Van Swedenborgs Werken

 

Hemel en Hel #73

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73. IEDERE ENGEL HEEFT DAAROM EEN VOLLEDIG MENSELIJKEVORM

Inde twee voorafgaande hoofdstukken is getoond dat de hemel in zijn volledigheid een mens weergeeft, en dat iedere gemeenschap in de hemel dit ook doet. Uit de opeenvolging van redenen die daar gegeven zijn volgt dat iedere engel er ook als een mens uitziet. Aangezien de hemel de mens in de grootste vorm is en een gemeenschap van de hemel dit in een kleinere vorm is, is een engel dit in de kleinste vorm. Want in de meest volmaakte vorm, zoals die van de hemel dat is, bestaat er een gelijkenis van het geheel in het onderdeel en van het onderdeel in het geheel. Dat dit het geval is, komt omdat de hemel een gemeenschap is, want het deelt alles wat het bezit met iedereen en iedereen ontvangt alles wat hij heeft uit die gemeenschap. Een engel is een ontvangbekken en zodoende een hemel in de kleinste vorm, zoals hierboven eveneens in het betreffende gedeelte werd uitgelegd. Voor zover iemand de hemel in zich opneemt, is hij ook een ontvangbekken, een hemel en een engel (zie nr. 57). it wordt in de Apocalyps als volgt beschreven: En hij mat de muur op van het heilige Jeruzalem, honderdvierenveertig el, mensen maat, die engelenmaat is. (Apocalyps 21:17) Jeruzalem is hier de kerk van de Heer, en in hogere betekenis de hemel; de muur is het ware, dat een bescherming is tegen de onjuistheden en zonden; de honderdvierenveertig zijn alle waarheden en al het goede bij elkaar genomen; de maat is de hoedanigheid; mensen maat is iemand in wie al het goede en ware in het algemeen en in het bijzonder aanwezig is, dat is, in wie de hemel is; en omdat een engel door deze dingen ook een mens is, wordt er gezegd mensenmaat, wat ook de maat van een engel is. Dit is de geestelijke betekenis van die woorden. Wie zou zonder die betekenis kunnen begrijpen dat de muur van het heilige Jeruzalem de maat van een mens is, dat is, van een engel?

  
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Thanks to the Swedenborg Boekhuis NL and Guus Janssens for their permission to use this translation.

Van Swedenborgs Werken

 

Apocalypse Explained #490

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490. Verse 3. And another angel came and stood at the altar, signifies the conjunction of heaven with the Lord through celestial good. This is evident from the signification of an "angel," as being heaven (of which presently); also from the signification of "altar," as being the good of love to the Lord (of which also presently). An "angel" signifies the angelic heaven because the things seen by John were representative; and as heaven could not be presented to his view, therefore instead of the heavens angels were seen; as also above, "seven angels who stood before God" (n. 488); so also "four and twenty elders and four animals" which represented the heavens above, n. 313, 332, 362, 462); so here, "the angel who stood at the altar." The angels seen by John represented heaven, because the whole heaven before the Lord is as one angel-man, likewise each society of heaven; also because the angel derives his angelic form, which is the human form, from the universal heaven. (Respecting this see in the work on Heaven and Hell 51-58, 59-67, 68-72, 73-77, 78-86, where this arcanum is fully unfolded.) For this reason when an angel appears representatively, he represents either the society of heaven from which he is, or many societies together, or the universal heaven in respect to that in heaven and the church that is treated of. That "angels" in the Word signify entire societies in heaven, and also the whole heaven, may be seen above (n. 90, 302, 307). This angel "who stood at the altar" signifies the inmost or third heaven, because the "altar" signifies the good of love to the Lord, and all who are in the inmost or third heaven are in that good.

[2] An altar was seen in heaven not because any altar exists there such as the Israelitish nation had; but as that altar is frequently mentioned in the Word, and it signifies the good of love to the Lord and worship from that good, so an altar was seen by John, by whom the Word was also written, in order that the Word may be everywhere consistent with itself. For a similar reason he saw a golden altar, which was for the offering of incense, also a censer and incense, which are also presently mentioned; as also the ark of the Covenant (chap. Revelation 11:19). For many representatives appear in heaven to those who stand below, which nevertheless do not actually exist there, but are only representative forms of such things as the angels there are thinking from the influx of the Lord; consequently they are all significative of Divine things; as for instance, animals appeared which were cherubim, also a book sealed with seven seals, and at the opening of the first four seals there went forth horses, besides other like things mentioned elsewhere. So here also an altar, a censer, and incense appeared, which were exhibited before John's sight because these are mentioned in the Word and there signify things Divine, and because the Word in Revelation was to be written by means of similar things. There were two altars in use with the Israelitish nation, one called "the altar of burnt-offering," the other "the altar of incense," and because this one was overlaid with gold it was called "the golden altar." The altar of burnt-offering was a representative of the Lord and of the worship of Him from celestial good; and the altar of incense was a representative of the Lord and of the worship of Him from spiritual good. Celestial good is the good of love to the Lord, and spiritual good is the good of charity towards the neighbor. But what altars represented and signified in general and in particular, may be seen above n. 391.

  
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Thanks to the Swedenborg Foundation for their permission to use this translation.

Van Swedenborgs Werken

 

Apocalypse Explained #567

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567. And I heard a voice from the four horns of the golden altar which is before God, signifies revelation from the Lord out of the spiritual heaven. This is evident from the signification of "to hear a voice," as being revelation, because what was revealed by this voice follows; also from the signification of "the golden altar which is before God," as being the Divine spiritual (of which presently); also from the signification of "its four horns," as being the Divine spiritual in its ultimates; for the horns were in the ultimates of both altars, both the altar of burnt-offering and the altar of incense which is the golden altar; and as the horns were the ultimates of these altars they signified the Divine in respect to power, for all power is in ultimates; from this it is that "the horns of the altars" signified the Divine in relation to omnipotence (respecting which signification see above, n. 316. That "the altar of burnt-offering" signifies the Divine celestial, which is Divine good, may be seen above (n. 391, 496); while the "altar of incense" (or the golden altar) represented and thence signified the Divine spiritual, which is Divine truth proceeding from the Lord, as is evident from its description, which will be found below.

[2] It shall first be told here why the voice was heard "from the four horns of the altar." The "horns" that projected and stood out at the ultimate parts of the above-named altars signified all things belonging to them in respect to power, as can be seen from what has been shown above (n. 346, 417), and also from what has been said and shown respecting ultimates in the Arcana Coelestia, as that interiors flow in successively into externals, even into things extreme or ultimate, and that there they exist and subsist (n. 634, 6239, 6465, 9215, 9216); that they not only flow in successively, but also form in the ultimate what is simultaneous, in what order (n. 5897, 6451, 8603, 10099); that thus strength and power are in ultimates (n. 9836); and that thence responses and revelations were given in ultimates (n. 9905, 10548). Since responses and revelations were made from ultimates, it is evident why "the voice was heard from the four horns of the golden altar," namely, because the "golden altar" signifies the Divine spiritual, which is Divine truth which reveals, and because the "horns" signify its ultimates, through which revelation is made. The "golden altar" upon which incense was offered signifies the Divine spiritual, which is Divine truth proceeding from the Lord, because the "incense" that was offered upon the altar signified worship from spiritual good, and the hearing and acceptance of it by the Lord (See above, n. 324, 491, 492, 494).

[3] That "the altar of incense" signified the Divine spiritual, and that "offering incense" upon it signified worship from spiritual good, and the grateful hearing and acceptance of such worship by the Lord, is evident from the construction of that altar, every particular in which represented and signified these things. Its construction is thus described in Moses:

Thou shalt make an altar to burn incense upon; of shittim wood shalt thou make it. A cubit shall be the length thereof, and a cubit the breadth thereof; foursquare shall it be; and two cubits shall be the height of it; its horns shall be from it. And thou shalt overlay it with pure gold, its roof, and its walls round about, and its horns; and thou shall make for it a rim of gold round about. And two rings shalt thou make for it from under its rim, upon the two ribs thereof, upon the two sides of it shalt thou make them; and they shall be for places for the staves with which to bear it. And thou shalt make the staves of shittim wood, and overlay them with gold. And thou shalt put it before the veil that is over the ark of the Testimony, before the mercy-seat that is over the Testimony, where I will meet with thee. And Aaron shall burn thereon incense of spices in the morning; in the morning, when dressing the lamps he shall burn it; and when Aaron maketh the lamps to ascend between the evenings he shall burn it, a perpetual incense before Jehovah in your generations. Ye shall make no strange incense to ascend upon it, nor burnt-sacrifice, nor meal-offering; nor shall ye pour drink-offering upon it. And Aaron shall make expiation upon the horns of it once in the year of the blood of the expiations of sin; once in the year shall he make expiation upon it in your generations: this is the holy of holies unto Jehovah (Exodus 30:1-10).

That these particulars respecting that altar signify in the internal sense worship from spiritual good, which is the good of charity towards the neighbor, as also the grateful hearing and acceptance by the Lord, may be seen in the Arcana Coelestia (n. Arcana Coelestia 10176), where they are explained in series.

  
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Thanks to the Swedenborg Foundation for their permission to use this translation.