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Exodus 26

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1 και την σκηνην ποιησεις δεκα αυλαιας εκ βυσσου κεκλωσμενης και υακινθου και πορφυρας και κοκκινου κεκλωσμενου χερουβιμ εργασια υφαντου ποιησεις αυτας

2 μηκος της αυλαιας της μιας οκτω και εικοσι πηχεων και ευρος τεσσαρων πηχεων η αυλαια η μια εσται μετρον το αυτο εσται πασαις ταις αυλαιαις

3 πεντε δε αυλαιαι εσονται εξ αλληλων εχομεναι η ετερα εκ της ετερας και πεντε αυλαιαι εσονται συνεχομεναι ετερα τη ετερα

4 και ποιησεις αυταις αγκυλας υακινθινας επι του χειλους της αυλαιας της μιας εκ του ενος μερους εις την συμβολην και ουτως ποιησεις επι του χειλους της αυλαιας της εξωτερας προς τη συμβολη τη δευτερα

5 πεντηκοντα αγκυλας ποιησεις τη αυλαια τη μια και πεντηκοντα αγκυλας ποιησεις εκ του μερους της αυλαιας κατα την συμβολην της δευτερας αντιπροσωποι αντιπιπτουσαι αλληλαις εις εκαστην

6 και ποιησεις κρικους πεντηκοντα χρυσους και συναψεις τας αυλαιας ετεραν τη ετερα τοις κρικοις και εσται η σκηνη μια

7 και ποιησεις δερρεις τριχινας σκεπην επι της σκηνης ενδεκα δερρεις ποιησεις αυτας

8 το μηκος της δερρεως της μιας εσται τριακοντα πηχεων και τεσσαρων πηχεων το ευρος της δερρεως της μιας μετρον το αυτο εσται ταις ενδεκα δερρεσι

9 και συναψεις τας πεντε δερρεις επι το αυτο και τας εξ δερρεις επι το αυτο και επιδιπλωσεις την δερριν την εκτην κατα προσωπον της σκηνης

10 και ποιησεις αγκυλας πεντηκοντα επι του χειλους της δερρεως της μιας της ανα μεσον κατα συμβολην και πεντηκοντα αγκυλας ποιησεις επι του χειλους της δερρεως της συναπτουσης της δευτερας

11 και ποιησεις κρικους χαλκους πεντηκοντα και συναψεις τους κρικους εκ των αγκυλων και συναψεις τας δερρεις και εσται εν

12 και υποθησεις το πλεοναζον εν ταις δερρεσιν της σκηνης το ημισυ της δερρεως το υπολελειμμενον υποκαλυψεις το πλεοναζον των δερρεων της σκηνης υποκαλυψεις οπισω της σκηνης

13 πηχυν εκ τουτου και πηχυν εκ τουτου εκ του υπερεχοντος των δερρεων εκ του μηκους των δερρεων της σκηνης εσται συγκαλυπτον επι τα πλαγια της σκηνης ενθεν και ενθεν ινα καλυπτη

14 και ποιησεις κατακαλυμμα τη σκηνη δερματα κριων ηρυθροδανωμενα και επικαλυμματα δερματα υακινθινα επανωθεν

15 και ποιησεις στυλους τη σκηνη εκ ξυλων ασηπτων

16 δεκα πηχεων ποιησεις τον στυλον τον ενα και πηχεος ενος και ημισους το πλατος του στυλου του ενος

17 δυο αγκωνισκους τω στυλω τω ενι αντιπιπτοντας ετερον τω ετερω ουτως ποιησεις πασι τοις στυλοις της σκηνης

18 και ποιησεις στυλους τη σκηνη εικοσι στυλους εκ του κλιτους του προς βορραν

19 και τεσσαρακοντα βασεις αργυρας ποιησεις τοις εικοσι στυλοις δυο βασεις τω στυλω τω ενι εις αμφοτερα τα μερη αυτου και δυο βασεις τω στυλω τω ενι εις αμφοτερα τα μερη αυτου

20 και το κλιτος το δευτερον το προς νοτον εικοσι στυλους

21 και τεσσαρακοντα βασεις αυτων αργυρας δυο βασεις τω στυλω τω ενι εις αμφοτερα τα μερη αυτου και δυο βασεις τω στυλω τω ενι εις αμφοτερα τα μερη αυτου

22 και εκ των οπισω της σκηνης κατα το μερος το προς θαλασσαν ποιησεις εξ στυλους

23 και δυο στυλους ποιησεις επι των γωνιων της σκηνης εκ των οπισθιων

24 και εσται εξ ισου κατωθεν κατα το αυτο εσονται ισοι εκ των κεφαλιδων εις συμβλησιν μιαν ουτως ποιησεις αμφοτεραις ταις δυσιν γωνιαις εστωσαν

25 και εσονται οκτω στυλοι και αι βασεις αυτων αργυραι δεκα εξ δυο βασεις τω στυλω τω ενι εις αμφοτερα τα μερη αυτου και δυο βασεις τω στυλω τω ενι

26 και ποιησεις μοχλους εκ ξυλων ασηπτων πεντε τω ενι στυλω εκ του ενος μερους της σκηνης

27 και πεντε μοχλους τω στυλω τω κλιτει της σκηνης τω δευτερω και πεντε μοχλους τω στυλω τω οπισθιω τω κλιτει της σκηνης τω προς θαλασσαν

28 και ο μοχλος ο μεσος ανα μεσον των στυλων διικνεισθω απο του ενος κλιτους εις το ετερον κλιτος

29 και τους στυλους καταχρυσωσεις χρυσιω και τους δακτυλιους ποιησεις χρυσους εις ους εισαξεις τους μοχλους και καταχρυσωσεις τους μοχλους χρυσιω

30 και αναστησεις την σκηνην κατα το ειδος το δεδειγμενον σοι εν τω ορει

31 και ποιησεις καταπετασμα εξ υακινθου και πορφυρας και κοκκινου κεκλωσμενου και βυσσου νενησμενης εργον υφαντον ποιησεις αυτο χερουβιμ

32 και επιθησεις αυτο επι τεσσαρων στυλων ασηπτων κεχρυσωμενων χρυσιω και αι κεφαλιδες αυτων χρυσαι και αι βασεις αυτων τεσσαρες αργυραι

33 και θησεις το καταπετασμα επι τους στυλους και εισοισεις εκει εσωτερον του καταπετασματος την κιβωτον του μαρτυριου και διοριει το καταπετασμα υμιν ανα μεσον του αγιου και ανα μεσον του αγιου των αγιων

34 και κατακαλυψεις τω καταπετασματι την κιβωτον του μαρτυριου εν τω αγιω των αγιων

35 και θησεις την τραπεζαν εξωθεν του καταπετασματος και την λυχνιαν απεναντι της τραπεζης επι μερους της σκηνης το προς νοτον και την τραπεζαν θησεις επι μερους της σκηνης το προς βορραν

36 και ποιησεις επισπαστρον εξ υακινθου και πορφυρας και κοκκινου κεκλωσμενου και βυσσου κεκλωσμενης εργον ποικιλτου

37 και ποιησεις τω καταπετασματι πεντε στυλους και χρυσωσεις αυτους χρυσιω και αι κεφαλιδες αυτων χρυσαι και χωνευσεις αυτοις πεντε βασεις χαλκας

   

Iz Swedenborgovih djela

 

Arcana Coelestia #9467

Proučite ovaj odlomak

  
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9467. 'And purple' means the celestial love of good. This is clear from the meaning of 'purple' as the celestial love of good, the reason why this love is meant by 'purple' being that by the colour red the good of celestial love is meant. For there are two basic colours from which all others are derived, the colour red and the colour white. The colour red means good which belongs to love, while the colour white means truth which belongs to faith. The reason why red means good belonging to love is that this colour exists before all else as fire, and fire means the good of love; and the reason why white means truth belonging to faith is that before all else that colour is light, and light means the truth of faith.

'Fire' means the good of love, see 5215, 6314, 6832, 6834, 6849, 7324, 9434.

'Light' means the truth of faith, 2776, 3195, 3636, 3643, 3993, 4302, 4413, 4415, 5400, 8644, 8707, 8861, 9399, 9407.

'Red' means the good of love, 3300.

'White' means the truth of faith, 3993, 4007, 5319.

[2] From all this it is evident what all other colours mean; for in the measure that they are derived from red they mean good belonging to love, and in the measure that they are derived from white they mean truth belonging to faith. All the colours that appear in heaven are modifications of heavenly light and flame, on those two levels. For heavenly light is real light; and essentially it is Divine Truth emanating from the Lord's Divine Good. Therefore modifications of that light and flame are different variations of truth and good, and so of intelligence and wisdom.

[3] All this now shows how it came about that the veils and curtains of the tent, and also Aaron's garments, were to be woven out of violet, purple, twice-dyed scarlet, and linen thread, Exodus 25:4; 26:31, 36; 27:16; 28:6, 15, namely in order that celestial realities belonging to good and spiritual realities belonging to truth, which are the subject in what follows below, might be represented by them.

[4] Good from a celestial origin is again meant by 'purple' in Ezekiel,

Fine linen with embroidered work from Egypt was your sail; violet and purple from the islands of Elishah was your covering. Ezekiel 27:7.

This refers to Tyre, by which cognitions or knowledge of truth and good are meant. 'Violet and purple covering' stands for cognitions of truth and good from a heavenly origin.

[5] Similar things are meant by 'purple and fine linen' in Luke,

There was a certain rich man (homo) who was clothed in purple and fine linen and indulged in delicacies splendidly every day. Luke 16:19.

'A rich man' is used to mean in the internal sense the Jewish nation, and the Church there, which was said to be 'rich' because of the cognitions or knowledge of good and truth from the Word which existed there. Garments of 'purple and fine linen' are those cognitions, 'of purple' meaning cognitions of good, and 'of fine linen' cognitions of truth, both from a heavenly origin because they come from the Divine. 'Purple' also has a similar meaning in the Book of Revelation,

The woman sitting on a scarlet beast was clothed in purple and scarlet. Revelation 17:3-4.

This refers to Babylon, which means the Church where the holy things of the Word are put to unholy ends, that is, to exercising control in heaven and on earth, and so to ends that spring from hellish self-love and love of the world.

  
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Thanks to the Swedenborg Society for the permission to use this translation.

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Arcana Coelestia #5215

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5215. 'And scorched by an east wind' means full of evil desires. This is clear from the meaning of 'being scorched by an east wind' as being consumed by the fire of evil desires. For an east wind' and the east' in the genuine sense mean love to the Lord and love towards the neighbour, lot, 1250, 3249, 3708, 3762, and therefore in the contrary sense self-love and love of the world, and so cravings and evil desires since these spring from those loves. The word 'fire' is used to refer to such desires for the reason dealt with in 5071, and therefore 'being scorched' is used also.

[2] There are two sources of heat, as there are also two sources of light, the one source of heat being the sun of this world, the other source of heat being the sun of heaven, which is the Lord. It is a well known fact that the sun of this world pours out heat into its own world and onto everything there, but it is a less well known fact that the sun of heaven pours out heat into the whole of heaven. Yet this too may become an equally well known fact if one reflects merely on the heat which exists intrinsically in the human being but which has nothing in common with the heat of the world, that is, if one reflects on what is called vital heat. From this one could know that this heat is of a different nature from the world's heat. That is to say, the former is a living heat but the latter is not at all a living one; also the former, being a living one, fires a person interiorly, namely his will and understanding, imparting to him desires and loves, and affections too. This also explains why desires, loves and affections are spiritual forms of heat, and are also called such. The fact that they are forms of heat is quite evident, for heat is radiated from all parts of the bodies of live persons, even where it is intensely cold. More than that, when desires and affections, that is, when loves, increase, the body grows correspondingly warmer. This kind of heat is what is meant in the Word by 'heat', 'fire', and 'flame'; in the genuine sense celestial and spiritual love is meant, in the contrary sense bodily and earthly love. From this it becomes clear that here 'being scorched by an east wind' means being consumed by the fire of evil desires, and that when used in reference to known facts meant by 'heads' that are 'thin', facts full of evil desires are meant.

[3] 'The east wind' means the blasts of evil desires and of derivative false notions, as is clear from places in the Word where that wind is mentioned, for example, in David,

He caused an east wind to blow 1 in the heavens, and by His power He brought forth the south wind; and He caused flesh to rain onto them like the dust, winged birds like the sand of the sea. Psalms 78:26-27.

'The flesh' which that wind brought meant cravings, and 'winged birds' resulting false notions, as is evident in Numbers 11:31-35, where it is said that the name of the place where the people were struck down for eating flesh was called 'the graves of craving, for there they buried the people who had the craving'.

[4] In Ezekiel,

Behold, the vine that was planted, will it thrive? When the east wind strikes it, will it not wither completely? It will wither on the small spaces where it began to grow. Ezekiel 17:10.

And in the same prophet,

The vine has been plucked up in anger, it has been cast down onto the ground, and the east wind has dried its fruit. They have been plucked out and have withered, each rod of its strength; fire has consumed each one. For fire has gone out from a rod of its branches and has consumed its fruit, so that there is no rod of strength in it, a sceptre for dominion. Ezekiel 19:12, 14.

Here 'the east wind' stands for the blasts of evil desires. In Isaiah,

He gave thought to His rough wind, on the day of the east wind. Isaiah 17:8.

[5] In Hosea,

An east wind will come, Jehovah's wind rising up from the desert, and his spring will become dry, and his fountain dried up. It will strip his treasury of every precious vessel. Hosea 13:15.

Here also 'an east wind' stands for blasts of evil desires. Similarly in Jeremiah,

Like an east wind I will scatter them before the enemy. Jeremiah 18:17.

[6] In David,

By means of an east wind You will shatter the ships of Tarshish. Psalms 48:7.

In Isaiah,

You have forsaken Your people, the house of Jacob, because they have been filled from the east wind, and they are diviners like the Philistines. Isaiah 2:6.

In Hosea,

Ephraim feeds the wind, and pursues the east wind. All the day long he multiplies lies and devastation. Hosea 11:1.

'The wind' here stands for false notions, and 'the east wind' for evil desires. Something similar is also meant in the internal sense by 'an east wind' by means of which 'locusts were brought forth' and by means of which 'the locusts were cast into the sea', 2 Exodus 10:13, 19, and also by means of which 'the waters of the sea Suph' were divided, Exodus 14:21.

Bilješke:

1. literally, set out

2. According to Exodus 10:19 a west wind cast the locusts into the sea.

  
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Thanks to the Swedenborg Society for the permission to use this translation.