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حزقيال 1

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1 كان في سنة الثلاثين في الشهر الرابع في الخامس من الشهر وانا بين المسبيين عند نهر خابور ان السموات انفتحت فرأيت رؤى الله.

2 في الخامس من الشهر وهي السنة الخامسة من سبي يوياكين الملك

3 صار كلام الرب الى حزقيال الكاهن ابن بوزي في ارض الكلدانيين عند نهر خابور. وكانت عليه هناك يد الرب.

4 فنظرت واذا بريح عاصفة جاءت من الشمال. سحابة عظيمة ونار متواصلة وحولها لمعان ومن وسطها كمنظر النحاس اللامع من وسط النار.

5 ومن وسطها شبه اربعة حيوانات وهذا منظرها. لها شبه انسان.

6 ولكل واحد اربع اوجه ولكل واحد اربعة اجنحة.

7 وارجلها ارجل قائمة واقدام ارجلها كقدم رجل العجل وبارقة كمنظر النحاس المصقول.

8 وايدي انسان تحت اجنحتها على جوانبها الاربعة. ووجوهها واجنحتها لجوانبها الاربعة.

9 واجنحتها متصلة الواحد باخيه. لم تدر عند سيرها. كل واحد يسير الى جهة وجهه.

10 اما شبه وجوهها فوجه انسان ووجه اسد لليمين لاربعتها ووجه ثور من الشمال لاربعتها ووجه نسر لاربعتها.

11 فهذه اوجهها. اما اجنحتها فمبسوطة من فوق. لكل واحد اثنان متصلان احدهما باخيه واثنان يغطيان اجسامها.

12 وكل واحد كان يسير الى جهة وجهه. الى حيث تكون الروح لتسير تسير. لم تدر عند سيرها.

13 اما شبه الحيوانات فمنظرها كجمر نار متقدة كمنظر مصابيح هي سالكة بين الحيوانات. وللنار لمعان ومن النار كان يخرج برق

14 الحيوانات راكضة وراجعة كمنظر البرق.

15 فنظرت الحيوانات واذا بكرة واحدة على الارض بجانب الحيوانات باوجهها الاربعة.

16 منظر البكرات وصنعتها كمنظر الزبرجد. وللاربع شكل واحد ومنظرها وصنعتها كانها كانت بكرة وسط بكرة.

17 لما سارت سارت على جوانبها الاربعة. لم تدر عند سيرها.

18 اما أطرها فعالية ومخيفة. وأطرها ملآنة عيونا حواليها للاربع.

19 فاذا سارت الحيوانات سارت البكرات بجانبها واذا ارتفعت الحيوانات عن الارض ارتفعت البكرات.

20 الى حيث تكون الروح لتسير يسيرون الى حيث الروح لتسير والبكرات ترتفع معها. لان روح الحيوانات كانت في البكرات.

21 فاذا سارت تلك سارت هذه واذا وقفت تلك وقفت. واذا ارتفعت تلك عن الارض ارتفعت البكرات معها لان روح الحيوانات كانت في البكرات.

22 وعلى رؤوس الحيوانات شبه مقبب كمنظر البلور الهائل منتشرا على رؤوسها من فوق.

23 وتحت المقبب اجنحتها مستقيمة الواحد نحو اخيه. لكل واحد اثنان يغطيان من هنا ولكل واحد اثنان يغطيان من هناك اجسامها.

24 فلما سارت سمعت صوت اجنحتها كخرير مياه كثيرة كصوت القدير صوت ضجة كصوت جيش. ولما وقفت ارخت اجنحتها.

25 فكان صوت من فوق المقبب الذي على رؤوسها. اذا وقفت ارخت اجنحتها.

26 وفوق المقبب الذي على رؤوسها شبه عرش كمنظر حجر العقيق الازرق وعلى شبه العرش شبه كمنظر انسان عليه من فوق.

27 ورأيت مثل منظر النحاس اللامع كمنظر نار داخله من حوله من منظر حقويه الى فوق ومن منظر حقويه الى تحت رأيت مثل منظر نار ولها لمعان من حولها

28 كمنظر القوس التي في السحاب يوم مطر هكذا منظر اللمعان من حوله. هذا منظر شبه مجد الرب. ولما رأيته خررت على وجهي. وسمعت صوت متكلم

from the Writings of Emanuel Swedenborg

 

Apocalypse Explained #69

Studere hoc loco

  
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69. Verse 15. And His feet like unto burnished brass, as if glowing in a furnace, signifies the ultimate of Divine order, which is the natural, full of Divine love. This is evident from the signification of "feet," as being the natural (See Arcana Coelestia 2162, 3147, 3761, 3986, 4280, 4938-4952); therefore, in reference to the Lord, as meaning the ultimate of Divine order, because that is the natural; also from the signification of "burnished brass," or brass polished, as being natural good (of which presently); and from the signification of "glowing," as being, in reference to the Lord, what is from Divine love (See n. 10055). It is said, "as if glowing in a furnace," in order that the Divine love in the greatest degree and in its fullness may be represented, for the Divine is in its fullness when it is in its ultimate, and the ultimate is the natural (See above, n. 66).

From this it is clear that by "His feet like unto burnished brass, as if glowing in a furnace," is signified the ultimate of Divine order, which is the natural, full of Divine love. These things, as well as the preceding, are described by comparisons; as that "His head and His hairs were white as white wool, as snow," and that "His feet were like unto burnished brass, as if glowing in a furnace;" but it is to be noted, that all comparisons in the Word are significative, for they are from correspondences in like manner as the things themselves (See Arcana Coelestia 3579, 4599, 8989).

[2] In reference to the Lord, "feet" signify the ultimate of Divine order, and this is the natural, because heaven is heaven from the Lord's Divine Human, and from this it is that heaven in the whole complex represents one man; and as there are three heavens, that the highest heaven represents the head, the middle heaven the body, and the lowest heaven the feet. The Divine that makes the highest heaven is called the celestial Divine, but the Divine that makes the middle heaven is called the spiritual Divine, and the Divine that makes the lowest heaven is called the natural Divine from the spiritual and celestial. This makes it evident why the Lord is here described in respect to His Divine Human, which is the Son of man seen in the midst of the lampstands, not only as regards His garments, but also as to His head, breast, and feet. (That the Son of man is the Lord as to His Divine Human, see above, n. 63; and that the "lampstands" are heaven, see n. 62, 63. But since these things are arcana hitherto unknown in the world, and yet must be understood in order that the internal sense of this and the following parts of this prophetical book may be comprehended, the particulars have been explained specifically in the work on Heaven and Hell; as

That the Divine Human of the Lord makes Heaven, n. 7-12, 78-86, seq.;

That on this account Heaven in the whole Complex represents one Man, n. 59-77;

That there are Three Heavens, and that the highest refers to the head, the middle to the body, and the lowest to the feet, n. Heaven and Hell 29-40.)

When this is understood it can be seen what is signified in the Word by "the feet of Jehovah" or "of the Lord," namely, the ultimate of Divine order, or the natural; and since the external of the church, of worship, and of the Word is the ultimate of Divine order in the church, and is the natural, this is specifically signified by "the feet of Jehovah" or "of the Lord."

[3] Because of this signification of "the feet of Jehovah" or "of the Lord," therefore when the Lord was seen as an Angel by the prophets elsewhere, He appeared in like manner.

Thus by Daniel:

I lifted up mine eyes, and looked, and behold a man clothed in linen, whose loins were girded with gold of Uphaz; His body was like the tarshish stone, and His eyes as lamps of fire, and His arms and His feet like the brightness of polished brass (Daniel 10:5-6).

In like manner the cherubs, by which is meant the Lord in respect to providence and protection (See Arcana Coelestia 9277, 9509, 9673), were seen by Ezekiel:

Their feet sparkled like the brightness of polished brass (Ezekiel 1:7).

The Lord was seen in like manner as an Angel as described further on in Revelation:

I saw an Angel coming down out of heaven, arrayed with a cloud, and a rainbow was about His head, and His face was as the sun, and His feet as pillars of fire (Revelation 10:1).

As the Lord appeared in this manner as to His feet, therefore under His feet there was seen by some of the sons of Israel:

As it were a work of sapphire stone, and as it were the substance of heaven for clearness (Exodus 24:10).

Their vision of the Lord was not as to the feet, but "under the feet," because they were not in, but under, the external of the church, of worship, and of the Word (See The Doctrine of the New Jerusalem 248).

[4] Since "the feet of Jehovah" or "of the Lord" signify the ultimate of Divine order, and this specifically is the external of the church, of worship, and of the Word, therefore this external is called in the Word "His footstool," as in Isaiah:

The glory of Lebanon shall come unto thee, to beautify the place of My sanctuary; I will make the place of My feet honorable. And they shall bow themselves down at the soles of thy feet (Isaiah 60:13-14).

In the same:

Heaven is My throne, and the earth is My footstool (Isaiah 66:1).

In Jeremiah:

God doth not remember His footstool in the day of anger (Lamentations 2:1).

In David:

Worship Jehovah at His footstool (Psalms 99:5).

We will go into His tabernacles; we will worship at His footstool (Psalms 132:7).

In Nahum:

Of Jehovah, the clouds are the dust of His feet (Nahum 1:3).

"Cloud" is the external of the Word, or the Word in respect to the letter (See above, n. 36). Because "cloud" is the external of the Word, it is also the external of the church and of worship; for the church and worship are from the Word. "Clouds" are called "dust of His feet," because those things that are in the sense of the letter of the Word, which is natural, appear scattered.

  
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Thanks to the Swedenborg Foundation for their permission to use this translation.

from the Writings of Emanuel Swedenborg

 

Arcana Coelestia #5319

Studere hoc loco

  
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5319. 'And clothed him in robes of fine linen' means an outward sign denoting the celestial of the spiritual, 'robes of fine linen' being truths going forth from the Divine. This is clear from the meaning of 'robes' as truths, dealt with in 1073, 2576, 4545, 4763, 5248. The reason 'robes of fine linen' means truths going forth from the Divine is that a robe made of fine linen was absolutely white and at the same time shining, and truth going forth from the Divine is represented by robes which have that kind of brightness and splendour. And the reason for this is that heaven derives its brightness and splendour from the light that flows from the Lord; and the light that flows from the Lord is Divine Truth itself, 1053, 1521-1533, 1619-1632, 1776, 3195, 3222, 3339, 3485, 3636, 3643, 3862, 4415, 4419, 4526, 5219. This explains why, when the Lord was transfigured before Peter, James, and John, His clothing appeared as the light, Matthew 17:2; glistening, intensely white like snow, as no fuller on earth could bleach them, Mark 9:3; and dazzling, Luke 9:29. It was Divine Truth itself going forth from the Lord's Divine Human that was represented in this manner. But they are exterior truths that are represented in heaven by the brightness of robes, whereas interior truths are represented by the brightness and splendour of the face. This is why 'being clothed in robes of fine linen' at this point means an outward sign denoting truth going forth from the celestial of the spiritual, for this was what the Lord's Divine consisted in at this time.

[2] There are other places too in the Word where truth going forth from the Divine is meant by 'fine linen' and 'robes of fine linen', as in Ezekiel,

I clothed you with embroidered cloth, and shed you with badger, and swathed you in fine linen, and covered you in silk. Thus were you adorned with gold and silver, and your robes were fine linen, and silk, and embroidered cloth. Ezekiel 16:10, 13.

This refers to Jerusalem, which is used in these verses to mean the Ancient Church. The truths of this Church are described by robes made of embroidered cloth, fine linen, and silk, and by being adorned with gold and silver. 'Embroidered cloth' means truths existing as facts, 'fine linen' natural truths, and 'silk' spiritual truths.

[3] In the same prophet,

Fine linen with embroidered work from Egypt was your sail, that it might be to you an ensign; violet and purple from the islands of Elishah was your covering. Ezekiel 27:7.

This refers to Tyre, which too is used to mean the Ancient Church, but so far as cognitions of good and truth are concerned. 'Fine linen with embroidered work from Egypt, which was its sail' means truth obtained from factual knowledge, which was the outward sign of that Church.

[4] In John,

The merchants of the earth will weep and mourn over Babylon, since no one buys their wares any more, wares of gold, and silver, and precious stones, and pearls, and fine linen, and purple, and silk, and scarlet, and all thyine wood, and every vessel of ivory, and every vessel made of most precious wood, and bronze, and iron, and marble. Revelation 18:11-12.

All the specific commodities mentioned here mean the kinds of things that have to do with the Church and so truth and goodness. Here however they are used in the contrary sense because they are spoken of in reference to Babylon. Anyone may see that such commodities would never have been listed in the Word which has come down from heaven unless each one held something heavenly within it. What other reason can there be for a list of worldly wares when Babylon, meaning an unholy Church, is the subject? Similarly in the same book,

Woe, woe, the great city, you that were clothed in fine linen, and purple, and scarlet, covered 1 with gold, and precious stones, and pearls. Revelation 18:16.

[5] The fact that each commodity means something Divine and heavenly is quite evident in the same book where it states what fine linen is, namely the righteous acts of the saints,

The time of the marriage of the Lamb has come, and His wife has made herself ready. At that time she was given fine linen, clean and shining, to wear; for the fine linen is the righteous acts of the saints. Revelation 19:7-8.

'Fine linen' is 'the righteous acts of the saints' for the reason that all those with whom truth received from the Divine exists are clothed with the Lord's righteousness. For their robes which are bright and shining are products of the light which flows from the Lord. Therefore in heaven truth itself is represented by 'brightness', 3301, 3997, 4007; and people who are being raised to heaven from a state of vastation are seen to be clothed with brightness because they are at this point casting off the robe of their own righteousness and putting on that of the Lord's righteousness.

[6] So that truth from the Divine might be represented in the Jewish Church, they were commanded to use cotton or fine linen in Aaron's vestments, and also in the curtains around the Ark, referred to in Moses as follows,

You shall make in chequered pattern for Aaron a tunic of cotton, and you shall make a turban of cotton. Exodus 28:39.

They made tunics of cotton, the work of a weaver, for Aaron and his sons. Exodus 39:27.

You shall make the Dwelling-place, ten curtains - fine-twined cotton, violet and purple and twice-dyed scarlet. Exodus 26:1; 36:8.

You shall make the court of the Dwelling-place. The hangings for the court shall be of fine-twined cotton. Exodus 27:9, 18; 38:9.

The screen for the gate of the court, the work of an embroiderer, violet and purple, and twice-dyed scarlet, and fine-twined cotton. Exodus 38:18.

Cotton is fine linen, which they were commanded to use because each object in the Ark and around the Ark, also every detail of Aaron's vestments, were representative of spiritual and celestial realities. From this one may see that a person has only a meagre understanding of the Word if he does not know what such things represent, and scarcely any understanding at all if he thinks that the Word possesses no holiness other than that which presents itself in the letter.

[7] When angels with whom truth from the Divine is present are seen by anyone they are clothed so to speak in fine linen, that is, in shining brightness, as is evident in John where 'a white horse' is referred to,

The One seated on a white horse was clothed in a garment dyed with blood, and His name is called the Word. His armies in heaven were following Him on white horses; they were clothed in fine linen, white and clean. Revelation 19:11, 13-14.

These words show quite plainly that 'fine linen' is an outward sign denoting truth from the Divine, for 'the One seated on a white horse' is the Lord as to the Word; indeed those words state quite explicitly that He is the Word. The Word is truth itself received from the Divine, and 'a white horse' is the internal sense of the Word, see 2760-2762. Consequently truths received from the Divine are meant by 'white horses', for such truths constitute the whole of the internal sense of the Word. This was why His armies were seen 'on white horses' and why 'they were clothed in fine linen, white and clean'.

V:

1. literally, gilded

  
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Thanks to the Swedenborg Society for the permission to use this translation.