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Revelation 6 : The Four Horsemen of the Apocalypse

Estudio

1 And I saw when the Lamb opened one of the seals, and I heard, as it were the noise of thunder, one of the four beasts saying, Come and see.

2 And I saw, and behold a white horse: and he that sat on him had a bow; and a crown was given unto him: and he went forth conquering, and to conquer.

3 And when he had opened the second seal, I heard the second beast say, Come and see.

4 And there went out another horse that was red: and power was given to him that sat thereon to take peace from the earth, and that they should kill one another: and there was given unto him a great sword.

5 And when he had opened the third seal, I heard the third beast say, Come and see. And I beheld, and lo a black horse; and he that sat on him had a pair of balances in his hand.

6 And I heard a voice in the midst of the four beasts say, A measure of wheat for a penny, and three measures of barley for a penny; and see thou hurt not the oil and the wine.

7 And when he had opened the fourth seal, I heard the voice of the fourth beast say, Come and see.

8 And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him. And power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth.

9 And when he had opened the fifth seal, I saw under the altar the souls of them that were slain for the word of God, and for the testimony which they held:

10 And they cried with a loud voice, saying, How long, O Lord, holy and true, dost thou not judge and avenge our blood on them that dwell on the earth?

11 And white robes were given unto every one of them; and it was said unto them, that they should rest yet for a little season, until their fellowservants also and their brethren, that should be killed as they were, should be fulfilled.

12 And I beheld when he had opened the sixth seal, and, lo, there was a great earthquake; and the sun became black as sackcloth of hair, and the moon became as blood;

13 And the stars of heaven fell unto the earth, even as a fig tree casteth her untimely figs, when she is shaken of a mighty wind.

14 And the heaven departed as a scroll when it is rolled together; and every mountain and island were moved out of their places.

15 And the kings of the earth, and the great men, and the rich men, and the chief captains, and the mighty men, and every bondman, and every free man, hid themselves in the dens and in the rocks of the mountains;

16 And said to the mountains and rocks, Fall on us, and hide us from the face of him that sitteth on the throne, and from the wrath of the Lamb:

17 For the great day of his wrath is come; and who shall be able to stand?

Comentario

 

The Meaning of the Book of Revelation: the Four Horsemen

Por Jonathan S. Rose, Curtis Childs

Transparency is needed to sort things out. Before big change happens, God first reveals what’s really going on.

In the Book of Revelation - the last book of the Word - the apostle John describes a series of apocalyptic visions that he experienced during his exile on the Isle of Patmos, in the Aegean Sea.

In one of these visions, he saw four horsemen, the first riding a white horse, the second a red horse, the third a black, and the fourth - named Death - riding a pale horse. These "Four Horsemen of the Apocalypse" - oft-pictured - are described in Revelation 6:1-8.

What do these horses, and their riders, represent? What do they have to do with us, today? Watch as Curtis Childs and Jonathan Rose explore the hidden Bible meaning of the Four Horsemen in the Book of Revelation, in this video from the Swedenborg and Life Series, from the Swedenborg Foundation.

Plus, to go straight to the source, follow the links below to the places in "Apocalypse Revealed" where Swedenborg explained the inner meaning of this famous Bible story. A good place to start would be Apocalypse Revealed 298.

(Referencias: Apocalypse Explained 315; Apocalypse Revealed 262-263, 301, 306, 314, 316, 320, 322-323)

Tocar Video
This video is a product of the Swedenborg Foundation. Follow these links for further information and other videos: www.youtube.com/user/offTheLeftEye and www.swedenborg.com

De obras de Swedenborg

 

Arcana Coelestia #5732

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5732. 'And he commanded the one who was over his house, saying' means an influx from itself. This is clear from the meaning of 'commanding as an influx, dealt with in 5486, and from the meaning of 'the one who was over his house' as the one who was to serve as communicator. The fact that the influx came from itself - from the internal celestial man, which 'Joseph' represents - is self-evident. The reason why 'commanding' means influx is that no one in heaven is given commands or orders. On the contrary one shares his thoughts and the other freely acts in accordance with them. The communication of thought, together with a desire to see something put into effect, is influx; and on the part of the receiver it is perception, which is why 'commanding' also means perception, 3661, 3682.

[2] Furthermore those in heaven not only think but also talk to one another - about those things that are matters of wisdom. Yet there is not in what they say any trace of an order given to another; for no one wishes to be the master and consequently regard another as his slave. Rather, each wishes to minister and be of service to another. From this one may see what form of government exists in heaven, the form described by the Lord in Matthew,

It shall not be so among you, but whoever has the wish to become great among you must be your minister, and whoever has the wish to be first must be your servant. Matthew 20:26-27.

And in the same gospel,

He who is the greatest of you shall be your minister; whoever exalts himself will be humbled, and whoever humbles himself will be exalted.

This is how a person who has heartfelt love of his neighbour behaves - a person who feels delight and bliss in doing good to others for no selfish reason, that is, one who has charity towards the neighbour.

  
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Thanks to the Swedenborg Society for the permission to use this translation.