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Izlazak 26

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1 A šator ćeš načiniti od deset zavesa od tankog platna uzvedenog i od porfire i od skerleta i od crvca; i po njima da budu vezeni heruvimi.

2 Jedan zaves neka bude dvadeset i osam lakata dug i četiri lakta širok; svi zavesi da budu jedne mere.

3 Pet zavesa neka se sastavljaju jedan s drugim, i pet drugih zavesa neka se sastavljaju jedan s drugim.

4 I načini petlje od porfire po kraju jednog zavesa, gde će se krajevi sastavljati, i tako načini po kraju drugog zavesa, gde će se krajevi sastavljati.

5 Pedeset petalja načini na jednom zavesu, a Pedeset petalja načini na kraju drugog zavesa, gde će se sastavljati s drugim, a petlje da budu jedna prema drugoj.

6 I načini pedeset kuka od zlata, da zapneš zavese jedan za drugi kukama, i tako će biti šator jedan.

7 I načini zavese od kostreti za naslon nad šatorom; jedanaest takvih zavesa načini.

8 Zaves jedan neka bude trideset lakata dug, a širok četiri lakta; tih jedanaest zavesa da su jedne mere.

9 I sastavi pet zavesa zajedno, a šest ostalih zajedno, na dvoje ćeš previti šesti zaves s prednje strane naslonu.

10 I načini pedeset petalja na stražnjem kraju prvog zavesa, gde će se sastavljati, a pedeset petalja na kraju drugog zavesa, gde će se sastavljati.

11 I načini kuka bronzanih pedeset, i zapni kuke na petlje, i sastavi naslon, da bude jedno.

12 A što je više u zavesa na naslonu, polovina zavesa što pretiče, neka visi na stražnjoj strani šatoru.

13 I lakat s jedne strane a lakat s druge strane što ima više u dužinu u zavesa na naslonu, neka visi šatoru sa strane i tamo i amo, da ga zaklanja.

14 I načini pokrivač naslonu od koža ovnujskih crvenih obojenih, i svrh njega pokrivač od koža jazavičijih.

15 I načini za šator daske od drveta sitima, koje će stajati pravo.

16 Deset lakata neka bude svaka daska duga a podrug lakta široka.

17 Dva čepa neka budu na dasci, jedan prema drugom najednako; tako načini na svakoj dasci za šator.

18 Tako načini daske za šator, dvadeset dasaka na južnoj strani.

19 A pod dvadeset dasaka načini četrdeset stopica od srebra: dve stopice pod jednu dasku za dva čepa njena, i dve stopice pod drugu dasku za dva čepa njena.

20 A na drugoj strani šatora prema severu dvadeset dasaka.

21 Sa četrdeset stopica srebrnih, dve stopice pod jednu dasku i dve stopice pod drugu dasku.

22 A na zapadnoj strani šatora načini šest dasaka,

23 I dve daske na dva ugla od šatora.

24 I one neka se sastavljaju ozdo i neka se sastavljaju ozgo biočugom; tako neka bude u obe koje će biti na oba ugla.

25 Tako će biti osam dasaka sa stopicama srebrnim, sa šesnaest stopica, dve stopice pod jednu dasku, a dve stopice pod drugu dasku.

26 I načini prevornice od drveta sitima, pet za daske na jednoj strani šatora,

27 I pet prevornica za daske na drugoj strani šatora, i pet prevornica za daske na zapadnoj strani šatora do oba ugla.

28 A srednja prevornica da ide preko srede dasaka od jednog kraja do drugog.

29 A daske okuj zlatom, i biočuge im načini od zlata, da se kroz njih provuku prevornice, a i prevornice okuj zlatom.

30 Tako ćeš podignuti šator po slici koja ti je pokazana na gori.

31 I načini zaves od porfire i od skerleta i od crvca i od tankog platna uzvedenog, i po njemu neka budu vezeni heruvimi.

32 I obesi ga o četiri stupa od drveta sitima, okovana zlatom, sa kukama zlatnim, na četiri stopice srebrne.

33 I obesi zaves o kuke, i unesi za zaves kovčeg od svedočanstva, da vam zaves rastavlja svetinju od svetinje nad svetinjama.

34 I metni zaklopac na kovčeg od svedočanstva u svetinji nad svetinjama.

35 I namesti sto pred zaves a svećnjak prema stolu na južnoj strani šatora, da sto stoji na severnoj strani.

36 I na vrata naslonu načinićeš zaves od porfire i od skerleta i od crvca i od tankog platna uzvedenog, vezen;

37 I za taj zaves načinićeš pet stupova od drveta sitima, koje ćeš okovati zlatom, sa kukama zlatnim, i salićeš za njih pet stopica od bronze.

   

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Arcana Coelestia # 4922

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4922. And bound double-dyed upon his hand. That this signifies that she put a mark upon it, namely, upon the power, and that “double-dyed” is good, is evident from the signification of “binding upon the hand,” as being to put a mark upon power, for the “hand” is power (n. 4920); and from the signification of “double-dyed” as being good, and indeed spiritual good. That “double-dyed” denotes spiritual good, is because it was of a scarlet color; and the color of scarlet when seen in the other life signifies spiritual good, that is, the good of charity toward the neighbor. For all colors visible in the other life signify something of good and truth, because they come into existence from the light of heaven, which in itself is wisdom and intelligence from the Lord’s Divine. The variations or modifications of that light are the consequent variations, and so to speak modifications, of wisdom and intelligence, consequently of good and truth. That the light in heaven is from the Divine wisdom and intelligence of the Lord, who appears there as a sun, may be seen above (n. 1053, 1521-1533, 1619-1632, 2776, 3138, 3167, 3190, 3195, 3222, 3223, 3225, 3337, 3339, 3340, 3485, 3636, 3643, 3862, 3993, 4180, 4214, 4302, 4405, 4408, 4413, 4415, 4523-4533). That colors are from this source, and that they are the variations and modifications of that light, and consequently of intelligence and wisdom, may be seen above (n. 1042, 1043, 1053, 1624, 3993, 4530, 4677, 4742).

[2] That “double-dyed” denotes spiritual good, is plain from the passages in the Word in which it is mentioned, as in Jeremiah:

If then thou art laid waste what wilt thou do? If thou clothest thyself with double-dyed, and adornest thyself with an ornament of gold, in vain shalt thou make thyself beautiful; the lovers will abhor thee (Jeremiah 4:30); where Judah is spoken of; “clothing thyself with double-dyed” denotes spiritual good, and “adorning thyself with an ornament of gold” denotes celestial good. In the second book of Samuel:

David lamented over Saul and over Jonathan, and wrote to teach the sons of Judah the bow. Ye daughters of Israel, weep over Saul, who clothed you in double-dyed, with delights, and put an ornament of gold upon your apparel (2 Samuel 1:17-18, 24); where “teaching the bow” is teaching the doctrine of love and charity, for a “bow” signifies this doctrine; “clothing in double-dyed” denotes spiritual good, as before; and “putting an ornament of gold upon the apparel” denotes celestial good.

[3] Because this was the signification of “double-dyed,” it was commanded that double-dyed scarlet should be used on the curtains of the tabernacle, on the veil, on the covering for the door of the tent, on the covering for the gate of the court, on the table of faces when they journeyed, and on Aaron’s garments of holiness, as on the ephod, the breastplate of judgment, and the fringe of the robe of the ephod—as is evident from the following passages:

[4] Thou shalt make for the tabernacle ten curtains; of fine-twined linen, and blue, and crimson, and scarlet double-dyed (Exodus 26:1).

Thou shalt make a veil of blue, and crimson, and scarlet double-dyed, and fine-twined linen (Exodus 26:31).

Thou shalt make a covering for the door of the tent, of blue, and crimson, and scarlet double-dyed, and fine-twined linen (Exodus 26:36).

For the gate of the court thou shalt make a covering of blue, and crimson, and scarlet double-dyed, and fine-twined linen, the work of the embroiderer (Exodus 27:16).

When the camp setteth forward they shall spread upon the table of faces a cloth of scarlet double-dyed, and cover the same with a covering of badger’s skin (Numbers 4:5, 7-8).

Thou shalt make the ephod of gold, of blue, and crimson, and scarlet double-dyed and fine-twined linen, the work of the artificer. Likewise on the belt (Exodus 28:6, 8).

Thou shalt make a breastplate of judgment, the work of the artificer; like the work of the ephod, of gold, of blue, and crimson, and scarlet double-dyed, and fine-twined linen (Exodus 27:15).

Upon the fringe of the robe of the ephod [thou shalt make] pomegranates of blue, and of crimson, and of scarlet double-dyed (Exodus 27:33 [NCBSW: 28:33]).

[5] As the tent of assembly with the ark represented heaven, therefore the above-mentioned colors were commanded to be used; and they signify in their order the celestial and spiritual things there, “blue and crimson” signifying celestial goods and truths, and “scarlet double-dyed and fine-twined linen,” spiritual goods and truths. Everyone who believes the Word to be holy can know that everything in it has some signification; and whoever believes that the Word is holy because it was sent down by the Lord through heaven, can know that the celestial and spiritual things of His kingdom are signified. In like manner it was commanded that cedar wood, and scarlet, and hyssop should be used in the cleansing from leprosy (Leviticus 14:4, 6 (Leviticus 14:6), 52); and that cedar wood, and hyssop, and double-dyed crimson should be cast upon the burning of a red heifer, from which was to be prepared the water of separation (Numbers 19:6, 9).

[6] The profanation of good and truth is described by similar expressions in Revelation.

I saw a woman sitting upon a scarlet beast, full of names of blasphemy, having seven heads and ten horns. And the woman was clothed in crimson and scarlet, and gilded with gold and precious stone and pearls, having in her hand a golden cup full of abominations and filthiness of her whoredoms (Revelation 17:3-4).

Woe, woe, the great city, she that was clothed in fine linen, and crimson, and scarlet, and gilded with gold, and precious stone and pearls (Revelation 18:16);

speaking of Babylon, by which is signified the profanation of good (n. 1182, 1283, 1295, 1304, 1306-1308, 1321, 1322, 1326), here the profanation of good and truth, which is Babylonish. In the prophets of the Old Testament, “Babylon” is the profanation of good, and “Chaldea” the profanation of truth.

[7] “Scarlet,” in the opposite sense, signifies the evil which is opposite to spiritual good, as in Isaiah:

Though your sins be as scarlet, they shall be as white as snow; though they be red like crimson, they shall be as wool (Isaiah 1:18).

That “scarlet” signifies this evil is because “blood”—also from its redness—signifies in the genuine sense spiritual good, or charity toward the neighbor, but in the opposite sense violence offered to charity.

  
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Thanks to the Swedenborg Foundation for the permission to use this translation.