Bibliorum

 

Exodus 21

Study

   

1 Ja need on seadused, mis sa pead panema nende ette:

2 kui sa ostad sulaseks heebrealase, siis ta teenigu kuus aastat, aga seitsmendal saagu ta vabaks lunamaksuta.

3 Kui ta tuli üksinda, mingu ta ka üksinda; kui ta oli naisemees, mingu naine koos temaga.

4 Kui ta isand andis temale naise ja see sünnitas temale poegi või tütreid, siis naine ja lapsed jäävad isandale, aga tema mingu üksinda.

5 Aga kui sulane ütleb kindla meelega: Ma armastan oma isandat, naist ja lapsi, ma ei taha vabaks saada,

6 siis tema isand viigu ta Jumala ette ja seadku ukse või piitjala juurde: ta isand torgaku tal kõrv naaskliga läbi ja ta teenigu igavesti.

7 Kui keegi müüb oma tütre teenijaks, siis see ei tohi sulaste taoliselt ära minna.

8 Kui ta ei meeldi oma isandale, kes tema on määranud enesele, siis lasku see teda lunastada; aga tal ei ole luba teda müüa võõrale rahvale, kui ta tema hülgab.

9 Aga kui ta määrab tema oma pojale, siis ta peab temale andma tütre õigused.

10 Kui ta võtab enesele veel teise naise, siis ei tohi esimesele vähendada toitu, katet ja abieluõigust.

11 Aga kui ta tema suhtes ei täida neid kolme tingimust, siis ta võib maksuta ära minna, ilma lunarahata.

12 Kes teist inimest lööb, nõnda et see sureb, seda tuleb karistada surmaga!

13 Aga kui ta teda ei ole varitsenud, vaid Jumal on lasknud ta tema kätte sattuda, siis ma määran sulle ühe paiga, kuhu ta võib põgeneda.

14 Aga kui keegi on riivatu oma ligimese vastu, tappes tema kavalusega, siis sa pead tema võtma surmamiseks isegi mu altari eest!

15 Kes lööb oma isa või ema, seda karistatagu surmaga!

16 Kes röövib inimese, kas ta selle müüb või see leitakse tema käest, seda karistatagu surmaga!

17 Kes neab oma isa või ema, seda karistatagu surmaga!

18 Kui mehed riidlevad ja üks lööb teist kivi või tööriistaga, nõnda et teine ei sure, vaid lamab asemel,

19 siis on lööja süüta, kui teine tõuseb üles ja saab õues kepi najal käia; ometi peab ta temale tasuma viidetud aja eest ja hoolitsema, et ta saaks terveks.

20 Kui keegi lööb kepiga oma sulast või teenijat, nõnda et ta tema käe all sureb, siis tuleb teda karistada.

21 Aga kui too jääb veel päevaks või paariks elama, siis ei tule teda karistada, sest too oli ju ostetud tema raha eest.

22 Kui mehed taplevad ja tõukavad lapseootel naist, nõnda et see enneaegselt sünnitab, muud kahju aga ei teki, siis tuleb süüdlast rahaga karistada; nõnda nagu naise mees temalt nõuab, nõnda andku ta seda nurisünnituse pärast.

23 Aga kui tekib kahju, siis tuleb anda hing hinge vastu,

24 silm silma vastu, hammas hamba vastu, käsi käe vastu, jalg jala vastu,

25 põletus põletuse vastu, haav haava vastu, vorp vorbi vastu.

26 Kui keegi lööb oma sulase või teenija silma ja rikub selle, siis ta peab tema silma pärast vabaks laskma.

27 Ja kui ta lööb oma sulasel või teenijal hamba välja, siis ta peab tema hamba pärast vabaks laskma.

28 Kui härg kaevleb surnuks mehe või naise, siis tuleb härg kividega surnuks visata ja tema liha ei tohi süüa, härja omanik aga on süüta.

29 Aga kui seesama härg oli varem kaevleja ja selle omanikku hoiatati juba ammu, ent tema ei takista seda ja härg tapab mehe või naise, siis visatagu härg kividega surnuks ja surmatagu ka ta omanik!

30 Kui temale aga määratakse lunastushind, siis ta peab andma niipalju hinge lunaraha, kui temale määratakse.

31 Kui see härg kaevleb poega või tütart, siis tuleb temaga talitada sellesama seaduse järgi.

32 Kui härg kaevleb sulast või teenijat, siis tuleb nende isandale anda kolmkümmend hõbeseeklit, härg aga visatagu kividega surnuks!

33 Kui keegi jätab kaevu lahti või kaevab kaevu, aga ei kata seda, mille tõttu langeb sinna härg või eesel,

34 siis peab kaevu omanik andma hüvituse; ta tasugu looma omanikule rahas, aga korjus jäägu temale.

35 Kui kellegi härg kaevleb surnuks teise mehe härja, siis tuleb elus härg müüa ja raha pooleks jagada; ka surnud härg tuleb poolitada.

36 Aga kui on teada, et see härg oli juba varem kaevleja ja selle omanik ei ole seda takistanud, siis ta peab selle täiesti asendama: härg härja vastu; aga korjus jäägu temale.

   

from the Writings of Emanuel Swedenborg

 

Arcana Coelestia #8979

Studere hoc loco

  
/ 10837  
  

8979. 'If he is master of a woman' means truth together with delight linked to it. This is clear from the meaning of 'master' as truth, dealt with below; and from the meaning of 'a woman' as good, but at this point as delight, also dealt with below. The reason why 'master' is truth is that 'master' in this instance is used to refer to the slave as the man (or husband) of a woman, and in the internal sense both 'slave' and 'man (or husband) of a woman' mean truth - regarding 'slave', see above in 8974, and regarding 'man', 3134, 3309, 3459, 7716. The reason why 'a woman' is delight is that 'the woman (or wife) of a man' in the internal sense means good, 915, 2517, 4823, 6014, 8337. But since a member of the external Church, who indeed possesses the truth of religious teachings but not its complementary good, is represented by a slave from the Israelite people, 8974; and since he does not do the truth for its own sake, or good for its own sake, but for reward, there lies within the truth or good he does the thought of self. This thought of self has no association with good, only with delight; for nothing else is called good in the spiritual sense except that which is a form of love to the Lord and love towards the neighbour. This good does, it is true, present itself also as delight in the natural man; but the spiritual within it is what causes it to be good.

[2] To know more about the nature of all this it should be kept in mind that the actions of a member of the internal Church spring from charity, thus from affection and love towards the neighbour, whereas the actions of a member of the external Church do not spring from the good of charity but from the truth of faith, thus not from affection and love towards the neighbour but from obedience because such actions are commanded. Consequently the member of the internal Church is free, whereas the member of the external Church in comparison is a slave; for one whose actions spring from love and affection acts in freedom, 2870-2893. But someone whose actions spring from obedience does not act in freedom, for acting in obedience is not freedom. This is the reason why one whose actions spring from the good of charity is a true member of the spiritual Church; he therefore is represented in the Word by Israel. Someone however whose actions do not spring from the good of charity but from the truth of faith is not a true member of the spiritual Church, but is in comparison one who serves him. He therefore was represented by the slave who was called 'a Hebrew slave' because he had been bought from the children of Israel.

  
/ 10837  
  

Thanks to the Swedenborg Society for the permission to use this translation.

from the Writings of Emanuel Swedenborg

 

Arcana Coelestia #8337

Studere hoc loco

  
/ 10837  
  

8337. 'And Miriam the prophetess, Aaron's sister, took a timbrel in her hand' means ascribing glory to the Lord from the good of faith. This is clear from the representation of 'Miriam' as the good of faith, for 'Moses' represents the truth of faith that goes forth directly from the Lord, thus inward truth, whereas 'Aaron' represents the truth of faith that goes forth from the Lord in an indirect way, thus outward truth, 7009, 7089, 7382, so that 'Miriam' is the good of faith which goes forth in an indirect way from the Lord, for when 'men' represent truth, 'their womenfolk' represent good, 6014 (since Miriam along with the women represents external good she is in addition referred to as 'Aaron's sister', though she is not called Moses' sister, the relation between good and truth being like that of sister and brother, 3160. But it should be remembered that 'women' represent good and 'men' truth when the spiritual Church is the subject, whereas 'women' represent truth and 'men' good when the celestial Church is the subject, 4823); from the meaning of 'the prophetess' as one who teaches, dealt with in 2534, 7269, at this point one who joins in praising the Lord, or what amounts to the same thing, one who ascribes glory to Him from the good of faith, since she sang to Jehovah, as Moses and the men of Israel had done (for the meaning of 'singing' as ascribing glory, see 8261, 8263, 8267); and from the meaning of 'taking a timbrel in one's hand' as ascribing glory from the good of faith, since 'a timbrel' has reference to spiritual good, or what amounts to the same thing, to the good of faith, 4138.

[2] In former times many types of musical instruments were used when God was worshipped, but with much discrimination. In general wind instruments were used to express affections for good, and stringed instruments affections for truth; and the origin of this was the correspondence of every sound to the affections. It is well known that some types of musical instruments are used to express one kind of natural affections and other types to express another kind, and that when a fitting melody is played they in actual fact stir the affections. Skilled musicians know all about this and also make proper use of it. The reason for it lies in the very nature of sound, and its accord with the affections. Mankind at first learned about it not from science and art but through the ear and its keen sense of hearing. From this it is plain that the ability does not have its origin in the natural world but in the spiritual world; it, springs from the correspondence of things in the natural world - which flow into it in accordance with true order - with realities in the spiritual world. Harmonious sound and various forms it takes correspond to states of joy and gladness in the spiritual world, and states of joy and gladness there spring from affections, which in that world are affections for what is good and true. From this one may now recognize that musical instruments correspond to delights and pleasures belonging to spiritual and celestial affections, and that some instruments correspond to celestial affections, others to spiritual ones; see what has been stated and shown about them previously in 418-420, 4138.

[3] As regards 'a timbrel' in particular, this corresponds to spiritual good, that is, to the good of truth. This is because a timbrel is neither a stringed nor a wind instrument but, being made of skin, is an instrument of one continuous string so to speak; and it is also because it has a heavier and deeper sound than that made by stringed instruments. This may also be recognized from the Word, in places in which 'a timbrel' is mentioned, as in Isaiah,

The joy of timbrels will cease, the noise of merry ones will cease, the joy of the harp will cease. Isaiah 24:8.

'The joy of timbrels' stands for delights that belong to affections for the good of faith; 'the joy of the harp' stands for delight that belongs to an affection for the truth of faith.

In Jeremiah,

Again I will build you, that you may be built, O virgin of Israel! Again you will adorn your timbrels, 1 and will go forth in the dance of the merrymakers. Jeremiah 31:4.

'Adorning timbrels' stands for ascribing glory to God from spiritual good, for it refers to the spiritual Church, meant by 'the virgin of Israel'.

[4] Similarly in Ezekiel,

You were in Eden, the garden of God. The workmanship of your timbrels and your pipes was within you; on the day you were created they were prepared. Ezekiel 28:13.

This refers to Tyre, by which cognitions or knowledge of good and of truth are meant, 'timbrels' meaning affections for the former and 'pipes' feelings of joy in the latter.

In David,

They have seen Your goings, O God, the goings of my God, my King, in the sanctuary. The singers went before, players [of stringed instruments] after, in the midst of the virgins playing timbrels. Psalms 68:24-25.

In the same author,

Shout to the God of Jacob; raise a song, and sound the timbrel, the delightful harp with the lyre. Psalms 81:1-2.

In the same author,

Sing to Jehovah a new song; let them praise His name in dancing, with timbrel and harp let them make melody to Him. Psalms 149:1, 3.

Here 'praising with timbrel' stands for ascribing glory from the feeling of delight that belongs to an affection for the good of faith, and 'praising with harp' for the pleasant feeling that belongs to an affection for the truth of faith.

[5] In the same author,

Praise God with timbrel and dance; praise Him with stringed instruments and organ praise Him with sounding cymbals 2 ; praise Him with clanging cymbals. 3 Psalms 150:3-5

'Praising with timbrel and dance' stands for doing so from the good and truth of faith; 'on stringed instruments and organ' stands for doing so from truths and consequently from good. Since all instruments corresponded to and were signs of the delights and pleasant feelings that belong to spiritual and celestial affections a large number of the Psalms of David have titles indicating how they were to be accompanied, such as On Neginoth, On the Nehiloth, On the Octave, 4 Shiggaion, the Gittith Muthlabben, the Sheminith, Shoshannim, or Mahalath.

V:

1. The Latin here and in 153, 1069:2, 3081:4 means literally will adorn your timbrels, but the Hebrew is generally taken to mean adorn yourself with timbrels.

2. lit. cymbals of sound

3. lit. cymbals of clangour

4. The Hebrew means On the Sheminith.

  
/ 10837  
  

Thanks to the Swedenborg Society for the permission to use this translation.