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Revelation 6:2

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2 And I saw, and behold a white horse: and he that sat on him had a bow; and a crown was given unto him: and he went forth conquering, and to conquer.

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The Meaning of the Book of Revelation: the Four Horsemen

Por Jonathan S. Rose, Curtis Childs

Transparency is needed to sort things out. Before big change happens, God first reveals what’s really going on.

In the Book of Revelation - the last book of the Word - the apostle John describes a series of apocalyptic visions that he experienced during his exile on the Isle of Patmos, in the Aegean Sea.

In one of these visions, he saw four horsemen, the first riding a white horse, the second a red horse, the third a black, and the fourth - named Death - riding a pale horse. These "Four Horsemen of the Apocalypse" - oft-pictured - are described in Revelation 6:1-8.

What do these horses, and their riders, represent? What do they have to do with us, today? Watch as Curtis Childs and Jonathan Rose explore the hidden Bible meaning of the Four Horsemen in the Book of Revelation, in this video from the Swedenborg and Life Series, from the Swedenborg Foundation.

Plus, to go straight to the source, follow the links below to the places in "Apocalypse Revealed" where Swedenborg explained the inner meaning of this famous Bible story. A good place to start would be Apocalypse Revealed 298.

(Referencias: Apocalypse Explained 315; Apocalypse Revealed 262-263, 301, 306, 314, 316, 320, 322-323)

Tocar Video
This video is a product of the Swedenborg Foundation. Follow these links for further information and other videos: www.youtube.com/user/offTheLeftEye and www.swedenborg.com

De obras de Swedenborg

 

Arcana Coelestia #8760

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8760. 'And Moses went up to God' means the truth from God which was below heaven joining itself to Divine Truth in heaven. This is clear from the representation of 'Moses' as the truth from God, dealt with in 6771, 6827, 7014, at this point the truth from God which was below heaven, since he now represents the children of Israel as their head, and so represents those belonging to the spiritual Church not yet in heaven because they are not as yet governed by good formed from truths, 8753, 8754; and from the meaning of 'going up' as joining oneself to, for someone who goes up to the Divine joins himself to Him, even as the words 'going up into heaven' mean man's being joined to the Lord, and the words 'coming down from heaven' mean His being joined to man. Divine Truth in heaven, to which the other was joined, is what 'God' is used to mean; for in the Word the Lord is called 'God' by virtue of Divine Truth, and Jehovah' by virtue of Divine Good, 2586, 2769, 2807, 2822, 3921 (end), 4402, 7010, 7268, 7873, 8301. And since the joining of Divine Truth to Divine Good is the subject here, this verse first says 'God', then 'Jehovah' just after, in these words, And Moses went up to God, and Jehovah called to him from the mountain.

[2] The expression Divine Truth in heaven is used, and then Divine Good in heaven, because the Divine Himself is far above the heavens; not only Divine Goodness itself is far above them but also Divine Truth itself which goes forth directly from Divine Good. The reason why they are far above heaven is that in Himself the Divine is the Infinite, and the Infinite cannot be joined to finite beings, thus not even to angels in heaven, unless He puts on some finite clothing and in that way adapts Himself for reception. Also Divine Good as it exists in itself is a flame of infinite intensity or love, a flame which no angel in heaven can bear; for he would be devoured by it, as a person in the world would be if the flame of the sun were to reach him without anything between them to moderate it. The light also from the flame of God's love, which is Divine Truth, would blind all who are in heaven if it were to flow in without abatement of its fiery brightness. All this goes to show what the difference is between Divine Good and Divine Truth that are above the heavens and Divine Good and Divine Truth in the heavens, which are the subject here.

  
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Thanks to the Swedenborg Society for the permission to use this translation.