Van Swedenborgs Werken

 

Hemel en Hel #73

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73. IEDERE ENGEL HEEFT DAAROM EEN VOLLEDIG MENSELIJKEVORM

Inde twee voorafgaande hoofdstukken is getoond dat de hemel in zijn volledigheid een mens weergeeft, en dat iedere gemeenschap in de hemel dit ook doet. Uit de opeenvolging van redenen die daar gegeven zijn volgt dat iedere engel er ook als een mens uitziet. Aangezien de hemel de mens in de grootste vorm is en een gemeenschap van de hemel dit in een kleinere vorm is, is een engel dit in de kleinste vorm. Want in de meest volmaakte vorm, zoals die van de hemel dat is, bestaat er een gelijkenis van het geheel in het onderdeel en van het onderdeel in het geheel. Dat dit het geval is, komt omdat de hemel een gemeenschap is, want het deelt alles wat het bezit met iedereen en iedereen ontvangt alles wat hij heeft uit die gemeenschap. Een engel is een ontvangbekken en zodoende een hemel in de kleinste vorm, zoals hierboven eveneens in het betreffende gedeelte werd uitgelegd. Voor zover iemand de hemel in zich opneemt, is hij ook een ontvangbekken, een hemel en een engel (zie nr. 57). it wordt in de Apocalyps als volgt beschreven: En hij mat de muur op van het heilige Jeruzalem, honderdvierenveertig el, mensen maat, die engelenmaat is. (Apocalyps 21:17) Jeruzalem is hier de kerk van de Heer, en in hogere betekenis de hemel; de muur is het ware, dat een bescherming is tegen de onjuistheden en zonden; de honderdvierenveertig zijn alle waarheden en al het goede bij elkaar genomen; de maat is de hoedanigheid; mensen maat is iemand in wie al het goede en ware in het algemeen en in het bijzonder aanwezig is, dat is, in wie de hemel is; en omdat een engel door deze dingen ook een mens is, wordt er gezegd mensenmaat, wat ook de maat van een engel is. Dit is de geestelijke betekenis van die woorden. Wie zou zonder die betekenis kunnen begrijpen dat de muur van het heilige Jeruzalem de maat van een mens is, dat is, van een engel?

  
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Thanks to the Swedenborg Boekhuis NL and Guus Janssens for their permission to use this translation.

Van Swedenborgs Werken

 

Apocalypse Explained #490

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490. Verse 3. And another angel came and stood at the altar, signifies the conjunction of heaven with the Lord through celestial good. This is evident from the signification of an "angel," as being heaven (of which presently); also from the signification of "altar," as being the good of love to the Lord (of which also presently). An "angel" signifies the angelic heaven because the things seen by John were representative; and as heaven could not be presented to his view, therefore instead of the heavens angels were seen; as also above, "seven angels who stood before God" (n. 488); so also "four and twenty elders and four animals" which represented the heavens above, n. 313, 332, 362, 462); so here, "the angel who stood at the altar." The angels seen by John represented heaven, because the whole heaven before the Lord is as one angel-man, likewise each society of heaven; also because the angel derives his angelic form, which is the human form, from the universal heaven. (Respecting this see in the work on Heaven and Hell 51-58, 59-67, 68-72, 73-77, 78-86, where this arcanum is fully unfolded.) For this reason when an angel appears representatively, he represents either the society of heaven from which he is, or many societies together, or the universal heaven in respect to that in heaven and the church that is treated of. That "angels" in the Word signify entire societies in heaven, and also the whole heaven, may be seen above (n. 90, 302, 307). This angel "who stood at the altar" signifies the inmost or third heaven, because the "altar" signifies the good of love to the Lord, and all who are in the inmost or third heaven are in that good.

[2] An altar was seen in heaven not because any altar exists there such as the Israelitish nation had; but as that altar is frequently mentioned in the Word, and it signifies the good of love to the Lord and worship from that good, so an altar was seen by John, by whom the Word was also written, in order that the Word may be everywhere consistent with itself. For a similar reason he saw a golden altar, which was for the offering of incense, also a censer and incense, which are also presently mentioned; as also the ark of the Covenant (chap. Revelation 11:19). For many representatives appear in heaven to those who stand below, which nevertheless do not actually exist there, but are only representative forms of such things as the angels there are thinking from the influx of the Lord; consequently they are all significative of Divine things; as for instance, animals appeared which were cherubim, also a book sealed with seven seals, and at the opening of the first four seals there went forth horses, besides other like things mentioned elsewhere. So here also an altar, a censer, and incense appeared, which were exhibited before John's sight because these are mentioned in the Word and there signify things Divine, and because the Word in Revelation was to be written by means of similar things. There were two altars in use with the Israelitish nation, one called "the altar of burnt-offering," the other "the altar of incense," and because this one was overlaid with gold it was called "the golden altar." The altar of burnt-offering was a representative of the Lord and of the worship of Him from celestial good; and the altar of incense was a representative of the Lord and of the worship of Him from spiritual good. Celestial good is the good of love to the Lord, and spiritual good is the good of charity towards the neighbor. But what altars represented and signified in general and in particular, may be seen above n. 391.

  
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Thanks to the Swedenborg Foundation for their permission to use this translation.

Van Swedenborgs Werken

 

Apocalypse Explained #496

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496. Verse 5. And the angel took the censer and filled it from the fire of the altar, signifies the conjunction of celestial love and spiritual love. This is evident from the signification of a "censer," as being spiritual good (of which above, n. 491, and therefore also spiritual love, since all good is of love; also from the signification of "the fire of the altar," as being celestial love, for "fire" signifies in the Word love in both senses, namely, celestial love and infernal love. "The fire of the altar" signifies celestial love, because the altar of burnt-offering, upon which was the fire, was the chief representative of the worship of the Lord from that love (See above, n. 490); and because this love of the Lord is perpetual, therefore it was appointed that a fire should burn continually upon the altar, and that they should take of that fire in the censers for burning incense, which was done to represent the conjunction of celestial love with spiritual love.

[2] That a fire should burn continually upon the altar is evident from Moses:

And the fire upon the altar shall be kept burning, and shall not be put out; and the priest shall kindle wood on it every morning, and shall arrange on it the burnt-offering and he shall burn on it the fats of the peace-offerings. The fire shall be kept burning continually upon the altar, it shall not be quenched (Leviticus 6:12, 13).

This represented that the Lord's Divine love is unceasing and eternal.

[3] That they should take from the fire of the altar in the censers for burning incense see also in Moses:

Aaron shall take burning coals of fire from off the altar before Jehovah in a censer; and he shall put the incense upon the fire before Jehovah (Leviticus 16:12, 13).

And that Aaron took fire from off the altar, and put incense on it, by which expiation was made for the people (Numbers 16:46, 47).

This represented that all propitiation and expiation were from the Lord's Divine love, as also that everything that has that love in it is heard and received by the Lord; and the rising of the smoke of the incense represented also hearing and reception.

[4] And because Korah, Dathan, and Abiram and their company, took fire from the altar and burned incense, and thence their censers were sanctified:

It was commanded that after they had been swallowed up by the earth, their censers, which were of brass, should be gathered up, and the fire be scattered yonder, and the censers be beaten into plates for covering the altar (Numbers 16:36-39).

This also represented the holiness of the Lord's Divine love. And as incense-offerings were holy from the fire of the altar, so incense-offerings with strange fire were profane, therefore:

Nadab and Abihu, the sons of Aaron, were consumed by fire from heaven, because they offered incense with strange fire (Leviticus 10:1, 2).

Incense offering from strange fire represented worship from love other than Divine, and worship from any other love is profane.

[5] These passages have been cited to make known that "the fire of the altar" signifies the Lord's Divine love, which love in heaven is called Divine celestial love and Divine spiritual love; Divine celestial love is in the Lord's celestial kingdom, and Divine spiritual love is in the Lord's spiritual kingdom. For there are two kingdoms, into which all the heavens are divided, the celestial kingdom and the spiritual kingdom; Divine celestial love constitutes the celestial kingdom, and Divine spiritual love the spiritual kingdom. (That all the heavens are divided into these two kingdoms, see in the work on Heaven and Hell n.20-28; and that these two loves constitute these two kingdoms, or all the heavens, n. 13-19.) But it must be noted that the Lord's Divine love in the heavens is called celestial and spiritual from its reception by the angels, and not from its being divided in itself; also that spiritual love springs from celestial love as an effect from its effecting cause, and as truth from good; for the good of spiritual love is in its essence the truth of the good of celestial love. For this reason these two kingdoms are conjoined with each other and are one in the Lord's sight. But this has been said for those who love to search into interior things. That "fire" signifies love in both senses will be seen confirmed from the Word in what follows.

  
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Thanks to the Swedenborg Foundation for their permission to use this translation.