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Exodus第26章

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1 καί-C ὁ- A--ASF σκηνή-N1--ASF ποιέω-VF--FAI2S δέκα-M αὐλαία-N1A-APF ἐκ-P βύσσος-N2--GSF κλώθω-VT--XMPGSF καί-C ὑάκινθος-N2--GSF καί-C πορφύρα-N1A-GSF καί-C κόκκινος-A1--GSN κλώθω-VT--XMPGSN χερουβιμ-N---APM ἐργασία-N1A-DSF ὑφάντης-N1M-GSM ποιέω-VF--FAI2S αὐτός- D--APF

2 μῆκος-N3E-NSN ὁ- A--GSF αὐλαία-N1A-GSF ὁ- A--GSF εἷς-A1A-GSF ὀκτώ-M καί-C εἴκοσι-M πῆχυς-N3E-GPM καί-C εὖρος-N2--NSN τέσσαρες-A3--GPM πῆχυς-N3E-GPM ὁ- A--NSF αὐλαία-N1A-NSF ὁ- A--NSF εἷς-A1A-NSF εἰμί-VF--FMI3S μέτρον-N2N-NSN ὁ- A--NSN αὐτός- D--NSN εἰμί-VF--FMI3S πᾶς-A1S-DPF ὁ- A--DPF αὐλαία-N1A-DPF

3 πέντε-M δέ-X αὐλαία-N1A-NPF εἰμί-VF--FMI3P ἐκ-P ἀλλήλω- D--GPM ἔχω-V1--PMPNPF ὁ- A--NSF ἕτερος-A1A-NSF ἐκ-P ὁ- A--GSF ἕτερος-A1A-GSF καί-C πέντε-M αὐλαία-N1A-NPF εἰμί-VF--FMI3P συνἔχω-V1--PMPNPF ἕτερος-A1A-NSF ὁ- A--DSF ἕτερος-A1A-DSF

4 καί-C ποιέω-VF--FAI2S αὐτός- D--DPF ἀγκύλη-N1--APF ὑακίνθινος-A1--APF ἐπί-P ὁ- A--GSN χεῖλος-N3E-GSN ὁ- A--GSF αὐλαία-N1A-GSF ὁ- A--GSF εἷς-A1A-GSF ἐκ-P ὁ- A--GSN εἷς-A3--GSN μέρος-N3E-GSN εἰς-P ὁ- A--ASF συμβολή-N1--ASF καί-C οὕτως-D ποιέω-VF--FAI2S ἐπί-P ὁ- A--GSN χεῖλος-N3E-GSN ὁ- A--GSF αὐλαία-N1A-GSF ὁ- A--GSF ἐξώτερος-A1A-GSF πρός-P ὁ- A--DSF συμβολή-N1--DSF ὁ- A--DSF δεύτερος-A1A-DSF

5 πεντήκοντα-M ἀγκύλη-N1--APF ποιέω-VF--FAI2S ὁ- A--DSF αὐλαία-N1A-DSF ὁ- A--DSF εἷς-A1A-DSF καί-C πεντήκοντα-M ἀγκύλη-N1--APF ποιέω-VF--FAI2S ἐκ-P ὁ- A--GSN μέρος-N3E-GSN ὁ- A--GSF αὐλαία-N1A-GSF κατά-P ὁ- A--ASF συμβολή-N1--ASF ὁ- A--GSF δεύτερος-A1A-GSF ἀντιπρόσωπος-A1B-NPF ἀντιπίπτω-V1--PAPNPF ἀλλήλω- D--DPF εἰς-P ἕκαστος-A1--ASF

6 καί-C ποιέω-VF--FAI2S κρίκος-N2--APM πεντήκοντα-M χρυσοῦς-A1C-APM καί-C συνἅπτω-VF--FAI2S ὁ- A--APF αὐλαία-N1A-APF ἕτερος-A1A-ASF ὁ- A--DSF ἕτερος-A1A-DSF ὁ- A--DPM κρίκος-N2--DPM καί-C εἰμί-VF--FMI3S ὁ- A--NSF σκηνή-N1--NSF εἷς-A1A-NSF

7 καί-C ποιέω-VF--FAI2S δέρρις-N3I-APF τριχίνας-A1--APF σκέπη-N1--ASF ἐπί-P ὁ- A--GSF σκηνή-N1--GSF ἕνδεκα-M δέρρις-N3I-APF ποιέω-VF--FAI2S αὐτός- D--APF

8 ὁ- A--NSN μῆκος-N3E-NSN ὁ- A--GSF δέρρις-N3I-GSF ὁ- A--GSF εἷς-A1A-GSF εἰμί-VF--FMI3S τριάκοντα-M πῆχυς-N3E-GPM καί-C τέσσαρες-A3--GPM πῆχυς-N3E-GPM ὁ- A--NSN εὖρος-N2--NSN ὁ- A--GSF δέρρις-N3I-GSF ὁ- A--GSF εἷς-A1A-GSF μέτρον-N2N-NSN ὁ- A--NSN αὐτός- D--NSN εἰμί-VF--FMI3S ὁ- A--DPF ἕνδεκα-M δέρρις-N3I-DPF

9 καί-C συνἅπτω-VF--FAI2S ὁ- A--APF πέντε-M δέρρις-N3I-APF ἐπί-P ὁ- A--ASN αὐτός- D--ASN καί-C ὁ- A--APF ἕξ-M δέρρις-N3I-APF ἐπί-P ὁ- A--ASN αὐτός- D--ASN καί-C ἐπιδιπλόω-VF--FAI2S ὁ- A--ASF δέρρις-N3I-ASF ὁ- A--ASF ἕκτος-A1--ASF κατά-P πρόσωπον-N2N-ASN ὁ- A--GSF σκηνή-N1--GSF

10 καί-C ποιέω-VF--FAI2S ἀγκύλη-N1--APF πεντήκοντα-M ἐπί-P ὁ- A--GSN χεῖλος-N3E-GSN ὁ- A--GSF δέρρις-N3I-GSF ὁ- A--GSF εἷς-A1A-GSF ὁ- A--GSF ἀνά-P μέσος-A1--ASN κατά-P συμβολή-N1--ASF καί-C πεντήκοντα-M ἀγκύλη-N1--APF ποιέω-VF--FAI2S ἐπί-P ὁ- A--GSN χεῖλος-N3E-GSN ὁ- A--GSF δέρρις-N3I-GSF ὁ- A--GSF συνἅπτω-V1--PAPGSF ὁ- A--GSF δεύτερος-A1A-GSF

11 καί-C ποιέω-VF--FAI2S κρίκος-N2--APM χαλκοῦς-A1C-APM πεντήκοντα-M καί-C συνἅπτω-VF--FAI2S ὁ- A--APM κρίκος-N2--APM ἐκ-P ὁ- A--GPF ἀγκύλη-N1--GPF καί-C συνἅπτω-VF--FAI2S ὁ- A--APF δέρρις-N3I-APF καί-C εἰμί-VF--FMI3S εἷς-A3--NSN

12 καί-C ὑποτίθημι-VF--FAI2S ὁ- A--ASN πλεονάζω-V1--PAPASN ἐν-P ὁ- A--DPF δέρρις-N3I-DPF ὁ- A--GSF σκηνή-N1--GSF ὁ- A--ASN ἥμισυς-A3U-ASN ὁ- A--GSF δέρρις-N3I-GSF ὁ- A--ASN ὑπολείπω-VP--XMPASN ὑποκαλύπτω-VF--FAI2S ὁ- A--ASN πλεονάζω-V1--PAPASN ὁ- A--GPF δέρρις-N3I-GPF ὁ- A--GSF σκηνή-N1--GSF ὑποκαλύπτω-VF--FAI2S ὀπίσω-P ὁ- A--GSF σκηνή-N1--GSF

13 πῆχυς-N3E-ASM ἐκ-P οὗτος- D--GSN καί-C πῆχυς-N3E-ASM ἐκ-P οὗτος- D--GSN ἐκ-P ὁ- A--GSN ὑπερἔχω-V1--PAPGSN ὁ- A--GPF δέρρις-N3I-GPF ἐκ-P ὁ- A--GSN μῆκος-N3E-GSN ὁ- A--GPF δέρρις-N3I-GPF ὁ- A--GSF σκηνή-N1--GSF εἰμί-VF--FMI3S συνκαλύπτω-V1--PAPNSN ἐπί-P ὁ- A--APN πλάγιος-A1A-APN ὁ- A--GSF σκηνή-N1--GSF ἔνθεν-D καί-C ἔνθεν-D ἵνα-C καλύπτω-V1--PAS3S

14 καί-C ποιέω-VF--FAI2S κατακάλυμμα-N3M-ASN ὁ- A--DSF σκηνή-N1--DSF δέρμα-N3M-APN κριός-N2--GPM ἐρυθροδανόω-VM--XPPAPN καί-C ἐπικάλυμμα-N3M-APN δέρμα-N3M-APN ὑακίνθινος-A1--APN ἐπάνωθεν-D

15 καί-C ποιέω-VF--FAI2S στῦλος-N2--APM ὁ- A--DSF σκηνή-N1--DSF ἐκ-P ξύλον-N2N-GPN ἄσηπτος-A1B-GPN

16 δέκα-M πῆχυς-N3E-GPM ποιέω-VF--FAI2S ὁ- A--ASM στῦλος-N2--ASM ὁ- A--ASM εἷς-A3--ASM καί-C πῆχυς-N3E-GSM εἷς-A3--GSM καί-C ἥμισυς-A3U-GSM ὁ- A--ASN πλάτος-N3E-ASN ὁ- A--GSM στῦλος-N2--GSM ὁ- A--GSM εἷς-A3--GSM

17 δύο-M ἀγκωνίσκος-N2--APM ὁ- A--DSM στῦλος-N2--DSM ὁ- A--DSM εἷς-A3--DSM ἀντιπίπτω-V1--PAPAPM ἕτερος-A1A-ASM ὁ- A--DSM ἕτερος-A1A-DSM οὕτως-D ποιέω-VF--FAI2S πᾶς-A3--DPM ὁ- A--DPM στῦλος-N2--DPM ὁ- A--GSF σκηνή-N1--GSF

18 καί-C ποιέω-VF--FAI2S στῦλος-N2--APM ὁ- A--DSF σκηνή-N1--DSF εἴκοσι-M στῦλος-N2--APM ἐκ-P ὁ- A--GSN κλίτος-N3E-GSN ὁ- A--GSN πρός-P βορέας-N1T-ASM

19 καί-C τεσσαράκοντα-M βάσις-N3I-APF ἀργυροῦς-A1C-APF ποιέω-VF--FAI2S ὁ- A--DPM εἴκοσι-M στῦλος-N2--DPM δύο-M βάσις-N3I-NPF ὁ- A--DSM στῦλος-N2--DSM ὁ- A--DSM εἷς-A3--DSM εἰς-P ἀμφότεροι-A1A-APN ὁ- A--APN μέρος-N3E-APN αὐτός- D--GSM καί-C δύο-M βάσις-N3I-NPF ὁ- A--DSM στῦλος-N2--DSM ὁ- A--DSM εἷς-A3--DSM εἰς-P ἀμφότεροι-A1A-APN ὁ- A--APN μέρος-N3E-APN αὐτός- D--GSM

20 καί-C ὁ- A--ASN κλίτος-N3E-ASN ὁ- A--ASN δεύτερος-A1A-ASN ὁ- A--ASN πρός-P νότος-N2--ASM εἴκοσι-M στῦλος-N2--APM

21 καί-C τεσσαράκοντα-M βάσις-N3I-APF αὐτός- D--GPM ἀργυροῦς-A1C-APF δύο-M βάσις-N3I-APF ὁ- A--DSM στῦλος-N2--DSM ὁ- A--DSM εἷς-A3--DSM εἰς-P ἀμφότεροι-A1A-APN ὁ- A--APN μέρος-N3E-APN αὐτός- D--GSM καί-C δύο-M βάσις-N3I-APF ὁ- A--DSM στῦλος-N2--DSM ὁ- A--DSM εἷς-A3--DSM εἰς-P ἀμφότεροι-A1A-APN ὁ- A--APN μέρος-N3E-APN αὐτός- D--GSM

22 καί-C ἐκ-P ὁ- A--GPM ὀπίσω-P ὁ- A--GSF σκηνή-N1--GSF κατά-P ὁ- A--ASN μέρος-N3E-ASN ὁ- A--ASN πρός-P θάλασσα-N1S-ASF ποιέω-VF--FAI2S ἕξ-M στῦλος-N2--APM

23 καί-C δύο-M στῦλος-N2--APM ποιέω-VF--FAI2S ἐπί-P ὁ- A--GPF γωνία-N1A-GPF ὁ- A--GSF σκηνή-N1--GSF ἐκ-P ὁ- A--GPN ὀπίσθιος-A1A-GPN

24 καί-C εἰμί-VF--FMI3S ἐκ-P ἴσος-A1--GSN κάτωθεν-D κατά-P ὁ- A--ASN αὐτός- D--ASN εἰμί-VF--FMI3P ἴσος-A1--NPM ἐκ-P ὁ- A--GPF κεφαλίς-N3D-GPF εἰς-P σύμβλησις-N3--ASF εἷς-A1A-ASF οὕτως-D ποιέω-VF--FAI2S ἀμφότεροι-A1A-DPF ὁ- A--DPF δύο-M---DPF γωνία-N1A-DPF εἰμί-V9--PAD3P

25 καί-C εἰμί-VF--FMI3P ὀκτώ-M στῦλος-N2--NPM καί-C ὁ- A--NPF βάσις-N3I-NPF αὐτός- D--GPM ἀργυροῦς-A1C-NPF δέκα-M ἕξ-M δύο-M βάσις-N3I-NPF ὁ- A--DSM στῦλος-N2--DSM ὁ- A--DSM εἷς-A3--DSM εἰς-P ἀμφότεροι-A1A-APN ὁ- A--APN μέρος-N3E-APN αὐτός- D--GSM καί-C δύο-M βάσις-N3I-NPF ὁ- A--DSM στῦλος-N2--DSM ὁ- A--DSM εἷς-A3--DSM

26 καί-C ποιέω-VF--FAI2S μοχλός-N2--APM ἐκ-P ξύλον-N2N-GPN ἄσηπτος-A1B-GPN πέντε-M ὁ- A--DSM εἷς-A3--DSM στῦλος-N2--DSM ἐκ-P ὁ- A--GSN εἷς-A3--GSN μέρος-N3E-GSN ὁ- A--GSF σκηνή-N1--GSF

27 καί-C πέντε-M μοχλός-N2--APM ὁ- A--DSM στῦλος-N2--DSM ὁ- A--DSN κλίτος-N3E-DSN ὁ- A--GSF σκηνή-N1--GSF ὁ- A--DSN δεύτερος-A1A-DSN καί-C πέντε-M μοχλός-N2--APM ὁ- A--DSM στῦλος-N2--DSM ὁ- A--DSM ὀπίσθιος-A1A-DSM ὁ- A--DSN κλίτος-N3E-DSN ὁ- A--GSF σκηνή-N1--GSF ὁ- A--DSN πρός-P θάλασσα-N1S-ASF

28 καί-C ὁ- A--NSM μοχλός-N2--NSM ὁ- A--NSM μέσος-A1--NSM ἀνά-P μέσος-A1--ASN ὁ- A--GPM στῦλος-N2--GPM διαἱκνέομαι-V2--PMD3S ἀπό-P ὁ- A--GSN εἷς-A3--GSN κλίτος-N3E-GSN εἰς-P ὁ- A--ASN ἕτερος-A1A-ASN κλίτος-N3E-ASN

29 καί-C ὁ- A--APM στῦλος-N2--APM καταχρυσόω-VF--FAI2S χρυσίον-N2N-DSN καί-C ὁ- A--APM δακτύλιος-N2--APM ποιέω-VF--FAI2S χρυσοῦς-A1C-APM εἰς-P ὅς- --APM εἰςἄγω-VF--FAI2S ὁ- A--APM μοχλός-N2--APM καί-C καταχρυσόω-VF--FAI2S ὁ- A--APM μοχλός-N2--APM χρυσίον-N2N-DSN

30 καί-C ἀναἵστημι-VF--FAI2S ὁ- A--ASF σκηνή-N1--ASF κατά-P ὁ- A--ASN εἶδος-N3E-ASN ὁ- A--ASN δεικνύω-VK--XMPASN σύ- P--DS ἐν-P ὁ- A--DSN ὄρος-N3E-DSN

31 καί-C ποιέω-VF--FAI2S καταπέτασμα-N3M-ASN ἐκ-P ὑάκινθος-N2--GSF καί-C πορφύρα-N1A-GSF καί-C κόκκινος-A1--GSN κλώθω-VT--XMPGSN καί-C βύσσος-N2--GSF νήθω-VT--XMPGSF ἔργον-N2N-ASN ὑφαντός-A1--ASN ποιέω-VF--FAI2S αὐτός- D--ASN χερουβιμ-N---APM

32 καί-C ἐπιτίθημι-VF--FAI2S αὐτός- D--ASN ἐπί-P τέσσαρες-A3--GPM στῦλος-N2--GPM ἄσηπτος-A1B-GPM χρυσόω-VM--XPPGPM χρυσίον-N2N-DSN καί-C ὁ- A--NPF κεφαλίς-N3D-NPF αὐτός- D--GPM χρυσοῦς-A1C-NPF καί-C ὁ- A--NPF βάσις-N3I-NPF αὐτός- D--GPM τέσσαρες-A3--NPF ἀργυροῦς-A1C-NPF

33 καί-C τίθημι-VF--FAI2S ὁ- A--ASN καταπέτασμα-N3M-ASN ἐπί-P ὁ- A--APM στῦλος-N2--APM καί-C εἰςφέρω-VF--FAI2S ἐκεῖ-D ἐσώτερον-P ὁ- A--GSN καταπέτασμα-N3M-GSN ὁ- A--ASF κιβωτός-N2--ASF ὁ- A--GSN μαρτύριον-N2N-GSN καί-C διαὁρίζω-VF2-FAI3S ὁ- A--ASN καταπέτασμα-N3M-ASN σύ- P--DP ἀνά-P μέσος-A1--ASN ὁ- A--GSM ἅγιος-A1A-GSM καί-C ἀνά-P μέσος-A1--ASN ὁ- A--GSM ἅγιος-A1A-GSM ὁ- A--GPM ἅγιος-A1A-GPM

34 καί-C κατακαλύπτω-VF--FAI2S ὁ- A--DSN καταπέτασμα-N3M-DSN ὁ- A--ASF κιβωτός-N2--ASF ὁ- A--GSN μαρτύριον-N2N-GSN ἐν-P ὁ- A--DSM ἅγιος-A1A-DSM ὁ- A--GPM ἅγιος-A1A-GPM

35 καί-C τίθημι-VF--FAI2S ὁ- A--ASF τράπεζα-N1S-ASF ἔξωθεν-D ὁ- A--GSN καταπέτασμα-N3M-GSN καί-C ὁ- A--ASF λυχνία-N1A-ASF ἀπέναντι-P ὁ- A--GSF τράπεζα-N1S-GSF ἐπί-P μέρος-N3E-GSN ὁ- A--GSF σκηνή-N1--GSF ὁ- A--ASN πρός-P νότος-N2--ASM καί-C ὁ- A--ASF τράπεζα-N1S-ASF τίθημι-VF--FAI2S ἐπί-P μέρος-N3E-GSN ὁ- A--GSF σκηνή-N1--GSF ὁ- A--ASN πρός-P βορέας-N1T-ASM

36 καί-C ποιέω-VF--FAI2S ἐπίσπαστρον-N2N-ASN ἐκ-P ὑάκινθος-N2--GSF καί-C πορφύρα-N1A-GSF καί-C κόκκινος-A1--GSN κλώθω-VT--XMPGSN καί-C βύσσος-N2--GSF κλώθω-VT--XMPGSF ἔργον-N2N-ASN ποικιλτής-N1M-GSM

37 καί-C ποιέω-VF--FAI2S ὁ- A--DSN καταπέτασμα-N3M-DSN πέντε-M στῦλος-N2--APM καί-C χρυσόω-VF--FAI2S αὐτός- D--APM χρυσίον-N2N-DSN καί-C ὁ- A--NPF κεφαλίς-N3D-NPF αὐτός- D--GPM χρυσοῦς-A1C-NPF καί-C χωνεύω-VF--FAI2S αὐτός- D--DPM πέντε-M βάσις-N3I-APF χαλκοῦς-A1C-APF

   

来自斯威登堡的著作

 

Apocalypse Revealed#793

学习本章节

  
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793. "No craftsman of any craft shall be found in you anymore." This symbolically means that those caught up in the Roman Catholic religion because of its doctrine and a life in accordance with it are without any understanding of spiritual truth, and so are without any thought of spiritual truth, to the extent that they are left to themselves.

In the spiritual sense of the Word, a craftsman symbolizes an intelligent person and a thinking one by virtue of his intellect - in a good sense, someone who uses his intellect to think thoughts that are true, which are heavenly, and in a bad sense, someone who uses his intellect to think thoughts that are false, which are infernal. Moreover, because all of these thoughts are of many kinds, and each kind consists of many varieties, and each variety again of many kinds and varieties, but which we call particulars and specifics, therefore the text says, "no craftsman of any craft."

By virtue of their arts and crafts, too, and the correspondence of these, craftsmen symbolize such things as have to do with wisdom, intelligence and knowledge. We say, by virtue of their correspondence, because a person's every work, likewise his every undertaking, corresponds to such things as have to do with the intelligence of angels, provided it is of some use. But the works of craftsmen in gold, silver and precious stones correspond to some matters or objects of angelic intelligence, the works of craftsmen in bronze, iron, wood and stone to others, and the works of craftsmen in other valuable endeavors, such as the making of cloth, linens, garments and clothing of various kinds, to still others. All of these arts and crafts have, as we said, a correspondence, because they are works.

It can be seen from this that no craftsman of any art being found in Babylon does not mean that there will be no craftsman there, but that there will be no understanding of spiritual truth and so no thought of spiritual truth. But this is the case only with those who are caught up in the Roman Catholic religion because of its doctrine and a life in accordance with it, and this to the extent that they are left to themselves.

[2] That a craftsman symbolizes people who have an understanding of truth and so think thoughts that are true can be seen from this, that Bezaleel and Aholiab were to make the Tabernacle, because they were filled with wisdom, understanding, and knowledge (Exodus 31:3; 36:1-2). Also from the following:

All the wise-hearted among those doing the work made (the dwelling place) with the work of a craftsman... (Exodus 36:8)

You shall make the dwelling place... of fine woven linen and blue, purple, and double-dyed scarlet...(and) cherubim; with the work of a craftsman you shall make them. (Exodus 26:1)

You shall make a veil (in the same manner) with the work of a craftsman. (Exodus 26:31; 36:35)

So, too, the ephod with the work of a craftsman, and also the breastpiece (Exodus 28:6; 39:8). The word for craftsman there is one that also means a thinker.

With the work of a craftsman in gems..., you shall engrave the two stones... which you shall put... on the shoulders of the ephod... (Exodus 28:11, 12)

[3] In an opposite sense, the work of a craftsman symbolizes the kind of work that is the product of one's own intelligence, from which comes only falsity. This is meant by the work of a craftsman in the following passages:

In their intelligence they will make... a molten image... of their silver..., all of it the work of craftsmen. (Hosea 13:2)

A craftsman pours the image, and the founder covers it with gold and forges chains of silver... He seeks... a wise craftsman... (Isaiah 40:19-20)

...one cuts wood from a forest, the work of the hands of the workman... Silver... is brought from Tarshish, and gold from Uphaz, the work of a craftsman...; blue and purple their clothing, all the work of wise men. (Jeremiah 10:3, 9)

See also Deuteronomy 27:15.

That idols symbolize falsities in worship and religion originating from people's own intelligence may be seen in no. 459, 460 above.

  
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Many thanks to the General Church of the New Jerusalem, and to Rev. N.B. Rogers, translator, for the permission to use this translation.