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Revelation 6:4

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4 And there went out another horse that was red: and power was given to him that sat thereon to take peace from the earth, and that they should kill one another: and there was given unto him a great sword.

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The Meaning of the Book of Revelation: the Four Horsemen

Napsal(a) Jonathan S. Rose, Curtis Childs

Transparency is needed to sort things out. Before big change happens, God first reveals what’s really going on.

In the Book of Revelation - the last book of the Word - the apostle John describes a series of apocalyptic visions that he experienced during his exile on the Isle of Patmos, in the Aegean Sea.

In one of these visions, he saw four horsemen, the first riding a white horse, the second a red horse, the third a black, and the fourth - named Death - riding a pale horse. These "Four Horsemen of the Apocalypse" - oft-pictured - are described in Revelation 6:1-8.

What do these horses, and their riders, represent? What do they have to do with us, today? Watch as Curtis Childs and Jonathan Rose explore the hidden Bible meaning of the Four Horsemen in the Book of Revelation, in this video from the Swedenborg and Life Series, from the Swedenborg Foundation.

Plus, to go straight to the source, follow the links below to the places in "Apocalypse Revealed" where Swedenborg explained the inner meaning of this famous Bible story. A good place to start would be Apocalypse Revealed 298.

(Odkazy: Apocalypse Explained 315; Apocalypse Revealed 262-263, 301, 306, 314, 316, 320, 322-323)

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This video is a product of the Swedenborg Foundation. Follow these links for further information and other videos: www.youtube.com/user/offTheLeftEye and www.swedenborg.com

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Arcana Coelestia # 3893

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3893. Angelic choirs were once praising the Lord and doing so with heartfelt joy. Their praises were heard sometimes as sweet singing, for to one another spirits and angels have resounding voices and they hear one another as well as men hear one another. But no human singing, however heavenly its sweetness and harmony, can compare with that of those angelic choirs. From the variety of sound I perceived that there were many choirs. I was told by the angels present with me that those choirs belonged to the province of the lungs and the functions of these, singing being their role because that is an activity of the lungs, as I was also given to know from experience. They were allowed to control my breathing, which was done so gently and softly and also interiorly that I was scarcely aware of myself breathing at all. I was also told that those assigned to involuntary breathing are distinct and separate from those assigned to voluntary. They said that those assigned to involuntary breathing were present when a person is asleep, for as soon as he is asleep his voluntary breathing stops and the involuntary takes over.

  
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Thanks to the Swedenborg Society for the permission to use this translation.