The Bible

 

創世記 4

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1 有一日,那和他妻子夏娃同房,夏娃就懷孕,生了該隱(就是得的意思),便耶和華使我得了一個子。

2 又生了該隱兄弟亞伯亞伯是牧的;該隱是種地的。

3 有一日,該隱拿地裡的出產為供物獻給耶和華

4 亞伯也將他羊群中頭生的和的脂油獻上。耶和華看中了亞伯和他的供物,

5 只是看不中該隱和他的供物。該隱就大大的發怒,變了臉色。

6 耶和華該隱:你為甚麼發怒呢?你為甚麼變了臉色呢?

7 你若行得好,豈不蒙悅納?你若行得不好,就伏在前。他必戀慕你,你卻要制伏他。

8 該隱與他兄弟亞伯話;二人正在田間。該隱起來打他兄弟亞伯,把他殺了。

9 耶和華該隱:你兄弟亞伯在那裡?他:我不知道!我豈是看守我兄弟的麼?

10 耶和華:你作了甚麼事呢?你兄弟的血有聲音從地裡向我哀告。

11 開了,從你裡接受你兄弟的血。現在你必從這地受咒詛。

12 你種不再你效力;你必流離飄蕩在上。

13 該隱耶和華:我的刑罰太重,過於我所能當的。

14 你如今趕逐我離開這,以致不見你面;我必流離飄蕩在上,凡遇見我的必殺我。

15 耶和華對他:凡殺該隱的,必遭報七倍。耶和華就給該隱立一個記號,免得人遇見他就殺他。

16 於是該隱離開耶和華的面,去在伊甸東邊挪得之

17 該隱妻子同房,他妻子就懷孕,生了以諾該隱建造了一座城,就按著他兒子的名將那城以諾

18 以諾生以拿;以拿生米戶雅利;米戶雅利生瑪土撒利;瑪土撒利生拉麥。

19 拉麥娶了兩個妻:個名叫亞大,個名叫洗拉。

20 亞大生雅八;雅八就是帳棚、牧養牲畜之人的祖師。

21 雅八的兄弟名叫猶八;他是一切彈琴吹簫之人的祖師。

22 洗拉又生了土八該隱;他是打造各樣銅利器的(或作:是銅匠匠的祖師)。土八該隱的妹子是拿瑪。

23 拉麥對他兩個妻子:亞大、洗拉,我的聲音;拉麥的妻子,細我的話語:壯年傷我,我把他殺了;少年損我,我把他害了(或作我殺壯士卻傷自己,我害幼童卻損本身。)

24 若殺該隱,遭報七倍,殺拉麥,必遭報七倍

25 亞當又與妻子同房,他就生了一個兒子,起名塞特,意思另給我立了一個兒子代替亞伯,因為該隱殺了他。

26 塞特也生了一個兒子,起名以挪士。那時候,人才求告耶和華的名。

   

From Swedenborg's Works

 

Arcana Coelestia #418

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418. The previous verse deals with celestial things, which are the attributes of love, the present verse with spiritual things, which are the attributes of faith. These spiritual things are portrayed as 'the harp and organ'. That stringed instruments, such as harps and others like them, meant the spiritual things of faith is clear from many points of view. In the worship of the representative Church instruments like these, and the singing likewise, had no other representation. This was why there were so many singers and musicians, the main reason for such representation being that all heavenly joy produces gladness of heart, which was expressed by means of singing, and subsequently by means of stringed instruments that strove to match the singing and uplifted it. Every affection of the heart also has this capacity to produce singing and therefore the things which go with singing. Affection of the heart is something celestial, singing issuing from it something spiritual.

[2] That singing and the like means that which is spiritual has also become clear to me from angelic choirs, of which there are two kinds, celestial and spiritual. From the vibrant quality of their singing, to which the sound of stringed instruments may be likened, spiritual choirs are readily distinguished from celestial choirs. This will in the Lord's Divine mercy be described later on. What is more, the most ancient people related that which was celestial to the province of the heart, and that which was spiritual to the province of the lungs. In so doing they related that which was spiritual to whatever involved the lungs, such as singing voices and other similar things, and so to the voices or sounds of such instruments. The reason for their so relating them was not only that the heart and lungs represent a kind of marriage, like that of love and faith, but also that celestial angels belong to the province of the heart whereas spiritual angels belong to that of the lungs. It can also be recognized that such considerations are meant here from the fact that this is the Word of the Lord, which would contain no life at all if its message were merely that Jubal was the father of those who play on harp and organ. Nor would any use be served in anyone's knowing it.

  
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Thanks to the Swedenborg Society for the permission to use this translation.