continuation from it. For what emanates from the celestial is akin to what does so from the will part of a person's mind, in that everything which belongs to a person's understanding emanates from that will part. What emanates from the will part and exists more internally is so to speak continuous from it, in contrast to what does so but exists more externally. Therefore that more internal emanation from the will has primarily the affection for truth within it; for all affection belonging to love that is present in the understanding flows in from its will part. A similar situation exists in the heavens, where the celestial kingdom corresponds to the will part of a person's mind, and the spiritual kingdom to the understanding part, see 9835. And since Aaron's garments represented the Lord's spiritual kingdom lying adjacent to His celestial kingdom, 9814, the tunic represented that which is inmost there, namely that which emanates from and exists closest to the celestial kingdom; for the tunic was the inmost garment. From this it is evident why it was woven or made of checker work, and why it was made from fine linen. For 'woven' means that which originates in the will part or the celestial, 9915, and 'fine linen' means truth that springs from celestial love, 9469.

[3] What is spiritual emanating from what is celestial is also meant in other places in the Word by tunics, for example by the tunics of skin which Jehovah God is said to have made for the man and his wife after they ate from the tree of knowledge, Genesis 3:20-21. No one can know that truth from a celestial origin is meant by those 'tunics' unless the inner meaning of the details of that story is unfolded; therefore it must be explained. 'The man and his wife' there is used to mean the celestial Church, 'the man' as the husband to mean that Church in respect of good, and 'his wife' that Church in respect of truth; this truth and that good were the celestial Church's truth and good. But then came the fall of that Church, which was brought about by reasonings, based on factual knowledge, about God's truths, meant in the internal sense by 'the serpent' who persuaded them. The first state after the fall of that Church is what is described here, its truth by 'the tunics of skin'.

[4] It should be remembered that the creation of heaven and earth in the first chapter of Genesis means and describes in the internal sense the new creation or regeneration of the member of the Church then, thus the establishment of the celestial Church; that paradise means and describes the wisdom and intelligence of that Church, and eating from the tree of knowledge its fall, brought about by their reasoning, based on factual knowledge, about Divine matters. For more which demonstrates that all this is so, see what has been shown regarding these matters in the explanations to those chapters. For all the narratives contained in the early chapters of Genesis are made-up history, in the internal sense of which there are Divine matters regarding the new creation or the regeneration of the member of the celestial Church, as has been stated. This was the customary way of writing in most ancient times, not only among those who belonged to the Church but also among those outside the Church, for example among the Arabians, Syrians, and Greeks, as is evident from the books of those times, both sacred and secular.

[5] It was in imitation of those books, since he derived it from them, that Solomon composed the Song of Songs, a book that is not a sacred one because it does not inwardly contain heavenly and Divine matters forming a continuous train of thought, such as sacred books contain. The Book of Job too is a book of the Ancient Church. Mention is also made in Moses of sacred books of the Ancient Church which have now been lost, in Numbers 21:14-15, 27ff, the historical sections of which were called The Wars of Jehovah and the prophetical parts The Utterances, see 2686, 2897. The fact that such was the style in the historical narratives of the sections called The Wars of Jehovah is evident from the parts of them which were extracted and quoted by Moses. Their historical narratives were therefore such as came near to a kind of prophetic style, the kind that would allow young children and also simple people to retain things in their memory. The fact that the books referred to in Numbers 21 were sacred is evident from the parts of them extant in verses 28-30 of that chapter, when compared with Jeremiah 48:45-46, where similar words occur. This kind of style was the most common, virtually the one and only style adopted among those who were outside the Church, as is plain from the myths and legends of those writers who were outside the Church which held within them notions of right and wrong or such as have to do with what people feel and how they conduct their life.

[6] In the narratives consisting not of made-up but of genuine history - which are those that appear in the Books of Moses after the chapters of made-up history, and also those in the Books of Joshua, Judges, Samuel, and Kings - spiritual truth and good of truth emanating from celestial truth and good are again meant by 'tunics'. (It should be remembered that spiritual truth and good is the kind of truth and good that spiritual angels in the middle or second heaven enjoy, but that celestial truth and good is the truth and good such as angels in the third and inmost heaven enjoy, see the places referred to in 9277.) The Books of Moses mention that Israel the father of Joseph gave his son a tunic of various colours, and that because of that tunic his brothers were annoyed; and that subsequently they stripped him of it, dipped it in blood, and sent it in that condition to their father, Genesis 37:3, 23, 31-33. All this was part of genuine history; and since it in like manner contained inwardly or in its internal sense the holy things of heaven and the Church, thus those that were Divine, that tunic of various colours served to mean the state of the good and truth which Joseph was to represent, namely the state of spiritual truth and good emanating from the celestial, see 3971, 4286, 4592, 4963, 5249, 5307, 5584, 5869, 5877, 6417, 6526, 9671. For all the sons of Jacob represented things such as belong to heaven and the Church in their proper order, 3858, 3926, 4060, 4603 and subsequent paragraphs, 6335, 6337, 6397, 6640, 7836, 7891, 7996. But in the chapter referred to above they represented the opposite.

[7] Since all things that are in the books of the Word are representative of and serve to mean Divine celestial and spiritual realities, both those things in the historical books and those in the prophetical books, the affection for spiritual truth is described in David by 'the king's daughter' and the actual truth by her garments,

Daughters of kings are among your precious ones; at your right hand stands the queen in the finest gold of Ophir. The daughter of Tyre will bring an offering, the rich of the people will entreat your face. All glorious is the king's daughter within, from woven threads (or checker work) of gold will her vesture (her tunic) be; in an embroidered [robe] she will be led to the king. Psalms 45:9ff.

'Daughter' in general means the affection for spiritual truth and good, and so means the Church as well, see 2362, 3024, 3963, 9055 (end); and 'king', when this refers to the Lord, means Divine Truth, 2015, 2069, 3009, 4581, 4966, 5068, 6148. From this it is evident that everything mentioned in that Psalm regarding 'the king's daughter' means such things as belong to the affection for truth and good received from the Lord in the Church. When it says that 'the daughter of Tyre will bring an offering' cognitions or knowledge of good and truth are meant, 'Tyre' meaning these, see 1201. The like is meant by 'the rich of the people', for nothing other than cognitions of good and truth is meant in the spiritual sense by 'riches', 1694, 4508. From this it is evident what the meaning is of the declaration that the king's daughter is 'all glorious within', and that her vesture was made 'from woven threads of gold'. By 'her vesture' a tunic should be understood, as is evident from the meaning that word has in the original language; for the word in that language means a garment worn next to the body. The fact that a tunic is meant is clear in John 19:24, where reference is made to the Lord's tunic, which David in Psalms 22:18 calls by the same word 'vesture'. It is also clear in 2 Samuel 13:18, where it says that the king's daughters were clothed with tunics of various colours; this matter is dealt with just below. By 'woven threads of gold' in David something similar is meant to what is meant by the checker work of Aaron's tunic, the same term being used in the original language. As regards what 'an embroidered [robe]' is in which she will be led to the king, see 9688.

[8] Since the king's daughter and her vesture or tunic served to represent such things, a king's daughters at that time wore that kind of clothing, as is clear in the second Book of Samuel,

On Tamar there was a tunic of various colours, for daughters of the king wore such clothes. 2 Samuel 13:18.

[9] Since, then, spiritual forms of good and truths were represented by tunics it may be seen what it is that Aaron's 'tunic' means, and also what is meant by his sons' tunics, mentioned in the next verse of this chapter, which says that for Aaron's sons they were to make tunics, belts, and headdresses, for glorious adornment. And since their tunics served to represent those holy forms of good and truths, it was declared that Aaron's sons Nadab and Abihu, who were devoured by fire from heaven because they were offering incense on foreign 1 fire, should be taken outside the camp in their tunics, Leviticus 10:1-5. For 'foreign fire' means love from a source other than what is heavenly, since 'sacred fire' in the Word denotes love that is heavenly or Divine, 6832, 6834, 6849, 7324, 9434. Because of what his sons had done spiritual forms of good and truths, meant by their 'tunics', had been defiled, and this was why they were taken outside the camp in their tunics.

[10] 'Tunic' is used with a similar meaning in Micah,

My people have taken a stand as an enemy on account of the garment; you strip the tunic from those confidently passing through. Micah 2:8.

Here a different word is used in the original language for 'tunic'; even so spiritual truth and good is meant. 'Stripping the tunic from those passing through in confidence' means depriving of their spiritual truths those who lead a life of simple goodness. 'Having [them] as enemy on account of the garment' means doing ill to them on account of the truth they think, when in fact no one ought to suffer harm on account of whatever he believes to be true, provided that he is governed by good, 1798, 1799, 1834, 1844.

[11] From all this it may now be seen what 'tunic' means in Matthew,

Jesus said, You shall not swear at all, neither by heaven, nor by the earth, nor by Jerusalem, nor by [your] head. Let your words be, Yes, yes; No, no; anything beyond this is from evil. 2 If anyone wishes to drag you to court and take away your tunic, let him have your cloak also. Matthew 5:34-37, 40.

Anyone unacquainted with what the angelic state is like in the Lord's celestial kingdom cannot have any idea at all of what these the Lord's words imply. For they refer to the state of goodness and truth with those who are in the Lord's celestial kingdom, with whom all truth resides within, imprinted on their hearts. For the good of love to the Lord leads them to know all truth, so completely that they never engage in any reasoning about it, as those in the spiritual kingdom do. Therefore whenever truths are referred to they say simply, Yes, yes; or, No, no. Nor indeed in that kingdom do they even make mention of faith. Regarding the state of these angels, see the places referred to in 9277. From this it is now evident what the meaning is of the command that they must not swear at all; for 'swearing' means confirming truths, 3375, 9166, which is done in the spiritual kingdom by the use of reason and factual knowledge drawn from the Word. 'Dragging to court and wishing to take away the tunic' means arguing about truths and wishing to convince others that something is not true, 'tunic' meaning truth from a celestial origin; for [those who are celestial] leave every one with the truth he has and do not go on to reason with him.

[12] 'Tunic' again means truth from a celestial origin elsewhere in Matthew,

Jesus sent the twelve to preach the kingdom of heaven, saying, that they should not possess gold, or silver, or bronze in their belts, nor a bag for the road, nor two tunics, or [pairs of] shoes, or rods. Matthew 10:9-10.

All this served to represent that those with forms of good and truths received from the Lord possess no good or truth at all that originates in themselves, but that every truth and form of good they have comes from the Lord. The twelve disciples represented all whose forms of good and truths come from the Lord, and in the abstract sense represented all forms of the good of love and all truths of faith derived from the Lord, 3488, 3858 (end), 6397. Forms of good and truths that originate in the self and not in the Lord are meant by 'possessing gold, silver, and bronze in their belts' and by 'a bag'. But truths and forms of good coming from the Lord are meant by 'tunic, shoe, and rod', inner truth or truth from a celestial origin by 'tunic', outer truth or truth in the natural by 'shoe', 1748, 6844, and the power of truth by 'rod', 4876, 4936, 6947, 7011, 7026. By 'two tunics' however, 'two [pairs of] shoes, and two rods' are meant truths and their powers that originate both in the Lord and in the self. The fact that they were allowed to have one tunic, one pair of shoes, and one rod is clear in Mark 6:8-9, and Luke 9:2-3.

[13] Once it is known from all this what 'a tunic' means it is evident what 'the Lord's tunic' referred to in John means,

They took the garments and made four parts, a part for each soldier, and the tunic. And the tunic was without seam, woven from the top throughout. They said, Do not let us divide it, but let us cast lots for it, whose it may be - so that the Scripture might be fulfilled, saying, They divided My garments for themselves, and for My tunic they cast lots. The soldiers did these things. John 19:23-24; Psalms 22:18.

Is there anyone, thinking with reason that is to some extent enlightened, who cannot see that in all this Divine things were meant, and that if this had not been so none of it would have been prophesied in David? Yet no one can know what is meant without the internal sense, thus without knowledge gained from that sense no one can know what is meant by 'the garments', 'casting lots for' or 'dividing them', 'the tunic' and its being 'without seam' or 'woven from the top throughout', and 'the soldiers'. From the internal sense it is evident that truths are meant by 'garments', and Divine Truths by 'the Lord's garments'; 'casting lots for' and 'dividing them' pulling apart and dispersing them, 9093; and 'the tunic' Divine Truth on the spiritual level, emanating from the Divine Celestial, the same as is meant by 'Aaron's tunic' since Aaron represented the Lord, for which reason also its being 'without seam' or 'woven from the top throughout' has the same meaning as 'checkered' or 'woven', which describes Aaron's tunic. The tunic's not being divided was a sign that Divine Truth on the spiritual level, emanating directly from Divine Truth on the celestial level, could not be dispersed, because this truth is the inner truth of the Word, such as exists with angels in heaven.

[14] When it says that 'the soldiers did it' the meaning is that it was done by those who ought to have been fighting for truths, that is, the Jews themselves with whom the Word existed, but whose characters were nevertheless such that they would disperse it. For they had the Word, yet nevertheless did not wish to know from it that the Lord was the Messiah and Son of God who was to come. Nor did they wish to know anything of the inner meaning of the Word, only the outward, which they also drafted to serve their own loves, which were self-love and love of the world, and so to support their desires gushing out of those loves. These things are meant by dividing up the Lord's garments; for whatever they did to the Lord represented the state of Divine Truth and Good among them then, thus the way they treated God's truths was similar to that in which they were treating Him; for while in the world the Lord was Divine Truth itself, see the places referred to in 9199 (end), 9315 (end).

Notas a pie de página:

1. i.e. unauthorized or profane fire

2. or from the evil one

  
/ 10837  
  

Thanks to the Swedenborg Society for the permission to use this translation.