When Jesus died on the cross, there was an earthquake. Rocks were split. The centurion and his soldiers who had carried out the crucifixion orders were afraid.

In the heart of the temple, in the "holy of holies", in the very heart of Jerusalem, the sacred veil tore, from top to bottom.

The veil, "rent in twain"...

The veils in the tabernacle and later in the temple were important. They're described in great detail in Exodus and in 1 Kings. In Arcana Coelestia 2576, it says that, "Rational truths are a kind of veil or clothing to spiritual truths.... The veil represented the nearest and inmost appearances of rational good and truth....

And now, as Jesus dies on the cross, the veil tears. What does this mean?

Here's how Swedenborg describes the symbolism of this:

"...that once all appearances had been dispelled, the Lord entered into the Divine Itself, and at the same time He opened a means of access to the Divine Itself through His Human that had been made Divine." (Arcana Coelestia 2576)

Think about four watershed spiritual events:

1) The creation of the physical universe. (Current best guess: 13.8 billion years ago). Genesis 1:1-10

2) The beginning of life. (On earth, between 3.5 and 4.5 billion years ago.) Genesis 1:11-25

3) The beginning of spiritually conscious human beings. (Reasonable guess: 100,000 years ago). Genesis 1:26-31

4) The incarnation and resurrection of the Lord God Jesus Christ (2000 years ago).

God's love and wisdom have been flowing into the universe for a long time. Where you might expect entropy, instead we see a universe that seems to favor life and intelligence. Think what a fulfilling moment it must have been when God could tell that human minds were now responding to Him, after all that outpouring.

But the free response-ability has tragedy baked in, because we can also choose not to respond, and to go the opposite way.

As we humans grew more "sophisticated", God used new channels to reach us, notably prophets and spiritual leaders, and later the written word. And in those channels, from the earliest times, there are already prophecies that the Lord would one day come into the world in human form.

Why did He need to do that? He must have foreseen that people would need to have that human level of connection, in order for enough good and truth to exist for us to make the decisions that open us to salvation.

Let's go back to Swedenborg's description:

"... once all appearances had been dispelled the Lord entered into the Divine Itself..."

Throughout the Lord's life on earth, there was the appearance that he was a man, like us. He had a human body. He could be tired and hungry. He could be tempted (though unlike us, he always won). In his spiritual life, there were times when he felt keenly the appearance of his human separate from his Divine essence. At other times, that appearance thinned, and he felt his divinity more powerfully. As he grew up, and was baptized, and began his ministry, he must have been growing more and more fully aware of what was going on inside him -- the glorification of the human part of him. With the death of his body on the cross, the bodily human-ness was no longer in the way. That appearance was dispelled. A new connection was fully forged between the Divine and the human.

And then, there's the second part of Swedenborg's statement:

"at the same time He opened a means of access to the Divine Itself through His Human that had been made Divine."

The veil was torn. The old religion, which had placed ritual above real good, and where God was invisible, separated from human knowledge by a veil -- was torn. New light could reach people, through the new teachings of the Lord. We could respond to a God who, in His Divine Human, we now could understand and approach and love more deeply.

9466. 'And violet' means the celestial love of truth. This is clear from the meaning of 'violet' as the celestial love of truth, the reason why 'violet' has this meaning being that it is a celestial colour, and by this colour truth from a celestial origin is meant, that is, truth springing from the good of love to the Lord. This good predominates in the inmost heaven, revealing itself in the middle or second heaven as the colours purple and violet. The actual good reveals itself as purple, and the truth springing from it as violet. For when colours appear in the next life, and in heaven itself, they are most beautiful ones; and they all have their origin in goodness and truth. For the sphere of affections for goodness and truth is revealed to the eyes of angels and of spirits also by means of colours, specific things being revealed by means of objects variously coloured, and also to their nostrils by means of odours. For every celestial reality belonging to good or spiritual reality belonging to truth is represented in the lower heavens by means of the kinds of things that appear in the natural order, and by this means is revealed to the actual external senses of spirits and angels in those heavens. The reason why the spheres of affection for goodness and truth are revealed visually by means of colours is that colours are modifications of heavenly light, and so of intelligence and wisdom, see 4530, 4677, 4742, 4922.

[2] This now explains why the materials that were to be gathered together for the tabernacle and Aaron's garments included violet, purple, twice-dyed scarlet, and skins of red rams; for the tabernacle represented the Lord's heaven, the materials which were used to construct and cover it represented the celestial and spiritual realities that belong to goodness and truth, and Aaron's garments had a like representation, 9457. It explains why the veil within which the ark of the Testimony was placed was woven from violet, purple, twice-dyed scarlet, and fine linen thread, Exodus 26:31, as likewise was the covering for the door of the tent, Exodus 26:36, and the covering for the gate of the court as well, Exodus 27:16, and why the loops on the edge of the curtain were made of violet, Exodus 26:4. It also explains why the ephod was made of gold, violet, purple, twice-dyed scarlet, and linen thread woven together, as was the breastplate of judgement, Exodus 28:6, 15.

[3] 'Violet' means the celestial love of truth, and 'garments made of violet' cognitions or knowledge of truth present as a result of that love, in Ezekiel,

Fine linen with embroidered work from Egypt was your sail, that it might be to you an ensign; violet and purple from the islands of Elishah was your covering. They were your traders with choice wares, ¹ with balls of violet, and embroidery, and with chests of precious garments. Ezekiel 27:7, 24.

This refers to Tyre, by which cognitions of truth and good are meant, 1201. Knowledge and understanding acquired from these is described by 'embroidered work from Egypt', and by 'violet and purple from the islands of Elishah'. 'Embroidered work from Egypt' is factual knowledge of truth, and 'violet and purple from the islands of Elishah' is an understanding of truth and good.

[4] In the same prophet,

Two women, the daughters of one mother, in their youth committed whoredom in Egypt - Oholah and Oholibah. Oholah committed whoredom under Me and doted on the Assyrians her neighbours - clothed in violet, governors and leaders, horsemen riding on horses. Ezekiel 23:2-6.

'Oholah' stands for Samaria, and 'Oholibah' for Jerusalem, Samaria in this instance being the corrupted spiritual Church. 'Committing whoredom in Egypt' means falsifying truths by means of factual knowledge, 'doting on the Assyrians her neighbours' stands for having a love of reasonings based on those falsifications, and 'clothed in violet' stands for ideas which look like truth springing from good because they are derived from the literal sense of the Word interpreted wrongly.

[5] Something similar occurs in Jeremiah,

Beaten silver is brought from Tarshish, and gold from Uphaz, the work of the smith and of the hands of the molder. Their clothing is violet and purple. These are all the work of the wise. Jeremiah 10:9.

This refers to the idols of the house of Israel, by which false teachings, supported by distortions of the outward sense of the Word, are meant, 9424. 'The work of the smith and of the hands of the molder', and also 'these are all the work of the wise', stand for the fact that they are the product of self-intelligence. 'Silver from Tarshish, and gold from Uphaz' stands for their seeming to outward appearance to be true and good because they are taken from the Word; and much the same is meant by 'violet and purple' of which their clothing consisted.

[6] In John,

I saw horses in the vision, and those seated on them had breastplates of fire and violet and brimstone, by whom a third part of mankind was killed. Revelation 9:17-18.

'Horses' and 'those seated on them' stand for a topsy-turvy and corrupted understanding of truth. 'Breastplates of fire, violet, and brimstone' stands for defence of falsities that arise from the evils of devilish kinds of love. In this instance therefore 'fire' stands for the hellish love of evil, and 'violet' for the hellish love of falsity. They are accordingly used in the contrary sense; for the majority of things in the Word also have a contrary meaning.

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