1. ON THE NEW HEAVEN AND THE NEW EARTH, AND THE MEANING OF 'THE NEW JERUSALEM'

In Revelation we read:

I saw a new heaven and a new earth, for the first heaven and the first earth had passed away. And I saw the holy city, the New Jerusalem, coming down from God out of heaven, made ready as a bride adorned for her husband. The city had a great, high wall, which had twelve gates, and twelve angels on the gates, and the names inscribed, which are the names of the twelve tribes of Israel. And the wall of the city had twelve foundations, on which were the twelve names of the apostles of the Lamb. The city lay square, its length the same as its breadth. And he measured the city with a rod, making twelve thousand furlongs; and its length and its breadth and its height were equal. And he measured its wall as a hundred and forty-four cubits, by the measure of a man, which is that of an angel. Its wall was of jasper, but the city itself pure gold, like pure glass; and the foundations of the wall were of every precious stone. The twelve gates were twelve pearls; and the street of the city pure gold like transparent glass. The glory of God gave it light, and its lantern was the Lamb. The nations which have been saved shall walk in its light, and the kings of the earth shall bring to it their glory and honour. Revelation 21:1-2, 12-24.

Anyone reading these words can only understand them in their literal sense. That is, that the sky and the earth will perish, and a new heaven will come into existence; the holy city Jerusalem will come down upon a new earth, and will agree in its measurements with the description. But the angels understand these words quite differently. They understand spiritually what human beings understand naturally. The real meaning is what the angels understand, and that is the internal or spiritual sense of the Word.

A new heaven and a new earth means, in the internal or spiritual sense understood by angels, a new church both in the heavens and on earth. (I shall speak about the church in both places later on.) The city of Jerusalem coming down from God out of heaven means its heavenly teaching. Its length, breadth and height, which are equal means everything good and true in its teaching taken as a whole. Its wall means the truths which protect it. The measurement of the wall, which was a hundred and forty-four cubits, by the measure of a man, which is that of an angel, means all the truths that protect it taken together, and what they are like. The twelve gates made of pearls mean the truths which lead into it, and the twelve angels on the gates likewise. The foundations of the wall which were of every precious stone mean the items of knowledge on which that teaching is based. The twelve tribes of Israel mean everything belonging to the church in general and in particular; likewise the twelve apostles. The gold like pure glass, of which the city and its street are made, mean the good of love which makes the teaching with its truths shine through. The nations who are saved, and the kings of the earth who will bring to it glory and honour, mean all the people in the church who possess good and truth. God and the Lamb mean the Lord as regards His Divinity and His Divine Humanity.

Such is the spiritual sense of the Word; the natural or literal sense serves as its foundation. But still the two senses, the spiritual and the natural, make one by their correspondence. There is not room here to show that all these statements contain that spiritual meaning; that is not the purpose of this book. But they can be seen demonstrated in my ARCANA CAELESTIA.

9865. A ruby, a topaz, and a carbuncle. That hereby is signified the celestial love of good, is evident from the signification of these stones, as being the good of celestial love. Celestial love is love to the Lord from the Lord. That these stones signify this love is on account of their red and flaming color, and “red” signifies love (see n. 3300), in like manner what is “flaming” (see n. 3222, 6832, 7620, 7622, 9570); here celestial love is signified, because they are in the first row; and those which are in the first row correspond to things in the inmost heaven, where reigns celestial love, that is, love to the Lord. As the twelve stones in the breastplate represented all truths from good, they consequently also represented the whole heaven; for heaven is heaven from the Divine truth that proceeds from the Lord’s Divine good. The angels who constitute heaven are receptions of this. Hence it is that the three stones which were in the first row represent the inmost heaven, consequently the love which is there, which is called the celestial love of good, and the celestial love of truth; the stones that were in the first row representing the celestial love of good, and those in the second row the celestial love of truth. That these stones represent this love is due to their color, as before said; for precious stones have a representation according to their colors.

[2] In the heavens appear colors of unspeakable beauty, because they are modifications of heavenly light, and heavenly light is the Divine truth proceeding from the Lord. From this it is evident that colors are presented to view there according to the variations of good and truth; thus they are modifications of the light that proceeds from the Lord through the angels. The light that proceeds from the Lord appears in the inmost heaven like flame; and therefore the colors which come from it are red and flashing. But the same light appears in the middle heaven like a bright white light; and therefore the colors which come from it are of a bright white color, and insofar as they have good in them they sparkle. It is from this that there are two fundamental colors, to which all the rest bear relation; namely, the color red, and the color white; and that a red color is representative of good, and a white one of truth (n. 9467).

[3] This shows why stones of so many colors were set in rows in the breastplate; namely, in order that they might represent in their order all the goods and truths which are in the heavens; consequently the universal heaven. The stones of the first row, which were a ruby, a topaz, and a carbuncle, represented the celestial love of good, because they partake of red. Moreover, the ruby, which is in the first place, derives its name in the original tongue from a word which signifies redness; and the carbuncle, which is in the third place, in the same tongue is derived from a term which signifies a flashing as from fire. But from what word the topaz, which is in the middle place, is derived, is not known; that it was from flaming red color is probable. Accordingly in Job the like is said of it as of gold:

The topaz of Ethiopia shall not vie with wisdom, neither shall it be valued with pure gold (Job 28:19).

“Gold” also denotes the good of love (n. 113, 1551, 1552, 5658, 6914, 6917, 8932, 9490, 9510).