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Genesis 4

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1 αδαμ δε εγνω ευαν την γυναικα αυτου και συλλαβουσα ετεκεν τον καιν και ειπεν εκτησαμην ανθρωπον δια του θεου

2 και προσεθηκεν τεκειν τον αδελφον αυτου τον αβελ και εγενετο αβελ ποιμην προβατων καιν δε ην εργαζομενος την γην

3 και εγενετο μεθ' ημερας ηνεγκεν καιν απο των καρπων της γης θυσιαν τω κυριω

4 και αβελ ηνεγκεν και αυτος απο των πρωτοτοκων των προβατων αυτου και απο των στεατων αυτων και επειδεν ο θεος επι αβελ και επι τοις δωροις αυτου

5 επι δε καιν και επι ταις θυσιαις αυτου ου προσεσχεν και ελυπησεν τον καιν λιαν και συνεπεσεν τω προσωπω

6 και ειπεν κυριος ο θεος τω καιν ινα τι περιλυπος εγενου και ινα τι συνεπεσεν το προσωπον σου

7 ουκ εαν ορθως προσενεγκης ορθως δε μη διελης ημαρτες ησυχασον προς σε η αποστροφη αυτου και συ αρξεις αυτου

8 και ειπεν καιν προς αβελ τον αδελφον αυτου διελθωμεν εις το πεδιον και εγενετο εν τω ειναι αυτους εν τω πεδιω και ανεστη καιν επι αβελ τον αδελφον αυτου και απεκτεινεν αυτον

9 και ειπεν ο θεος προς καιν που εστιν αβελ ο αδελφος σου ο δε ειπεν ου γινωσκω μη φυλαξ του αδελφου μου ειμι εγω

10 και ειπεν ο θεος τι εποιησας φωνη αιματος του αδελφου σου βοα προς με εκ της γης

11 και νυν επικαταρατος συ απο της γης η εχανεν το στομα αυτης δεξασθαι το αιμα του αδελφου σου εκ της χειρος σου

12 οτι εργα την γην και ου προσθησει την ισχυν αυτης δουναι σοι στενων και τρεμων εση επι της γης

13 και ειπεν καιν προς τον κυριον μειζων η αιτια μου του αφεθηναι με

14 ει εκβαλλεις με σημερον απο προσωπου της γης και απο του προσωπου σου κρυβησομαι και εσομαι στενων και τρεμων επι της γης και εσται πας ο ευρισκων με αποκτενει με

15 και ειπεν αυτω κυριος ο θεος ουχ ουτως πας ο αποκτεινας καιν επτα εκδικουμενα παραλυσει και εθετο κυριος ο θεος σημειον τω καιν του μη ανελειν αυτον παντα τον ευρισκοντα αυτον

16 εξηλθεν δε καιν απο προσωπου του θεου και ωκησεν εν γη ναιδ κατεναντι εδεμ

17 και εγνω καιν την γυναικα αυτου και συλλαβουσα ετεκεν τον ενωχ και ην οικοδομων πολιν και επωνομασεν την πολιν επι τω ονοματι του υιου αυτου ενωχ

18 εγενηθη δε τω ενωχ γαιδαδ και γαιδαδ εγεννησεν τον μαιηλ και μαιηλ εγεννησεν τον μαθουσαλα και μαθουσαλα εγεννησεν τον λαμεχ

19 και ελαβεν εαυτω λαμεχ δυο γυναικας ονομα τη μια αδα και ονομα τη δευτερα σελλα

20 και ετεκεν αδα τον ιωβελ ουτος ην ο πατηρ οικουντων εν σκηναις κτηνοτροφων

21 και ονομα τω αδελφω αυτου ιουβαλ ουτος ην ο καταδειξας ψαλτηριον και κιθαραν

22 σελλα δε ετεκεν και αυτη τον θοβελ και ην σφυροκοπος χαλκευς χαλκου και σιδηρου αδελφη δε θοβελ νοεμα

23 ειπεν δε λαμεχ ταις εαυτου γυναιξιν αδα και σελλα ακουσατε μου της φωνης γυναικες λαμεχ ενωτισασθε μου τους λογους οτι ανδρα απεκτεινα εις τραυμα εμοι και νεανισκον εις μωλωπα εμοι

24 οτι επτακις εκδεδικηται εκ καιν εκ δε λαμεχ εβδομηκοντακις επτα

25 εγνω δε αδαμ ευαν την γυναικα αυτου και συλλαβουσα ετεκεν υιον και επωνομασεν το ονομα αυτου σηθ λεγουσα εξανεστησεν γαρ μοι ο θεος σπερμα ετερον αντι αβελ ον απεκτεινεν καιν

26 και τω σηθ εγενετο υιος επωνομασεν δε το ονομα αυτου ενως ουτος ηλπισεν επικαλεισθαι το ονομα κυριου του θεου

   

Iz Swedenborgovih djela

 

Apocalypse Revealed #788

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788. 18:19 "And they put dust on their heads and cried out, weeping and mourning, and saying, 'Woe, woe, that great city!'" This symbolizes their interior and exterior grief and mourning, which is a lamentation that so eminent a religion was completely destroyed and condemned.

Putting dust on their heads symbolizes their interior and exterior grief and mourning over the destruction and damnation, as we will show below. To cry out, weeping and mourning, symbolizes their exterior grief and mourning - to weep symbolizing a mourning of the soul, and to grieve a grief of the heart. "Woe, woe, that great city!" symbolizes a grievous lamentation over the destruction and damnation. That "woe" symbolizes a lamentation over a calamity, misfortune, or damnation, and that "woe, woe," therefore symbolizes a grievous lamentation, may be seen in nos. 416, 769, 785; and that the city symbolizes the Roman Catholic religion may be seen in no. 785 and elsewhere.

That putting dust on the head symbolizes an interior grief and mourning over a destruction and damnation is clear from the following passages:

They will cry bitterly and cast dust on their heads; they will roll about in ashes. (Ezekiel 27:30)

(The daughters) of Zion sit on the ground...; they have cast dust on their heads... (Lamentations 2:10)

(Job's friends) rent their tunics and sprinkled dust upon their heads... (Job 2:12)

Come down and sit in the dust, O virgin daughter of Babylon; sit on the ground without a throne... (Isaiah 47:1)

And so on elsewhere.

The people put dust on their heads when they grieved deeply, because dust symbolized something damned, as is apparent from Genesis 3:14, Matthew 10:14, Mark 6:11, Luke 10:10-12, and dust on the head represented the people's acknowledgment that of themselves they were damned, and thus their repentance, as in Matthew 11:21, Luke 10:13.

Dust symbolizes something damned because the land over the hells in the spiritual world consists of nothing but dust, without grass or plants.

  
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Many thanks to the General Church of the New Jerusalem, and to Rev. N.B. Rogers, translator, for the permission to use this translation.

Iz Swedenborgovih djela

 

Apocalypse Revealed #769

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769. 18:10 "Standing at a distance for fear of her torment, saying, 'Woe, woe, that great city Babylon, that mighty city! For in one hour your judgment has come.' " This symbolizes their fear of punishments, and grievous lamentation then that the Roman Catholic religion, so well fortified, could be so suddenly and completely overturned, and that they could perish.

To stand at a distance for fear of torment symbolizes a state as yet distant from the state of those in a state of damnation, because the people here have a fear of torment, of which we will say more below. "Woe, woe," symbolizes a grievous lamentation. "Woe" symbolizes a lamentation over a calamity, misfortune, or damnation, as may be seen in no. 416 above; "woe, woe," therefore symbolizes a grievous lamentation. The great city Babylon symbolizes the Roman Catholic religion, here Babylon as a woman or harlot as in no. 751 above, because the torment is said to be her torment. A mighty city symbolizes a religion so well fortified. "In one hour your judgment has come" means symbolically that it could be so suddenly overturned and that they could perish. "In one hour" means, symbolically, so suddenly, and its judgment symbolizes its overturn and the destruction of those who committed whoredom with her and delighted in her, who are the subject here. That they perished as a result of the Last Judgment may be seen in the short work, The Last Judgment and Babylon Destroyed (London, 1758). Their destruction is the subject of what is said here.

[2] We said that the kings' standing at a distance for fear of Babylon's torment symbolizes a state as yet distant from the state of those in a state of damnation, because the people here have a fear of torment, and the reason is that distance does not mean a spatial distance, but a distance of state when someone has a fear of being punished; for as a long as a person is in a state of fear, he then sees, considers, and laments. Distance of state, which is what distance is in the spiritual sense, is also symbolized by distance elsewhere in the Word, as in the following places:

Hear, you who are afar off, what I have done; and you who are near, acknowledge My might. (Isaiah 33:13)

Am I a God near at hand..., and not a God afar off? (Jeremiah 23:23)

It found grace in the wilderness... Israel (said)..., Jehovah appeared to me from afar... (Jeremiah 31:2-3)

Bring My sons from afar... (Isaiah 43:6)

Attend, O peoples, from afar! (Isaiah 49:1-2)

(The peoples and nations that) come from a far land, Isaiah 13:4-5.

And so on elsewhere, as in Jeremiah 4:16; 5:15, Zechariah 6:15, where nations and peoples from afar mean people relatively distant from the truths and goods of the church.

In common speech, too, some relatives are said to be near relatives, and ones more remotely related are said to be distant relatives.

  
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Many thanks to the General Church of the New Jerusalem, and to Rev. N.B. Rogers, translator, for the permission to use this translation.