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2 Mosebok 21

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1 Dette er de lover som du skal legge frem for dem:

2 Når du kjøper en hebraisk træl, skal han tjene i seks år; men i det syvende skal han gis fri uten vederlag.

3 Dersom han kommer enslig, da skal han gå enslig bort; dersom han er gift mann, da skal hans hustru gå bort med ham.

4 Dersom hans herre gir ham en hustru, og hun føder ham sønner eller døtre, da skal hustruen og barna høre hennes herre til, og han skal gå enslig bort.

5 Men dersom trælen sier: Jeg holder av min herre, min hustru og mine barn, jeg vil ikke være fri og gå bort,

6 da skal hans herre føre ham frem for Gud* og stille ham ved døren eller ved dørstolpen, og hans herre skal stikke en syl gjennem hans øre, og han skal tjene ham all sin tid. / {* d.e. de av Gud innsatte dommere.}

7 Når nogen selger sin datter til trælkvinne, da skal hun ikke gis fri som trælene.

8 Dersom hun mishager sin herre, som hadde utsett henne for sig selv, da skal han la henne få kjøpe sig fri; til et fremmed folk skal han ikke ha rett til å selge henne, siden han har vært troløs mot henne.

9 Men dersom han utser henne for sin sønn, da skal han unne henne døtres rett.

10 Dersom han lar ham få en annen foruten henne, da skal han ikke avkorte noget i hennes kost, klær eller ekteskapsrett.

11 Men dersom han ikke lar henne få disse tre ting, da skal hun gis fri for intet, uten vederlag.

12 Den som slår et menneske så det dør, han skal visselig late livet.

13 Men hvis han ikke har stått ham efter livet, men det er Gud som har latt ham komme ut for hans hånd, da vil jeg sette dig et fristed som han kan ty til.

14 Men om nogen bærer sig så formastelig at, at han dreper sin næste med svik, da skal du ta ham om det så var fra mitt alter: han skal .

15 Den som slår sin far eller sin mor, skal visselig late livet.

16 Den som stjeler et menneske og selger ham eller holder ham fanget, skal visselig late livet.

17 Den som banner sin far eller sin mor, skal visselig late livet.

18 Når menn kommer i trette, og den ene slår den andre med en sten eller med neven, og han ikke dør, men blir sengeliggende -

19 dersom han da kommer op igjen og går ute med stav, da skal den som slo, være fri for straff; men han skal gi ham vederlag for den tid han har tapt, og koste full lægedom på ham.

20 Når nogen slår sin træl eller trælkvinne med en stokk så de dør under hans hånd, da skal han straffes for det.

21 Men dersom de blir i live én eller to dager, skal han ikke straffes; de er jo hans eiendom.

22 Når menn kommer i slagsmål med hverandre og støter til en fruktsommelig kvinne, så hun føder i utide, men ellers ingen ulykke skjer, så skal den som gjorde det, gi den bot som kvinnens mann pålegger ham; han skal gi efter dommeres skjønn.

23 Men dersom det skjer en ulykke, da skal du gi liv for liv,

24 øie for øie, tann for tann, hånd for hånd, fot for fot,

25 brent for brent, sår for sår, skramme for skramme.

26 Når nogen slår sin træl eller trælkvinne i øiet og forderver det, da skal han gi dem fri til vederlag for øiet.

27 Og dersom han slår ut en tann på sin træl eller trælkvinne, da skal han gi dem fri til vederlag for tannen.

28 Om en okse stanger mann eller kvinne så de dør, da skal oksen stenes, og dens kjøtt skal ikke etes; men oksens eier skal være fri for straff.

29 Men dersom det er en okse som før har pleid å stange, og dens eier er advart, men ikke passer på den, og den dreper mann eller kvinne, da skal oksen stenes, og dens eier skal også lide døden.

30 Men dersom bøter pålegges ham, da skal han gi så meget i løsepenger for sitt liv som det blir ham pålagt.

31 Er det en gutt eller pike den stanger, skal det gjøres med ham efter denne lov.

32 Dersom oksen stanger en træl eller en trælkvinne, da skal eieren bøte tretti sekel sølv til deres herre; og oksen skal stenes.

33 Når nogen lar en brønn stå åpen eller graver en brønn og ikke dekker den til, og det faller en okse eller et asen i den,

34 da skal brønnens eier godtgjøre det; han skal gi dyrets eier penger i vederlag, men det døde dyr skal være hans.

35 Når en manns okse stanger en annen manns okse ihjel, da skal de selge den levende okse og dele pengene for den, og det døde dyr skal de også dele.

36 Men er det vitterlig at det er en okse som før har pleid å stange, og dens eier ikke passer på den, da skal han gi en annen okse isteden, men det døde dyr skal være hans.

   

Iz Swedenborgovih djela

 

Arcana Coelestia #9065

Proučite ovaj odlomak

  
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9065. 'And when an ox strikes a man or a woman with its horn' means if an affection for evil in the natural injures the truth or the good of faith. This is clear from the meaning of 'striking with the horn' as injuring, for 'the horn' means the power of falsity arising from evil, 2832, and 'striking' means injuring; from the meaning of 'an ox' as an affection for good in the natural, dealt with in 2180, 2566, 2781, 2830, 5913, 8937, and therefore in the contrary sense as an affection for evil in the natural; from the meaning of 'a man' as the truth of faith, dealt with in 9034; and from the meaning of 'a woman' as the good of faith, dealt with in 4823, 6014, 8337.

  
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Thanks to the Swedenborg Society for the permission to use this translation.

Iz Swedenborgovih djela

 

Arcana Coelestia #8337

Proučite ovaj odlomak

  
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8337. 'And Miriam the prophetess, Aaron's sister, took a timbrel in her hand' means ascribing glory to the Lord from the good of faith. This is clear from the representation of 'Miriam' as the good of faith, for 'Moses' represents the truth of faith that goes forth directly from the Lord, thus inward truth, whereas 'Aaron' represents the truth of faith that goes forth from the Lord in an indirect way, thus outward truth, 7009, 7089, 7382, so that 'Miriam' is the good of faith which goes forth in an indirect way from the Lord, for when 'men' represent truth, 'their womenfolk' represent good, 6014 (since Miriam along with the women represents external good she is in addition referred to as 'Aaron's sister', though she is not called Moses' sister, the relation between good and truth being like that of sister and brother, 3160. But it should be remembered that 'women' represent good and 'men' truth when the spiritual Church is the subject, whereas 'women' represent truth and 'men' good when the celestial Church is the subject, 4823); from the meaning of 'the prophetess' as one who teaches, dealt with in 2534, 7269, at this point one who joins in praising the Lord, or what amounts to the same thing, one who ascribes glory to Him from the good of faith, since she sang to Jehovah, as Moses and the men of Israel had done (for the meaning of 'singing' as ascribing glory, see 8261, 8263, 8267); and from the meaning of 'taking a timbrel in one's hand' as ascribing glory from the good of faith, since 'a timbrel' has reference to spiritual good, or what amounts to the same thing, to the good of faith, 4138.

[2] In former times many types of musical instruments were used when God was worshipped, but with much discrimination. In general wind instruments were used to express affections for good, and stringed instruments affections for truth; and the origin of this was the correspondence of every sound to the affections. It is well known that some types of musical instruments are used to express one kind of natural affections and other types to express another kind, and that when a fitting melody is played they in actual fact stir the affections. Skilled musicians know all about this and also make proper use of it. The reason for it lies in the very nature of sound, and its accord with the affections. Mankind at first learned about it not from science and art but through the ear and its keen sense of hearing. From this it is plain that the ability does not have its origin in the natural world but in the spiritual world; it, springs from the correspondence of things in the natural world - which flow into it in accordance with true order - with realities in the spiritual world. Harmonious sound and various forms it takes correspond to states of joy and gladness in the spiritual world, and states of joy and gladness there spring from affections, which in that world are affections for what is good and true. From this one may now recognize that musical instruments correspond to delights and pleasures belonging to spiritual and celestial affections, and that some instruments correspond to celestial affections, others to spiritual ones; see what has been stated and shown about them previously in 418-420, 4138.

[3] As regards 'a timbrel' in particular, this corresponds to spiritual good, that is, to the good of truth. This is because a timbrel is neither a stringed nor a wind instrument but, being made of skin, is an instrument of one continuous string so to speak; and it is also because it has a heavier and deeper sound than that made by stringed instruments. This may also be recognized from the Word, in places in which 'a timbrel' is mentioned, as in Isaiah,

The joy of timbrels will cease, the noise of merry ones will cease, the joy of the harp will cease. Isaiah 24:8.

'The joy of timbrels' stands for delights that belong to affections for the good of faith; 'the joy of the harp' stands for delight that belongs to an affection for the truth of faith.

In Jeremiah,

Again I will build you, that you may be built, O virgin of Israel! Again you will adorn your timbrels, 1 and will go forth in the dance of the merrymakers. Jeremiah 31:4.

'Adorning timbrels' stands for ascribing glory to God from spiritual good, for it refers to the spiritual Church, meant by 'the virgin of Israel'.

[4] Similarly in Ezekiel,

You were in Eden, the garden of God. The workmanship of your timbrels and your pipes was within you; on the day you were created they were prepared. Ezekiel 28:13.

This refers to Tyre, by which cognitions or knowledge of good and of truth are meant, 'timbrels' meaning affections for the former and 'pipes' feelings of joy in the latter.

In David,

They have seen Your goings, O God, the goings of my God, my King, in the sanctuary. The singers went before, players [of stringed instruments] after, in the midst of the virgins playing timbrels. Psalms 68:24-25.

In the same author,

Shout to the God of Jacob; raise a song, and sound the timbrel, the delightful harp with the lyre. Psalms 81:1-2.

In the same author,

Sing to Jehovah a new song; let them praise His name in dancing, with timbrel and harp let them make melody to Him. Psalms 149:1, 3.

Here 'praising with timbrel' stands for ascribing glory from the feeling of delight that belongs to an affection for the good of faith, and 'praising with harp' for the pleasant feeling that belongs to an affection for the truth of faith.

[5] In the same author,

Praise God with timbrel and dance; praise Him with stringed instruments and organ praise Him with sounding cymbals 2 ; praise Him with clanging cymbals. 3 Psalms 150:3-5

'Praising with timbrel and dance' stands for doing so from the good and truth of faith; 'on stringed instruments and organ' stands for doing so from truths and consequently from good. Since all instruments corresponded to and were signs of the delights and pleasant feelings that belong to spiritual and celestial affections a large number of the Psalms of David have titles indicating how they were to be accompanied, such as On Neginoth, On the Nehiloth, On the Octave, 4 Shiggaion, the Gittith Muthlabben, the Sheminith, Shoshannim, or Mahalath.

Bilješke:

1. The Latin here and in 153, 1069:2, 3081:4 means literally will adorn your timbrels, but the Hebrew is generally taken to mean adorn yourself with timbrels.

2. lit. cymbals of sound

3. lit. cymbals of clangour

4. The Hebrew means On the Sheminith.

  
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Thanks to the Swedenborg Society for the permission to use this translation.