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Hoseas 13

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1 Når Efra'im talte, blev alle redde; han raget høit op i Israel; da førte han skyld over sig ved å dyrke Ba'al og døde.

2 Og nu blir de ved å synde og gjøre sig støpte billeder av sitt sølv, avguder efter sin egen forstand, alle sammen håndverkeres arbeid; sådanne er det de taler til - mennesker som ofrer, kysser kalver!

3 Derfor skal de bli som en morgensky, lik duggen som tidlig svinner bort, lik agner som vinden fører bort fra treskeplassen, og som røk fra et røkfang.

4 Men jeg er Herren din Gud fra Egyptens land, og nogen annen Gud enn mig kjenner du ikke, og nogen annen frelser finnes det ikke.

5 Det var jeg som sørget for dig i ørkenen, i det brennhete land.

6 Fordi deres beite var godt, blev de mette; og da de blev mette, ophøiet de sig i sitt hjerte, og så glemte de mig.

7 Da blev jeg mot dem som en løve; som en leopard lurer jeg ved veien;

8 jeg vil møte dem som en bjørn som ungene er tatt fra, og sønderrive deres hjertes dekke*; jeg vil fortære dem som en løvinne; markens ville dyr skal sønderslite dem. / {* d.e. deres bryst.}

9 Det er blitt til din ødeleggelse, Israel, at du har satt dig op imot mig, jeg som er din hjelp.

10 Hvor er da din konge, at han skulde kunne frelse dig i alle dine byer, og dine dommere, om hvem du sa: Gi mig en konge og fyrster?

11 Jeg gir dig en konge i min vrede, og jeg tar ham bort igjen i min harme.

12 Efra'ims misgjerning er samlet i en pung, hans synd er gjemt.

13 Veer som hos en fødende kvinne skal komme over ham. Han er en uforstandig sønn; når tiden er der, kommer han ikke frem i modermunnen.

14 Av dødsrikets vold vil jeg fri dem ut, fra døden vil jeg forløse dem. Død! Hvor er din pest? Dødsrike! Hvor er din sott? Anger er skjult for mine øine*. / {* jeg angrer ikke hvad jeg har lovt; 4MO 23, 19.}

15 For han brer frukt*, der han står blandt sine brødre; men det kommer en østenvind, et Herrens vær, som drar op fra ørkenen, og hans brønn blir tom, og hans kilde tørkes ut; den** røver den hele skatt av kostelige ting. / {* 1MO 48, 19; 49, 22.} {** østenvinden, d.e. assyrerne; HSE 4, 19.}

   

from the Writings of Emanuel Swedenborg

 

Arcana Coelestia #10406

Studere hoc loco

  
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10406. 'And fashioned it with a chisel' means a product of their own intelligence. This is clear from the meaning of 'fashioning with a chisel', when an idol is the subject, as producing false teachings by the use of one's own intelligence, which happens when the literal sense of the Word is used in support of self-love and love of the world. When these rule a person he does not have any enlightenment from heaven. Instead his own intelligence is what he draws on for all the ideas he acquires; and these he substantiates by means of the literal sense of the Word, which he falsifies by using it in a wrong way and interpreting it in a perverted manner. And after this he favours those ideas because he is the author of them.

[2] Various places throughout the Word contain references to graven images and molded images. People who take the Word entirely literally suppose that no more than idols should be understood by them in those places. Not idols however should be understood but false matters of doctrine upheld by the Church, such as are fashioned by a person himself when guided by some love of his own. Falsities when fashioned in such a way that they may hang together and look like truths are meant by 'a graven image'; and falsities when fused together in support of external kinds of love in such a way that evils look like forms of good are meant by 'a molded image'. And since 'the golden calf' is used to mean both types of falsities it says here that Aaron fashioned it with a chisel, by which the fashioning of falsities to look like truths should be understood; then immediately after it says that he made the gold into a calf of molded [metal], and in verse 24 that he threw it into the fire and the calf came out, by which the fusing together of falsities in support of external kinds of love in order that evils may look like forms of good should be understood. This is also what every matter of doctrine is like that is forged by a person and not by the Lord. Matters of doctrine are forged by the person when that person has his own glory and gain as the end in view; but they are forged by the Lord when the good of the neighbour and the good of the Lord's kingdom are regarded as the end in view.

[3] These kinds of things are meant by 'graven images' and 'molded images' in the following places: In Isaiah,

You will judge unclean the covering of the graven images of your silver, and the clothing of the molded image of your gold. Isaiah 30:22.

'The covering of the graven images of silver' means the appearance presented by falsities, as though they were truths, and 'the clothing of the molded image of gold' means the appearance presented by evils, as though they were forms of good; for 'the covering' and 'the clothing' mean the outward appearances with which they are endued or coated over. 'Silver' means truth, and 'gold' good, and this is why 'the graven images' are said to be 'of silver' and 'the molded image' to be 'of gold'. For the meaning of 'silver' as truth and of 'gold' as good, see 1551, 1552, 5658, 6914, 6917, 9874, 9881.

[4] In the same prophet,

The craftsman casts a graven image, and a goldsmith overlays it with gold, and casts silver chains for it. He seeks for himself a skilled 1 craftsman to make ready a graven image which is immovable. Isaiah 40:19-20.

This describes a fashioning of falsities so that they may hang together and look as though they were truths. 'A graven image' means such falsity, 'the craftsman' means the person who fashions it by the use of self-intelligence, 'a goldsmith overlays it with gold' means when he makes it to look like what is good, 'casts silver chains for it' means by making it all hang together, 'which is immovable' means which cannot therefore be weakened and destroyed.

[5] In the same prophet,

Makers of the graven image, [all are] vanity; and their most desirable things are profitless. Who has fashioned a god, and cast a molded image, that it may not profit him? All his companions will be ashamed, and the workmen themselves. He fashions the iron with tongs, and works it with the coals, and forms it with sharp hammers; so he makes it with his strong arm 2 . He fashions wood, stretches out a cord, and marks it off with a ruler. He makes it into its angles, and marks it out with a ring, and makes it into the form of a man (vir), according to the beauty of a human being, to dwell in the house. Isaiah 44:9-14.

This too describes how false teachings are fashioned so that they may hang together and look like truths and forms of good. Every detail here serves to describe how this is brought about by a person using self-intelligence under the guidance of his own wishes, desire, and love. The truth of this may be seen by those who know that all things in the Word have an inner meaning by means of which they must be understood in a spiritual way. Why else should such a description of fashioning a graven image be given? To the end that it may look like truth and good is the meaning when it says that 'he makes it in the form of a man, according to the beauty of a human being'; for in the internal sense 'a man' means truth and 'a human being' the good of that truth.

[6] In Jeremiah,

Every person has been made stupid by knowledge; every metal-caster has been filled with shame by his graven image, for his molded image is a lie; and there is no spirit in those things. Jeremiah 10:14; 51:17.

Here 'graven image' means that which is the product of self-intelligence, and 'molded image' that which accords with the person's love. This meaning is plainly evident, for it says that a person has been made stupid by knowledge, and every metal-caster has been filled with shame by his graven image, and that his molded image is a lie, 'knowledge' here being self-intelligence, and 'a lie' the falsity of evil; and since those objects have nothing of God within them it says that there is no spirit in those things.

[7] In the same prophet,

O sword against its horses and against its chariots, against its treasures, in order that they may be looted! A drought on its waters, in order that they may dry up! For it is the land of graven images. Jeremiah 50:37-38.

'The land of graven images' means a Church in which falsities reign. This too is perfectly clear from the details of these verses when understood in the spiritual sense. Without that sense what would a sword against horses, against chariots, against treasures, and a drought on waters be but words or sounds that have no spirit within them? But from those details when understood in the internal sense it is evident that these verses describe the destruction of the Church's truths and so the subsequent reign of falsities there, meant by 'the land of graven images'. For 'sword' means falsity engaged in conflict with and destroying truths, 'horses' an enlightened power of understanding, 'chariots' matters of doctrine, 'treasures' cognitions or knowledge of truth and good, 'waters on which there is a drought' the non-existence of truths any longer, and 'the land' the Church.

'Sword' means truth engaged in conflict against falsity, and in the contrary sense falsity engaged in conflict against truths and destroying them, see 2799, 6353, 7102, 8294.

'Horses' means an enlightened power of understanding, 2760-2762, 3217, 6534.

'Chariots' means matters of doctrine, 5321, 8146, 8148, 8215.

'Treasures' means cognitions of truth and good, 10227.

'Waters' means truths, 2702, 3058, 3424, 4976, 5668, 8137, 8138, 8568, 9323, 10238.

'The land' means the Church, see in the places referred to in 9325.

From all this it is evident what 'a drought on the waters, that they may dry up' and what 'the land of graven images' mean.

[8] In Habakkuk,

What profit is a graven image since its image-maker has graven it, and a molded image and a teacher of lies, since the image-maker trusts in the thing he himself has made? Habakkuk 2:18.

From these words too it is evident that 'a graven image' and 'a molded image' are not used to mean a graven image and a molded image but falsity that is being made up and the evil to which the falsity lends support; for it speaks of 'the image-maker' and 'a teacher of lies'.

[9] 'Graven image' and 'molded image' have similar meanings in the following places: In Isaiah,

Babel has fallen, and all the graven images of her gods he has broken 3 to the earth. Isaiah 21:9.

In the same prophet,

They will be greatly ashamed, those trusting in a graven image, saying to a molded image, You are our gods. Isaiah 42:17.

In the same prophet,

I told you, and caused you to hear, lest you should say, My idol has done this; my graven image and my molded image has commanded these things. Isaiah 48:5.

In Hosea,

They have called themselves, and gone from their presence 4 . They sacrificed to the baals, and burned incense to graven images. Hosea 11:2.

In Micah,

All the graven images of Samaria will be pounded to pieces, and all her pay as a prostitute will be burned with fire; and all her idols I will make a waste. Micah 1:7.

[10] Since falsities and evils upheld by religious teaching, which are meant by 'graven images and molded images', are forged by a person's self-intelligence under the guidance of his love, the Word also calls them 'the work of human hands', 'the work of the hands of a craftsman', and 'the work of the hands of a workman', as in the following places: In Hosea,

Now they sin more and more, they make for themselves a molded image from their silver, idols by their own intelligence, completely the work of craftsmen. Hosea 13:2.

In Moses,

Cursed is the man who makes a graven or a molded image, an abomination to Jehovah, the work of the hands of the craftsman. Deuteronomy 27:15.

In David,

Their idols are silver and gold, the work of human hands. Psalms 115:4; 135:15.

In Jeremiah,

They burned incense to other gods, and bowed down to the works of their own hands. Jeremiah 1:16.

In the same prophet,

The children of Israel provoked Me to anger through the work of their hands. Jeremiah 32:30; 44:8.

And in the same prophet,

One cuts out wood from the forest, the work of the hands of the workman using an axe. They decorate it with silver and gold; they make it firm with pegs and hammers. Jeremiah 10:3-4.

[11] 'The work of the hands' means that which is a product of the human proprium or self, thus that which is a product of a person's own understanding and a product of his own will; and those things are a product of the self - of both that understanding and that will - that exist as a result of self-love. And this is the origin of all falsities in the Church. Because all falsities are the product of the human self, and 'the work of the hands' means that which originates there, it was forbidden to move an iron tool, axe, or chisel over the stones 5 from which an altar and also the temple were built, as is evident in Moses,

If you make for Me an altar of stones, you shall not build it with hewn ones; for if you move your chisel over it you will profane it. Exodus 20:25.

Also in another place,

If you build an altar of stones to Jehovah you shall not move an iron tool over them. Deuteronomy 27:5.

And in the first Book of Kings,

The house was built of whole stone, as it had been brought [there]; for not a hammer or axe, [nor] any tool of iron, was heard in the house while it was being built. 1 Kings 6:7.

These places have been introduced to enable people to know what they should understand by Aaron's fashioning the gold with a chisel and making a calf of molded [metal] out of it.

V:

1. literally, wise

2. literally, the arm of his strength

3. The Latin means hurled but the Hebrew means broken, which Swedenborg has in another place where he quotes this verse.

4. literally, from their faces

5. i.e. it was forbidden to hew the stones

  
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Thanks to the Swedenborg Society for the permission to use this translation.

from the Writings of Emanuel Swedenborg

 

Arcana Coelestia #3316

Studere hoc loco

  
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3316. 'Jacob boiled pottage' means matters of doctrine when massed together. This is clear from the representation of 'Jacob' as the doctrine of natural truth, dealt with in 3305, and so as matters of doctrine within the natural man, and from the meaning of 'pottage' as a massing together of such matters of doctrine. Indeed 'boiling pottage' is massing together; for the verb in the original language is strictly speaking the noun for 'pottage' - as if you were to say 'he pottaged pottage', that is, he massed it together. It is the first state in the joining together of good and truth that is described in this verse and in those that follow to the end of the chapter. The first state of one who is being regenerated - that is, with whom truth is being joined to good - is a state in which first of all matters of doctrine regarding what is true are massed together, without any definite order, in his natural man, that is, in the storehouse there called the memory. The matters of doctrine present there at that time may be compared to the undigested particles of some ingredient, not compounded with anything else but massed together, and may be compared to a kind of chaos. But the chaos exists to the end that they may be brought into an ordered condition; for with anything that is brought into an ordered condition chaos exists at first. This is what is meant by the pottage that Jacob boiled, that is, massed together. Those matters of doctrine are not brought into an ordered condition by anything within themselves but by the good that must enter into them; and the amount of good entering into them, also the essential nature of that good, determine how far they become ordered and the nature of their then ordered condition. When good first craves and desires matters of doctrine, to the end that they may be joined to itself, it is seen in the form of an affection for truth. These are the considerations meant by 'Esau said to Jacob, Let me sip now from the red [pottage], this red [pottage]'.

[2] Such considerations do indeed appear to be quite remote from the sense of the letter, but nevertheless when man reads these words and understands them according to the sense of the letter, the angels who reside with him at the time do not have any [natural] idea at all of pottage, or of Jacob, or of Esau, or of red, or of sipping from red [pottage]. Instead they have a spiritual idea of them, which is altogether different and remote from that natural idea. The idea of those persons and objects is instantly converted into a spiritual idea. And so it is with everything else in the Word, such as, for example, when one reads of bread there the angels do not perceive bread but instead of bread instantly perceive celestial love and things that belong to celestial love, which is love to the Lord. And when one reads in the Word of wine they do not perceive wine but instead of wine spiritual love and the things that belong to that love, which is love towards the neighbour. Accordingly when one reads of pottage or soup they do not perceive pottage or soup but matters of doctrine that are not as yet joined to good, and thus a disordered massing together of them. This shows the essence and character of angels' thought and perception, and how remote these are from man's thought and perception. If a person when in a holy frame of mind were to think as they do - such as during the Holy Supper - and instead of bread were to perceive love to the Lord, and instead of wine love towards the neighbour, his thought and perception would then be similar to the angels' who in that case would draw nearer to him till at length it would be possible for them to share their thoughts with him, though only insofar as good was at the same time present in that person.

[3] That 'pottage' or soup means a massing together may be seen also from what is said about the sons of the prophets and Elisha in the Book of Kings,

Elisha came again to Gilgal, and there was a famine in the land. And the sons of the prophets were sitting before him, and he said to his servant, Set on the great pot, and boil pottage for the sons of the prophets. And one of them went out into the field to gather herbs and found a wild vine, and gathered from it wild gourds his lap full, and came and cut them up into the pot of pottage, for they did not know [what they were]. And they poured out for the men to eat. And it happened, while they were eating of the pottage, that they cried out and said, There is death in the pot, O man of God! And they could not eat it. And he said, Then bring flour. And he threw it into the pot, and said, Pour out for the people. And they ate, and there was no harm in the pot. 2 Kings 4:38-41.

In the internal sense these words have an altogether different meaning from what they do in the sense of the letter, that is to say, 'a famine in the land' means a dearth of cognitions of good and truth, 1460; 'the sons of the prophets' means those who teach, 2543; 'pottage' facts badly massed together; 'flour' truth which is obtained from good, or that which is spiritual obtained from that which is celestial, 2177. Thus the description of Elisha throwing the flour into the pot, at which point it ceased to contain anything harmful, means that those facts, massed together so, were put right by means of spiritual truth from the Lord's Word - for 'Elisha' represented the Lord as to the Word, 2762. Devoid of this spiritual sense the story about the pottage and the change effected by the flour would not have been worthy of mention in the most holy Word. As with the rest of the miracles in the Word, all of which conceal what is Divine within them, this miracle was performed for the sake of representing those things.

  
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Thanks to the Swedenborg Society for the permission to use this translation.