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Exodus第28章

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1 Now let Aaron your brother, and his sons with him, come near from among the children of Israel, so that they may be my priests, even Aaron, and Nadab, Abihu, Eleazar, and Ithamar, his sons.

2 And make holy robes for Aaron your brother, so that he may be clothed with glory and honour.

3 Give orders to all the wise-hearted workmen, whom I have made full of the spirit of wisdom, to make robes for Aaron, so that he may be made holy as my priest.

4 This is what they are to make: a priest's bag, an ephod, and a robe, and a coat of coloured needlework, a head-dress, and a linen band; they are to make holy robes for Aaron your brother and for his sons, so that they may do the work of priests for me.

5 They are to take the gold and blue and purple and red and the best linen,

6 And make the ephod of gold and blue and purple and red and the best linen, the work of a designer.

7 It is to have two bands stitched to it at the top of the arms, joining it together.

8 And the beautifully worked band, which goes on it, is to be of the same work and the same material, of gold and blue and purple and red and twisted linen-work.

9 You are to take two beryl stones, on which the names of the children of Israel are to be cut:

10 Six names on the one stone and Six on the other, in the order of their birth.

11 With the work of a jeweller, like the cutting of a stamp, the names of the children of Israel are to be cut on them, and they are to be fixed in twisted frames of gold.

12 And the two stones are to be placed on the ephod, over the arm-holes, to be stones of memory for the children of Israel: Aaron will have their names on his arms when he goes in before the Lord, to keep the Lord in mind of them.

13 And you are to make twisted frames of gold;

14 And two chains of the best gold, twisted like cords; and have the chains fixed on to the frames.

15 And make a priest's bag for giving decisions, designed like the ephod, made of gold and blue and purple and red and the best linen.

16 It is to be square, folded in two, a hand-stretch long and a hand-stretch wide.

17 And on it you are to put four lines of jewels; the first line is to be a cornelian, a chrysolite, and an emerald;

18 The second, a ruby, a sapphire, and an onyx;

19 The third, a jacinth, an agate, and an amethyst;

20 The fourth, a topaz, a beryl, and a jasper; they are to be fixed in twisted frames of gold.

21 The jewels are to be twelve in number, for the names of the children of Israel; every jewel having the name of one of the twelve tribes cut on it as on a stamp.

22 And you are to make two chains of gold, twisted like cords, to be fixed to the priest's bag.

23 And put two gold rings on the two ends of the bag.

24 Put the two gold chains on the two rings at the ends of the bag;

25 Joining the other ends of the chains to the gold frames and putting them on the front of the ephod, at the top of the arms.

26 Then make two gold rings and put them on the lower ends of the bag, at the edge of it on the inner side nearest to the ephod.

27 And make two more gold rings and put them on the front of the ephod at the top of the arms, at the join, over the worked band:

28 So that the rings on the bag may be fixed to the rings of the ephod by a blue cord and on to the band of the ephod, so that the bag may not come loose from the ephod.

29 And so Aaron will have the names of the children of Israel on the priest's bag over his heart whenever he goes into the holy place, to keep the memory of them before the Lord.

30 And in the bag you are to put the Urim and Thummim, so that they may be on Aaron's heart whenever he goes in before the Lord; and Aaron may have the power of making decisions for the children of Israel before the Lord at all times.

31 The robe which goes with the ephod is to be made all of blue;

32 With a hole at the top, in the middle of it; the hole is to be edged with a band to make it strong like the hole in the coat of a fighting-man, so that it may not be broken open.

33 And round the skirts of it put fruits in blue and purple and red, with bells of gold between;

34 A gold bell and a fruit in turn all round the skirts of the robe.

35 Aaron is to put it on for his holy work; and the sound of it will be clear, when he goes into the holy place before the Lord, and when he comes out, keeping him safe from death.

36 You are to make a plate of the best gold, cutting on it, as on a stamp, these words: HOLY TO THE LORD.

37 Put a blue cord on it and Put it on the front of the twisted head-dress:

38 And it will be over Aaron's brow, so that Aaron will be responsible for any error in all the holy offerings made by the children of Israel; it will be on his brow at all times, so that their offerings may be pleasing to the Lord.

39 The coat is to be made of the best linen, worked in squares; and you are to make a head-dress of linen, and a linen band worked in needlework.

40 And for Aaron's sons you are to make coats, and bands, and head-dresses, so that they may be clothed with glory and honour.

41 These you are to put on Aaron, your brother, and on his sons, putting oil on them, separating them and making them holy, to do the work of priests to me.

42 And you are to make them linen trousers, covering their bodies from the middle to the knee;

43 Aaron and his sons are to put these on whenever they go into the Tent of meeting or come near the altar, when they are doing the work of the holy place, so that they may be free from any sin causing death: this is to be an order for him and his seed after him for ever.

   

来自斯威登堡的著作

 

Arcana Coelestia#9865

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9865. 'A ruby, a topaz, a carbuncle' means the celestial love of good. This is clear from the meaning of these stones as the good of celestial love, celestial love being love to the Lord, received from the Lord. Those stones mean that love on account of their red and flaming colour; for 'red' means love, 3300, and so does 'flaming', 3222, 6832, 7620-7622, 9570. But here celestial love is meant because those stones are in the first row; and those in the first row correspond to the realities that exist in the inmost heaven, where celestial love, which is love to the Lord, reigns. Since the twelve stones in the breastplate represented all the truths that spring from good they also represented the whole of heaven; for heaven is heaven by virtue of the Divine Truth emanating from the Lord's Divine Good, the angels there who constitute heaven being recipients of that Truth. So it is that the three stones which are in the first row represent the inmost heaven, consequently the love that reigns there, which is called the celestial love of good and celestial love of truth. The stones in the first row represent the celestial love of good, those in the second row the celestial love of truth. These stones represent that love, as has been stated, on account of their colour; for what precious stones represent is determined by their colours.

[2] In heaven colours of indescribable beauty appear; for they are modifications of heavenly light, and heavenly light is Divine Truth emanating from the Lord. From this it is evident that colours present themselves there in accord with variations of goodness and truth; thus they are modifications of the light emanating from the Lord, through the angels. The light emanating from the Lord appears in the inmost heaven as a flame; therefore the colours resulting from it are red and flashing. But the same light appears in the middle heaven as a brilliantly white light; therefore the colours resulting from it are brilliant, and to the extent that they have good within them they are gleaming. This explains why there are two basic colours to which all others are related, namely the colour red and the colour white; and the colour red is representative of good, while the colour white is representative of truth, see 9467.

[3] From all this it is now clear why it was that stones of so many colours were set in rows in the breastplate, namely in order that they might represent all the forms of good and the truths that exist in heaven in their proper order, and consequently represent the whole of heaven. The reason why the stones in the first row - a ruby, a topaz, and a carbuncle - represented the celestial love of good is that they are different hues of red. Furthermore the noun used in the original language for 'a ruby', the first in the row, is derived from a word that means 'redness'; and that for 'a carbuncle', the third in the row, is derived from a word meaning 'flashing', as if from fire. But as for the derivation of 'a topaz', the middle one in the row, this is unknown, though it very probably comes from something describing a red and flaming colour. This may be why in Job something similar is said of a topaz as is said of gold,

With wisdom the topaz of Ethiopia will not compete, it cannot be valued in pure gold. Job 28:19.

'Gold' too means the good of love, 113, 1551, 1552, 5658, 6914, 6917, 8932, 9490, 9510.

  
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Thanks to the Swedenborg Society for the permission to use this translation.