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Psalms 23 : The 23rd Psalm

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1 The LORD is my shepherd; I shall not want.

2 He maketh me to lie down in green pastures: he leadeth me beside the still waters.

3 He restoreth my soul: he leadeth me in the paths of righteousness for his name's sake.

4 Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thou art with me; thy rod and thy staff they comfort me.

5 Thou preparest a table before me in the presence of mine enemies: thou anointest my head with oil; my cup runneth over.

6 Surely goodness and mercy shall follow me all the days of my life: and I will dwell in the house of the LORD for ever.

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The 23rd Psalm

Av Brian David

The Lord as Shepherd, by Nana Schnarr

The 23rd Psalm is one of the best-known and most-loved literary works in the world, and it may well be the best poem ever written. It is also a fine example of the power of figurative language: We read deep things into the vision of ourselves as sheep, led to green pastures and good water by a kind shepherd. It’s empowering to feel the confidence to go fearlessly into the valley of the shadow of death, and to feel the love and caring of a table prepared by the Lord and a cup so full it overflows.

What people don’t know, however, is that this language actually has precise internal meanings, and that when we see them there is an even deeper beauty in the poem. That’s because what it actually describes is the path to heaven, and the fierce desire the Lord has to lead us there.

The first step is to let the Lord be our shepherd – to accept His teaching and His leadership. The green pastures and the still waters represent the things He will teach us for the journey. Then He begins working inside is, setting our spiritual lives in order, so that we desire to do what’s good and to love one another. That’s represented by restoring our souls and leading us in the paths of righteousness.

But we will still face challenges. We still live external lives, out in the world, and we are subject to desires that arise in those externals, in our bodily lives. That’s the valley of the shadow of death. But the rod and staff represent truth from the Lord on both external and internal levels, ideas that can defend us against those desires.

And if we keep following, the Lord will prepare a table for us – a place inside us that he can fill with love (the anointing oil) and wisdom (the overflowing cup). Thus transformed, we can enter heaven, with love for others (“goodness”) and love from the Lord (“mercy”) and can love and be loved to eternity.

One of many beautiful things about this is the fact that it is the Lord who really does all the work. In the whole text, the only action taken by the sheep is walking through the valley of the shadow of death. Other than that, they follow the Lord, trust the Lord, accept the blessings of the Lord. And that is really true! In external states (in the valley) we might seem to be doing the work ourselves, but internally, spiritually, we simply need to give ourselves to the Lord and let Him bless us.

The underlying idea here is that the Lord created us so that He could love us, in loving us wants us to be happy, knows that our greatest happiness will come from being conjoined to Him in heaven, and Himself wants nothing more than to be conjoined to us. So everything He does, in every moment of every day for every person on the face of the planet, is centered on the goal of getting that person to heaven. He wants each and every one of us in heaven more than we are capable of imagining. We just need to cooperate.

(Referenser: Apocalypse Explained 375 [34], 727 [2]; The Inner Meaning of the Prophets and Psalms 273)

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Arcana Coelestia #9781

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9781. 'Pure, beaten' means what is [therefore] authentic and perceptible. This is clear from the meaning of 'pure' - when it refers to the good meant by 'oil' - as what is authentic, for the more heavenly and so more authentic the good is, the purer it is; and from the meaning of 'beaten' - when it refers to the good meant by 'oil' - as what is perceptible. Good is said to be perceptible when it is converted into truth, for good reveals itself through truth. Indeed truth is the outward form of good, and the good cannot be seen in light except within that form. The more perfect the form in which good presents itself therefore, the more clearly perceptible it becomes. For the good itself shines so plainly from that form that it moves both the understanding part of another person's mind and at the same time the will part. For what applies to goodness and truth applies also to a person's will and understanding, since the will has been dedicated to the reception of good and the understanding to the reception of truth. The will cannot manifest itself in light except through the understanding, for the understanding serves the will as its outward form and renders it perceptible. When a thing receives outward form it can be divided into its parts, and the various relationships and connections among the parts can be established when analysis shows how they are tied together. This is how good is presented in the understanding and made perceptible. Good made perceptible in the understanding is the truth of that good. This now explains why the oil had to be beaten, and the frankincense likewise, regarding which it says that it must be pure and that some of it shall be beaten very small and in this condition burned as incense, Exodus 30:34-36. Something similar to what is meant by that which has been 'beaten' is also meant by that which has been 'ground', as becomes clear from the meaning of 'wheat' and 'fine flour'; 'wheat' means good, and 'fine flour' the truth of that good. Even as that which has been 'beaten' or 'ground' means in the genuine sense good that is perceptible, so in the contrary sense that which has been 'beaten' or 'ground' means evil that is perceptible. This is meant by Moses' action, when he crushed the golden calf by grinding it right down, and having turned it into fine dust threw it into the brook descending from the mountain, Deuteronomy 9:21, regarding which, see 9391.

  
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Thanks to the Swedenborg Society for the permission to use this translation.