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出埃及记第31章

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1 耶和华晓谕摩西

2 哪,犹大支派中,户珥的孙子、乌利的儿子比撒列,我已经题他的名召他。

3 我也以我的灵充满了他,使他有智慧,有聪明,有知识,能做各样的工,

4 能想出巧工,用、铜制造各物,

5 又能刻宝,可以镶嵌,能雕刻头,能做各样的工。

6 我分派但支派中、亚希撒抹的儿子亚何利亚伯与他同工。凡里有智慧的,我更使他们有智慧,能做我一切所吩咐的,

7 就是会幕和法柜,并其上的施恩座,与会幕中一切的器具,

8 桌子桌子的器具,精金的台和台的一切器具并香

9 祭坛的一切器具,并洗濯盆与盆座,

10 精工做的礼服,和祭司亚伦并他儿子用以供祭司职分的衣,

11 和为所用馨料。他们都要照我一切所吩咐的去做。

12 耶和华晓谕摩西

13 你要吩咐以色列人:你们务要守我的安息日;因为这是你我之间世世代的证据,使你们知道我─耶和华是叫你们成为的。

14 所以你们要守安息日,以为日。凡干犯这日的,必要把他治;凡在这日做工的,必从民中剪除。

15 日要做工,但第七日是安息日,是向耶和华守为的。凡在安息日做工的,必要把他治

16 故此,以色列人要世世代守安息日为永远的约。

17 这是我和以色列人永远的证据;因为日之内耶和华,第七日便安息舒畅。

18 耶和华在西乃摩西说完了话,就把两块法版交他,是用指头版。

   

来自斯威登堡的著作

 

Apocalypse Explained#1186

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1186. "And no craftsman of whatsoever craft shall be found in thee any more."- That this signifies no longer any wisdom, intelligence, and knowledge (scientia), is evident from the signification of craftsman of whatsoever craft, as denoting all that pertains to the understanding, consequently wisdom, intelligence, and knowledge (scientia); for these belong to the understanding, wisdom being the inmost, intelligence the middle, and knowledge (scientia) the ultimate thereof. The reason why these things are signified by the craftsmen of whatsoever craft is, that they are endowments of the understanding, and such endowments are signified by crafts. Since these are signified by crafts, therefore in those parts of the Word where the construction of the tabernacle is described and also the garments of Aaron which were of gold, purple, crimson (purpura), scarlet double-dyed, and fine twined linen, it is said that they were to be the work of the craftsman, and elsewhere the work of the designer (Exodus 26:1, 31; 28:6; 39:8; and other passages). By those things, now mentioned, of which they are made, are signified such things as pertain to wisdom, intelligence, and knowledge (scientia); it is therefore said of Bezeleel and Oholiab, the craftsmen who made them, that "they were filled with wisdom, intelligence, and knowledge (scientia)" (Exodus 31:3, and following verses; 36:1, 2, and following verses).

[2] That a craftsman signifies intelligence from man's proprium is plain in Hosea:

"They make to themselves a molten image of their silver, and idols in their intelligence, all of it the work of the craftsmen" (13:2).

A molten image and an idol signify worship according to doctrine which is from [man's] own intelligence; silver signifies falsity from which such doctrine is formed, it is therefore said, that in their intelligence they make themselves an idol, all of it the work of the craftsmen.

Similarly in Isaiah:

"The workman casteth a graven image, and the goldsmith spreadeth it over with gold, and forgeth silver chains, he seeketh a wise craftsman" (40:19, 20);

and in Jeremiah:

"Silver spread into plates is brought from Tarshish, and gold from Uphaz, the work of the craftsman, and of the hands of the founder, purple (hyacinthinum) and clothing, all the whole work of wise men" (10:3, 9).

Here and in several other passages the nature of man's own intelligence is described by idols, sculptured things and molten images, as may be seen above (n. 587, 827).

[3] Continuation.- The end, middle causes, and effects are called also the principal end, the intermediate ends, and the ultimate end. These latter are called ends, because the principal end, which is everything in them - both their esse and soul - produces them. The principal end is the love of man's will, the intermediate ends are subordinate loves, and the ultimate end is the love of the will, existing, as it were, in its effigy. Since the principal end is the love of the will, it follows that the intermediate ends, because they are subordinate loves, are foreseen, provided, and produced through the understanding, and that the ultimate end is the use foreseen, provided, and produced by the love of the will through the understanding, for everything that love produces is use. It is necessary for this to be stated in order that the assertion just made may be understood, namely, that eminence and opulence may be blessings, and also that they may also be curses.

  
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Translation by Isaiah Tansley. Many thanks to the Swedenborg Society for the permission to use this translation.