Judges 5: The Song of Deborah.

This chapter is a song of victory, describing the events of Judges 4 in poetic and exuberant language. Throughout, there is a sense of exhorting the people to turn to the Lord and praise Him for the victory. Singing this kind of song was a customary way for Israel to rejoice after a major victory.

The spiritual meaning of singing has to do with our overall joy and affection for spiritual things: joy for what is true, for the Word, and for everything about the Lord. Affection is not merely knowing spiritual truths; it is our heart’s response to them, which goes far beyond words.

This is why the lyrics of sacred songs such as Judges Chapter 5 are very eloquent and passionate. They are not simply an account of what took place, but more an outburst of praise and gratitude in recounting the story. We experience the same inner ‘music’ when our heart feels a deep spiritual affection, and is stirred up with praise to the Lord. Just as Deborah and Barak sang after a battle, our songs of gratitude will generally be felt after the Lord delivers us from a period of temptation during regeneration (see Swedenborg’s work, Arcana Caelestia 8265).

The song itself frequently acknowledges the Lord’s part in Israel’s victory:

In verse 4: “Lord, when you went out from Seir, when you marched from the field of Edom.”

In verse 11: “There they shall recount the righteous acts of the Lord for his villagers in Israel.”

And in verse 13: “Then the Lord came down for me against the mighty.”

These references serve to remind us that everything is the Lord’s doing. We must do what is good as though our actions make the difference, but we are to affirm that the Lord brings about all that is good. This acknowledgement allows us to act from free will, while still understanding the spiritual truth that all goodness comes from the Lord (Arcana Caelestia 9193).

This is emphasized through the song whenever Deborah praises her own actions, as well as those of Barak and Jael. For example:

In verse 7: “Village life ceased in Israel until I, Deborah, arose, a mother in Israel.”

In verse 12: “Awake, awake, Deborah! Awake, awake, sing a song! Arise, Barak, and lead your captives away, O son of Abinoam!”

And in verses 24-27, when Jael receives full praise for her actions.

Another theme in the song is a lament over those tribes which did not come to the aid of Israel, although only Issachar and Zebulun were called to battle. A town called Meroz is roundly cursed for failing to help. The name ‘Meroz’ comes from a verb meaning “to withdraw” or “to hide” (see Swedenborg’s work, Heaven and Hell 18). This lament reminds us that our intentions to serve the Lord and to fight our spiritual battles can be hindered by our own divided wills.

8265. 'The horse and its rider He has thrown into the sea' means in that as a result simply of His presence falsities arising from evil have been damned and cast into hell. This is clear from the meaning of 'the horse' as falsities belonging to a perverted understanding, for 'horse' means the power of understanding, see 2761, 2762, 3217, 5321, and in the contrary sense a perverted understanding, which is no understanding at all, and therefore falsity is meant in that contrary sense by 'horse' and false factual knowledge by 'Pharaoh's horse', 6125, 8146, 8148; from the meaning of 'rider' (or 'horseman') as reasonings based on that false knowledge, dealt with in 8146, 8148; and from the meaning of 'throwing into the sea' as damning and casting into hell. 'The sea', the Sea Suph at this point, is the hell where the falsities arising from evil are, the falsities of those belonging to the Church who have upheld separated faith and led a life of evil, see 8099, 8137, 8148, which is why they are called falsities arising from evil. The fact that those falsities were damned and cast into hell as a result simply of the Lord's presence was shown in the previous chapter. The evil cannot at all bear or put up with God's presence. His presence causes them pain, torments them, and so to speak snuffs the life out of them; they behave like those in the throes of death. The reason for this is that what is God's has the totality of power within it; it destroys and wipes out that which is opposed to it, namely falsity and evil. This is why at God's presence the life of those steeped in falsity and evil becomes burdensome and contains, in the measure that He is present, the feeling of hell within it. But in order that those steeped in falsities and evils may not be completely crushed and suffer torment they are shielded by their own falsities and evils, which act like mists. These are by nature such that they diminish, or divert, or smother the flow of what is Divine in the same way that earthly mists or clouds normally do to sunrays.

[2] These things are meant by the following words in John,

They will say to the mountains and rocks, Rush down on us and hide us from the face of Him who is seated on the throne and from the anger of the Lamb. For the great day of His anger has come; who therefore will be able to stand firm? Revelation 6:16-17.

Evils and falsities are meant by 'the mountains and rocks' which they will address, saying that they should rush down on them and hide them. 'The anger of the Lamb' means torment, the appearance being that the Divine would cause the torment because of His anger, but the reality being that the falsities and evils themselves are responsible for it. The words contained in Isaiah 2:10, Hosea 10:8, and Luke 23:30 have a similar meaning. The fact that damnation takes place as a result simply of the Lord's presence is also meant by these words that follow in the song,

You send out Your wrath, it eats them up like stubble. And with the wind of Your nostrils the waters were heaped up, the floods stood as a heap. You blew with Your wind, the sea covered them over; they sought a deep place. You stretched out Your right hand, the earth swallowed them. Verses 7-8, 10, 12.

Words with a similar meaning occur in very many other places in the Word.