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خروج第26章

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1 واما المسكن فتصنعه من عشر شقق بوص مبروم واسمانجوني وارجوان وقرمز. بكروبيم صنعة حائك حاذق تصنعها.

2 طول الشقة الواحدة ثمان وعشرون ذراعا وعرض الشقة الواحدة اربع اذرع. قياسا واحدا لجميع الشقق.

3 تكون خمس من الشقق بعضها موصول ببعض وخمس شقق بعضها موصول ببعض.

4 وتصنع عرى من اسمانجوني على حاشية الشقق الواحدة في الطرف من الموصل الواحد. وكذلك تصنع في حاشية الشقة الطرفية من الموصّل الثاني.

5 خمسين عروة تصنع في الشقة الواحدة وخمسين عروة تصنع في طرف الشقة الذي في الموصّل الثاني. تكون العرى بعضها مقابل لبعض.

6 وتصنع خمسين شظاظا من ذهب. وتصل الشقتين بعضهما ببعض بالاشظة. فيصير المسكن واحدا

7 وتصنع شققا من شعر معزى خيمة على المسكن. احدى عشرة شقة تصنعها.

8 طول الشقة الواحدة ثلاثون ذراعا وعرض الشقة الواحدة اربع اذرع. قياسا واحدا للاحدى عشرة شقة.

9 وتصل خمسا من الشقق وحدها وستّا من الشقق وحدها. وتثني الشقة السادسة في وجه الخيمة.

10 وتصنع خمسين عروة على حاشية الشقة الواحدة الطرفية من الموصّل الواحد وخمسين عروة على حاشية الشقة من الموصّل الثاني.

11 وتصنع خمسين شظاظا من نحاس. وتدخل الاشظّة في العرى وتصل الخيمة فتصير واحدة.

12 واما المدلّى الفاضل من شقق الخيمة نصف الشقة الموصلة الفاضل فيدلّى على مؤخر المسكن.

13 والذراع من هنا والذراع من هناك من الفاضل في طول شقق الخيمة تكونان مدلاتين على جانبي المسكن من هنا ومن هناك لتغطيته.

14 وتصنع غطاء للخيمة من جلود كباش محمرّة. وغطاء من جلود تخس من فوق

15 وتصنع الالواح للمسكن من خشب السنط قائمة.

16 طول اللوح عشر اذرع وعرض اللوح الواحد ذراع ونصف.

17 وللّوح الواحد رجلان مقرونة احداهما بالاخرى. هكذا تصنع لجميع الواح المسكن.

18 وتصنع الالواح للمسكن عشرين لوحا الى جهة الجنوب نحو التيمن.

19 وتصنع اربعين قاعدة من فضة تحت العشرين لوحا. تحت اللوح الواحد قاعدتان لرجليه وتحت اللوح الواحد قاعدتان لرجليه.

20 ولجانب المسكن الثاني الى جهة الشمال عشرين لوحا.

21 واربعين قاعدة لها من فضة. تحت اللوح الواحد قاعدتان وتحت اللوح الواحد قاعدتان.

22 ولمؤخر المسكن نحو الغرب تصنع ستة الواح.

23 وتصنع لوحين لزاويتي المسكن في المؤخر.

24 ويكونان مزدوجين من اسفل. وعلى سواء يكونان مزدوجين الى راسه الى الحلقة الواحدة. هكذا يكون لكليهما. يكونان للزاويتين.

25 فتكون ثمانية الواح وقواعدها من فضة ست عشرة قاعدة. تحت اللوح الواحد قاعدتان وتحت اللوح الواحد قاعدتان

26 وتصنع عوارض من خشب السنط. خمسا لالواح جانب المسكن الواحد.

27 وخمس عوارض لالواح جانب المسكن الثاني. وخمس عوارض لالواح جانب المسكن في المؤخر نحو الغرب.

28 والعارضة الوسطى في وسط الالواح تنفذ من الطرف الى الطرف.

29 وتغشّي الالواح بذهب. وتصنع حلقاتها من ذهب بيوتا للعوارض. وتغشّي العوارض بذهب.

30 وتقيم المسكن كرسمه الذي أظهر لك في الجبل

31 وتصنع حجابا من اسمانجوني وارجوان وقرمز وبوص مبروم. صنعة حائك حاذق يصنعه بكروبيم.

32 وتجعله على اربعة اعمدة من سنط مغشّاة بذهب. رززها من ذهب. على اربع قواعد من فضة.

33 وتجعل الحجاب تحت الاشظّة. وتدخل الى هناك داخل الحجاب تابوت الشهادة. فيفصل لكم الحجاب بين القدس وقدس الاقداس.

34 وتجعل الغطاء على تابوت الشهادة في قدس الاقداس.

35 وتضع المائدة خارج الحجاب والمنارة مقابل المائدة على جانب المسكن نحو التيمن. وتجعل المائدة على جانب الشمال

36 وتصنع سجفا لمدخل الخيمة من اسمانجوني وارجوان وقرمز وبوص مبروم صنعة الطرّاز.

37 وتصنع للسجف خمسة اعمدة من سنط وتغشّيها بذهب. رززها من ذهب. وتسبك لها خمس قواعد من نحاس

   

来自斯威登堡的著作

 

Arcana Coelestia#3300

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3300. 'And the first came out, ruddy all over, like a hairy garment' 1 means good constituting the life of natural truth. This is clear from the meaning of 'coming out' as being born, from the meaning of 'ruddy' as good constituting the life, dealt with below, and from the meaning of 'a hairy garment' as the truth of the natural, also dealt with below. His being 'the first' means that in essence good is prior, as stated above in 3299. It is also called 'a hairy garment' so as to mean that good was clothed with truth as in a thin casing or body, as also stated above in 3299. In the Word 'a tunic' means nothing else in the internal sense than something that clothes another thing, and that also is why truths are compared to garments, 1073, 2576.

[2] The reason why 'ruddy' or 'red' means good constituting the life is that all good flows from love, and love itself is celestial and spiritual fire. Love is also compared to and actually called fire, see 933-936, as well as being compared to and actually called blood, 1001. Because both fire and blood are red, good that flows from love is meant by 'ruddy' and 'red', as may also be seen from the following places in the Word: In the prophecy of Jacob, who by then was Israel,

He will wash his clothing in wine and his garment in the blood of grapes. His eyes will be redder than wine, and his teeth whiter than milk. Genesis 49:11-12.

This refers to Judah, who is used here to mean the Lord, as may be clear to anyone. 'Clothing' here and 'garment' are the Lord's Divine Natural. 'wine' and 'the blood of grapes' are the Divine Good and Divine Truth of the Natural - Divine Good being spoken of as 'eyes redder than wine', and Divine Truth as 'teeth whiter than milk'. It is the joining together of good and truth within the Natural that is described in this fashion.

[3] In Isaiah,

Who is this who is coming from Edom, red as to his clothing, and his clothes like his that treads in the winepress? Isaiah 63:1-2.

Here 'Edom' stands for the Divine Good of the Lord's Divine Natural, as will be evident later on. 'Red as to clothing' is the good of truth, and 'clothes like his that treads in the winepress' the truth of good. In Jeremiah,

Her Nazirites were brighter than snow, they were whiter than milk. They were ruddier in body 2 than rubies, polished like sapphire. 3 Lamentations 4:7.

'Nazirites' represented the Lord's Divine Human, in particular the Divine Natural, and so the good of the latter was represented by their being 'ruddier in body than rubies'.

[4] Because 'red' meant good, in particular the good of the natural, the Jewish Church - in which every single thing was representative of the Lord, and from this of His kingdom, and consequently of good and truth which are the source of the Lord's kingdom - was therefore commanded to have a covering for the tabernacle of red-rams' skins, Exodus 25:5; 26:14; 35:5-7, 23; 36:19. That Church was also commanded to prepare the water for making atonement from the ashes of the red heifer that had been burnt, Numbers 19:2 and following verses. Unless the colour red had been a sign of something heavenly in the Lord's kingdom, it would never have been commanded that the rams should be red and that the heifer should be red. The fact that they represented sacred things anyone acknowledges who considers the Word to be sacred. Because the colour red had that meaning, therefore also the coverings of the Tabernacle were interwoven with, and had loops made of, scarlet, purple, and violet yarn, Exodus 35:6.

[5] Seeing that almost everything also has a contrary sense, as often stated, so too has 'red'. In the contrary sense 'red' means evil that is the outcome of self-love, the reasons for this being that the desires belonging to self-love are compared to and actually called fire, 934 (end), 1297, 1527, 1528, 1861, 2446, and are likewise compared to and actually called blood, 374, 954, 1005. Consequently 'red' in the contrary sense means those things, as in Isaiah,

Jehovah said, Though your sins are like scarlet, they will be white as snow. Though they are red as crimson, 4 they will be as wool. Isaiah 1:18.

In Nahum,

The shields of the mighty men of Belial have been made red, the mighty men are in crimson!; enveloped in the fire of torches are the chariots on the day [of preparation]. Nahum 2:3.

In John,

Another sign appeared in heaven, Behold, a great fiery-red dragon having seven heads, and on his heads seven jewels. Revelation 12:3.

In the same book,

I saw, and behold, a white horse, and he who sat on it had a bow; to him a crown was given; he went out conquering and to conquer. Then there came out another horse, fiery-red; and he who sat on the horse was permitted to take peace away from the earth, and so that men would slay one another. Therefore to him was given a great sword. After that a black horse came out, and at length a pale horse, whose name is death. Revelation 6:2-8.

脚注:

1. The Latin word is tunica, which is discussed in 4677.

2. literally, bone

3. literally, sapphire their polishing

4. literally, purple

  
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Thanks to the Swedenborg Society for the permission to use this translation.